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THE REWATCHABLES · November 9, 2021

Ransom

A 1996 thriller / crime directed by Ron Howard, covered in the complete Rewatchables archive.

ThrillerCrime1990sDirected by Ron Howard

ON THIS EPISODE

Overall episode#228Source sheet order
Movie year19961990s
Tomatometer73%Critics’ score
Metacritic61View score
Roger Ebert3/4Original star rating
DirectorRon HowardThriller / Crime

FROM THE CONVERSATION

What they said about the movie

The episode treats Ransom as a peak-90s kidnapping thriller built around Mel Gibson’s movie-star charisma and Ron Howard’s efficient direction. Bill and Van argue that the film works because it is a strong, propulsive script with a great central cat-and-mouse structure, even as they note its billionaire-hero premise feels dated and its kid-endangerment elements are unusually harsh.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The second-half chess match between Gibson and Sinise, especially the TV-station speech and the phone confrontation, drives the movie. About 40 min
  2. 02Mel Gibson’s movie-star intensity makes the ransom call and confrontation scenes highly rewatchable. About 40 min
  3. 03Rene Russo and Mel Gibson have strong chemistry, and the film benefits from their back-and-forth arguments. About 32 min
  4. 04The film is a tightly made, well-written kidnapping thriller with clear stakes and a clean cat-and-mouse structure. About 16 min · medium confidence

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe billionaire-as-hero setup feels dated and politically/culturally different from how wealth is viewed now. About 8 min
  2. minorThe kidnappers’ treatment of the child is overly brutal and somewhat excessive. About 56 min · medium confidence
  3. minorThe relationship between Gary Sinise and the woman in the kidnapping crew is not fully sold. About 1:04
  4. minorThe movie underuses the parents’ private emotional life and security reality after the kidnapping. About 1:04
  5. minorThe ending’s 'don’t shoot him' beat feels overdone. About 1:12 · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Sean’s kidnapping at the science fair

The balloon drifting away and the missing child set off the movie’s core guilt and suspense.

About 32 min
positive

Tom delivers the ransom money

The locker-room money transfer and Sinise taunting him escalate the cat-and-mouse game.

About 40 min
Favorite

Tom’s TV-station speech

Tom flips the ransom into a bounty and publicly threatens the kidnappers.

About 40 min
positive

Kate and Tom argue after the speech

Rene Russo’s fury and the couple’s divided strategy give the film emotional weight.

About 40 min
Favorite

Tom’s ransom-phone meltdown

Gibson’s rage spikes as he threatens the kidnappers and plays directly into the cat-and-mouse tension.

About 40 min
positive

Sinise’s car ride explanation

Sinise’s monologue about the rich and the time machine/Morlocks is singled out as a great villain moment.

About 1:04
Favorite

Final confrontation and the kid peeing himself

The climax culminates in Gibson realizing the situation and the child’s panic hitting hard.

About 1:12

WHERE THEY DISAGREED

The biggest debates

They left it as a friendly argument Opening minutes

What counts as a kidnap movie top-tier Mount Rushmore

Bill Simmons

Names Man on Fire, Taken, Misery, and Proof of Life as his top four, with Ransom on the bubble.

Van Lathan

Offers comedy and nostalgia picks such as Who’s Harry Crumb and Ruthless People.

They agreed About 8 min

Whether wealthy-hero movies still work

Bill Simmons

Says the premise is now suspect because people care more about what billionaires do to society.

Van Lathan

Agrees that the culture now treats vast wealth more skeptically and through satire like Succession.

They partly agreed About 32 min

Who could star in a modern Ransom remake

Bill Simmons

Floats several names, eventually landing on Anthony Mackie and J-Lo for different versions.

Van Lathan

Pushes back on some options and helps land on J-Lo as the strongest possible female lead.

They partly agreed About 1:12

What aged the best: Gibson-Russo chemistry or the dirty-cop angle

Bill Simmons

Says the Gibson-Russo combo aged best.

