Rewatch IndexEvery Rewatchables episode
Back to the movie index

THE REWATCHABLES · January 10, 2023

Sideways

A 2004 comedy / romance / drama directed by Alexander Payne, covered in the complete Rewatchables archive.

ComedyRomanceDrama2000sDirected by Alexander Payne
Overall episode#290Source sheet order
Movie year20042000s
Tomatometer97%Critics’ score
Metacritic94View score
Roger Ebert4/4Original star rating
DirectorAlexander PayneComedy / Romance / Drama

FROM THE CONVERSATION

What they said about the movie

The episode treats Sideways as a deeply rewatchable adult comedy-drama about male friendship, midlife disappointment, and wine. The hosts praise its specificity, emotional honesty, and casting, while also noting its cultural impact on Merlot, Pinot Noir, and Santa Ynez wine tourism.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01It captures a specific but universal kind of loser character who is sad, funny, and worth rooting for. Opening minutes
  2. 02The back-porch monologue scene between Miles and Maya is treated as a standout emotional set piece. About 40 min
  3. 03The film rewards rewatching as the characters' emotional patterns and self-sabotage become clearer over time. About 1:20
  4. 04Its wine-country locations and detailed sense of place make it especially immersive. About 8 min
  5. 05The movie blends big comedy beats with serious emotional turns without breaking coherence. About 48 min

WHAT DID NOT WORK

Their main criticisms

  1. minorThe fake car accident / sabotage plot point feels weak and unnecessary. About 48 min
  2. minorJack's behavior would likely be less acceptable in a contemporary movie. About 1:04
  3. minorThe movie's drunk driving feels dated and belongs to a different era. About 1:04
  4. minorMiles's novel is portrayed as absurdly long and self-indulgent. About 8 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Hitching Post first meeting

Miles introduces Jack to Maya at the Hitching Post, setting up the romantic and social tensions.

About 40 min
Favorite

Miles and Maya on the porch

Maya explains her love of wine with a long, intimate monologue that wins Miles over in real time.

About 40 min
Favorite

Los Olivos dinner and Merlot outburst

Jack panics when Miles reveals the wedding news and delivers the famous 'no Merlot' rant.

About 48 min
Favorite

Payphone breakdown

Miles hears bad news about his ex and spirals in a painfully funny phone-call scene.

About 48 min
mixed

Drunk drive and roadside self-loathing

The film's driving and bottle-chugging moments reveal Miles's self-destruction and despair.

About 8 min
Favorite

Final burger-and-wine ending

The ending leaves Miles in a still-miserable but emotionally legible place, drinking wine with fast food.

About 56 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed Opening minutes

Is Sideways more a comedy or a drama?

Bill Simmons

It is one of the best dramas of the century but also absolutely a comedy.

Chris Ryan

It is a human comedy and a moving movie that lands as both.

Sean Fennessey

It has enough heart and sentiment to be more than pure satire.

They partly agreed About 24 min

Would George Clooney have worked in the cast?

Bill Simmons

Too recognizable for Miles, but maybe could have played Jack with a lighter transformation.

Chris Ryan

Jack might have been possible, but Clooney's wattage would distract.

Sean Fennessey

He would have been too big either way, though it might have helped his career if he played against image.

They agreed About 32 min

Did the movie change wine culture?

Bill Simmons

Yes, it helped kill Merlot's status, boosted Pinot, and affected Santa Ynez tourism and restaurant menus.

Chris Ryan

Yes, though he frames it with a bit more joking about the movie's real-world influence.

Sean Fennessey

Yes, and the detailed wine choices show Payne's authenticity.

They agreed About 40 min

What is the movie's best scene?

Bill Simmons

The porch monologue between Miles and Maya.

Chris Ryan

Also the porch scene, though he likes the spit-bucket/beach meltdown too.

Sean Fennessey

The porch scene, while acknowledging the payphone meltdown and ending.

No final agreement About 1:12 · medium confidence

Which Payne film is best?

Sean Fennessey

Sideways is a contender, but The Descendants is also in the conversation.

Bill Simmons

He implicitly treats Sideways as Payne's signature commercial and emotional achievement.

