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THE REWATCHABLES · April 18, 2023

Alien

A 1979 sci-fi / horror directed by Ridley Scott, covered in the complete Rewatchables archive.

Sci-fiHorror1970sDirected by Ridley Scott
Overall episode#304Source sheet order
Movie year19791970s
Tomatometer93%Critics’ score
Metacritic89View score
Roger Ebert4/4Original star rating
DirectorRidley ScottSci-fi / Horror

FROM THE CONVERSATION

What they said about the movie

The episode argues that Alien is a near-perfect blend of horror, sci-fi, and workplace movie, built from patient suspense, strong ensemble casting, tactile production design, and Ridley Scott’s precise direction. The hosts emphasize that it was underappreciated on release but later became hugely influential, especially for Alien and the broader Alien franchise.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The movie’s patient build and slow-burn suspense reward repeat viewing. About 8 min
  2. 02Its ensemble scenes and overlapping dialogue create lots of rewatchable detail. About 16 min
  3. 03The production design and practical effects still look distinctive and tactile. About 32 min
  4. 04Sigourney Weaver’s performance as Ripley is singled out as exceptional and rewatchable. About 24 min
  5. 05The movie’s influence and later franchise expansion make it richer in retrospect. About 48 min

WHAT DID NOT WORK

Their main criticisms

  1. minorSome action and creature-effect moments are slightly awkward or limited by budget. About 48 min
  2. minorThe deleted cocoon ending changes the movie too much and feels wrong to them. About 56 min
  3. minorThe cat subplot feels unnecessary and frustrating to at least one host. About 56 min
  4. minorThe movie includes underwear shots that drew criticism from later viewers and from James Cameron in the discussion. About 56 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Crew wake-up and breakfast

The crew emerges groggy from sleep and immediately starts bickering about food and bonuses, establishing the film’s workplace texture.

About 16 min
Favorite

Landing on the planetoid and entering the alien ruins

The decision to land, the space jockey reveal, and the egg chamber are described as one of the greatest sequences in movie history.

About 32 min
Favorite

Kane’s facehugger attack

The jump from the egg to Kane’s helmet is discussed as a classic, terrifying shock.

About 32 min
Favorite

Chestburster dinner scene

The famous dinner scene is praised for its shocking pacing, blood spray, and immediate aftermath.

About 40 min
Favorite

Dallas in the vents/tunnels

The pursuit through the ship’s tunnels is singled out as even scarier than the more famous body-horror moment.

About 56 min
mixed

Ash’s reveal and breakdown

Ash’s android reveal is described as a great heel turn, though some effects and staging are a little awkward.

About 40 min
positive

Ripley finding Jonesy and surviving alone

Ripley’s lone-survivor run is framed as an extension of her empathy and survival intelligence.

About 40 min
positive

Self-destruct and escape pod finale

The ending is praised for efficiency and for keeping the tension tight right through the final escape.

About 40 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 56 min

Is the chestburster the scariest scene, or is Dallas’s tunnel sequence scarier?

Bill Simmons

Dallas’s tunnel pursuit is scarier and more claustrophobic, though the chestburst is the iconic scene.

Chris Ryan

The chestburster is the most memorable, iconic moment.

No final agreement About 56 min

Should the cat Jonesy have been included in the story?

Bill Simmons

No; the cat is the movie’s most annoying element and should have been killed.

Chris Ryan

The cat works thematically because Ripley’s empathy and caution matter, even if Bill dislikes cats.

They agreed About 40 min

Is the director’s cut better than the theatrical version?

Chris Ryan

Yes, it moves faster and is better paced.

Bill Simmons

Also prefers the director’s cut after comparing it to the original.

They agreed About 48 min

Is Alien better in retrospect because of Aliens and the franchise that followed?

Bill Simmons

Yes, the sequel and later context make the original feel more important.

Chris Ryan

Yes, the original became clearer and more appreciated after the franchise expanded.

14 People discussedActors, directors, writers, and producers
very favorableRidley ScottChris Ryan: Praised for turning a genre premise into an original, patient, highly crafted movie. About 8 min very favorableSigourney WeaverBill Simmons: Described as amazing and intelligent, and central to why Ripley works. About 24 min favorableTom SkerrittBill Simmons: Discussed as the apparent lead early on and as a role that could have been played by a bigger star. About 16 min
favorableJohn HurtBill Simmons: Praised as excellent and crucial to the chestburster sequence and the movie’s early drama. About 24 min
favorableYaphet KottoBill Simmons: Remembered as a standout, especially for the shipboard labor and personality he brings. About 24 min favorableHarry Dean StantonBill Simmons: Praised as a perfect fit for the movie’s tone and a memorable presence. About 24 min favorableRoger EbertBill Simmons: Discussed as having initially praised the movie and later upgraded it to four stars in retrospect. About 32 min mixedPauline KaelBill Simmons: Referenced as giving a cooler, more skeptical contemporary reaction to the film. About 8 min
neutralDan O'BannonBill Simmons: Identified as the screenwriter who shopped the script before Star Wars changed the market. About 48 min
neutralRonald ShusettBill Simmons: Mentioned as co-creator of the story. About 48 min
favorableWalter HillBill Simmons: Praised as a key behind-the-scenes figure and a favorite filmmaker in the discussion. About 48 min mixedJames CameronBill Simmons: Mentioned admiringly as the maker of Aliens but also as a critic of one scene in Alien. About 56 min neutralRandy NewmanBill Simmons: Referenced only in a joking comparison to a deleted-scene rabbit hole. About 56 min · low confidence
neutralBob FosseBill Simmons: Mentioned while discussing the 1979 directing Oscar field. About 56 min
10 Conversation takesSpeakers shown only where the transcript identifies them
Chris RyanLoved it

Alien as a genre hybrid

Calls it a perfect horror movie, work movie, and sci-fi movie and praises it as a 'B-movie done as an A-movie.'

