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After correcting the weapon mechanics, they landed on the steak bone as the piece of memorabilia to own.

Kyle wants the red headband and Co’s necklace; Bill wants the machine gun and ammunition belt.

Different hosts want the Wonder Bread outfit, Ricky’s car, Reese’s wardrobe, or the stuffed cougar. No shared winner is selected.

They agree the most desirable prop would be the movie-worn astronaut suit.

They identify the bomb trigger as the most memorable prop, with the golden watch also mentioned.

They choose a Mother's baseball jersey or related memorabilia over the sneakers as the best keepable item.

They picked the 'too old for this shit' line as the best quote in the movie.

When the podcast returns to quote talk, they again identify the poor-people/no-assholes line as the strongest quote in the movie.

The quoted line about poor people having no assholes is singled out as the best quote, with several other Eddie Murphy lines also admired.

CR chose Truman’s camera-line as his favorite quote, while Bill highlighted the security-guard exchange.

They pick Han Solo's skeptical line about the Force as the best quote.

The most memorable line for them is Cole’s declaration that he fears being nothing more than being hurt.

Bill identified Clyde stripping during the arrest as the movie's most deliberate visual flourish, with the ending fire image mentioned as another strong shot.

They favor the mud-wall reveal, with knife sharpening and the bandana shot also nominated.

The crane move into Ricky’s car and the slow-motion crash receive praise; no final shot is selected.

They favor the Venice-to-Alps transition as the standout shot while mentioning Sutherland's body as another option.

They single out the shadowy Nikki images and the bedroom-corner framing as the film’s most cinematic visuals.

They choose the flashy 360 camera move around Patty and the lawyer as the standout shot.

"Eminence Front" was the only song singled out as the clear needle-drop choice.

They explicitly decline to name a best needle drop and introduce a worst-needle-drop award instead.

They explicitly create a new category and pick Frank Stallone’s ending song as the worst needle drop.

The closing song emerges as the choice after discussion of Journey, AC/DC, Audioslave, and other soundtrack picks.

They identify the "Spirit in the Sky" cue as the clear needle-drop winner.

They narrow the montage songs down and settle on 'Living Inside My Heart' as the best needle drop.

CR picks the nightclub sequence as the most rewatchable, with the others offering different scenes as alternatives.

The room settles on the cocktail party sequence, with the final heist mentioned as the strongest alternative.

The hosts settle on the entire doomed sailing-trip stretch, especially the final 50 minutes, as the movie's most rewatchable run.

The hosts split between the corridor shootout and Benihana, with the final shootout getting the head nod as the most rewatchable scene.

The hosts explicitly choose the drive-in as the movie's most rewatchable element.

Chris points to the whole early Dennis-Ramond stretch through the elevator fight as most rewatchable, with the elevator confrontation singled out as especially great.

They choose the refrigerator meltdown as the movie’s best food-and-drink moment.

They throw out a few options, but no single food-or-drink gag clearly wins the room.

They favor the wine seduction sequence, with the untouched pasta getting an honorable mention.

After a couple of possibilities, they land on the Tom Collins as the best food-and-drink choice.

They singled out the coffee spill and the straight-Stoli pour as the film's best food-and-drink beats.

Homemade prison booze gets the nod as the memorable food-and-drink detail.

They settle on Sal’s pepperoni pizza as the best food moment, while also noting the beer drinking in the film.

They explicitly pick the beers and beer-date scene as the best use of food and drink.

They initially pick the pizza gag, though dim sum gets raised as a strong alternative because it is more visible on screen.

They pick Robocop's organic food paste as the best food-and-drink bit in the film.

The punch at the bar gets singled out as the best food-and-drink moment.

The mashed-potato table scene wins the food award without much debate.

The room picks the Waffle House scene as the most memorable food-and-drink moment.

They chose the campsite food sequence, especially the elk and beans, as the movie's best food-and-drink use.

They pick aspirin as the memorable consumable prop tied to McClane’s headache and recovery.

They pick the hard-boiled eggs as the standout food-and-drink detail.

Bill initially leaned toward the Chinese food, but the room moved to George Kennedy's all-time ballpark eating sequence.

They pick the Oreos-and-ramen sequence as the standout food-and-drink moment, with the hot dog scene as the runner-up.

The apple with a razor blade is named first as the best food-or-drink detail, with the ham sandwich getting an honorable mention.

The corn is chosen as the best food/drink use because it literally becomes a lethal weapon in the climax.

They choose the naked hot dog Seagal grabs and waves around during the bar fight as the best food prop moment.