Chris Ryan

He focuses more on the film's tonal shift than on ranking Payne's overall work.

15 People discussedActors, directors, writers, and producers
very favorableAlexander PayneBill Simmons: Praised as a revered director with great character instincts and a strong sense of place and tone. About 8 min
very favorablePaul GiamattiBill Simmons: Admired as perfect casting and credited with making Miles both sad and funny. About 16 min
favorableThomas Haden ChurchChris Ryan: Praised for embodying Jack's charm, stupidity, and womanizing in a way that feels career-specific. About 40 min
very favorableVirginia MadsenSean Fennessey: Praised as beautiful, perfect for Maya, and the centerpiece of the porch monologue. About 40 min
neutralSandra OhBill Simmons: Mentioned as Payne's former wife and as part of the film's casting and production history. About 8 min
favorableGeorge ClooneyChris Ryan: Discussed as an almost-casting that might have worked only if he played against his star image. About 24 min favorableRobert Downey Jr.Sean Fennessey: Raised as another alternate casting idea, with the hosts thinking he could have brought more energy but less sadness. About 1:12
neutralRex PickettBill Simmons: Mentioned as the author of the novel Sideways and the source of the sequel idea. About 24 min
favorableHal AshbyBill Simmons: Referenced as Payne's 1970s-era inspiration and a stylistic touchstone for the film. About 8 min mixedClint EastwoodBill Simmons: Discussed mostly in Oscar context, where his Million Dollar Baby win is treated as weird but historically significant. About 32 min neutralMorgan FreemanSean Fennessey: Mentioned as an Oscar winner in the same year, framed as a career achievement award. About 32 min mixedCate BlanchettBill Simmons: Discussed as winning for a Hepburn impersonation in The Aviator, which the hosts found odd but acceptable. About 32 min neutralJamie FoxxBill Simmons: Referenced as the winner for Ray in the Oscar race discussion. About 32 min favorableTom CruiseSean Fennessey: Noted as a notable omission for Collateral in a strong year for performances. About 32 min very favorableMichael MannSean Fennessey: Held up as the superior director of Collateral compared with Taylor Hackford on Ray. About 48 min
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Sideways

Calls it one of his favorite movies of the 21st century and one of the best dramas/comedies of the era.

Opening minutes
Chris RyanLoved it

Sideways

Frames it as a movie about lovable losers and says the specificity is what makes it universal.

Opening minutes
Sean FennesseyLoved it

Sideways

Says the film is sentimental in a way that broadened Payne's voice and made the movie a hit.

About 8 min
Bill SimmonsLoved it

Alexander Payne

Admires Payne as a rare writer-director who is respected by other directors and strong with character and story arc.

About 8 min
Sean FennesseyLoved it

Paul Giamatti

Feels this role made Giamatti into a movie star rather than just a respected supporting actor.

About 1:20
Bill SimmonsLoved it

Miles and Maya on the back porch

Treats the porch conversation as one of the movie's great dramatic scenes and one of the best on the rewatchables.

About 40 min
Chris RyanLoved it

Miles's drunken phone call to his ex

Sees the phone-message sequence as a perfect cringe set piece and compares it to Swingers.

About 48 min
Bill SimmonsLoved it

Thomas Haden Church

Argues Church is the right casting for Jack because his career-specific regularness makes the character believable.

About 32 min
Sean FennesseyLoved it

casting against type

Praises Payne for consistently finding non-obvious actors who become definitive in their roles.

About 40 min
Bill SimmonsLoved it

wine-country specificity

Argues the film's real-world wine and location detail is unusually accurate and part of why it resonated culturally.

About 32 min
5 ThemesThe larger ideas in the discussion

Male friendship and insecurity

The movie is framed as a story about two men at a life crossroads, each exposed by the other.

Opening minutes

Self-sabotage and miscasting your own life

Miles is a man who has the wrong fantasy for his talents and can't accept the life he is suited for.

About 16 min

Wine as character and culture

Wine is not just background; it defines the film's identity, jokes, and emotional vocabulary.

