THE CATEGORY
CABINET

Bill argues that Little Bill’s anti-gun approach to policing the town had some logic even if it failed.

Chris argues the movie quietly seeded a huge amount of later wilderness-horror DNA.

They debated whether Dirk’s anatomy should have been bigger or thicker, but did not land on a truly settled verdict beyond the general joke.

The hosts treat the alleged on-set choke-out and defecation story as the wildest anecdote tied to the film’s production.

They trade multiple hot takes without settling on a single clear winner.

They apply this to the awkward hot tub sex scene and the apparent lack of a proper intimacy setup.

They cite Downey’s Howard Stern story that he and his scene partner actually dumped in a female cast member’s trailer, though not LeBrock’s.

They marvel at how many major names the movie packed into a low-budget comedy.

They praise its huge ensemble comedy energy before moving to a close call with The Hangover.

They call it the perfect 90-minute Liam Neeson action movie.

They joke that Leigh's performance is so definitive that it permanently colors how they see her in other roles.

They agree the category is for roles so iconic the actor becomes hard to separate from the character, with Buffalo Bill and Wayne Grove as examples.

The group agrees that the behind-the-scenes material for Jaws 2 is itself entertainingly bad and absurd.

The discussion points to Channing Tatum’s gimp cameo as the clearest example of textbook twadage.

They turn the infamous line into its own memory-hole style award and clearly center on that quote.

They identify the trailer/apology beat as the moment you know Roy and Molly are going to hook up.

They decide the McEnroe line is the quote that has grown the most over time.

Hondo was the clear choice because the hosts loved how he pauses and leans into the emotional beat before the mission.

They prefer Catherine Parker’s corner office with the harbor and Statue of Liberty view over the townhouse.

They pick the Altadena party house as the coolest piece of real estate in the movie.

The high-school romance thread is singled out as the part that could be cut, alongside some jokes that have not aged well.

The obvious answer is the apocalypse itself as the thing that happened the next day.

They joke that Forrest Jr. ends up creating Facebook, while Lieutenant Dan’s future as a hedge-fund guy is the alternate pick.

They imagine Jerry and Dorothy having one child before divorcing, while Rod's career and celebrity continue beyond the movie.

They assume the marriage is annulled almost immediately after the honeymoon revelations.

They speculate about the characters’ immediate aftermath, including Red’s fate and the likelihood of police trouble.

They frame it as a sequel-oriented 'what happens next' question, but they do not choose a winner here.

They chose the imagined fallout of Maverick’s finances as the funniest ‘next day’ consequence.

They speculate about how Paul gets out, how the cops respond, and what his first post-rescue media run looks like, but never settle on one answer.

They conclude the relationship basically ends after the barbecue and the case is over.

They say the obvious next-day consequence is massive clean-up and recovery after the purge.

They answer by imagining the next-day hitchhike home ending with another bus full of male athletes.

They imagine a recovery day centered on showering, brushing teeth, and eating breakfast.

They spin out hypothetical futures for the characters rather than landing on a single clear answer.

They predict the campus settles back down, with Billy presumably making it through the rest of the year.

They infer that the relationship with Jane likely ends after Sonny’s death and the neighborhood fallout.

They identify the Bohemian Rhapsody-to-cop-stop stretch as the moment the movie kicks into a higher gear.

They settle on it as a category for the most inexplicable accent work, citing several memorable bad-accent examples.

The hosts mention it as a category for regrettable actor choices, but no winner is chosen.

They note Maxim Magazine named Slap Shot the best guy movie of all time and accept the label as a kind of compliment.

They nominate Michael J. Fox as the comedy-running goat and also praise Michael Cera's run in Superbad.

Chocolate bars won, with Charlie’s sweet-tooth food moments mentioned as the other notable choice.

They pick De Niro's turkey sandwich as the clear winner, with Kathy Moriarty's cocktail mentioned as a runner-up.

They single out the whiskey and goat’s milk drinks, with extra appreciation for the steak-eating finale.

After mentioning the meatloaf, they explicitly give the category to Dom Perignon.

They choose the crepe Suzette as the best food-and-drink moment, with the salmon sandwich getting gross honorable mention talk.

They choose the poisoned fish and the whole vomiting gag as the standout food/drink bit.

They picked Swan's hot pockets as the movie's best food-and-drink moment.