They chose the food presentation and the very specific popcorn as the best food-and-drink bit.

They decide cereal is the movie's standout food/drink detail.

They gave the food-or-drink award to the Big Kahuna Burger, while acknowledging the $5 milkshake as a major challenger.

Sweet and Low wins after the hosts joke that it is the most memorable food-or-drink item in the film, with Mellow Yellow also in the mix.

They chose the tuna sandwich gag as the best food-and-drink moment.

They point to the champagne order as the movie’s best food-and-drink beat.

The room landed on the Mendel's pastry as the standout food item, with prison mush and train champagne as secondary nominees.

They decide the greasy pizza bit edges out the Moroccan meal as the movie’s best food comedy.

The Hamburger Helper bit is chosen as the standout food-and-drink moment, with the sandwich gag also getting attention.

They agreed the Del Frisco's steak scene was the movie's defining food moment.

They choose Lucky Charms after considering crepes, takeout, malt liquor, and coffee.

The rare lamb chops were named the best food or drink use in the film.

They award the whole food scene, while singling out the gravy as the item that looked best.

They praised the heavy Midwestern meals shown early in the movie.

They choose the super hot peppers scene as the movie's best food-and-drink use, with the laxative tea noted as another contender.

They choose the Benadryl-through-a-straw gag as the movie’s best food-or-drink bit.

They settled on the coffee-sugar moment as the standout food or drink beat.

The train snack scene with the banana and puddings was the clear favorite food beat.

They settle on the croque monsieur as the movie's best food moment.

The 1991 Palmer bottle used in the setup and deposition is chosen as the standout food-or-drink prop.

They land on White's hot-dog humiliation as the strongest food gag.

They focus on the Budweiser-heavy bar and apartment drink visuals as the movie’s best food-and-drink detail.

They explicitly land on the giant buffet lunch as the movie’s best food/drink moment.

The $1,000 bottle of wine is the clear favorite in the food-and-drink category.

They joke about the dinner/breakfast scene but don’t settle on a clear winner, and the question of Kane’s last bite stays unresolved.

They settle on the grilled cheese as the standout food moment, with the liquor bottle also mentioned.

They agreed that Magoo’s fruit-and-salt bit was the best food or drink use because it functions as a plot device and a character detail.

They landed on the Moko Coco coffee as the most memorable food-or-drink item in the movie.

They picked the fake gin as the best food-and-drink use, with the blue plate special discussed as a runner-up.

They agree the end-of-movie barbecue is the standout food moment.

They pick the cooked bear meat, while also giving a nod to the ham sandwich at the beginning.

They chose Reed’s margaritas over the donut-shop food as the movie’s best food-and-drink moment.

Joanna picks the burrito reaction as the funniest food-and-drink moment in the movie and the others agree.

They explicitly pick the liver and whiskey shake as the movie's best food-and-drink gag.

They agree the palm wine is the standout food-and-drink element because it works as both a drink and a practical tool.

The hosts call the meat-bone neck stab the clear winner for best use of food and drink.

Bill lands on Booger in the green beans as the standout food-and-drink moment, with the spinach abuse as a runner-up.

They mostly celebrate the liquor-store scene and the old-timey drink-buying setup, with Reynolds’s grotesque last meal as another food mention.

They explicitly gave the food award to the chocolate cake moment.

For best food or drink use, the room settles on the meal at Paula's house, with the chicken noted as the alternative.

They unanimously land on Max, while joking that the dog gets a zero because it is annoying and causes chaos.

Little Richard the dog is chosen for the pet award after the hosts joke about its memorable screen time.

They agree the Rock Harbor house is the standout property, though the Sleeping with the Enemy house gets a shoutout.

They settled on Chance’s Malibu house as the best property in the film.

They pick the custom-built Addison, Vermont lake house as the movie's standout piece of real estate.

The hosts all agree the main house is the best piece of real estate in the movie.

Hudson’s Paxton delivery is treated as the standout line-reading showcase.

CR highlights Keaton's delivery when first meeting Modine as the best line reading.

They agree the Social Network example is an all-timer and note the category would reward a line delivered with a very specific emotional texture.

They spend time laughing at Arnold’s bizarre delivery, especially the line about Sub-Zero becoming 'plain zero.'

The coffee the sheriff’s daughter makes for everyone is chosen as the movie’s best food-or-drink moment.

They pick the basement bar vodka-schnapps-creme de menthe drink over the sandwich-spitting gag.

The breakfast scene is treated as the standout food-and-drink bit, with the Milky Way also mentioned.

