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THE REWATCHABLES · July 31, 2023

A Few Good Men: Live from L.A. ("A Few Good (Re)Men")

A 1992 legal / drama directed by Rob Reiner, covered in the complete Rewatchables archive.

LegalDrama1990sDirected by Rob Reiner
Overall episode#320Source sheet order
Movie year19921990s
Tomatometer85%Critics’ score
Metacritic62View score
Roger Ebert—No review recorded
DirectorRob ReinerLegal / Drama

FROM THE CONVERSATION

What they said about the movie

A celebratory live rewatchable focused on why A Few Good Men still plays as a fast, quote-heavy, 'verbal action movie.' The panel argues that the film is really about the puzzle and the climax, praises Cruise and Nicholson as movie-star forces, and treats the Jack courtroom speech as the episode's main payoff.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The film functions like a courtroom puzzle that steadily reveals pieces until the final confrontation. About 8 min
  2. 02The final 15 minutes, especially the Jessup-Caffey confrontation, are treated as one of the most thrilling movie stretches ever. About 16 min
  3. 03The movie remains fast and efficient even decades later, so it does not feel dated to them. Opening minutes
  4. 04It is highly quotable, with many lines and running impressions anchoring the conversation. About 24 min
  5. 05It works as a 'verbal action movie,' with Sorkin dialogue functioning like set pieces. Opening minutes

WHAT DID NOT WORK

Their main criticisms

  1. moderateDemi Moore is seen as miscast and not fully equipped for Sorkin dialogue. About 48 min
  2. minorChristopher Guest's Dr. Stone is viewed as a strange, unnecessary casting choice. About 56 min
  3. minorThe movie's ending does not include a coda, which some may see as abrupt, though they also praise it. About 40 min
  4. moderateSome plot logic is questioned, especially why Downey testifies before Dawson and why Jack Ross waits to arrest Kendrick. About 1:04

SCENES THEY KEPT COMING BACK TO

Standout moments

positive

Opening military-puzzle setup

The panel likes how the movie quickly establishes a case with missing pieces and obvious stakes.

About 8 min
Favorite

Jessup lunch / Navy whites scene

Jessup's cigar-chomping lunch monologue and macho banter are singled out as a major highlight.

About 24 min
positive

Caffey interrupts the softball game

A favorite transitional beat where Cruise storms off the court and the case gets real.

About 24 min
positive

Ross opening statement

Kevin Bacon's opening is admired for outlining the whole movie while keeping the audience engaged.

About 32 min
mixed

Markinson in the car / suicide note thread

The car scene and Markinson's note are treated as intense but also logically messy.

About 40 min
Favorite

Jessup vs. Caffey courtroom climax

The explosive admission of the code red is the episode's emotional and comic climax.

About 40 min
positive

Downey's confused post-verdict reaction

Praised as a corny but moving aftermath beat, especially with Harold's honor speech.

About 1:20

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 16 min

Cruise's best performance

Bill Simmons

This is Cruise's best movie-star performance and maybe should have won him the Oscar.

Chris Ryan

Born on the Fourth of July or Magnolia are better acting showcases, though this is his most 'Cruisey' role.

Sean Fennessey

It is his most mesmerizing performance, but not necessarily his best acting.

They agreed About 48 min

Who won the Jessup courtroom scene

Bill Simmons

Cruise wins the scene when revisiting it now.

Sean Fennessey

Cruise wins the scene, even though Nicholson's speech is iconic.

Chris Ryan

Agrees Cruise wins and is the more rewatchable part.

They partly agreed About 48 min

Whether Demi Moore helps or hurts the movie

Chris Ryan

She is miscast and awkward, but the awkwardness becomes part of the movie's fun.

Bill Simmons

The character is an old-style emotional-support female lead and the movie does not need her to be sexy.

Sean Fennessey

She is part of a broader Sorkin problem with women in this era, though the movie survives it.

They agreed About 8 min

How much logic the courtroom case needs

Bill Simmons

The movie's appeal matters more than strict legal realism.

Sean Fennessey

The case is obvious from early on, but the thrill is in the reveal and the performance.

Chris Ryan

The film is basically a Columbo-style story where the point is getting to the answer.

