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THE REWATCHABLES · August 9, 2021

Superbad

A 2007 comedy / teen directed by Greg Mottola, covered in the complete Rewatchables archive.

ComedyTeen2000sDirected by Greg Mottola
Overall episode#215Source sheet order
Movie year20072000s
Tomatometer88%Critics’ score
Metacritic76View score
Roger Ebert—No review recorded
DirectorGreg MottolaComedy / Teen

FROM THE CONVERSATION

What they said about the movie

The episode argues that Superbad is a near-perfect, emotionally clear raunchy teen comedy and a peak artifact of the 2000s comedy era. The hosts praise its dialogue, casting, and seven-year script refinement, while noting that its final act gives the movie emotional weight beyond the jokes.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The first half of the movie is packed with tightly written, highly repeatable comic set pieces and quotable dialogue. About 24 min
  2. 02The film balances raunchy humor with an emotional story about friendship and separation. About 16 min
  3. 03The cast performances, especially Jonah Hill, Michael Cera, and Bill Hader, are described as perfectly aligned with the material. About 16 min
  4. 04The movie captures a specific high-school feeling of chaotic one-day adventure and hormonal obliviousness. About 8 min
  5. 05Its party and police sequences remain especially rewatchable because the jokes keep escalating without losing coherence. About 32 min

WHAT DID NOT WORK

Their main criticisms

  1. minorSome of the language and behavior would not pass contemporary standards. About 40 min
  2. minorThe geography is a little confusing and the story requires some suspension of disbelief. About 1:20 · medium confidence
  3. minorEmma Stone’s character getting hurt in the climax strains believability. About 1:20
  4. minorThe burning cop car and aftermath raise unanswered logistics questions. About 1:20 · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening phone-call sequence

The opening establishes the friends’ chemistry with a simple, funny phone-call bit.

About 24 min
Favorite

Vagtastic Voyage planning

Seth’s porn-site obsession is played as both ridiculous and completely believable teenage logic.

About 24 min
Favorite

Home-ec class rant

Jonah Hill’s overlong tirade about tiramisu and school bullshit is singled out as one of the funniest scenes.

About 24 min
Favorite

Dick-drawing confession

The confession of compulsive penis drawing becomes a ridiculous escalation that the hosts love.

About 24 min
Favorite

McLovin fake-ID scene

The fake name reveal and Jonah’s anger at it are treated as iconic.

About 24 min
Favorite

Coke party and song performance

Michael Cera singing at the party and Kevin Corrigan’s reaction are highlighted as a peak comic set piece.

About 32 min
Favorite

Dream sequence buying alcohol

Seth’s fantasy of purchasing booze and adulthood is cited as one of the movie’s great bits.

About 32 min
Favorite

Police-car / McLovin stretch

The cops, McLovin, and the escalating chaos after the robbery are described as one of the movie’s best stretches.

About 32 min
positive

Final mall reunion

The ending at the mall restores the emotional core and closes the friendship arc.

About 16 min

WHERE THEY DISAGREED

The biggest debates

No final agreement About 8 min

Whether Superbad is the funniest 21st-century movie

Bill Simmons

It is one of the top comedies and possibly among the funniest films of the century.

Sean Fennessey

Anchorman may still make him laugh harder, but Superbad is very close.

Chris Ryan

It belongs in the small group of elite 21st-century comedies.

They agreed About 40 min

Whether the film can count as a single-day comedy

Bill Simmons

The mall scene makes it a two-day movie and disqualifies it.

Sean Fennessey

Agrees the mall ruins the single-day premise.

They agreed About 1:12

Why Jules likes Seth

Bill Simmons

He finds the romance hard to believe.

Sean Fennessey

He also thinks it is the movie’s least believable relationship beat.

They agreed About 1:20

Which character/bit wins the movie

Bill Simmons

Rogen and Goldberg win because they created the whole thing and its legacy.

Chris Ryan

Rogen and Goldberg win because the movie launched the whole era and its cultural afterlife.