Van Lathan

Says the dirty-cop narrative and Sinise’s role are especially durable.

13 People discussedActors, directors, writers, and producers
mixedMel GibsonBill Simmons: Praised as electric and peak movie-star material, but constantly framed through the lens of his later racism and anti-Semitism. Opening minutes very favorableRene RussoBill Simmons: Presented as a major star with great chemistry opposite Gibson and an impressive run of adult, high-powered roles. About 16 min favorableGary SiniseBill Simmons: Seen as an effective villain whose performance may have typecast him as the 'Ransom guy.' About 32 min favorableDelroy LindoVan Lathan: Praised as the good cop and as someone with a strong 90s run whose value was rediscovered later. About 40 min favorableRon HowardBill Simmons: Discussed as a director who moved from crowd-pleasing 80s work to prestige recognition later, with Ransom part of that path. About 48 min favorableTom HanksBill Simmons: Used as a comparison point for a different kind of movie-star dominance and selectivity. About 16 min neutralAlec BaldwinBill Simmons: Mentioned as the originally desired choice for the Sinise role, but he turned it down over the child-endangerment content. About 1:04 neutralRay LiottaBill Simmons: Mentioned as another actor who passed on the Sinise role because of the script’s treatment of children. About 1:04 favorableRichard PriceBill Simmons: Named as one of the screenplay writers, reinforcing the film’s strong script reputation. About 1:12 favorableDonnie WahlbergBill Simmons: Praised as the sympathetic kidnapper whose death raises the stakes. About 40 min mixedLiev SchreiberBill Simmons: Considered a weaker element; Bill thinks his character/performance is undercooked or not fully convincing. About 1:12 · medium confidencefavorableDemi MooreVan Lathan: Cited as an example of a star who got her own starring vehicles in the 90s. About 1:12 · medium confidence
criticalA.J. BenzaBill Simmons: Called out for a cameo that has aged poorly. About 56 min
8 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLiked it

Ransom as a kidnap thriller

Says the film is a very rewatchable kidnapping movie, especially once the plotting kicks in after the setup.

Opening minutes
Bill SimmonsMixed

rich hero premise

Argues the self-made billionaire hero framing made sense in the 1990s but feels dated now.

About 8 min
Van LathanLiked it

Mel Gibson

Admits Gibson is excellent in the movie and that the film is hard to separate from later controversies.

Opening minutes
Bill SimmonsLoved it

Rene Russo

Treats Russo as one of the best high-end, adult movie stars of the era and wishes she had gotten more outright star vehicles.

About 16 min
Van LathanLiked it

Gary Sinise

Sees Sinise as a capable villain and suggests the role fit the era’s growing suspicion of authority figures.

About 32 min
Bill SimmonsLoved it

TV-station ransom speech

Calls the TV-station speech and the following calls to Sinise the movie’s best stretch.

About 40 min
Van LathanLiked it

Ron Howard direction

Views Howard as a director who could make this kind of efficient, star-driven thriller before fully crossing into prestige territory.

About 48 min
Bill SimmonsLiked it

copaganda and dirty cops

Likes that the movie gives Delroy Lindo the role of the good cop against Sinise’s bad cop.

About 1:04 · medium confidence
5 ThemesThe larger ideas in the discussion

Wealth and public virtue

The hosts discuss how the movie’s 1990s assumption that a self-made billionaire is inherently admirable has aged into something more suspicious.

About 8 min

Kidnapping thriller mechanics

The episode breaks down why kidnapping movies work: clear villains, strategy, urgency, and a rescue plan.

Opening minutes

Mel Gibson’s stardom and later damage

The conversation keeps returning to Gibson’s peak as a major movie star and to the discomfort of watching him now given his later controversies.

Opening minutes

90s movie-star ecology

Bill and Van place Gibson, Russo, Sinise, and Howard in a late-90s star system that no longer exists in the same way.

