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THE REWATCHABLES · May 5, 2025

Star Wars: A New Hope

A 1977 fantasy / sci-fi movie directed by George Lucas—and decision no. 54 in the Hanks–Cruise tape.

FantasySci-fi1970sDirected by George Lucas
Star Wars: A New Hope1977MOVIE
Podcast episode#393No. 404 overall
Movie year19771970s release
Tomatometer93%No. 18 of 128 tracked
Metacritic90View score
Roger Ebert4/4Original star rating
State of the raceHanks led by 228–26 · 0 ties

FROM THE CONVERSATION

What they said about the movie

A celebratory but analytical rewatch of Star Wars as a foundational blockbuster that shaped modern fandom, merchandising, world-building, and franchise filmmaking. The hosts praise its imagination, pacing, practical effects, music, and mythic simplicity while also debating its dated elements, white cast, narrative gaps, and later edits.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The cantina sequence compresses action, character reveals, world-building, and the Han/Greedo moment into a highly rewatchable stretch. About 1:20
  2. 02The trench run remains the signature crowd-pleasing payoff and most recreated scene. About 1:20
  3. 03The practical effects and model work still feel immersive and handmade. About 2:00
  4. 04John Williams's score and the movie's sound design give it immense emotional lift. About 1:36
  5. 05The film's mythology invites lifelong imaginative replay, especially for kids filling in gaps. Opening minutes

WHAT DID NOT WORK

Their main criticisms

  1. minorLuke is bratty, bland, or a twerp in the first hour. About 16 min
  2. minorThe first act on Tatooine can feel slow or dull, especially for kids. About 8 min
  3. minorThe stormtroopers are laughably incompetent and the heroes survive implausibly easily. About 2:00
  4. moderateLater special-edition changes, especially the Greedo scene and CGI Jabba, are disliked. About 1:12
  5. moderateThe film is overwhelmingly white and light on women. About 2:16

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening Star Destroyer pursuit

The film's opening image and enormous ship reveal immediately establish scale and wonder.

About 1:52
Favorite

Cantina scene

A dense showcase of aliens, music, Han/Greedo, Obi-Wan's saber, and the movie's lived-in world.

About 1:20
Favorite

Alderaan destruction

The Death Star's test shot raises the stakes and shocks Leia into horror.

About 1:20
Favorite

Trash compactor escape

A suspenseful, comic, and physically inventive rescue sequence that escalates the second act.

About 1:28
Favorite

Obi-Wan vs. Vader duel

A meaningful but modest lightsaber duel framed as sacrifice and torch-passing.

About 1:28
Favorite

Trench run

The climactic assault on the Death Star is treated as the movie's signature sequence.

About 1:20
positive

Binary sunset

Luke looking at the twin suns is singled out as a beautifully simple image of longing.

About 2:16
mixed

Final medal ceremony

A neat epilogue that some find charming and others feel omits Chewbacca unfairly.

About 1:28

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 1:20

Cantina vs. trench run as the most rewatchable scene

Bill Simmons

Leans trench run as the signature payoff.

Chris Ryan

Leans trench run but makes a strong case for cantina.

Sean Fennessey

Argues the cantina is the movie's densest and most fun sequence.

They agreed About 1:12

Han Solo's Greedo shootout and later edits

Sean Fennessey

Dislikes the 1997 change and says it violates Han's character.

Bill Simmons

Agrees the added edits are annoying and unnecessary.

They partly agreed About 40 min

Whether Star Wars hurt movies or expanded them

Sean Fennessey

Says it benefited corporations and changed studios for the worse.

Bill Simmons

Argues the larger market and more movies were inevitable and not solely Lucas's fault.

Van Lathan

Sees both the artistic and commercial consequences as real.

No final agreement About 2:00

Did Obi-Wan need to die in the Death Star duel?

Bill Simmons

Says he might not have needed to sacrifice himself.

Sean Fennessey

Says it works as a torch-passing and escape-enabling sacrifice.

They partly agreed About 2:08

Luke Skywalker casting

Bill Simmons

Thinks Mark Hamill is not very strong here.

Sean Fennessey

Defends Hamill as fitting the character's immaturity and arc.

