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THE REWATCHABLES · April 10, 2019

Major League

A 1989 sports / comedy directed by David S. Ward, covered in the complete Rewatchables archive.

SportsComedy1980sDirected by David S. Ward
Overall episode#66Source sheet order
Movie year19891980s
Tomatometer83%Critics’ score
Metacritic62View score
Roger Ebert—No review recorded
DirectorDavid S. WardSports / Comedy

FROM THE CONVERSATION

What they said about the movie

A celebratory, joke-heavy discussion of Major League as a deeply rewatchable baseball comedy, with special focus on Wesley Snipes, Charlie Sheen, the movie’s late-game surge, and its absurdly specific sports-movie pleasures. The hosts love its cast and payoff but also spend substantial time on aging issues like Charlie Sheen’s baggage, racial caricature in Serrano, and the creepy Jake/Rene Russo subplot.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections
In this conversation
Bill SimmonsRembert Browne

WHY IT WORKS

What made it rewatchable

  1. 01The movie’s last 35–45 minutes, especially the Yankee game, deliver a huge payoff and make channel-flipping irresistible. About 8 min
  2. 02Wesley Snipes and Charlie Sheen are deployed sparingly, making every appearance feel like an event. About 8 min
  3. 03The baseball-movie rhythms—spring training, roster cuts, hot streaks, and comeback momentum—feel satisfying and rewatchable. About 8 min
  4. 04Bob Uecker’s radio-announcer persona and the movie’s jokes about baseball culture remain highly appealing. About 8 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe first hour drags and spends too much time on the Jake Taylor/Rene Russo romance. About 8 min
  2. majorSerrano is portrayed with ugly and outdated racial/ethnic stereotypes. About 48 min
  3. majorJake Taylor acts like a stalker toward Rene Russo’s character. About 48 min
  4. majorCharlie Sheen’s real-life baggage is hard to separate from the movie. About 40 min
  5. moderateWesley Snipes’ running is exposed by research indicating the slow motion was used to fake speed. About 40 min

SCENES THEY KEPT COMING BACK TO

Standout moments

positive

Spring training and roster cuts montage

Introduces the team and its misfits while establishing the movie’s broad comedy and baseball setup.

About 24 min
positive

Team revolt against the owner

The manager and players unite against the owner’s sabotage plan, shifting the film into its victory mode.

About 24 min
Favorite

Serrano’s Yankee Stadium home run

Serrano hits a famous homer and circles the bases with his bat, giving the film one of its coolest images.

About 32 min
Favorite

Wild Thing entrance from the bullpen

Charlie Sheen’s dramatic walk to the mound plays like a huge, crowd-driven sports-movie payoff.

About 32 min
Favorite

Wild Thing strikeout of Clue Haywood

The three-pitch strikeout sells Sheen as a legit closer and punctuates the movie’s turn.

About 32 min
Favorite

Jake Taylor’s final bunt

The winning play subverts expectations by ending on a bunt rather than a home run.

About 40 min
critical

Jake and Rene Russo reunion/freeze frame

The romantic ending feels unearned and awkwardly appended to the baseball payoff.

About 48 min

WHERE THEY DISAGREED

The biggest debates

No final agreement About 1:04

Who is the episode’s best performer / movie winner?

Bill Simmons

Charlie Sheen

Rembert Browne

Wesley Snipes

They agreed About 48 min

How bad is the Jake Taylor/Rene Russo relationship?

Bill Simmons

Very creepy and unearned

Rembert Browne

Also unconvincing and misaligned with the movie’s premise

They partly agreed About 1:04

Is Charlie Sheen the best fit for Wild Thing versus possible alternatives?

Bill Simmons

Essential and iconic in the role

Rembert Browne

Could maybe be replaced in Major League, but is very strong here

15 People discussedActors, directors, writers, and producers
very favorableWesley SnipesBill Simmons: Praised as extraordinary and charismatic in the role of Willie Mays Hayes, with a legendary athlete-role run. Opening minutes favorableCharlie SheenBill Simmons: Praised as excellent and likable as Wild Thing, though his off-screen life is treated as a major issue. About 8 min favorableTom BerengerBill Simmons: Recognized as a major 80s leading man whose role anchors the film’s center. About 8 min neutralRene RussoBill Simmons: Discussed mainly in relation to the film’s underwritten and awkward romance subplot. About 48 min favorableDennis HaysbertBill Simmons: Mentioned as Serrano and praised for his look and presence, though the role is also criticized as stereotyped. Opening minutes
very favorableBob UeckerBill Simmons: Celebrated as the ideal local announcer and a big reason the movie still works. About 32 min
very favorableJames GammonBill Simmons: Lauded as perfect casting for the grizzled manager and a beloved off-screen presence. About 32 min
favorableCorbin BernsenBill Simmons: Discussed as a classic 80s TV/movie face whose career apex may have been around this period. About 16 min
favorableMargaret WhittonBill Simmons: Praised as a strong villainous owner with a memorable role and backstory. About 32 min
neutralRicky HendersonBill Simmons: Referenced as the model for Willie Mays Hayes’s speed-oriented character design. About 16 min
neutralThe Alou brothersBill Simmons: Referenced as the basis for Serrano’s superstitious character traits. About 16 min · medium confidence
neutralDenzel WashingtonBill Simmons: Used as a comparison point for what Snipes could and could not have played. About 8 min favorableOmar EppsBill Simmons: Mentioned as a later, more athletic Willie Mays Hayes-type successor in sports movies. About 40 min
neutralMitch WilliamsBill Simmons: Cited as the real-life pitcher whose closer entrance music was inspired by Wild Thing. About 48 min
mixedRoger DornBill Simmons: His defense is mocked as exaggerated, and his relationship subplot is treated as implausible. About 56 min
8 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Wesley Snipes

Snipes is a one-of-one athlete/action performer whose charisma and physical roles define a rare career window.

