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THE REWATCHABLES · April 19, 2019

Field of Dreams

A 1989 drama / fantasy directed by Phil Alden Robinson, covered in the complete Rewatchables archive.

DramaFantasy1980sDirected by Phil Alden Robinson
Overall episode#67Source sheet order
Movie year19891980s
Tomatometer88%Critics’ score
Metacritic57View score
Roger Ebert4/4Original star rating
DirectorPhil Alden RobinsonDrama / Fantasy

FROM THE CONVERSATION

What they said about the movie

The episode treats Field of Dreams as a deeply emotional, genre-blending movie about baseball, family, memory, and belief. The hosts argue that its power comes less from baseball mechanics than from its ability to tap longing, father-son reconciliation, and the idea that investing in something can give life meaning.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Kevin Costner’s charisma and physicality make Ray Kinsella instantly believable and likable. About 8 min
  2. 02The Terrence Mann sequence is a compact, rewatchable stretch of dialogue and chemistry. About 32 min
  3. 03The Moonlight Graham sequence delivers the movie’s emotional peak through fantasy, regret, and perspective. About 40 min
  4. 04James Horner’s score heightens every major emotional beat and is itself rewatchable. About 48 min
  5. 05The final catch with his father provides a devastating payoff that many viewers revisit for catharsis. About 1:04

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe film’s baseball-as-national-constant thesis has aged imperfectly because modern baseball is more associated with scandals, analytics, and labor issues. About 48 min
  2. majorThe movie’s racial exclusion is a glaring omission: no Black players or ghosts appear despite baseball history and the Black Sox premise. About 1:12
  3. minorA few continuity/logic details are hard to accept, including batting handedness and some Fenway timing issues. About 1:12
  4. minorSome early scenes are a bit slow or dated in pacing and presentation. About 1:28 · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

positive

Ray hears the voice in the cornfield

The movie starts quickly with the voice and avoids a long farm-exposition setup.

About 24 min
Favorite

Ray visits Terrence Mann in Boston

A funny, tense, and highly quotable sequence that establishes Mann’s reclusive charisma.

About 48 min
Favorite

Ray meets Moonlight Graham

The nighttime meeting and walk-and-talk are praised as poetic and heartbreaking.

About 56 min
positive

The Fenway Park baseball sequence

The movie’s most baseball-heavy stretch is admired for atmosphere and the visual of old Fenway.

About 56 min
Favorite

Karen falls and Moonlight Graham saves her

The emotional climax of the movie, where sacrifice and closure are fully realized.

About 1:12
Favorite

Final catch with Ray’s father

The final father-son catch is described as the movie’s tearful payoff and most iconic emotional release.

About 1:04

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 32 min

Is Field of Dreams a baseball movie or a life movie?

Bill Simmons

It is more of a life movie than a pure baseball movie.

Chris Ryan

It is a baseball movie, but one that uses baseball to explore life, hope, and purpose.

Mallory Rubin

The baseball is a vessel for larger emotional truths and family themes.

They partly agreed About 1:12

Has the film’s central baseball worldview aged well?

Bill Simmons

Baseball’s cultural role has aged badly because the sport has changed and disappointed fans.

Mallory Rubin

The movie still works because its deeper message is about investing in something and making meaning.

Chris Ryan

The film’s blend of nostalgia and magic realism still resonates, though the sport context has shifted.

They left it as a friendly argument About 1:12

Should Moonlight Graham be able to re-enter the field after leaving to save Karen?

Bill Simmons

The scene is emotionally powerful, but the rules feel inconsistent.

Mallory Rubin

The movie’s magic logic is faith-based, so the moment works as part of the film’s design.

Chris Ryan

The fantasy rules are intentionally loose, but the emotional payoff matters more than strict logic.

They left it as a friendly argument About 1:12

Who deserves the Dion Waiters-style standout for worst/best supporting performance?

Bill Simmons

Busfield is the main comic candidate, while Karen could also qualify.

Chris Ryan

Busfield fits the award, with Art LaFleur as another possibility.