About 32 min

Place and regional specificity

Santa Ynez, Los Olivos, and the Hitching Post are treated as essential to the film's power.

About 48 min

Comedy and melancholy coexist

The film's funniest scenes are tied to embarrassment, drinking, sex, and failure, but the hosts think that is what makes it emotionally rich.

About 48 min
21 Facts and referencesProduction notes and other movies mentioned

Production note

Sideways won the adapted screenplay Oscar but was shut out of the major top-category wins.

About 32 min

Production note

The film had a measurable real-world effect on Merlot and Pinot Noir sales and reputation.

About 32 min

Production note

The Hitching Post and nearby Santa Ynez Valley locations became destination spots after the movie.

About 48 min

Production note

The fake wine used on set reportedly made the cast sick.

About 40 min

Production note

The house used for the wallet theft scene had recently been a meth lab.

About 1:12

Production note

Rex Pickett reportedly disliked Sandra Oh's changes to the character and later wrote a sequel in response.

About 1:20

Swingers

Used as the closest tonal and structural comparison for male friendship, road-tripping, and self-delusion.

Opening minutes

Midnight Cowboy

Cited as an earlier example of a lovable loser on a doomed path.

Opening minutes

The Last Detail

Referenced as a Hal Ashby comparison for the movie's 1970s-style male-road-movie energy.

About 8 min

American Splendor

Mentioned as Giamatti's previous prestige role before Sideways.

About 16 min

About Schmidt

Referenced in discussing Payne's early career and Nicholson collaboration.

About 8 min

Election

Used both as a Payne comparator and as a film Bill thinks is harsher and more cynical than Sideways.

About 8 min

The Descendants

Used as another Payne benchmark and as a recommended double feature with Sideways.

About 1:12

Million Dollar Baby

The 2004 Oscar race is discussed at length, mostly to explain why Sideways was shut out in major categories.

About 32 min

Collateral

Referenced as a major omission from the 2004 Oscar nominations.

About 32 min

The Aviator

Discussed in the context of Cate Blanchett's win and the weird Oscar year.

About 32 min

Ray

Referenced as the vehicle for Jamie Foxx's Oscar win and as part of the strange Best Picture lineup.

About 32 min

Eternal Sunshine of the Spotless Mind

Named as one of the year's best films that was shut out of Best Picture.

About 32 min

Anchorman

Cited as one of several strong popular 2004 films that were not Best Picture nominees.

About 32 min

The Holdovers

Mentioned as a newer Payne-Giamatti reunion project.

About 1:20

Kiss Kiss Bang Bang

Mentioned in connection with Robert Downey Jr.'s comeback period.

About 1:12
10 Running jokes and short linesRecurring bits captured from the conversation

One-word movie month

Bill keeps joking about the 'one word' theme and the randomness of the selections.

Opening minutes

Wine power rankings / sommelier talk

The group repeatedly turns the episode into a wine-geek conversation about Pinot, Syrah, and labels.

About 32 min

Crank / smooch / bone jokes

The conversation keeps returning to crude sexual euphemisms and Jack's behavior.

About 40 min

Mets/Jets and podcast self-roast

Bill and Chris riff on their own careers and podcasting persona while comparing themselves to the film's losers.

Opening minutes

Craig Horbacher/Matt Bellany aside

The show briefly turns meta with a joke about Craig being like Andy Richter and Bill being Conan-ish.

About 1:20 · medium confidence

Speaker not identified

“I'm not drinking any fucking Merlot!”
About 48 min

Bill Simmons

“the world doesn't give a shit”
About 16 min

Chris Ryan

“It's like watching somebody have a psychotic break”
About 48 min

Bill Simmons

“tighter than a nun's asshole”
Opening minutes

Chris Ryan

“you are a bad, bad girl”
About 40 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Sideways is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Sideways, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

REWATCH FAVS

One of your favorites?

Upvote it for the live listener ranking.

YOUR PROGRESS

Save this one to your tracker

Sign in with Google only when you want to save progress. The rest of the site stays public.

KEEP LISTENING

Hear the full conversation

Play the episode directly from the official feed, open it on Spotify, or save it to your private Listen Later playlist.