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THE REWATCHABLES · June 16, 2020

Fletch

A 1985 comedy / mystery directed by Michael Ritchie, covered in the complete Rewatchables archive.

ComedyMystery1980sDirected by Michael Ritchie
Overall episode#145Source sheet order
Movie year19851980s
Tomatometer79%Critics’ score
Metacritic68View score
Roger Ebert—No review recorded
DirectorMichael RitchieComedy / Mystery

FROM THE CONVERSATION

What they said about the movie

A highly enthusiastic, quote-heavy defense of Fletch as a quotable, rewatchable 1980s comedy and as a perfect Chevy Chase vehicle. The hosts trace Chase’s career arc, argue that the film works because everyone around him plays straight, and praise its cable-TV longevity despite some weak plotting and uneven supporting performances.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Chevy Chase’s constant disguises, wisecracks, and deadpan confidence make nearly every scene quotable. About 24 min
  2. 02The movie is packed with short, tightly grouped comic set pieces that are easy to revisit on cable. About 16 min
  3. 03Supporting actors mostly play straight, letting Chase’s bits land without interruption. About 24 min
  4. 04The Harold Faltermeyer score and action-comedy energy help the movie feel bigger than a standard talky comedy. About 1:12 · medium confidence
  5. 05It has a satisfying end cap and a strong second-half run of scenes, especially the physical, tennis club, and finale beats. About 32 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateDana Wheeler-Nicholson is viewed as weak or limited in the Gail Stanwyck role, even by defenders. About 1:12
  2. moderateThe Alan Stanwyck murder scheme is implausible and overcomplicated. About 1:12
  3. minorThe Stephanie Mills opening-song placement is awkward or unnecessary. About 48 min
  4. minorSome stretches of the movie are aimless or slow, especially early on and during the Utah material. About 24 min · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Doctor/physical exam scene

Fletch exaggerates the medical exam into a rapid-fire joke sequence.

About 40 min
Favorite

Lakers dream sequence

A short fantasy sequence with Lakers imagery and sports-TV flavor.

About 40 min
Favorite

Airplane mechanic scene

Fletch poses as a mechanic and delivers a deadpan technical routine.

About 40 min
Favorite

Second tennis club visit

Fletch orders caviar, champagne, and lobster while maintaining a fake identity.

About 48 min
Favorite

Fred Dorfman lunch speech

Fletch hijacks a tribute event and improvises a fake eulogy and syphilis joke.

About 48 min
mixed

Utah motel check-in

Fletch cycles through multiple aliases while checking into the motel, which the hosts enjoy but treat as less central.

About 56 min · medium confidence
Favorite

Chief Carlin interrogation

Fletch and the police chief trade escalating insults and innuendo.

About 56 min
Favorite

Final beach reveal/finale

The movie ends on a breezy beach coda with the stolen credit-card payoff.

About 32 min

WHERE THEY DISAGREED

The biggest debates

They agreed About 24 min

Is Fletch mostly a Chevy Chase movie or a broader ensemble comedy?

Bill Simmons

It is primarily a Chevy Chase vehicle and depends on his persona.

Sean Fennessey

Yes, but the surrounding cast has to underplay for him to work.

Chris Ryan

The supporting cast’s straight-man reactions are what make the movie click.

They agreed About 40 min

Did Roger Ebert misunderstand the movie?

Bill Simmons

Yes, his review misses the point and is bad comedy criticism.

Sean Fennessey

Yes, Siskel understood it while Ebert did not.

They partly agreed About 1:12

Who should have played Gail Stanwyck?

Bill Simmons

Dana Wheeler-Nicholson is fine as a hang but not ideal as an actress.

Sean Fennessey

Elizabeth Shue or Sharon Stone would make the movie better.

Chris Ryan

Dana Wheeler-Nicholson is a great hang and works for the role.

They agreed About 1:12

Could Fletch work as a franchise?

Bill Simmons

Yes, it should have become a detective-series franchise like Pink Panther.

Sean Fennessey

Yes, the character could have supported more entries without worrying about coherence.