About 8 min

Dirty-cop tension

Van likes that Gary Sinise’s character is a bad cop in a period when cop movies were starting to get more skeptical.

About 1:04 · medium confidence
22 Facts and referencesProduction notes and other movies mentioned

Production note

The episode notes that Ransom grossed about $309.5 million on a $70 million budget.

About 48 min

Production note

Bill says Roger Ebert gave the film three stars and called it a smarter-than-usual kidnapping thriller.

About 48 min

Production note

Production was delayed because Mel Gibson needed an emergency appendectomy.

About 1:04

Production note

The child actor is Brody Nolte, Nick Nolte’s son.

About 1:04

Production note

Ron Howard originally wanted Alec Baldwin for the Sinise role and then Ray Liotta, both of whom reportedly passed.

About 1:04

Production note

Bill notes that early email looked novel enough in the movie to signal wealth.

About 1:12

Production note

Bill says the movie is surprisingly hard to find on major streaming services and he had to watch it through TNT/Spectrum on demand.

About 1:12

The Edge

Used as a near-contemporary example of a virtuous wealthy hero in a survival thriller.

About 8 min

Succession

Cited as the modern pop-culture mode for portraying extreme wealth as satire and dysfunction.

About 8 min

Wall Street

Referenced as an 80s-era wealth/ambition movie with a charismatic antihero.

About 8 min

Scarface

Mentioned alongside Wall Street as an era where getting rich was glamorized on screen.

About 8 min

Conspiracy Theory

Cited as another Gibson movie about suspicious, bunker-minded paranoia.

About 16 min

The Net

Used to illustrate late-90s technology anxiety and paranoia movies.

About 16 min

Enemy of the State

Another reference point for paranoid tech thrillers of the era.

About 16 min

Lethal Weapon 3

Referenced as the earlier Gibson-Russo collaboration and a sign of their chemistry.

About 16 min

Tin Cup

Referenced as one of Russo’s most rewatchable films.

About 24 min

Get Shorty

Used both as a Russo title and as an influential movie for Van.

About 24 min

Major League

Referenced as an especially rewatchable Russo movie.

About 24 min

Apollo 13

Mentioned both as a Tom Hanks film and a key Gary Sinise supporting role.

About 32 min

Friday Night Lights

Cited as a show that arrived before streaming made it easy to discover.

About 40 min

The Wire

Mentioned in a streaming/torrent context as another show the hosts had to seek out.

About 40 min · medium confidence

United 93

Used as an example of a deeply disturbing movie the hosts have nonetheless rewatched.

About 48 min
12 Running jokes and short linesRecurring bits captured from the conversation

“Mel, why?”

Bill repeatedly laments Gibson’s off-screen controversies while praising his performance.

Opening minutes

Kidnap-movie Mount Rushmore

Bill and Van compare favorite kidnapping movies and comedy versions of the genre.

Opening minutes

“Black Ransom” casting game

They riff on who would star in a modern remake, eventually landing on Anthony Mackie and J-Lo.

About 32 min

Rene Russo appreciation society

They keep returning to Russo as an elite adult star who deserved a true signature vehicle.

About 16 min

Billionaire skepticism

They joke that in modern culture the rich hero would be treated like a punchline or a problem.

About 8 min

Phone-disguiser nostalgia

Bill highlights the era when fake-voice phone gadgets felt plausible in thrillers.

About 1:12

Dirty-cop enthusiasm

Van repeatedly favors the movie’s more skeptical police characterization.

About 1:04 · medium confidence

Bill Simmons

“Mel, why?”
Opening minutes

Bill Simmons

“Give me back my son!”
Opening minutes

Bill Simmons

“You are a lying ass dog, pal.”
About 40 min

Bill Simmons

“This is my show. I say when it's over.”
About 40 min

Bill Simmons

“Not like this, Tom.”
About 1:12 · medium confidence

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Ransom is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Ransom, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

2 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Van Lathan headshotVan LathanThe Rewatchables

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