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THE REWATCHABLES · July 2, 2020

The Perfect Storm

A 2000 thriller / drama directed by Wolfgang Petersen, covered in the complete Rewatchables archive.

ThrillerDrama2000sDirected by Wolfgang Petersen

ON THIS EPISODE

Overall episode#146Source sheet order
Movie year20002000s
Tomatometer47%Critics’ score
Metacritic59View score
Roger Ebert—No review recorded
DirectorWolfgang PetersenThriller / Drama

FROM THE CONVERSATION

What they said about the movie

A heavily favorable discussion of The Perfect Storm as an expertly made, oddly rewatchable disaster movie whose strength comes from pacing, set pieces, and a great cast, even though its ending is devastating. The hosts admire its craftsmanship while repeatedly critiquing the Boston accents, the Coast Guard subplot, and Diane Lane’s performance.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Expert pacing and set-piece construction keep the movie gripping despite the known tragic ending. Opening minutes
  2. 02The cast is unusually strong and full of character actors, which adds energy to the shipboard scenes. About 8 min
  3. 03The storm sequences and practical boat footage feel intense and memorable, especially when the wave hits. About 24 min
  4. 04The film’s tragic structure creates suspense even for viewers who know the ending. About 24 min
  5. 05The Gloucester/bar atmosphere, smoking, and working-class detail give the film a specific texture. About 32 min · medium confidence

WHAT DID NOT WORK

Their main criticisms

  1. majorDiane Lane’s Boston accent is widely mocked as over-the-top and unconvincing. About 40 min
  2. moderateThe Coast Guard subplot pulls focus from the Andrea Gail story and feels unnecessary. About 48 min
  3. moderateSome supporting accents, especially Michael Ironside’s, are rough or inconsistent. About 32 min
  4. minorThe film softens or alters real events in ways the hosts note as liberties, including the romance and distress-call beats. About 40 min
  5. minorThe Christopher McDonald and Coast Guard material adds only limited value compared with the boat scenes. About 48 min · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

positive

Clooney decides to go back out

The opening crow’s-nest decision scene is praised for introducing the world and the ensemble dynamic.

Opening minutes
mixed

Clooney’s speech to Linda

The speech works dramatically, but the hosts joke that Clooney wisely abandons the Boston accent for it.

About 24 min
Favorite

Boat sets sail and the crew banters

The early shipboard scenes with Clooney and Wahlberg are singled out as especially enjoyable.

About 32 min
positive

Riley goes overboard and Fichtner rescues him

A tense rescue beat that the hosts remember as a strong action sequence.

About 32 min
Favorite

The wave hits the boat

The giant wave sequence is called the movie’s best scene and the emotional turning point.

About 24 min
mixed

Sun comes out after the boat flip

A false sense of survival is undercut when the storm closes back in.

About 24 min
positive

John C. Reilly and Fichtner feud scenes

Their antagonism is treated as a funny but effective source of tension.

About 32 min
critical

Coast Guard cutaways

The Coast Guard storyline is seen as a distraction from the main ship narrative.

About 48 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed Opening minutes

Is George Clooney the same kind of star as Harrison Ford or Brad Pitt?

Bill Simmons

Clooney should have been the next-generation action megastar but never fully became one.

Chris Ryan

Clooney is best when he is playing George Clooney in smart, offbeat films rather than blockbuster leads.

They partly agreed About 48 min · medium confidence

Does the Coast Guard subplot help the movie?

Bill Simmons

No, it distracts from the main boat story and adds little.

Chris Ryan

It may add some structural variety, but the movie still works best on the Andrea Gail.

They agreed About 40 min · medium confidence

How faithful should the movie be to the real story?

Bill Simmons

The film takes some liberties but mostly respects the true-event framework.

Chris Ryan

The movie’s emotional power matters more than exact fidelity.

They left it as a friendly argument About 56 min

Who wins the movie: Wahlberg or Petersen?

Bill Simmons

Wahlberg wins because his performance and star-making arc dominate the film.

Chris Ryan

Petersen deserves credit for the film’s technical and pacing achievements.