Chris Ryan

Yes, though later attempts at sequels were disappointing.

16 People discussedActors, directors, writers, and producers
very favorableChevy ChaseBill Simmons: Praised as a unique comic star and the core reason the movie works. Opening minutes neutralBill MurrayBill Simmons: Used as a comparison point for 1980s comedy stardom and fame issues. About 16 min · medium confidenceneutralLorne MichaelsBill Simmons: Referenced in the SNL/rehab/fame discussion and as a Chase ally. About 16 min · medium confidencefavorableTim MathesonSean Fennessey: Praised as an effective villain and as someone doing a Chevy-like energy in Animal House symmetry talk. About 24 min criticalRoger EbertBill Simmons: Mocked for missing the movie’s point in his review. About 40 min favorableGene SiskelSean Fennessey: Credited with understanding the movie better than Ebert did. About 40 min very favorableMichael RitchieBill Simmons: Celebrated as a great sports/comedy director whose run includes Fletch. About 1:12
neutralGregory McDonaldChris Ryan: Identified as the novelist behind Fletch. About 32 min
neutralMichael DouglasBill Simmons: Credited as the producer who helped get the film made. About 32 min mixedDana Wheeler-NicholsonBill Simmons: Liked as a hang and memorable presence, but criticized for limited acting. About 1:12 favorableGeena DavisBill Simmons: Praised as delightful and underused; suggested for a different casting setup. About 1:12 favorableJoe Don BakerBill Simmons: Praised as an over-the-top scene-stealer and the best overacting candidate. About 48 min favorableKareem Abdul-JabbarBill Simmons: Celebrated for his basketball peak and surprisingly strong screen résumé. About 40 min favorableHarold FaltermeyerSean Fennessey: Praised for the score’s 1980s synth energy. About 1:12
neutralGeorg WendtBill Simmons: Mentioned as one of the supporting oddballs in the cast. About 48 min · medium confidence
neutralJohn CandyBill Simmons: Referenced in a broader 1980s comedy comparison. About 8 min · low confidence
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Fletch

Calls it a stone-cold classic and one of the most quotable movies ever made.

Opening minutes
Sean FennesseyLoved it

Chevy Chase

Argues the movie only works if you get Chevy Chase’s persona.

Opening minutes
Chris RyanLoved it

Fletch

Says the whole film works because everyone else plays straight around Fletch.

About 24 min
Bill SimmonsLoved it

physical exam sequence

Thinks the doctor/physical scene is one of the funniest parts of the movie.

About 40 min
Bill SimmonsLoved it

tennis club and caviar sequence

Treats the second tennis club visit as a perfect comic set piece.

About 48 min
Chris RyanLoved it

Chief Carlin interrogation

Highlights the police interrogation as one of the great Chevy scenes.

About 56 min
Bill SimmonsMixed

Dana Wheeler-Nicholson

Likes her as a hang but thinks the performance is weak.

About 1:12
Sean FennesseyDid not like it

Dana Wheeler-Nicholson

Agrees she is not good in the movie and suggests a recast.

About 1:12
Bill SimmonsLiked it

The Saint

Defends The Saint as an underappreciated movie with good disguises and style.

About 1:04
Chris RyanMixed

The Saint

Says Ryan Gosling or Ryan Reynolds could carry a modern Fletch-like role.

About 56 min · medium confidence
5 ThemesThe larger ideas in the discussion

Chevy Chase as a singular comic star

The episode frames Chase as a rare, era-specific wiseass whose persona defined the film and much of late-70s/80s comedy.

Opening minutes

Ironic detachment as the movie's engine

They argue that Fletch works because Chase’s cool, unbothered attitude is the whole joke.

About 24 min

Rewatchability through quote density

The film is treated as a nearly nonstop quote machine, with the hosts constantly replaying lines and bits.

Opening minutes

Cable-era afterlife

They emphasize that Fletch became a home-video and cable staple rather than an immediate classic for all viewers.

About 24 min

Supporting players as straight men

The film's comic balance depends on surrounding characters underreacting to Fletch instead of challenging him.