Craig Horlbeck

Rogen and Goldberg win for the same reason, as the film empowered a generation of would-be writers.

13 People discussedActors, directors, writers, and producers
very favorableJudd ApatowBill Simmons: Credited as the guiding force who helped shape the movie’s ending and overall clarity. About 16 min favorableGreg MottolaBill Simmons: Praised for being adept at making the movie work and for directing it into a lasting form. About 16 min very favorableSeth RogenBill Simmons: Valued as co-writer, performer, and one of the creative engines behind the project’s success. About 8 min very favorableEvan GoldbergBill Simmons: Praised as Rogen’s longtime collaborator and co-writer of the script. About 8 min very favorableJonah HillChris Ryan: Celebrated for manic, funny line delivery and as the breakout who made Seth work. About 24 min very favorableMichael CeraChris Ryan: Praised for subtle awkwardness, facial expressions, and deadpan precision. About 48 min very favorableBill HaderBill Simmons: His cop character is repeatedly singled out as one of the film’s great pleasures. About 24 min favorableChristopher Mintz-PlasseBill Simmons: His McLovin performance is treated as iconic and culturally durable. About 24 min favorableEmma StoneBill Simmons: Her debut is praised, though the character’s injury in the climax is questioned. About 24 min neutralJulesThe hosts discuss her as Seth’s love interest and question why she likes him. About 1:12 · medium confidencefavorableKevin CorriganBill Simmons: Praised for his intense party-host energy and memorable scenes. About 32 min favorableCarla GalloBill Simmons: Her wild, over-the-top performance is highlighted in the party sequence. About 56 min
favorableJoe Lo TruglioBill Simmons: Praised as the perfect fit for the intense, strange guy who hits Jonah with his car. About 56 min
10 Conversation takesSpeakers shown only where the transcript identifies them
Sean FennesseyLoved it

Superbad as a bridge between teen-comedy eras

Argues the film absorbs the whole history of high-school comedies while remaining emotionally clear and satisfying.

About 8 min
Chris RyanLoved it

The movie’s authenticity and lack of self-editing

Says the movie feels lived-in, not engineered, because the creators never overcorrected or sanitized it.

About 8 min
Bill SimmonsLoved it

High-school comedy as a generational marker

Frames Superbad as one of the major high-school comedies that defines its era.

About 8 min
Bill SimmonsLoved it

The final act’s emotional turn

Argues the last 20 minutes transform the movie from a joke machine into a story about friendship.

About 16 min
Chris RyanLoved it

The early home-and-school sequences

Says the opening stretch is packed with perfect set pieces and endlessly repeatable gags.

About 24 min
Bill SimmonsLoved it

The liquor-store and party run

Treats the booze-buying, robbery, and ensuing chaos as a peak 15-minute stretch.

About 32 min
Sean FennesseyLoved it

Dialogue precision

Emphasizes that the movie is loaded with beat-for-beat perfect lines that feel effortless.

About 16 min
Bill SimmonsLoved it

Jonah Hill’s comic style

Says Jonah Hill’s frantic rage and timing are so strong he could have built an entire comedy career around them.

About 40 min
Chris RyanLoved it

Michael Cera’s performance

Argues Cera’s performance is a perfect wrinkle on his established persona and makes every line sing.

About 48 min
Bill SimmonsLoved it

The movie’s cultural afterlife

Points to quotes, McLovin, and the movie’s broad impact on later pop culture.

About 16 min
5 ThemesThe larger ideas in the discussion

Friendship as the real story

The hosts stress that the movie is ultimately about boys realizing they love each other and will separate soon.

About 16 min

Coming-of-age as one long chaotic day

Teen life is framed as a punishing but adventurous sequence of humiliations and improvised decisions.

About 16 min

The end of a comedy era

They treat Superbad as a peak of the 2000s raunch-comedy era and a marker before comedy changed.