19 People discussedActors, directors, writers, and producers
very favorableGeorge LucasPraised as a visionary world-builder and the architect of the franchise, though some note his rough direction and constant tinkering. Opening minutes very favorableHarrison FordCelebrated as the movie's coolest presence and the engine of Han Solo's charisma. About 16 min
mixedMark HamillSeen as intentionally bratty and not especially magnetic here, though his later arc is appreciated. About 16 min
favorableCarrie FisherPraised for Leia's toughness, confidence, and strong screen presence. About 1:44
favorableAlec GuinnessCredited as the serious elder statesman who legitimizes the cast and mentorship arc. About 1:28
very favorableJohn WilliamsHis score is treated as untouchable and a huge part of the film's emotional power. About 1:28
neutralPeter CushingNoted as a recognizable British veteran who helps the movie feel legitimate. About 2:24
very favorableJames Earl JonesHis voice is treated as iconic and instantly recognizable as Vader. About 40 min
very favorableRalph McQuarrieSean Fennessey: Cited as the illustrator whose concept art essentially defined the film's look. About 1:28
favorableJohn DykstraSean Fennessey: Credited as a key effects innovator behind ILM's practical breakthroughs. About 1:52
favorableDennis MurenSean Fennessey: Named as part of the effects team that made the movie's visual language possible. About 1:52
favorablePhil TippettSean Fennessey: Praised as part of the effects group inventing animation and creature techniques. About 1:52
favorableJoe JohnstonSean Fennessey: Mentioned as one of the effects artists who later became important filmmakers. About 1:52
favorableSteven SpielbergDiscussed as Lucas's peer and fellow blockbuster architect; Close Encounters and Raiders come up repeatedly. About 40 min favorableMartin ScorseseUsed as part of the 70s auteur-class discussion and backlash to blockbuster cinema. About 40 min neutralBrian De PalmaMentioned as a Lucas peer who helped cast and shape the era's filmmaking orbit. About 2:32
favorableKurosawaSean Fennessey: Referenced as a major influence through The Hidden Fortress. About 2:32
neutralJames CaanSean Fennessey: Mentioned in a casting-what-if context for Han Solo. About 2:40 · medium confidenceneutralAl PacinoSean Fennessey: Mentioned as another actor rumored to have passed on Han Solo. About 2:40 · medium confidence
15 Conversation takesSpeakers shown only where the transcript identifies them
Van LathanLoved it

Star Wars as a cultural turning point

Calls it one of the most important films of his life and ties it to his imagination and lifelong nerd interests.

Opening minutes
Chris RyanLoved it

The movie's childhood mythology

Argues Star Wars became part of kids' imaginations because there was so little canon early on.

Opening minutes
Bill SimmonsMixed

Luke Skywalker

Finds Luke bratty and hard to love early, but still sees the larger heroic arc working.

About 16 min
Sean FennesseyLoved it

Practical effects and ILM

Treats the effects team's work as a major engineering triumph that changed movie history.

About 1:52
Van LathanLoved it

The Force as spiritual and religious mythology

Frames the movie as deeply religious and tied to questions of destiny and belief.

About 24 min
Sean FennesseyMixed

Star Wars as an industry disruptor

Argues the movie is culturally perfect but also helped push studios toward franchise-first business models.

About 40 min
Bill SimmonsLoved it

Han Solo / Harrison Ford

Says Ford makes the movie work because Han has modern charm, sarcasm, and cool.

About 16 min
Chris RyanLoved it

The cantina sequence

Likes the sequence as a dense pocket of character, humor, and world-building.

About 1:20
Sean FennesseyLoved it

The film's influence on modern franchises

Says its reach is so vast that it helped define blockbuster culture, sequel logic, and world-building norms.

About 1:52
Van LathanMixed

Chewbacca

Pushes back on the idea that Chewie is useless and argues he has real value as muscle and co-pilot.

About 1:28
Bill SimmonsLoved it

Darth Vader

Calls Vader the best villain and one of the most captivating entrances in movie history.

About 8 min
Sean FennesseyMixed

Star Wars and race

Says the film's whiteness is real but also notes that fantasy viewing sometimes asks audiences to suspend social baggage.

About 2:16
Van LathanLoved it

An all-Black Star Wars movie

Argues that an all-Black Star Wars should exist and would be exciting precisely because of fan backlash.

About 2:24
Sean FennesseyLoved it

George Lucas

Ultimately defends Lucas as the person who understood what audiences wanted and built the ecosystem around it.

About 40 min
Chris RyanLoved it

The trench run

Treats the trench run as the movie's clearest cinematic payoff and most recreated sequence.

About 1:20
5 ThemesThe larger ideas in the discussion

Mythology as childhood imagination

The movie works because it leaves gaps for kids to fill in with their own lore and toys.

Opening minutes

Blockbuster world-building

Star Wars is framed as the template for modern franchise world-building and repeat-viewing culture.

About 24 min

Good versus evil as spiritual conflict

The Force, the Dark Side, and Vader/Leia/Luke dynamics are discussed as both mythic and quasi-religious.

