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THE REWATCHABLES · May 4, 2021

What About Bob?

A 1991 comedy directed by Frank Oz, covered in the complete Rewatchables archive.

Comedy1990sDirected by Frank Oz
Overall episode#201Source sheet order
Movie year19911990s
Tomatometer71%Critics’ score
Metacritic60View score
Roger Ebert—No review recorded
DirectorFrank OzComedy

FROM THE CONVERSATION

What they said about the movie

The hosts argue that What About Bob? is a near-perfect Bill Murray vehicle: a high-concept 1991 comedy that works because Murray is at his peak, Richard Dreyfuss commits fully as an angry straight man, and the movie’s supporting details are unusually well cast and directed. They also frame it as a therapy movie and a product of an era when star-driven comedies were everywhere.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Bill Murray’s performance is seen as a peak-era, highly rewatchable comic turn. Opening minutes
  2. 02Richard Dreyfuss’ escalating anger creates a perfect comic counterweight. About 8 min
  3. 03The supporting cast and small roles are unusually well cast. About 24 min
  4. 04The movie keeps landing whenever Bob intrudes on the family’s routine. About 24 min
  5. 05The movie feels like a classic star-driven early-90s studio comedy that is easy to drop into on cable. About 32 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe film’s premise can be read as Bob being a sociopathic intruder who terrorizes everyone. About 32 min
  2. minorBob’s OCD/fear behavior seems inconsistent from scene to scene. About 40 min · medium confidence
  3. minorThe daughter subplot feels underexplained, especially her age and quick attachment to Bob. About 24 min
  4. moderateThe movie’s ending and Leo’s attempted murder push the story toward absurdity. About 32 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening therapy session

Bob’s first meeting with Dr. Marvin establishes his fears, Marvin’s smugness, and the movie’s comic thesis.

About 8 min
Favorite

Diner phone-call / Gutmans introduction

Bob waiting to call the doctor and the diner owners’ resentment create a strong comic beat.

About 24 min
Favorite

Sailing / family integration

Bob’s sailing and his easy insertion into the family are described as the point where the film takes off.

About 24 min
Favorite

Teaching Siggy to dive

Bob coaches Siggy, and the physical comedy of the dock and lake sequence is praised.

About 24 min
Favorite

Dinner with the family

Bob’s overeager table manners and the chicken/corn jokes are singled out as a favorite rewatchable stretch.

About 24 min
Favorite

First GMA appearance / Marvin’s reaction

Marvin’s horror at Bob appearing on Good Morning America is treated as one of the great payoffs.

About 24 min
Favorite

'He's not gone' door reveal

Marvin’s breakdown after hearing Bob is gone and then seeing him again is singled out as the strongest comic burst.

About 32 min
mixed

House explosion finale

The ending pushes Marvin into apparent attempted murder and then implodes the lake house, which the hosts find funny but absurd.

About 32 min

WHERE THEY DISAGREED

The biggest debates

They left it as a friendly argument Opening minutes

How many phases Bill Murray has in his career

Sean Fennessey

He has two broad phases: pre- and post-Rushmore, with this film in the first peak period.

Bill Simmons

He thinks Murray’s career is better described in three phases.

They partly agreed Opening minutes

Whether Richard Dreyfuss is too angry in the film

Sean Fennessey

His anger is essential because the movie needs a believable, funny narcissist.

Bill Simmons

He initially suggests Siskel may have had a point about Dreyfuss being too angry.

They partly agreed About 32 min

Whether the movie is mocking therapy

Van Lathan

It reflects an older, suspicious attitude toward psychiatrists and fame-hungry shrink culture.

Sean Fennessey

It targets a specific huckster version of therapy rather than therapy in general.

They left it as a friendly argument About 32 min

Who should play Bob in a modern remake

Van Lathan

JB Smoove or Tracy Morgan could do it; Kevin Hart would not work.

Sean Fennessey

Will Ferrell is the clearest alternate fit, though Murray remains uniquely ideal.

