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THE REWATCHABLES · April 23, 2024

Hardcore

A 1979 crime / noir movie directed by Paul Schrader—and decision no. 4 in the Hanks–Cruise tape.

CrimeNoir1970sDirected by Paul Schrader
Hardcore1979MOVIE
Podcast episode#337No. 353 overall
Movie year19791970s release
Tomatometer80%No. 61 of 128 tracked
Metacritic63View score
Roger Ebert4/4Original star rating
State of the raceThe race was tied2–2 · 0 ties

FROM THE CONVERSATION

What they said about the movie

The hosts treat Hardcore as a grimy, funny, deeply 1970s 'going underground' movie: a Midwestern father searches for his daughter in California and gets pulled into porn, exploitation, and moral collapse. They admire Paul Schrader's mix of seriousness, humor, and spirituality, praise George C. Scott's volcanic performance, and debate whether the film's ending is emotionally satisfying.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01George C. Scott's explosive performance gives the movie constant energy and unpredictable comic voltage. About 24 min
  2. 02The film has a strong mix of hard drama and absurd comedy, especially in the porn-production scenes. About 32 min
  3. 03Paul Schrader's precise world-building makes late-70s Los Angeles and Grand Rapids feel vivid and lived-in. About 8 min
  4. 04Peter Boyle's detective and the other side characters are so vivid they feel like separate movies. About 32 min
  5. 05The revelation scene where Scott watches the porn reel and finally understands what happened is an unforgettable centerpiece. About 40 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe ending is seen as weaker or less emotionally resolved than the setup. About 16 min
  2. minorSome plot mechanics are implausible, especially how the film reel is found and how quickly the investigation works. About 40 min
  3. moderateThe daughter casting and final reunion scene feel underdeveloped and rushed. About 1:04
  4. moderateThere is an uncomfortable, possibly unintended creepy undercurrent in the father-daughter relationship. About 56 min

SCENES THEY KEPT COMING BACK TO

Standout moments

positive

Grand Rapids family dinner and TV-watching

A muted Midwestern family dinner establishes Jake's sterile, repressed life before the California search begins.

About 32 min
positive

Andy Mast's first diner meeting

Peter Boyle's detective appears as a slippery, expensive private eye with instant comic presence.

About 24 min
Favorite

Theater screening of the porn reel

Jake watches the film, realizes the truth, and repeatedly cries 'Turn it off!' while the crew around him reacts.

About 40 min
Favorite

Porn audition scene with Big Dick Black and Jism Jim

The absurd casting-audition sequence is treated as one of the funniest five-minute stretches in 70s film.

About 1:04
positive

Jake driving through Los Angeles and stopping at porn shops

The old L.A. montage of illicit storefronts and cruising is praised as a perfect urban texture scene.

About 40 min
positive

Hotel room porn shoot / motel sequence

The hosts call the motel porn material hilarious and emblematic of Schrader's dark-comic tone.

About 32 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 16 min

Whether the film's ending works

Bill Simmons

The ending is less satisfying than the setup, though still emotionally powerful.

Sean Fennessey

The ending leaves deeper human questions unresolved and feels incomplete.

Chris Ryan

The movie's alternate ending would have been more emotionally realized, but the theatrical ending is funnier.

No final agreement About 40 min

How plausible the investigation is

Chris Ryan

Finding the porn reel and tracing it feels almost impossibly convenient.

Bill Simmons

The smaller porn market of the era may make the search more believable than it seems.

They partly agreed About 1:20

Cruise or Hanks in a hypothetical remake

Bill Simmons

Cruise would make the funniest version; Hanks might make the better movie.

Chris Ryan

Cruise is the more fun choice, but Hanks is more believable as the furniture salesman.

Sean Fennessey

Hanks better fits the father role; Cruise could handle the porn-producer stretch.

They agreed About 24 min

Whether George C. Scott was a great hang

Bill Simmons

He seems like a bad hang because he would escalate quickly.

Chris Ryan

Definitely a bad hang; drinking with him would become a disaster.

Sean Fennessey

He is a bad hang despite being an extraordinary actor.

