THE CATEGORY
CABINET

They end by riffing on the power of 90s and 2000s trailers and suggesting trailers could be a future category.

They pitch adding an unnecessary sports scene to any movie and riff on examples, but do not choose a winner.

They like its wine-country hangout quality and Giamatti's performance.

They settle on Aja as the notable pet/memorabilia-style pick in this stretch.

For ski-and-gun-action scenes, they land on Inception as the best comparator.

They compare several famous movie slow claps and say Lucas is their favorite, with Brubaker, Hoosiers, Can't Buy Me Love, and Rudy also in the mix.

They agree the B-52s needle drop is the standout song cue.

They treat it as a perfect, endlessly relevant cable rewatch.

They share several production notes, led by the airport-announcement couple and the famous dailies anecdote.

They praise the soundtrack and specifically credit Paul Westerberg for the movie’s music identity.

They choose Dark Side as the original song winner, even though the broader music from the film is also praised.

For the special-achievement tier, they name Seagal first, then add Russo, Philip Seymour Hoffman, and Robert Loggia as key inductees.

The seven-step 'OK motherfucker' escalation is mapped to the Juarez border-crossing set piece as the movie's biggest level-up.

When asked to pick one special Eddie-or-Arsenio character, they choose Eddie Murphy's barbershop character.

They explicitly single out Remick's entrance as the point where the movie noticeably levels up.

They choose Spielberg as the better fit for the material, even while acknowledging Scorsese could make a version too.

Bill says he keeps rewatching this tough procedural for the puzzle-solving journalism.

They trade a bunch of production and trivia facts without landing on a single winner.

They briefly note the Conrad/Apocalypse Now influence as a recurring reference worth calling out.

Bill treats it as a family staple and one of the funniest movies of its era.

They identify the best take as the argument that Whiplash remains Chazelle’s best film.

Bill argues that Little Bill’s anti-gun approach to policing the town had some logic even if it failed.

Chris argues the movie quietly seeded a huge amount of later wilderness-horror DNA.

They debated whether Dirk’s anatomy should have been bigger or thicker, but did not land on a truly settled verdict beyond the general joke.

The hosts treat the alleged on-set choke-out and defecation story as the wildest anecdote tied to the film’s production.

They trade multiple hot takes without settling on a single clear winner.

They apply this to the awkward hot tub sex scene and the apparent lack of a proper intimacy setup.

They cite Downey’s Howard Stern story that he and his scene partner actually dumped in a female cast member’s trailer, though not LeBrock’s.

The behind-the-scenes story that Rob Lowe injured his ACL during filming is treated as the wildest shoot anecdote.

They marvel at how many major names the movie packed into a low-budget comedy.

They praise its huge ensemble comedy energy before moving to a close call with The Hangover.

They spend this segment on continuity complaints, especially the timeline around Elena and the franchise's handling of Shaw.

They call it the perfect 90-minute Liam Neeson action movie.

They joke that Leigh's performance is so definitive that it permanently colors how they see her in other roles.

They agree the category is for roles so iconic the actor becomes hard to separate from the character, with Buffalo Bill and Wayne Grove as examples.

The group agrees that the behind-the-scenes material for Jaws 2 is itself entertainingly bad and absurd.

The discussion points to Channing Tatum’s gimp cameo as the clearest example of textbook twadage.

They turn the infamous line into its own memory-hole style award and clearly center on that quote.

They identify the trailer/apology beat as the moment you know Roy and Molly are going to hook up.

They decide the McEnroe line is the quote that has grown the most over time.

Hondo was the clear choice because the hosts loved how he pauses and leans into the emotional beat before the mission.

They prefer Catherine Parker’s corner office with the harbor and Statue of Liberty view over the townhouse.

They pick the Altadena party house as the coolest piece of real estate in the movie.

The high-school romance thread is singled out as the part that could be cut, alongside some jokes that have not aged well.

The obvious answer is the apocalypse itself as the thing that happened the next day.

They joke that Forrest Jr. ends up creating Facebook, while Lieutenant Dan’s future as a hedge-fund guy is the alternate pick.

They imagine Jerry and Dorothy having one child before divorcing, while Rod's career and celebrity continue beyond the movie.

They assume the marriage is annulled almost immediately after the honeymoon revelations.