The award goes to the toothpaste as the standout food-or-drink-related item.

Danny Kelly proposes Susan’s diamond-in-an-ice-storm line; others add Reese Bobby’s threats and inappropriate remarks. The Road House line names the award, not its winner.

They highlight Santoro’s rapid-fire girlfriend descriptions as the funniest and most revealing exchange in the movie.

They choose Larry Vaughn Jr.'s insult about Jackie, 'tits like a sparrow,' as the craziest quote.

They single out Jeff Goldblum's screaming criminal banter as the movie's wildest quote, while noting some hesitation about the old award title.

Rebel Wilson is the clearest Hall of Fame candidate, with Skylar Astin and several others also suggested as worthy.

They say Travolta would get the movie's plaque overall, though Olivia Newton-John is the clearer plaque choice for her own career.

They agree both the star and the director earn Hall of Fame-plaque level status from this film.

They choose Knocked Up as Apatow’s plaque-worthy project and Superbad as Rogen’s.

They say Election is probably Payne's hall-of-fame movie, though Sideways is close.

They choose Unforgiven as the movie that best represents Clint Eastwood’s Hall of Fame plaque case.

For Pac, they decide the defining plaque movie is Bishop in Juice rather than his other famous roles.

They say Kathy Bates would go into the Hall of Fame with Annie Wilkes as the plaque performance.

They single out 'Sweet Freedom' as the key Michael McDonald song associated with the movie.

Producer Craig interjects and the hosts agree Morricone deserves the music category.

They singled out the score as cheesy but effective in the movie's erotic-thriller mode.

They praise the soundtrack and several needle drops, but do not settle on one definitive music winner.

They chose the milkshake-on-a-bully moment as the movie’s best food-and-drink beat.

The cereal scene with Wick and the dog was the clear food-and-drink pick.

They land on the pub beers as the most memorable food-or-drink detail, though the Hostess cupcake also gets a mention.

They single out the 'Friday beers' moment as an iconic, highly shareable beat.

They picked 'I'm thinking I'm back' as the most gifable moment, with a couple of other repeatable images mentioned.

They identify Prince’s side-eye smiles as the most reusable gif moment, with Apollonia’s apartment reaction as another strong candidate.

They pick the bathtub sequence where Norman pulls Claire forward and the corpse reveal triggers the mirror crash.

Craig argues that Pacino's 'I'm gambling again' line should be the movie's signature GIF moment.

They agree the best GIF is Carol Anne at the TV, with the face-melting mirror shot as another option.

The room settles on the Kenny/Denise bathroom material as the single best run of rewatchable moments, with several other scenes mentioned as contenders.

The room settles on Marisa Tomei’s courtroom testimony as the movie’s most rewatchable stretch.

The room most strongly lands on the pot cookies-to-bat-fight sequence as the movie’s most rewatchable stretch.

They move to Melvin Belli’s TV appearance as the next standout scene because of Brian Cox’s over-the-top performance.

The room moved to the rooftop meeting as the next major scene worth rewatching.

They nominate several scenes, including Reagan’s first outburst, the crucifix scene, the detective visit, and the priest meeting, without landing on one clear winner.

They choose the dorms as the movie's most scene-stealing location.

They decide the Oak Room is the most memorable location in the movie.

The projected fight footage behind Mickey is picked as the standout shot.

The reflecting-pool run is chosen as the best shot, with the slow-motion beating of Jenny’s boyfriend also praised.

They pick the double-shot sequence as the funniest and most memorable drinking moment.

They land on the burrito thrown at Fat Amy as the most notable food moment, even though they dislike what it signals in the scene.

Craig proposes the suck cut as his favorite food-or-drink bit, and the room accepts it as the category winner.

The bourbon shot is preferred because the scene makes his drinking feel tied to the character's situation.

Barleycorn’s is singled out as the standout location used repeatedly in the movie.

The Chinese restaurant is treated as the most memorable location in the movie's run of scenes.

They list several quoted exchanges as contenders, but never settle on one clear winner.

They call the iconic truth/can't-handle-the-truth confrontation the greatest exchange in the movie.

They nominate several lines, but the Markinson line is singled out as the favorite.

The closing quote discussion crowns "People will come, Ray" while also highlighting "Is this heaven? No, it's Iowa" as another favorite.

The hosts keep circling a handful of sequences, with the first bar entry, the investigation scenes, the showdown, and the ending all singled out as the movie's most rewatchable stretches.

The hosts start with the opening ledge monologue as the best scene, while agreeing the NZT montage is a strong runner-up.