20 People discussedActors, directors, writers, and producers
very favorablePaul SchraderBill Simmons: Praised as a master of mixing high and low, with deep autobiographical roots and strong visual/detail work, though the hosts note he and Scott clashed on set. About 8 min favorableGeorge C. ScottChris Ryan: Admired as a towering, volatile performer whose rage and physicality fit the role; also described as a difficult person in real life. About 16 min favorableRoger EbertBill Simmons: Referenced as a supportive critic who liked the film but had reservations about its ending. About 8 min criticalPauline KaelBill Simmons: Mentioned as the notable dissenting critic who objected to the film's sexuality and lack of erotic charge. About 24 min
favorableSeason HubleySean Fennessey: Praised as a strong, memorable Nicky despite not becoming a big star afterward. About 16 min
very favorablePeter BoyleChris Ryan: Celebrated as hilarious as Andy Mast, a character so vivid he could anchor his own movie or show. About 24 min
favorableMarty ChaffeeChris Ryan: Named as the cinematographer they admire for the film's look. About 24 min
favorableJohn MiliusBill Simmons: Cited as a producer/guru figure around the film and part of the talent cluster around Schrader. About 1:12 neutralTarantinoBill Simmons: Referenced as the author of Cinema Speculation, which contains a chapter on Hardcore and praises the first hour. About 16 min neutralJohn HustonSean Fennessey: Quoted as saying Scott was a great actor but a worse man. About 24 min neutralNick CageSean Fennessey: Used as a comparison point for volatile modern screen energy, though the hosts say it is not the same as Scott's. About 24 min favorableEd Begley Jr.Bill Simmons: Mentioned positively as a useful early-career presence in the film. About 48 min favorableMelanie GriffithSean Fennessey: Suggested as a possible recast for Kristen because she could sell the innocence-and-exposure dynamic. About 1:04
neutralMarilyn ChambersSean Fennessey: Discussed as an alternate Nicky cast idea, with some note that she was an actual adult performer and credible actress. About 1:04
favorableTracey WalterSean Fennessey: Named as a strong supporting cast option, especially as the bookstore guy. About 1:04
favorableReb BrownBill Simmons: Celebrated for a remarkable late-70s resume and the bouncer role. About 1:04
neutralDick SargentSean Fennessey: Mentioned as a possible supporting-cast winner because of his sitcom fame and screen presence. About 1:04
neutralWayne JenkinsBill Simmons: Used as a recurring joke voice in imagined recast versions of the film. About 1:12 · medium confidencefavorableTom CruiseBill Simmons: Debated as a fantasy casting choice who would make the film more outrageous and comedic, though not necessarily better than Hanks. About 1:20 favorableTom HanksBill Simmons: Considered a better fit for the father role in terms of making the best movie possible. About 1:20
15 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Hardcore

Frames the movie as the perfect ending to Rock Bottom Month and a great example of the tough-beat-dad subgenre.

Opening minutes
Chris RyanLoved it

porn-theater revelation

Says the scene where Scott watches the porn reel is the funniest and best in the movie.

About 40 min
Sean FennesseyLoved it

George C. Scott

Argues Scott is the film's engine and a uniquely volatile actor whose offscreen chaos feeds the performance.

About 24 min
Bill SimmonsLiked it

late-70s porn culture

Thinks the movie is rooted in a specific era when adult entertainment was public and city-based, before home video privatized it.

Opening minutes
Chris RyanLoved it

Schrader's humor

Likes that Schrader makes a bleak movie with intentional, laugh-out-loud comic moments.

About 32 min
Sean FennesseyLiked it

The Searchers connection

Sees Hardcore as a modern Searchers variation and a major part of Schrader's artistic lineage.

About 8 min
Bill SimmonsLiked it

Jake becoming a porn producer

Enjoys the idea that the father quickly slides into the porn business and nearly becomes a fully functioning producer.

About 24 min
Chris RyanLiked it

Andy Mast's hotel and theater scenes

Likes how Schrader shoots Scott as he unravels, especially in the funhouse-mirror and theater shots.

About 48 min
Sean FennesseyLiked it

Nicky

Thinks Nicky is a great character and one reason the movie works.

About 16 min
Bill SimmonsLoved it

Paul Schrader

Admires Schrader's blend of classic storytelling, autobiographical material, and exploitation energy.

About 8 min
Chris RyanLiked it

8mm

Sees 8mm as a direct descendant or rewrite of Hardcore and is fine with that lineage.

About 8 min
Sean FennesseyDid not like it

George C. Scott as a hang

Would classify Scott as a 'bad hang' in the recurring game about whether someone is fun to be around.

About 24 min
Bill SimmonsLiked it

billboard/porn world contrast

Likes the visual contrast between the muted Midwest and the neon, sexualized Los Angeles world.

About 1:12
Chris RyanLiked it

Calvinism

Half-jokingly argues Calvinism gets a bad rap and matches his own taste in repression and redemption stories.

About 1:20
Bill SimmonsMixed

Cruise vs. Hanks casting

Prefers Cruise for pure entertainment but thinks Hanks would make the better movie overall.

About 1:20
5 ThemesThe larger ideas in the discussion

Fatherhood and loss

The episode treats the film as part of a 'tough beat dad' pantheon, where a father is driven to extremes after a child is threatened or lost.