About 24 min
25 Facts and referencesProduction notes and other movies mentioned

Production note

Fletch was adapted from Gregory McDonald’s novel after a long development process.

About 32 min

Production note

Michael Douglas helped produce the film and got it made after many studio rejections.

About 32 min

Production note

The movie cost about $8 million and made about $59 million, plus substantial video rental and cable revenue.

About 32 min

Production note

Chevy Chase had a near-death electrical accident on Modern Problems.

About 8 min

Production note

Chevy hosted the Oscars in the 1980s, including one year with Goldie Hawn and Paul Hogan.

About 16 min

Production note

The film’s set of aliases includes Ted Nugent, Dr. Rosenpenis, Mr. Poon, Igor Stravinsky, and others.

About 24 min

Production note

The house used for Alan Stanwyck is said to be the same one seen in The Godfather with the horse head scene.

About 1:12 · medium confidence

Production note

An early poster run showed a hockey-player disguise that never made the final cut.

About 1:12 · medium confidence

Production note

A cut fantasy scene would have had Tommy Lasorda pulling Fletch from a World Series pitching outing.

About 1:12 · medium confidence

Production note

The hosts suggest Fletch became a staple of cable TV because of its short runtime and scene density.

About 16 min

SNL / Weekend Update

Used to explain Chevy Chase’s breakout and comic persona.

Opening minutes

Caddyshack

Cited as the closest pre-Fletch expression of Chase’s ideal comic persona.

About 8 min

Vacation

Discussed as the comeback vehicle that helped Chase find another comic mode.

About 8 min

Under the Rainbow

Mentioned as one of Chase’s early 80s misfires.

About 8 min · medium confidence

Modern Problems

Cited as a disastrous project during Chase’s downturn.

About 8 min

Deal of the Century

Mentioned as part of Chase’s odd early-80s run.

About 8 min · medium confidence

Three Amigos

Used as one of Chase’s mid-80s successes.

About 8 min

The Big Sleep

Referenced in a discussion of noir plots and Ebert’s expectations.

About 40 min · medium confidence

Night Shift

Brought up as another 80s wiseass comedy and a potential Rewatchables pick.

About 24 min · medium confidence

A League of Their Own

Suggested as Geena Davis’s apex-role comparison.

About 1:12 · medium confidence

The Saint

Debated at length as a stylized, underappreciated analog to Fletch.

About 1:12

Dead Calm

Referenced in a Philip Noyce comparison during The Saint discussion.

About 1:12 · medium confidence

Airplane

Used as a comparison for Kareem Abdul-Jabbar’s screen career.

About 40 min

Beverly Hills Cop

Used to explain the music and tone that helped Fletch age well.

About 1:12

Animal House

Used for a Tim Matheson/Chase symmetry point.

About 24 min
11 Running jokes and short linesRecurring bits captured from the conversation

Six quadrants career taxonomy

Bill repeatedly insists he has six career quadrants for Chevy Chase, and the others mock the framework.

Opening minutes

Craig/Liz tension

The producer Craig is teased for not liking the movie and for bringing Liz into the conversation.

About 8 min · medium confidence

Dad joke defense

Bill and Chris joke that Fletch is essentially a collection of dad jokes rather than sophisticated comedy.

About 1:12

Disguise list / alias game

The hosts keep reciting Fletch’s fake names and impersonations as a gag.

About 24 min

The Saint argument

A tangential but extended fight about whether The Saint is good or not.

About 1:12

Val Kilmer advocacy

Bill turns the conversation into a defense of Val Kilmer and his movies.

About 1:12

Bill Simmons

“This is a stone cold fucking classic”
Opening minutes

Chris Ryan

“It’s all ball bearings these days”
About 40 min

Bill Simmons

“Jesus H. Christ, where is he?”
About 48 min

Chris Ryan

“I like men. I like to be manhandled.”
About 56 min

Bill Simmons

“Good, that’ll be fine. Bring two bottles of Dom Perignon”
About 48 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Fletch is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Fletch, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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