19 People discussedActors, directors, writers, and producers
favorableGeorge ClooneyBill Simmons: Praised as charismatic and effective in smaller, offbeat films; criticized as never fully becoming an A-plus star or action lead. Opening minutes very favorableMark WahlbergBill Simmons: Viewed as perfectly cast, highly likable, and the likely winner of the movie; his performance is treated as a breakout movie-star turn. About 8 min mixedDiane LaneBill Simmons: Admired as a screen presence but mocked for the accent and for a performance that feels too heightened for the role. About 40 min favorableJohn C. ReillyBill Simmons: Praised as part of the strong character-actor ensemble and for his scenes with William Fichtner. About 8 min favorableJohn HawksBill Simmons: Liked for his performance, accent commitment, and general presence in the boat scenes. About 16 min favorableWilliam FichtnerBill Simmons: Enjoyed as a tense, slightly combative supporting presence, especially opposite Reilly. About 32 min mixedMichael IronsideBill Simmons: Appreciated as a recognizable supporting actor but criticized for a rough accent. About 32 min neutralChristopher McDonaldBill Simmons: Mentioned as part of the supporting cast and as a candidate for the Deion Waiters-style overacting award. About 48 min · medium confidencefavorableWolfgang PetersenBill Simmons: Praised for pacing, set pieces, and general command of disaster-movie mechanics. About 40 min favorableRoger EbertBill Simmons: Referenced for a positive review quoted on the episode. About 32 min
neutralSebastian JungerBill Simmons: Referenced as the author of the book on which the film is based. About 40 min
neutralBo GoldmanBill Simmons: Mentioned as receiving an onscreen screenplay credit. About 40 min neutralNick CageBill Simmons: Used as a casting what-if; Bill says he needed to be in the movie somewhere. About 56 min neutralBen AffleckBill Simmons: Mentioned as an alternate casting possibility, with the hosts debating how the role might have changed his career arc. About 56 min neutralCherry JonesBill Simmons: Named as part of the Coast Guard and harbor-side supporting ensemble. About 32 min neutralKaren AllenBill Simmons: Mentioned in the Coast Guard-related supporting material. About 32 min mixedBob GuntonBill Simmons: Considered a viable 'that guy' and praised for his dark, stormy presence, though mostly as a supporting-player mention. About 48 min neutralMel GibsonBill Simmons: Referenced as having turned down the Billy Tyne role for a reported salary demand. About 56 min · medium confidenceneutralHarrison FordBill Simmons: Referenced as another actor who turned down the Billy Tyne role. About 56 min · medium confidence
15 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLiked it

The Perfect Storm

Calls it weirdly rewatchable, expertly made, and emotionally devastating.

Opening minutes
Bill SimmonsMixed

George Clooney

Thinks Clooney is a great star but never fully reached the highest tier and is better in offbeat or smaller-scale projects.

Opening minutes
Chris RyanMixed

George Clooney

Says Clooney is always just George Clooney on screen, which limits some roles but also defines his appeal.

Opening minutes
Bill SimmonsLoved it

Mark Wahlberg

Believes Wahlberg wins the movie and uses this role to prove he is a legitimate movie star.

About 8 min
Bill SimmonsLoved it

The wave crushing the boat

Says the wave impact is the best scene in the film, even though it is heartbreaking.

About 24 min
Bill SimmonsStrongly disliked it

Diane Lane

Admires her generally but says her accent and performance are terrible in this movie.

About 40 min
Bill SimmonsLiked it

Opening bar and crow’s-nest material

Likes the early dockside scenes because they establish the world and let the ensemble breathe.

About 32 min
Bill SimmonsDid not like it

Coast Guard subplot

Feels the movie drifts when it spends time with the Coast Guard and wishes it stayed on the boat.

About 48 min
Chris RyanLiked it

The Perfect Storm

Enjoys the movie’s craft and says the boat/storm sequences are especially gripping.

Opening minutes
Chris RyanMixed

George Clooney

Argues Clooney’s star persona is compelling but more suited to a self-aware or offbeat style than a pure blockbuster lead.

Opening minutes
Bill SimmonsLiked it

Wolfgang Petersen

Credits Petersen as an expert at pacing and set pieces, especially in disaster material.

About 40 min
Bill SimmonsLiked it

John Hawks at the bar/crow’s nest

Enjoys the odd bar romance thread but cannot explain why it exists.

About 48 min
Bill SimmonsLoved it

Diane Lane

Says he loves Diane Lane as an actor even while criticizing this specific performance.

About 40 min
Chris RyanLiked it

Smoking on the boat

Finds the boat’s grime, cigarettes, and smell part of the movie’s appeal and texture.