Opening minutes

Late-1970s urban seediness

The hosts argue the movie captures an era when porn, strip clubs, and illicit entertainment were more public and more visible in cities.

Opening minutes

Repression versus sexual exposure

Jake's Calvinist repression collides with a world of sex, commerce, and moral compromise, which is central to the character arc.

About 8 min

The Searchers template

They view the movie as a modern Searchers variation, with the father chasing a daughter into a morally compromised frontier.

About 8 min

Comedy inside bleak material

The hosts repeatedly note that Schrader stages grotesque material with real comedic timing and irony.

About 32 min
25 Facts and referencesProduction notes and other movies mentioned

Production note

Schrader reportedly wanted a different ending in which the father brings back a prostitute surrogate after the daughter dies in a car accident.

About 16 min

Production note

The movie was originally titled The Pilgrim during production.

About 1:20

Production note

George C. Scott allegedly had five break days built into his schedule to accommodate alcoholism.

About 48 min

Production note

Schrader wrote the movie while finishing Taxi Driver and says he worked in a highly unstable, drug-fueled state.

About 1:20

Production note

Schrader drew the story from a real local case of a missing Grand Rapids teenager later found to have made a porn film.

About 1:12

Production note

The production used real sex shops, strip clubs, porno theaters, and massage parlors.

About 1:12

Production note

The hosts suggest the adult-film industry and the church both disliked the movie's portrayal of porn culture.

About 1:20

Mentioned with uncertainty

They mention a theory that Season Hubley's Nicky is a kind of older Jodie Foster from Taxi Driver in the Schraderverse.

About 1:12

Production note

They say the film's time period made it feasible to track porn more easily than later decades because there was less of it and no internet or home video saturation.

About 40 min

Production note

Bill references a later movie called Track Down as a similar sleazy runaways-and-crime title.

About 48 min

The Searchers

Used as the primary template for Hardcore's father-and-daughter quest structure.

About 8 min

Taxi Driver

Cited as both a Schrader connection and part of the same urban-underworld tradition.

About 8 min

American Gigolo

Mentioned as Schrader's previous Rewatchables-directed film.

Opening minutes

8mm

Described as a later rewrite/descendant of Hardcore's premise.

About 8 min

Easy Rider

Referenced as another film where a square gets pulled into a countercultural or criminal world.

About 8 min

Cruising

Used as a cousin film in the same late-70s urban descent subgenre.

About 8 min

Monster's Ball

Cited as part of the 'tough beat dad' pantheon.

Opening minutes

Mystic River

Another example of a father/trauma story in the same pantheon.

Opening minutes

Taken

Used as a modern father-avenger comparison and as a joke about showing the film to a daughter.

Opening minutes

Death Wish

Named as a progenitor of revenge-after-family-trauma stories.

Opening minutes

Ransom

Another father-under-pressure title in the same pantheon.

Opening minutes

The Right Stuff

Referenced because editor Tom Rolf also cut that film.

About 24 min

Dr. Strangelove

Used as an example of George C. Scott's great acting career.

About 24 min

Patton

Scott's Oscar-winning signature role, cited as his career apex.

About 24 min

Searching

Mentioned as a later movie that uses the internet-era version of this premise.

About 1:20
11 Running jokes and short linesRecurring bits captured from the conversation

Tough Beat Dad Pantheon

Repeated joking list of movies about fathers driven mad by harm to their children.

Opening minutes

George C. Scott bad hang

A recurring bit that Scott would be miserable to drink with or be around socially.

About 24 min

Porn-era access nostalgia

The hosts riff on pre-internet adult entertainment, strip malls, quarters, VHS, and the old public sex economy.

Opening minutes

Great Gordo corner / visual details

Bill and Chris repeatedly praise Schrader's framing, billboards, motel shots, and city texture.

About 48 min

Jism Jim / Big Dick Black improv

They keep returning to the performers' names and improvise absurd jokes around them.

About 1:04

Cruz or Hanks scoreboard

They pause for a recurring casting game, debating which actor would make the better version of a role.

About 1:20

Bill Simmons

“Turn it off!”
About 40 min

Chris Ryan

“He's a human volcano.”
About 24 min

Bill Simmons

“Nobody makes it. Nobody shows it.”
About 40 min

Bill Simmons

“It's $750 a week minimum.”
About 24 min

Bill Simmons

“The kid's got a great schlong.”
About 32 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Hardcore is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Hardcore, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices made the call

Bill Simmons headshotBill Simmons125 tracked appearances · 56 H / 64 C / 5 ties
Chris Ryan headshotChris Ryan77 tracked appearances · 36 H / 38 C / 3 ties
Sean Fennessey headshotSean Fennessey35 tracked appearances · 15 H / 17 C / 3 ties

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