15 People discussedActors, directors, writers, and producers
very favorableBill MurrayBill Simmons: Praised as a genius and as the star of a special phase of his career; the hosts call this one of his best films. Opening minutes favorableRichard DreyfussBill Simmons: Credited with making Dr. Marvin funny while still believable as a rage-filled narcissist. About 8 min
favorableFrank OzSean Fennessey: Cited as an excellent director who helped assemble a strong filmmaking team around a silly premise. About 8 min
neutralAlvin SargentSean Fennessey: Mentioned as the story source; the hosts connect his work to the film’s respect for therapy. About 32 min
favorableAnne CoatesSean Fennessey: Highlighted as a top-tier editor whose presence signals unusually strong craftsmanship. About 8 min
favorableMichael BahlhausSean Fennessey: Praised for shooting the lake-house and Siggy scenes with strong visual style. About 24 min
favorableJulie HagertySean Fennessey: Seen as perfectly cast as the accommodating wife, even if she is underused. About 24 min
neutralCharlie KorsmoSean Fennessey: Discussed as an important child actor whose later life became a law professor and legal scholar. About 32 min neutralWoody AllenSean Fennessey: Mentioned as an early candidate for Dr. Leo Marvin and as someone associated with analysis culture. About 24 min neutralRobin WilliamsSean Fennessey: Cited as a rival star who could have played Bob during the same era. About 24 min favorablePhil HartmanVan Lathan: Suggested as a possible alternate Leo Marvin, and Van says he would have been a great choice. About 8 min · medium confidencemixedKevin HartVan Lathan: Suggested as a modern Bob in an all-black recast, but Van quickly rejects the idea as too limited to his persona. About 32 min
favorableJB SmooveVan Lathan: Van’s preferred modern Bob casting choice; described as charming enough to win over the family. About 32 min
favorableSterling K. BrownVan Lathan: Cast by Van as the Black version of Richard Dreyfuss’ Leo Marvin role. About 32 min
favorableSanaa LathanVan Lathan: Cast by Van as Dr. Marvin’s wife in the Black-cast version. About 32 min
12 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

What About Bob?

Bill says he loves the movie and thinks it is almost perfect and one of Murray’s best.

Opening minutes
Sean FennesseyLoved it

What About Bob?

Sean describes it as a special Bill Murray movie from a peak period and compares it to other straight-man/crazy-man comedies.

Opening minutes
Van LathanLoved it

What About Bob?

Van says he has loved the movie for decades and connects with Bob’s fears and family viewing history.

Opening minutes
Sean FennesseyLoved it

Bill Murray

Sean argues Murray had a unique, long-lasting comic run and could carry a movie almost by himself.

Opening minutes
Bill SimmonsLiked it

Richard Dreyfuss

Bill thinks Dreyfuss is perfect as the angry, increasingly unhinged straight man.

About 8 min
Sean FennesseyLiked it

Richard Dreyfuss

Sean says this film reveals Dreyfuss as a natural screen asshole and comic foil.

About 24 min
Bill SimmonsLoved it

dinner scene

Bill picks the dinner sequence as one of the movie’s best comic stretches.

About 24 min
Sean FennesseyLoved it

'He's not gone' meltdown

Sean chooses Dreyfuss discovering Bob after the supposed death as his favorite scene.

About 24 min
Van LathanMixed

psychiatry

Van says the movie reflects an older era when therapists were distrusted, while also acknowledging it later normalized therapy in pop culture.

About 24 min
Bill SimmonsLoved it

setting and supporting details

Bill praises the movie’s detailed casting and background bits, including the diner owners and small roles.

About 24 min
Sean FennesseyLoved it

Richard Dreyfuss performance

Sean argues the film depends on Dreyfuss being funny without becoming too monstrous.

About 8 min
Van LathanLiked it

Bob Wiley

Van sees Bob as a person with real fears rather than a simple lunatic, especially on rewatch.

Opening minutes
4 ThemesThe larger ideas in the discussion

Therapy and mental health

The episode treats the movie as a therapy comedy that reflects older, more suspicious attitudes toward psychiatrists versus the more humane therapy portrayals that came later.