Mallory Rubin

Karen/Gaby Hoffmann is the standout because she is great in every moment.

12 People discussedActors, directors, writers, and producers
very favorableKevin CostnerBill Simmons: Praised as uniquely believable, charismatic, and central to the movie’s success; his baseball credibility and likability are discussed at length. Opening minutes favorableRay LiottaBill Simmons: Discussed as a vivid, slightly uncanny Shoeless Joe who plays the role in a modern idiom. About 24 min very favorableJames Earl JonesBill Simmons: His Iowa speech is treated as one of the film’s defining moments and the emotional thesis of the movie. About 56 min
favorableAmy MadiganMallory Rubin: Seen as quirky, believable, and essential to making Annie Kinsella work. About 24 min
mixedTimothy BusfieldBill Simmons: The brother-in-law is considered useful comic relief, but also somewhat overdone. About 1:12
favorableGaby HoffmannBill Simmons: Praised as excellent as Karen, especially in the emotional final third. About 1:12
favorableBurt LancasterBill Simmons: Mentioned as Moonlight Graham and as a great casting choice that anchors the film’s later emotional turns. About 32 min · medium confidencefavorablePhil Alden RobinsonBill Simmons: Credited with making the film work and with crafting the ending and key sequences effectively, though criticized for a few continuity choices. About 1:04
neutralWP KinsellaBill Simmons: Noted as the source novelist and as someone who found the finished film boring. About 1:12
favorableRoger AngellBill Simmons: Referenced as a formative baseball writer whose style helped frame how the hosts think about baseball language and memory. About 16 min
mixedCharlie PierceBill Simmons: Mentioned as someone who argued against the film’s corny reputation in early-2000s debates. About 24 min · medium confidence
neutralStephen KingBill Simmons: Referenced through a comparison to storytelling and cultural fandom, not as a subject of sustained judgment. About 1:36 · low confidence
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Kevin Costner

Costner is one of Bill’s favorite actors and the rare performer who can credibly play baseball and embody multiple kinds of American masculinity.

About 8 min
Chris RyanLoved it

Kevin Costner

Chris says Costner is a personal favorite and praises his charisma, looks, and ability to handle a bat.

About 8 min
Mallory RubinLoved it

Bull Durham

Mallory identifies Bull Durham as one of her two favorite movies, which frames her affection for Costner here.

About 8 min
Bill SimmonsLoved it

Field of Dreams

Bill treats the movie as a canonical, emotional, and once-every-few-years rewatch.

About 32 min
Chris RyanLoved it

Ray meeting Terrence Mann

Chris picks the Terrence Mann meeting as his most rewatchable scene because of the writing, chemistry, and reclusive-icon energy.

About 48 min
Mallory RubinLoved it

Moonlight Graham crossing the line to save Karen

Mallory says Karen being saved is the film’s most emotionally devastating and thematically complete moment.

About 40 min
Bill SimmonsLoved it

James Earl Jones speech

Bill treats the final baseball speech as one of the movie’s greatest and most quoted sequences.

About 56 min
Chris RyanLoved it

James Horner’s score

Chris says the score is the best-aged part of the movie and a major reason the ending lands.

About 48 min
Bill SimmonsLoved it

The ending catch with his father

Bill says the final catch made the theater audience collectively lose it and remains one of his key memories of the film.

About 32 min
Mallory RubinLoved it

Faith and meaning

Mallory argues the film’s enduring power comes from its message that stories and beliefs are real if they matter to you.

About 1:36
5 ThemesThe larger ideas in the discussion

Father-son reconciliation

The movie is repeatedly framed as a story about fathers, sons, and the desire for a second chance at connection.

About 40 min

Belief and faith

The hosts stress that the movie is about believing in impossible things and making meaning out of that belief.

About 8 min

Baseball as a vessel for life lessons

The film is treated as more than a sports movie; baseball is a language for memory, loss, and purpose.

About 40 min

Americana and nostalgia

The movie’s cornfield setting, 1980s baseball context, and Costner persona are presented as an idealized American myth.

