THE CATEGORY
CABINET

They choose the junkyard and palace-of-depression locations as the standout scene settings.

They pick the layered Koreatown casino at the end as the most scene-stealing location.

They single out the Alberta mountain setting as gorgeous and memorable.

They name the Grand Canyon as the notable scene-and-location moment for this award.

The abandoned gas station wins as the best scene-stealing location, with an abandoned asylum also singled out.

They settle on the Bluff murder location as the standout scene-stealing location, with Morty’s and the diner getting mentions as alternatives.

They settle on Butch McCray’s gym in Chicago as the best use of an actual location.

They agree Dennis couldn't break the couple up, though they think a dirty-cop approach would have worked on Carter.

They debate the public confrontation locations and settle on the gas station as the standout setting.

They choose Lanark Diner as the scene-stealing location after briefly considering the link as a runner-up.

They choose the courtroom as the movie’s scene-stealing location because that’s where the whole town converges.

When asked to cast the twins with Denzel or Will, they choose Denzel's early-90s stretch.

They name Marathon Man as the best diamond movie.

They narrowed the field to the female supporting performances and landed on Kelly Lynch as the pick.

The opening parkour chase was treated as the most spectacular heat-check moment, with Dench’s confrontation also praised.

The room lands on Delbert Grady as the best heat-check performance, with Lloyd as the main alternative.

They raise unanswered lore questions about why Carol Anne was targeted and how the haunting would be seen online today.

They discuss movies whose lines or moments escaped the film and became shorthand in culture, with The Town cited as a modern example.

Bill cited Brubaker as an earlier example of the slow clap.

The group answers yes after discussing visible anatomy and risky staging.

Mallory argues the movie is one of the rare cases where a better sex scene is unnecessary because the desire is the point.

They joke that a football-game set piece would have fit the movie and add energy to the setting.

They felt the movie should have added an L.A. sports beat like basketball or beach volleyball.

They noted the movie doesn't really have a sex scene and did not land on a clear answer.

The dining-room killings are treated as one of the film's great execution set pieces, even if not formally isolated as a named category.

After debating Candy, Bacon, and Sutherland, they choose John Candy for delivering the most startlingly effective one-off role.

Michael Bowen is the strongest answer, though the hosts also mention Julianne Moore and Tom Cruise as contenders in the broader category chatter.

They wonder aloud about vampire entry rules for cars versus houses and never settle it definitively.

They propose scoring stunts by how much they would hurt in real life, but no film or stunt is crowned outright.

They decide the most painful-looking beat is the ugly electrocution and head-trauma finale stretch.

The courtroom wins for its striking two-level setup.

They choose the oil-drilling work as the most convincing bit of technical realism in the film.

They cite milk-from-the-carton as an Apex Mountain-style gag and seem to treat Anchorman as the benchmark example.

After kicking around a few options, they land on Little John Looney as the most Boston character.

They single out Bond’s post-stunt line as the episode’s worst cringey quote.

Annie qualified in theory, but the film never actually shows her taking a drag.

They agree the movie's synthesizer cues are among the most foreboding of the era.

Ron Howard's mother earns the award for her brief but stirring washing-machine line.

They place the film at the top of the evil-roommate subgenre, with Hedy as the model version of the trope.

The montage wins for its repeated nudity and highly sexualized imagery.

The hosts treat Bill as the obvious recurring target for the mispronunciation award and joke that it would go to him almost every time.

The category is used loosely for transformation stories, with Clueless and dance-contest movie makeovers getting the strongest mention.

They joke about needing a correction category for misquoted lines and movie facts, but do not formalize a winner.

The hosts treat Rollerball as the example for invented sports in movies.

They choose The Martian as the better fantasy-style follow-up for Damon-at-his-smartest energy.

They debate team-by-team value and generally treat Peter as the top Average Joes asset.

Bill cites its emotional ending and franchise execution as a peak rewatch experience.

They share production facts about mafia involvement, the morgue shoot, the protests, the disclaimer, and the missing footage.