PEOPLE THEY PRAISE
Who gets the most positive mentions
A positive mention is a transcript note marked favorable or strongly favorable and tied to Wesley Morris.
HOST PROFILE
WHO SHOWS UP AROUND THEM
PEOPLE THEY PRAISE
A positive mention is a transcript note marked favorable or strongly favorable and tied to Wesley Morris.
WHERE THEY PUSH BACK
This counts comments about a performance or body of work. It is not a personal approval rating.
IN THEIR OWN WORDS
Wesley says the nightclub stretch is the movie’s best sequence and the most rewatchable part.
About 8 min into the transcriptWesley uses Clockers as a benchmark Spike Lee film and says 25th Hour feels like a cousin to it.
About 0 min into the transcriptUltimately praises her as a special star who can carry major movies and play well with others.
About 64 min into the transcriptReads the movie as a devastating system movie about corruption and human failure.
About 8 min into the transcriptFinds Tambor’s emotional collapse astonishing because it pivots from comedy to moral panic.
About 32 min into the transcriptSays Murphy is unusually present and quiet, not waiting to steal scenes in an actorly way.
About 0 min into the transcriptSees the duo as a big reason the sequel works because their interplay is already seeded here.
About 48 min into the transcriptSays the movie depends on Travolta's lightness and stardom to work in a way few actors could manage.
About 8 min into the transcriptLoves the manual, tactile world of film equipment and analog work, contrasting it with digital convenience.
About 8 min into the transcriptWesley says the movie has the exact kind of irresistible, destructive sexuality the genre needs.
About 0 min into the transcriptWesley treats Turner as a rare kind of star who can credibly make men risk everything.
About 16 min into the transcriptWesley praises the screenplay for hiding the con while letting the audience think Ned is in charge.
About 112 min into the transcriptTHEIR SIDE OF THE ARGUMENT
The characters already exist as characters rather than archetypes, but the movie still failed to make him feel much for them.
25th HourThe restraint is admirable but also makes the movie feel slightly underwhelming.
25th HourIt could be cut, though he ultimately does not mind it much.
25th HourHe agrees the film was ignored and argues the Academy did not know what to do with Spike Lee.
A Time to KillIt may be his best in a bigger scene, but he generally works better in smaller doses.
A Time to KillA lot; the Black family should be the center and the movie is morally frustrating.
A Time to KillIt makes little legal sense but is emotionally revealing about white empathy.
And Justice for AllIt belongs with 1970s conspiracy and corruption movies more than a standard legal drama.
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