About 8 min

Perspective and totality

The hosts argue that the film asks viewers to see people as whole lives, not just single missed opportunities.

About 1:20
25 Facts and referencesProduction notes and other movies mentioned

Production note

The film is adapted from WP Kinsella’s novel Shoeless Joe.

About 32 min

Production note

Phil Alden Robinson had tried to make the film since 1981.

About 32 min

Production note

The movie received three Academy Award nominations.

About 32 min

Production note

The original title Shoeless Joe reportedly tested poorly, so the title was changed.

About 1:12

Disputed in the episode

The voice is rumored to be Ed Harris, though the hosts do not accept the rumor as settled fact.

About 1:12 · medium confidence

Production note

Filming had to be accelerated because Costner needed to film Revenge.

About 1:12

Production note

The real Moonlight Graham played his one major-league game in June 1905, not 1922.

About 1:04

Production note

The line drive that knocks over the baseball bag was a real accident and Costner’s reaction was genuine.

About 1:12

Production note

The final crowd shot used volunteers turning high beams on and off because the filmmakers could not otherwise make it look cool.

About 1:12

Production note

The site of the film became a tourist destination, with thousands of annual visitors.

About 1:12

Bull Durham

Used as the key comparison for Costner’s baseball persona and charisma.

Opening minutes

The Natural

Referenced in comparisons of baseball-movie types and rewatchable canon.

About 16 min

Major League

Used as a contrast for a more straightforward baseball movie.

About 32 min

For Love of the Game

Mentioned as another Costner baseball performance that proves his credibility.

About 16 min

Dances with Wolves

Used to discuss Costner’s rise, peak, and shift into directing/auteur status.

About 8 min

The Untouchables

Referenced as evidence of Costner’s versatility and stardom.

About 8 min

No Way Out

Another Costner hit in the late-80s stretch.

About 8 min

Dead Poets Society

Used when discussing the 1989 Oscars field and the year’s film landscape.

About 32 min

Driving Miss Daisy

Referenced as the controversial Best Picture winner over Field of Dreams.

About 32 min

Goodfellas

Mentioned in Oscar talk and in the Ray Liotta comparison.

About 32 min

The Sandlot

Referenced while joking about James Earl Jones appearing in another baseball film.

About 1:04 · medium confidence

Harry Potter

Mallory cites a line from Harry Potter to explain why imagined stories can still be real.

About 1:36

Game of Thrones

Used as an example of fandom and emotional investment in stories.

About 1:36 · medium confidence

Roger Angell writing on baseball

Used to frame the literary, reflective way the hosts think about baseball.

About 16 min

Sosa-McGwire home-run chase

Referenced as the moment when a certain romantic view of baseball peaked and then collapsed.

About 1:20
11 Running jokes and short linesRecurring bits captured from the conversation

Costner admiration spiral

The hosts repeatedly return to Costner’s looks, baseball credibility, and late-80s run as a shared source of awe.

Opening minutes

Half-ass internet research

Bill repeatedly drops trivia and behind-the-scenes facts in a jokey, self-aware way.

About 1:12

Dinner!

The White Sox ghosts repeatedly yell for dinner in a long running gag.

About 48 min

Apex Mountain debate

The hosts argue whether Field of Dreams, Dances with Wolves, or another Costner project marks his peak.

About 1:44

Need for tissues / sobbing counter

The hosts joke about crying or needing tissues throughout the episode.

Opening minutes

Rewatchables canonical categories

The show’s formal categories become part of the episode’s rhythm as they rank scenes, aging, and apexes.

About 48 min

Bill Simmons

“You wanna have a catch?”
Opening minutes

Bill Simmons

“If you build it, he will come.”
Opening minutes

Bill Simmons

“People will come, Ray.”
About 56 min

Mallory Rubin

“What do you think?”
About 24 min

Bill Simmons

“Is this heaven? No, it's Iowa.”
About 24 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Field of Dreams is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Field of Dreams, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Mallory Rubin headshotMallory RubinThe Rewatchables

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