About 32 min
Bill SimmonsLiked it

John C. Reilly and William Fichtner

Likes their unexplained feud because it adds tension and personality to the shipboard dynamics.

About 32 min
4 ThemesThe larger ideas in the discussion

Masculine labor and survival

The movie is framed as a working-class fishing story where money, risk, and pride push the crew into danger.

About 24 min

Celebrity versus character work

The discussion uses Clooney and Wahlberg to explore the difference between movie-star charisma and deeper acting versatility.

Opening minutes

Craft over realism

The hosts admire the filmmaking even while acknowledging that the movie takes liberties with the real story.

About 40 min

Rewatchable tragedy

The movie is considered rewatchable precisely because it is so well made and so bleak that the ending still lands hard.

Opening minutes
21 Facts and referencesProduction notes and other movies mentioned

Production note

The film is framed as being based on the Sebastian Junger book and on the 1991 Gloucester fishing disaster.

About 40 min

Production note

The real Linda Greenlaw reportedly returned to swordfishing and later appeared on Discovery Channel's Swords: Life on the Line.

About 40 min · medium confidence

Production note

The families of Billy Tyne and Dale Murphy reportedly sued over discrepancies, including the invention of the distress call and romance.

About 40 min

Production note

The movie reportedly used rubber or animatronic fish rather than real fish.

About 40 min · medium confidence

Production note

Bill says the movie made $328 million.

About 32 min · medium confidence

Production note

The hosts note that some cast members were not yet fully recognized as elite character actors when the film came out.

About 32 min

ER

Used to explain Clooney’s rise as a TV star before becoming a movie star.

Opening minutes

Out of Sight

Cited as Clooney’s first movie that matched his star image and as a strong romantic pairing with Jennifer Lopez.

Opening minutes

Ocean’s Eleven

Referenced as an example of Clooney’s offbeat-star sweet spot and his more self-aware persona.

Opening minutes

Michael Clayton

Mentioned as a high point of Clooney’s film career and a successful performance/movie fit.

Opening minutes

Syriana

Used to note the one major physical transformation Clooney made for a role.

About 8 min

The Bourne Identity

Mentioned as the kind of action role Clooney might not have fit.

Opening minutes

Mission: Impossible

Used as a benchmark for the kind of franchise Clooney may not have been able to sustain.

Opening minutes

Boogie Nights

Referenced in connection with Mark Wahlberg’s breakthrough and actor pairing with John C. Reilly.

About 8 min

Armageddon

Used as a comparison for the quality of the ensemble in a big-budget disaster movie.

About 32 min

Dead Calm

Mentioned as one of several favored sea-stranded movies.

About 24 min · medium confidence

Titanic

Referenced as a well-done sea disaster movie and as a comparison for pacing and structure.

About 24 min

Open Water

Cited as a water-survival movie that works in a similar fear-based way.

About 24 min · medium confidence

All Is Lost

Referenced as another sea-survival film.

About 24 min · medium confidence

In the Line of Fire

Used to praise Wolfgang Petersen’s set-piece and pacing skills.

About 40 min

The Shawshank Redemption

Referenced jokingly through Bob Gunton’s prison-role persona.

About 48 min
10 Running jokes and short linesRecurring bits captured from the conversation

Boston accent mockery

A long-running bit about bad or inconsistent Boston accents, especially Diane Lane and sometimes Clooney.

About 8 min

George Clooney is always George Clooney

The hosts joke that Clooney never disappears into a role and just plays himself with different hair or a beard.

Opening minutes

From Hell / movie-from-hell suggestions

Bill and Chris drift into a side conversation about terrifying or toxic domestic-disaster movies.

About 16 min · medium confidence

Boats smell awful

They keep emphasizing the stink of the fishing boat and how much smoking would be needed to tolerate it.

About 32 min

Mark Wahlberg as 'Bobby/Blooby'

A playful naming bit while discussing alternative casting and what the movie might have been called with Wahlberg at the center.

About 56 min · medium confidence

Bill Simmons

“You were goddamn swordbuck captain.”
Opening minutes

Bill Simmons

“What’s the point of being out there?”
About 24 min · medium confidence

Bill Simmons

“I got a feeling big skip is coming”
About 32 min

Bill Simmons

“The wave actually crushes them.”
About 24 min

Bill Simmons

“This movie messed me up.”
About 40 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where The Perfect Storm is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Perfect Storm, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

2 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables

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