The episode argues that Another 48 Hrs. is a messy but highly rewatchable sequel: thinner and more incoherent than the original, but packed with great stunts, fast pacing, a strong Walter Hill visual style, and flashes of peak Eddie Murphy. The hosts also use it as a springboard to discuss Murphy’s career peak, Nick Nolte’s rise, and why the movie feels like a frustrating lost opportunity.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections
Uses it as a comparison point for prison and transport-action storytelling.
About 48 min · medium confidence
5 ThemesThe larger ideas in the discussion
Eddie Murphy’s peak and burnout
The hosts frame the movie as part of Murphy’s superstar apex and the beginning of his career’s decline, with the Spin interview showing his frustration and exhaustion.
About 8 min
The burden of stardom
Murphy is described as carrying the expectations of being a huge Black movie star, stand-up, and cultural figure all at once.
About 8 min
Buddy-cop chemistry
The film is judged partly as a black guy/white guy action-comedy duo movie, with comparisons to other pairings.
About 1:44
Studio interference and lost cuts
A major discussion point is that the movie likely had a longer, clearer version before Paramount shortened it heavily.
About 48 min
The transformation of Nick Nolte
The episode also treats the film as part of Nolte’s prestige rise and cleaning-up period in the early 90s.
About 8 min
25 Facts and referencesProduction notes and other movies mentioned
Production note
The hosts say the film was originally around 2.5 hours, then cut to about 120 minutes, and then trimmed again to roughly 95 minutes right before release.
About 48 min
Production note
Eddie Murphy was reportedly paid $200,000 for the first 48 Hrs. and $12 million plus points for this sequel.
About 48 min
Production note
The title’s 48-hour deadline premise was cut out of the finished movie even though it appears in a trailer.
About 48 min
Production note
Bill says the character Keo was supposed to be the Iceman, and the cut version makes that twist incoherent.
About 48 min
Production note
Bill notes Eddie Murphy used the pseudonym for the story credit and talked Nick Nolte into doing the sequel.
About 48 min · medium confidence
Production note
The hosts mention an interview in Spin with Eddie Murphy and Spike Lee as particularly revealing.
About 16 min
Production note
They say the movie made about $150 million and was still considered disappointing.
About 48 min
Production note
Bill says the original 48 Hrs. was relatively racist and that Jack’s character was a virulent racist before the sequel.
About 1:44
Production note
Van claims Tisha Campbell is one of the most important performers in Black cultural history.
About 1:44
Production note
A listener email is read explaining that Roadhouse’s skinny-dipping scene was always intended as the ending.
About 40 min
Zodiac
The hosts announce an upcoming Netflix rewatchable and use it to compare careers and film types.
Opening minutes
Beverly Hills Cop
Used as the peak Eddie Murphy film and a benchmark for his star power.
About 16 min
Coming to America
Referenced as one of Eddie Murphy’s most beloved comedies and a sign of his peak.
About 16 min
The Warriors
Used as a gold-standard action film and a favorite Walter Hill title.
About 40 min
Good Morning, Vietnam
Referenced as an example of a comic star translating into a dramatic role.
About 24 min · medium confidence
Robin Williams
Compared with Eddie Murphy as a comic star who moved into serious roles.
About 24 min · medium confidence
The Fugitive
Mentioned while discussing prison transport and bus-crash action setups.
About 48 min
US Marshals
Referenced in the same transport-action discussion.
About 48 min
Fast & Furious 4
Cited for its prison transport attack sequence.
About 48 min
Roadhouse
Used in a digression about a listener email explaining a scene from the film.
About 40 min
Shot Caller
Used as a prison-movie comparison and praised more than expected.
About 48 min · medium confidence
The Heat
Referenced as another effective mismatched buddy-comedy pairing.
About 1:44 · medium confidence
Men in Black
Mentioned while discussing black-white buddy pairings and later franchise evolution.
About 1:44 · medium confidence
White Men Can’t Jump
Included as a top-tier black-white comedy duo example.
About 1:44
Lethal Weapon
Used as the definitive black-white buddy-cop pairing.
About 1:44
11 Running jokes and short linesRecurring bits captured from the conversation
Rewatchables-network promotion banter
The opening spends time joking about other Ringer shows and the move to Netflix for future episodes.
Opening minutes
Release the cut / re-apex campaign
The hosts repeatedly joke about getting a longer cut of the movie released if Bill reaches a career apex again.
About 1:44
Prison-transport-action enthusiasm
Any movie where prisoners are being transported and then attacked becomes a mini bit for the group.
About 48 min
Ballistics and gun-damage jokes
The hosts repeatedly joke about the physics of getting shot and thrown backward in 80s action movies.
About 1:20
Strip-club/cage-dancer running bit
Angel and the North Beach strip-club references recur as a way to joke about the film’s world-building.
About 1:36
Walter Hill praise and hangout-cinema admiration
The hosts keep returning to Hill’s toughness as an action director and his status as a favorite filmmaker.
About 56 min
Bill Simmons
“it's a karaoke sequel”
Opening minutes
Bill Simmons
“what I want to know is, what do I think?”
About 48 min
Van Lathan
“I want to suck a cock”
About 1:44
Van Lathan
“He said, old football bet.”
About 1:28
Chris Ryan
“Now it's time for him to make a good movie.”
About 48 min
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Where to watch
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ON THE MIC
3 voices made the call
Bill Simmons125 tracked appearances · 56 H / 64 C / 5 ties
Chris Ryan77 tracked appearances · 36 H / 38 C / 3 ties
Van Lathan36 tracked appearances · 11 H / 23 C / 2 ties