About 8 min

A self-aware but not over-edited comedy

They praise the movie for retaining raunch and spontaneity without feeling sanitized or over-managed.

About 8 min

High-school confidence without self-reflection

The characters are driven by irrational confidence and limited awareness of consequences until the ending.

About 8 min
25 Facts and referencesProduction notes and other movies mentioned

Production note

The script took about seven years to get made.

About 8 min

Production note

The movie was originally intended to end at the party, but was expanded to include the mall reunion.

About 16 min

Production note

The film is based on Seth Rogen and Evan Goldberg’s high-school experiences and early writing sessions.

About 8 min

Production note

David Goldberg drew nearly a thousand penis sketches for the movie.

About 56 min

Production note

The movie invented or popularized the phrase DTF.

About 1:04 · medium confidence

Production note

The liquor-store scene and some police beats were inspired by real incidents from Rogen and Goldberg’s youth.

About 1:04

Production note

Michael Cera and Martha McIsaac got drunk for their aborted sex scene.

About 1:04

Production note

The film’s title comes from a 1976 song by The Bar-Kays, “Too Hot to Stop.”

About 56 min

Production note

The movie was the highest-grossing teen comedy ever until 21 Jump Street.

About 24 min

Production note

Christopher Mintz-Plasse was reportedly terrible in screen tests in the funniest possible way.

About 24 min

American Graffiti

Used as an early high-school-comedy landmark in Bill’s generational timeline.

About 8 min

Carrie

Mentioned as a mid-70s high-school movie that made the setting weird and horror-tinged.

About 8 min

Fast Times at Ridgemont High

Cited as a rawer early-80s high-school comedy/drama benchmark.

About 8 min

The Breakfast Club

Used as a key mid-80s high-school film reference.

About 8 min

Heathers

Referenced as part of the late-80s/early-90s cool, independent teen-movie phase.

About 8 min

Clueless

Cited as a mid-90s teen movie that monetized the formula.

About 8 min

American Pie

Compared to Superbad as a late-90s teen-comedy touchstone.

About 8 min

Lady Bird

Used as a mid-2010s example of a smarter, more sophisticated high-school movie.

About 8 min

Booksmart

Mentioned alongside Lady Bird as a later, smarter teen comedy.

About 8 min

Anchorman

Used as the comparison point for laugh volume and comedy design.

About 8 min

Wedding Crashers

Referenced as part of the early-2000s R-rated-comedy boom that made Superbad marketable.

About 8 min

Old School

Another example of the R-rated-comedy era that helped Superbad get made.

About 8 min

Stand By Me

Referenced as a friendship-focused coming-of-age comparison.

About 16 min

The 40-Year-Old Virgin

Mentioned as part of the Apatow-era comedy rise and as a predecessor to Superbad.

About 8 min

Knocked Up

Referenced as another major Apatow-era hit that helped define the moment.

About 8 min
10 Running jokes and short linesRecurring bits captured from the conversation

McLovin culture

The fake ID, name, and later merchandise-like cultural footprint are discussed repeatedly.

About 24 min

Slater and Michaels as a buddy-cop spinoff

The hosts keep imagining a separate series or movie for the two cops.

About 40 min

Bill’s family and fake-ID stories

The conversation repeatedly drifts into Bill’s fake-ID anecdotes and his son Ben’s interest in the movie.

About 48 min

The “one more break” advertising structure

The episode is punctuated by ad reads and resets that become part of the rhythm.

About 24 min · low confidence

The “people don’t forget” callback

A repeated joke about Greg and the pants-pissing line becomes a recognizable callback.

About 24 min

Bill Simmons

“People don't forget.”
About 24 min

Chris Ryan

“It's like having a second dick”
About 56 min

Bill Simmons

“I'm truly jealous. You guys suck on your mom's tits.”
About 24 min

Sean Fennessey

“That would be lovely.”
About 48 min

Bill Simmons

“Fuck my life”
About 56 min · medium confidence

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Superbad is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Superbad, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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