19 People discussedActors, directors, writers, and producers
very favorableTom CruiseBill Simmons: Praised as electrifying, sarcastic, and possibly giving his best movie-star performance here. About 16 min very favorableJack NicholsonBill Simmons: Celebrated for the Jessup speech and for bringing huge star power to the film. About 24 min mixedDemi MooreChris Ryan: Acknowledged as a major star, but the panel thinks she is miscast and lacks chemistry with Cruise. About 48 min favorableKevin BaconBill Simmons: Viewed as a strong number-four guy who works well as Jack Ross. About 32 min favorableKevin PollakSean Fennessey: Praised for his work as Weinberg, especially his confrontation with Galloway and Moore. About 1:04 favorableKiefer SutherlandBill Simmons: Liked as an early-evil Kiefer villain, especially in Kendrick's scenes. About 24 min very favorableAaron SorkinChris Ryan: Admired for the structure, dialogue, and puzzle-like writing, though the panel notes some over-written or awkward beats. Opening minutes favorableRob ReinerBill Simmons: Seen as a strong collaborator with good script taste and a good director of stars, even without a flashy visual style. About 32 min favorableWilliam GoldmanBill Simmons: Credited with a key note that helped shape the film's revelation mechanics. About 16 min neutralJason AlexanderBill Simmons: Mentioned as the original intended Sam Weinberg before Kevin Pollak took the role. About 56 min favorableAngela BassettBill Simmons: Suggested as the best hypothetical Joe Galloway casting choice in their recast game. About 1:04 mixedChristopher GuestSean Fennessey: Called out as a weirdly cast internist whose role feels unnecessary but amusingly odd. About 56 min
favorableWolfgang BodisonBill Simmons: Praised as a non-actor discovery who still holds his own as Harold Dawson. About 56 min
favorableJT WalshBill Simmons: Mentioned as part of the strong supporting cast and linked to other Reiner films. About 16 min neutralJodie FosterBill Simmons: Named as a reported contender for Demi Moore's role. About 56 min neutralLinda HamiltonBill Simmons: Named as another reported contender for Demi Moore's role. About 56 min mixedJames WoodsBill Simmons: Mentioned as a possible Jessup before Nicholson; the panel thinks he could have worked as an effective movie villain. About 56 min neutralGene HackmanSean Fennessey: Discussed as a Jessup possibility who chose Unforgiven instead. About 56 min favorableMallory RubinBill Simmons: Brings a comedic awards-segment energy and pushes the sex-scene discussion with playful specificity. About 1:12
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

A Few Good Men as a rewatchable courtroom film

Calls it his favorite courtroom movie and treats it as one of the clearest examples of the show's appeal.

Opening minutes
Sean FennesseyLoved it

Jessup speech and final confrontation

Argues the movie saves its best material for the last quarter and that the ending is one of cinema's most thrilling sequences.

About 16 min
Chris RyanLoved it

Tom Cruise as Daniel Caffey

Sees Cruise's performance as charismatic and 'cruisey,' though not necessarily his single best acting job.

About 16 min
Bill SimmonsLoved it

Tom Cruise as Daniel Caffey

Thinks Cruise is electrifying and maybe should have won the Oscar for this role.

About 16 min
Sean FennesseyLoved it

Jack Nicholson as Jessup

Treats Nicholson's performance as legendary, but still gives Cruise the edge in the debate over the scene.

About 24 min
Bill SimmonsLiked it

Rob Reiner as director

Respects Reiner as a strong people-and-scripts director without a signature visual style.

About 32 min
Chris RyanMixed

Demi Moore as Joe Galloway

Thinks she is miscast but that the miscasting oddly helps the movie as a wrinkle.

About 48 min
Sean FennesseyDid not like it

Christopher Guest as Dr. Stone

Finds the casting odd and unnecessary, even if not disastrous.

About 56 min
Bill SimmonsLoved it

Caffey's final interrogation of Jessup

Says the scene is one of the all-time 'oh, this is on' movie moments and that Cruise clearly wins it.

About 24 min
Mallory RubinMixed

Movie's lack of sexual energy

Notes the film is mostly sexless aside from the crude Jessup joke, which is why she pushes for a better sex scene.

About 1:12
4 ThemesThe larger ideas in the discussion

Truth versus institutional loyalty

The film is framed as a battle between legal proof and military code, with Jessup insisting on duty while Caffey exposes the truth.

About 16 min

Movie-star performance

Cruise and Nicholson are discussed as peak-star attractions, with the episode debating whether Cruise's Caffey is his best performance and whether Nicholson owns the ending.

About 16 min

Authority and masculinity

The episode dwells on military hierarchy, softballs, salutes, and the way the movie dramatizes male status contests.