About 8 min
Bill SimmonsLoved it

The crew waking up and eating together

Likes the slow wake-up and first meal scene because it feels ordinary, funny, and loaded with character detail.

About 16 min
Bill SimmonsLoved it

Kane’s death and chestburster sequence

Treats the sequence as iconic but says the Dallas tunnel pursuit is scarier and more claustrophobic.

About 40 min
Bill SimmonsLoved it

Sigourney Weaver

Argues Weaver is extraordinary and helps make Ripley feel like the smartest, most grounded person on the ship.

About 24 min
Bill SimmonsLoved it

The film’s practical production design

Admires the dirty, used, retro-future look and the handmade physical effects.

About 32 min
Bill SimmonsDid not like it

The cat Jonesy

Argues strongly that the cat is unnecessary and should have been killed.

About 56 min
Bill SimmonsLiked it

Dallas searching the tunnels

Thinks Dallas’s pursuit is the film’s scarier sequence even if the chestburster is more famous.

About 56 min
Chris RyanLoved it

Ridley Scott

Sees Scott as the crucial auteur who fused influences into something original and influential.

About 8 min
Chris RyanLiked it

The director’s cut

Says the director’s cut moves faster and is better paced than the original release version.

About 40 min
Craig HorlbeckLoved it

Practical effects vs CGI

Argues the film’s practical craftsmanship makes it look better than modern CGI-heavy blockbusters.

About 56 min
5 ThemesThe larger ideas in the discussion

Workplace movie in space

The crew dynamics, labor grievances, coffee, and shift-like routines make the film feel like a blue-collar work movie as much as horror or sci-fi.

About 16 min

Suspense through restraint

The film delays monster visibility and action, which the hosts say makes it scarier.

About 8 min

Corporate mistrust

Ash and Weyland-Yutani are discussed as part of the movie’s theme of corporate control over science and labor.

About 48 min

Practical craft over CGI

They celebrate physical sets, models, prosthetics, and lighting as major reasons the movie endures.

About 32 min

Retrospective influence

The episode treats Alien as a movie whose greatness and impact became clearer over time, especially after Aliens and later sci-fi films.

About 16 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

Alien won the Academy Award for Best Visual Effects.

About 48 min

Production note

The film had an $11 million budget and grossed about $184 million.

About 48 min

Production note

The original title was Star Beast before Alien.

About 56 min

Production note

Ridley Scott later made a director’s cut that the hosts think improves pacing.

About 40 min

Production note

The film’s set pieces and creature effects were made with practical techniques, not CGI.

About 56 min

Production note

Four cats played Jonesy.

About 48 min

Production note

The chestburster scene was shot multiple times and assembled from different takes.

About 1:04

Production note

John Hurt was reportedly the first choice for the role before casting complications pushed the production toward him again.

About 48 min · medium confidence

Jaws

Used as a comparison for the original blockbuster and for how Alien helped define the summer movie.

About 8 min

Rocky

Mentioned as part of the era’s modern blockbuster and sports-movie shift.

About 8 min

Star Wars

Referenced as both an influence and a market-changing success that opened the door for Alien.

About 8 min

Texas Chain Saw Massacre

Cited as one of Ridley Scott’s tonal influences for the film.

About 8 min

2001: A Space Odyssey

Discussed as a key influence on Ridley Scott and a model for visual originality.

About 8 min

Halloween

Used to compare suspense, restraint, and the legacy of horror-thriller influence.

About 8 min

The Exorcist

Referenced in discussion of iconic shock scenes that became cultural touchstones.

About 24 min

Blade Runner

Used to discuss Ridley Scott’s influence and later reappraisal of his sci-fi work.

About 32 min

Prometheus

Mentioned as a later Alien-related film whose trailer and ideas echo the original.

About 40 min

Aliens

Discussed as the franchise sequel that changed Sigourney Weaver’s stardom and the series’ cultural standing.

About 40 min

The Thing

Listed among the gritty genre movies that felt similar in tone and impact to Alien.

About 24 min

Escape from New York

Used as another example of a patient, gritty genre movie from the era.

About 8 min

The Warriors

Referenced as an example of a patient, rewatchable genre movie and as part of Walter Hill’s era.

About 8 min

Midnight Run

Referenced in the discussion of Yaphet Kotto’s career and favorite supporting roles.

About 24 min

The Godfather

Used in a joking discussion about movie cats.

About 56 min
10 Running jokes and short linesRecurring bits captured from the conversation

Bill hates the cat

Bill repeatedly argues that Jonesy adds nothing and should have been killed.

About 56 min

“Throw them the car keys” / scouting-mission bit

The episode opens with Bill joking about handing Chris the movie choice after his Delta scouting mission.

Opening minutes

Spaceship coffee and bonus complaints

The crew’s groggy breakfast and labor grievance chatter are treated as an ongoing workplace-comedy bit.

About 16 min

“What if I were in the pod?”

The hosts keep fantasizing about waking from sleep after major events and learning the news.

About 1:12

Joe Conrad / space jargon riffs

They repeatedly play with the movie’s industrial future language and various joke titles and terms.

About 1:20 · medium confidence

Chris Ryan

“A B-movie done as an A-movie.”
About 8 min

Bill Simmons

“Kill the fucking cat.”
About 56 min

Bill Simmons

“I feel dead.”
About 32 min

Bill Simmons

“The best screening room in the world”
About 56 min

Bill Simmons

“We got the magazine down our throat for!”
About 56 min · medium confidence

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Alien is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Alien, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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