About 8 min

Bill Murray’s career phases

Sean argues Murray’s career can be divided into distinct eras, with this film sitting in the sweet spot of his first major peak.

Opening minutes

Straight man vs. chaotic comic

The movie works because a charming chaos agent is paired with a repressed, increasingly unhinged straight man.

About 8 min

High-concept studio comedy era

The episode is partly a lament for a period when major star comedies were abundant and easy to market.

About 32 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

The hosts say the movie had a $39 million budget and made $64 million.

About 24 min

Production note

Roger Ebert gave the movie three stars and called it Murray’s best since Ghostbusters.

About 24 min

Production note

Gene Siskel disliked Dreyfuss’ angry performance because it was too intense.

About 24 min

Production note

The lake house was filmed in Virginia on Smith Mountain Lake.

About 40 min

Production note

The house explosion was done with a three-fourths-size replica.

About 40 min

Mentioned with uncertainty

Steven Spielberg allegedly spent $250,000 of his own money campaigning for Murray’s Oscar nomination.

About 40 min · medium confidence

Production note

Charlie Korsmo left acting, earned degrees from MIT and Yale Law, passed the New York bar, and became a law professor.

About 40 min

Production note

The hosts note that Dreyfuss sued Disney years later over back pay/royalties for the film.

About 40 min · medium confidence

The Odd Couple

Used as a comparison for the straight-man/crazy-man comic structure.

About 8 min

The In-Laws

Another straight-man/crazy-man comparison in the same comic lane.

About 8 min

Ghostbusters

Referenced as a career-defining Bill Murray hit and benchmark for his star power.

Opening minutes

Groundhog Day

Used as another distinct Bill Murray role from his peak period.

Opening minutes

Quick Change

Mentioned as an underrated Murray movie from the same era.

Opening minutes

Tootsie

Cited as an example of Murray’s strong early batting average and a complicated film with great performances.

Opening minutes

Analyze This

Used as a therapy-comedy parallel and a later example of the same setup.

About 8 min

Ordinary People

Referenced as a therapist-centered film and as a connection to writer Alvin Sargent.

About 8 min

The Sopranos

Mentioned as the show that superseded Analyze This and defined the modern therapist archetype through Dr. Melfi.

About 8 min

Good Will Hunting

Used in the therapist-movie mount rushmore and as a model of a healthy therapist relationship.

About 8 min

Pacific Heights

Sean uses it as a successor comparison for the 'stuck with an intruder' story pattern.

About 32 min

Jaws

Referenced in a career discussion of Richard Dreyfuss as an earlier POV hero.

About 24 min

The American President

Mentioned as a later example of Dreyfuss playing a strong antagonist.

About 24 min

The Good Son

Referenced in a side conversation about evil-kid thrillers and memorable houses.

About 40 min

Brightburn

Mentioned as another evil-child/superpowered-kid film.

About 40 min
10 Running jokes and short linesRecurring bits captured from the conversation

Bill Murray phases debate

The hosts repeatedly joke about how to divide Murray’s career into phases.

Opening minutes

Therapist movie Mount Rushmore

They build lists of films about therapists, with Good Will Hunting, Analyze This, What About Bob?, and Ordinary People prominent.

About 8 min

All-black recasting couch

Van improvises a full Black-cast version of the movie, with Sterling K. Brown, Sanaa Lathan, and JB Smoove.

About 32 min

'You are tolerated' joke

Bill Murray’s alleged insult to Dreyfuss becomes a repeated callback as proof of Murray’s comic genius.

About 40 min

Title/subtitle objections

Bill is teased for omitting subtitles like 'Prince of Thieves' and 'Secret of the Ooze.'

About 8 min

Speaker not identified

“There are two types of people”
About 8 min

Speaker not identified

“You are tolerated.”
About 40 min

Speaker not identified

“He's not gone. He's never gone.”
About 24 min

Speaker not identified

“Is this hand-shucked?”
About 24 min

Speaker not identified

“Don't hassle me, I'm local.”
About 32 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where What About Bob? is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before What About Bob?, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables
Van Lathan headshotVan LathanThe Rewatchables

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