About 24 min

Theatrical dialogue as action

They emphasize that Sorkin's dialogue creates motion and suspense the way a physical action scene would.

Opening minutes
25 Facts and referencesProduction notes and other movies mentioned

Production note

Aaron Sorkin reportedly modeled the story on a real-life Navy JAG/hazing case while bartending at the Palace Theater.

About 16 min

Production note

William Goldman is credited with suggesting the flight-log disappearance angle.

About 16 min

Production note

Jack Nicholson supposedly insisted on performing his Jessup speech every take and nailed it each time.

About 24 min

Production note

Cruise reportedly modeled Daniel Caffey on David Miscavige, according to the discussion.

About 1:04

Production note

Cruise was paid $12.5 million and Nicholson $5 million for 10 days of shooting.

About 1:04

Production note

The film's basic-cable TV version barely differed from the theatrical cut.

Opening minutes

Production note

Originally, Kiefer Sutherland was supposed to drive the Humvee, but Noah Wyle replaced him because he could handle the vehicle better.

About 1:04

Production note

Rob Reiner allegedly wanted a sex scene between Caffey and Galloway because studio notes asked why Moore was in the movie if not to sleep with Cruise.

About 1:12

Production note

Caffey's TV-watching baseball games were researched, and the show briefly links the movie to real 1991 results.

About 1:04

Production note

A Connecticut lawyer once claimed to be the real-life inspiration for Daniel Caffey on his website until questioned by The New York Times.

About 1:04

12 Angry Men

Used as the more famous courtroom movie in a quick debate.

Opening minutes

The Social Network

Cited as another 'verbal action movie' from the same writer.

Opening minutes

Glengarry Glen Ross

Mentioned as an example of a dialogue-first action structure.

Opening minutes

Columbo

Used as a model for a story where the audience knows the culprit early.

About 8 min

Jerry Maguire

Used in debates about Cruise's career peak and as a Sorkin-adjacent reference via Cuba Gooding.

About 16 min

Born on the Fourth of July

Named as a stronger acting showcase for Cruise.

About 16 min

Oppenheimer

Used as a joke about current moviegoing and about the live event being crowded out.

Opening minutes

The Firm

Referenced when discussing Joe Galloway-style female love interests in Cruise movies.

About 48 min

A League of Their Own

Mentioned as a likely conflict for a potential casting choice.

About 1:12 · medium confidence

The Godfather

Kevin Pollak's interview anecdote about a 'Godfather night' at Cruise's house.

About 1:04

Top Gun

Used as part of Cruise's career run and in a hypothetical double feature.

About 16 min

Presumed Innocent

Suggested as a legal-drama double feature companion.

About 1:20

Paths of Glory

Suggested as a Kubrick military-courtroom companion film.

About 1:20

The Caine Mutiny

Named as perhaps the best military courtroom movie ever made.

About 1:20

Hoffa

Referenced because Nicholson's release date was shifted against it and Reiner was working on it too.

About 56 min
11 Running jokes and short linesRecurring bits captured from the conversation

Rewatchables naming game

The hosts keep riffing on what the live episode should be called, landing on variations of 'few more good men.'

Opening minutes

Cruise-as-anything debates

Repeated jokes compare Cruise's Caffey to other Cruise characters and to odd modern analogies like CTE or sports figures.

About 16 min

'You're a lousy fucking softball player, Jack!'

The line becomes a repeated comic insult and a live-show callback.

About 32 min

Navy lunch/blowjob joke

Jessup's lunch monologue about women, salute, and superior officers becomes a recurring crowd-pleasing bit.

About 24 min

Crab-eating/Old Bay bit

The panel and Mallory turn the crab-date scene into an extended food-and-sex joke.

About 1:12

Jalen Brown / contract analogies

Several basketball jokes use Jalen Brown or NBA contract logic to comic effect.

About 32 min

Speaker not identified

“You can't handle the truth!”
About 40 min

Speaker not identified

“You want the truth?”
About 40 min

Bill Simmons

“You're a lousy fucking softball player, Jack!”
About 32 min

Bill Simmons

“There is no Markinson. Markinson is gone.”
About 1:04

Sean Fennessey

“It's a verbal action movie.”
Opening minutes

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where A Few Good Men: Live from L.A. ("A Few Good (Re)Men") is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before A Few Good Men, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

4 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables
Mallory Rubin*The Rewatchables

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