About 24 min

Commerce versus art

The episode repeatedly debates whether Star Wars harmed or transformed movie culture by empowering studios and franchises.

About 40 min

Legacy through later revisions

The original film is now inseparable from later sequels, prequels, special editions, and streaming-era spinoffs.

About 1:52
23 Facts and referencesProduction notes and other movies mentioned

Production note

The hosts insist the movie should be called 'Star Wars,' not 'A New Hope.'

Opening minutes

Production note

Early merch was sold as IOU-style early bird boxes before the figures existed.

About 2:00

Production note

Lucas kept ownership of merchandising and sequel rights in exchange for a lower upfront fee.

About 1:12

Production note

Industrial Light & Magic was created to build the movie's effects pipeline.

About 1:52

Production note

The movie won five Oscars and was nominated for Best Picture and Best Director.

About 2:24

Production note

The Holiday Special is treated as a notorious follow-up oddity.

About 2:00

Production note

There is a recurring fan dispute over whether Han shot first.

About 1:12

Production note

Peter Mayhew and David Prowse were both tall enough that producers assigned them Chewbacca and Vader.

About 2:32

Jaws

Used as a benchmark for the blockbuster and repeat-viewing model.

About 40 min

The Godfather

Cited as part of the elite 70s cinema run Star Wars is grouped with.

Opening minutes

The Exorcist

Another 70s hit used to frame the era's creative peak.

Opening minutes

Rocky

Mentioned as part of the 70s blockbuster/culture-turning cohort.

Opening minutes

The Hidden Fortress

Used as the clearest Kurosawa source for Star Wars imagery and structure.

About 2:32

Close Encounters of the Third Kind

Referenced as Spielberg's contemporaneous big film and a peer to Star Wars.

About 40 min

The Empire Strikes Back

Used to argue Star Wars grows up and becomes a darker, more complex trilogy.

About 8 min

Jedi

Referenced when discussing the trilogy arc and Luke's later growth.

About 16 min

Rogue One

Used as an example of the franchise exploiting the lore right up to Star Wars' opening moments.

About 1:52

The Matrix

Compared to Star Wars as a rare movie that felt completely thought through on first watch.

About 3:04

John Wick

Offered as a modern analog to Star Wars-style world-building and franchise launch.

About 3:04 · medium confidence

The Wizard of Oz

Named as one of the mythic templates Star Wars synthesizes.

About 16 min

Dune

Referenced as a source and as a film influenced by Star Wars.

About 16 min

Flash Gordon

Cited as Lucas's intended inspiration for the original concept.

About 16 min

The Force Awakens

Used to mark the film's later revival in the mid-2010s.

About 8 min
12 Running jokes and short linesRecurring bits captured from the conversation

Hot-rod / sports-kid Star Wars kids bit

They joke about which kids were Star Wars kids versus sports kids and how the categories later merged.

Opening minutes

'You think you're better than me? David'

A recurring joke about a classmate who saw the movie six times in two weeks.

Opening minutes

Chewbacca accessibility debate

The hosts keep joking about Chewie's usefulness, bathroom needs, and medal eligibility.

About 1:28

Alec Guinness / Obi-Wan old-master jokes

They repeatedly riff on Obi-Wan as the calm, exhausted elder mentor.

About 1:28

George Lucas tinkering / 'he needs a girlfriend'

The hosts joke that Lucas keeps revising the movie and needs personal grounding.

About 24 min

Black Star Wars movie bit

Van repeatedly advocates for an all-Black Star Wars spinoff to troll online critics and expand the universe.

About 2:24

Aunt Beru / 'sex appeal' joke

They riff on how few women are in the film and joke about casting a sexier Aunt Beru.

About 2:16

Van Lathan

“This is the movie that I've seen the most”
Opening minutes

Bill Simmons

“Han sees that Luke is, you know, a little into her”
About 16 min

Sean Fennessey

“It's a very, very, very funny sequence”
About 2:32

Van Lathan

“May the force be with you”
About 48 min

Chris Ryan

“Great shot, kid. That was one in a million”
About 1:20

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Star Wars: A New Hope is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Star Wars: A New Hope, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

4 voices made the call

Bill Simmons headshotBill Simmons125 tracked appearances · 56 H / 64 C / 5 ties
Chris Ryan headshotChris Ryan77 tracked appearances · 36 H / 38 C / 3 ties
Sean Fennessey headshotSean Fennessey35 tracked appearances · 15 H / 17 C / 3 ties
Van Lathan headshotVan Lathan36 tracked appearances · 11 H / 23 C / 2 ties

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