Opening minutes
Rembert BrowneLoved it

Wesley Snipes

Sees Snipes as a huge charisma fit for Willie Mays Hayes and the center of a beautiful actor-character merger.

Opening minutes
Bill SimmonsLoved it

Charlie Sheen

Thinks Sheen is excellent as Wild Thing and one of the movie’s biggest reasons to rewatch it.

About 8 min
Rembert BrowneLiked it

Major League

Argues the movie has a weak first hour but an enormous fourth quarter that makes it a classic.

About 8 min
Bill SimmonsLiked it

Major League

Says the movie is ideal for channel-flipping because the payoff section is so strong.

About 8 min
Bill SimmonsLoved it

Bob Uecker

Thinks Uecker’s announcer character has aged extremely well and feels authentic to real local hacks.

About 32 min
Rembert BrowneLoved it

Serrano's home run and bat pump

Calls the bat-pump after the homer one of the coolest moments in baseball-movie history.

About 32 min
Bill SimmonsLoved it

The Yankees game finish

Considers the late-game Yankee sequence a major payoff and among the best sports-movie stretches.

About 40 min
4 ThemesThe larger ideas in the discussion

Athlete/actor charisma

The episode repeatedly argues that Snipes and Sheen succeed because they feel like real ballplayers with swagger and physical presence.

Opening minutes

Baseball-movie realism

The hosts admire the film’s day-to-day baseball details, roster tension, and game-day drama even when the plot is broad.

About 32 min

Underdog team construction

The movie is framed as a pre-Moneyball prototype where each player is chosen for one obvious skill.

About 32 min

Cultural afterlife

The episode argues that the movie influenced later baseball-movie tropes and closer entrance music.

About 48 min
24 Facts and referencesProduction notes and other movies mentioned

Production note

The movie was written by David Ward, a Cleveland Indians fan who won an Oscar for The Sting.

About 16 min

Production note

The film was inspired in part by a lease escape clause involving the Minnesota Twins and owner Calvin Griffith.

About 16 min

Production note

Charlie Sheen compared reading the script to crack and said it was as good as Platoon.

About 16 min

Production note

The movie grossed nearly $50 million domestically on an $11 million budget.

About 16 min

Production note

Rembert says Bob Uecker aged especially well because modern local announcers are still like him.

About 32 min

Production note

Wesley Snipes’s running scenes were reportedly slowed in postproduction because he was not actually fast.

About 40 min

Production note

The film helped popularize closer entrance music through Mitch Williams and the Cubs.

About 48 min

Production note

Milwaukee County Stadium doubled for Cleveland, and the Yankee game used around 20,000 extras.

About 56 min

Production note

The alternate ending would have made the owner secretly good, but audiences hated it.

About 56 min

Passenger 57

Used in the discussion of Wesley Snipes’s athlete/action-movie run.

Opening minutes

Money Train

Another Snipes role cited as evidence of his physical-action range.

Opening minutes

New Jack City

Named as Snipes’s signature role from that era.

Opening minutes

White Men Can’t Jump

Used as another peak Snipes performance and a charisma benchmark.

Opening minutes

Platoon

Used in the Charlie Sheen résumé and later as a point of comparison for Major League’s script.

About 16 min

Bull Durham

Referenced as the major contemporary baseball film and in a hypothetical Sheen swap.

About 48 min

Field of Dreams

Mentioned as the next Rewatchables baseball episode and another classic baseball film.

About 24 min

Moneyball

Invoked as a later framework for building teams around specialized skills.

About 32 min

Do the Right Thing

Cited in a casting what-if involving Wesley Snipes turning down a role.

About 56 min

Miami Vice

Referenced because Tom Berenger allegedly turned down Sonny Crockett.

About 56 min

The Sting

Mentioned as writer David Ward’s Oscar-winning credit.

About 16 min

The Program

Used to illustrate Omar Epps’s later sports-movie résumé.

About 40 min

Higher Learning

Used again to place Omar Epps in sports-movie memory.

About 40 min

Rudy

Used to identify Chelsea Ross’s sports-movie significance.

About 56 min

Hoosiers

Used to identify Chelsea Ross’s other big sports-movie role.

About 56 min
10 Running jokes and short linesRecurring bits captured from the conversation

Snipes-issance

A recurring joking term for Wesley Snipes’s run of athletic, physical roles.

Opening minutes

Bob Uecker imitation problem

Bill jokes that later sports movies tried and failed to copy Uecker’s announcer archetype.

About 32 min

Warlock / hangover James Gammon stories

The hosts quote oral-history anecdotes about Gammon being a lovable hard-drinking presence.

About 56 min

How many black people are in Cleveland?

Rembert jokes that the film’s racial makeup is comically thin, underscoring the movie’s dated racial representation.

About 40 min

Bob Euchre / local hack voice

Bill notes how modern announcer hacks are all shadow versions of Uecker.

About 32 min

Bill Simmons

“Win the whole fucking thing”
About 1:04

Bill Simmons

“Just a bit outside”
About 1:04

Bill Simmons

“Fuck you, Joe Boo. I do it myself.”
About 1:04

Rembert Browne

“The first hour of this movie”
About 8 min

Bill Simmons

“I hate this fucking song”
About 32 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Major League is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Major League, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

2 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Rembert BrowneThe Rewatchables

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