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THE REWATCHABLES · April 16, 2024

Magnolia

A 1999 drama directed by Paul Thomas Anderson, covered in the complete Rewatchables archive.

Drama1990sDirected by Paul Thomas Anderson
Overall episode#103Source sheet order
Movie year19991990s
Tomatometer82%Critics’ score
Metacritic78View score
Roger Ebert4/4Original star rating
DirectorPaul Thomas AndersonDrama

FROM THE CONVERSATION

What they said about the movie

The episode argues that Magnolia is a huge, messy, very ambitious movie that is often frustrating, too long, and overloaded, but still has many brilliant scenes and a career-defining Tom Cruise performance. The hosts admire its emotional rawness, its San Fernando Valley specificity, its music, and its swing-for-the-fences filmmaking, while debating which characters and scenes should have been cut.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Tom Cruise's Frank T.J. Mackey performance is treated as the central rewatchable draw, especially his breakdown scene with Jason Robards. About 16 min
  2. 02The film's most striking scenes are individually memorable even if the whole movie feels overlong. About 32 min
  3. 03Amy Mann's soundtrack and the musical construction of the film still work strongly. About 24 min
  4. 04The movie's emotional material about regret, death, and unfinished business hits harder on rewatch with age. About 8 min
  5. 05The San Fernando Valley setting and specific L.A. interiors give the film a strong sense of place. About 16 min · medium confidence

WHAT DID NOT WORK

Their main criticisms

  1. majorThe movie is too long and feels like two movies, with scenes cut away before they fully play out. About 8 min
  2. moderateJohn C. Reilly's character is played too dumb, making his storyline drag. About 32 min
  3. majorJulianne Moore's performance is too dialed up and often feels absurd rather than believable. About 32 min
  4. minorThe movie's frog-rain and other symbolic flourishes can feel like overstuffed easter eggs or excess. About 24 min · medium confidence
  5. minorSome plot logic, especially around the pharmacy scene and the quiz-show bathroom moment, does not quite work. About 56 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Frank T.J. Mackey's grand entrance

Cruise storms into the movie with seduce-and-destroy energy and immediate charisma.

About 24 min
Favorite

Cruise and Robards deathbed scene

Cruise improvises emotional breakdown material and Robards responds with a raw, dying performance.

About 8 min
Favorite

Julianne Moore's pharmacy meltdown

A huge, unhinged public breakdown that the hosts find both memorable and excessive.

About 16 min
Favorite

Stanley in the game show bathroom crisis

The quiz-kid bathroom scene is singled out as a funny and tense set piece.

About 32 min
Favorite

The frog downpour

The climactic frog rain is treated as the movie's wildest and most famous image.

About 56 min
positive

Wise Up sing-along

The ensemble music sequence is remembered as novel and effective, even if later imitators have dulled it.

About 48 min · medium confidence

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 32 min

Which material should have been cut from the movie

Bill Simmons

Would cut John C. Reilly's storyline the most, and maybe Julianne Moore's as well.

Chris Ryan

Sees the film's sprawl as part of the point, though he agrees it is too long.

They agreed About 1:04

Whether the frog rain works

Bill Simmons

Initially skeptical but increasingly persuaded by the thematic argument.

Chris Ryan

Defends it as a bold expression of life's randomness and a thematic payoff.

They partly agreed About 32 min

Whether Julianne Moore's performance is effective

Bill Simmons

Thinks it is too much and does not make sense psychologically or logistically.

Chris Ryan

Thinks it is a specific, acquired-taste performance that works for the character.

They agreed About 56 min

Could Magnolia work better as a limited series

Bill Simmons

Yes, a 10-episode version would be better.

Chris Ryan

Agrees in principle that the character material could breathe more in a series format.

19 People discussedActors, directors, writers, and producers
very favorableTom CruiseBill Simmons: Praised as giving the best performance of his career and winning the movie. About 16 min favorablePaul Thomas AndersonBill Simmons: Called brilliant but also overly ambitious and self-indulgent on this film. About 8 min mixedJulianne MooreBill Simmons: Admired as an actor generally but criticized here as too over-the-top and hard to believe. About 32 min very favorablePhilip Seymour HoffmanChris Ryan: Praised for his understated, empathetic nurse performance and emotional response in the deathbed scene. About 32 min favorableJason RobardsBill Simmons: Lauded for a raw, dying performance that gives the film emotional weight. About 8 min
mixedMelora WaltersBill Simmons: Bill thinks she is miscast and not strong enough for the role; Chris is more sympathetic to her style. About 32 min
mixedJohn C. ReillyBill Simmons: Seen as likeable but undercut by a character written too stupidly. About 32 min favorablePhilip Baker HallBill Simmons: Praised as excellent and iconic despite not being an obvious awards-bait role. About 24 min very favorableAmy MannChris Ryan: Her songs and soundtrack role are praised as a perfect fit and major part of the movie's success. About 24 min
favorableFiona AppleBill Simmons: Mentioned as part of the film's era and as a fascinating creative partner for PTA. About 40 min · medium confidence
favorableRicky JayChris Ryan: Praised as a strong narrator and recurring PTA presence. About 24 min favorableMelinda DillonBill Simmons: Liked as a fun cast dig-up in a small role. About 16 min · medium confidencefavorablePatton OswaltChris Ryan: Noted positively as a memorable early cameo. About 24 min neutralMichael CaineBill Simmons: Referenced only as the Oscar winner over Cruise. About 16 min favorableMaya RudolphBill Simmons: Mentioned positively for tolerating PTA's ongoing relationship with Fiona Apple. About 48 min · medium confidenceneutralDebra WingerBill Simmons: Discussed as a casting possibility for Linda Partridge. About 40 min · medium confidenceneutralMarlon BrandoChris Ryan: Mentioned as a casting possibility for Earl Partridge. About 40 min · low confidence
favorableHenry GibsonBill Simmons: Liked as a classic 'that guy' performer and Altman veteran. About 48 min
mixedMichael BowenBill Simmons: Called a standout 'heat check' candidate and a possible overacting winner. About 56 min
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLiked it

Magnolia

Calls it a weird, frustrating, brilliant movie with huge flaws and huge highs.

Opening minutes
Chris RyanMixed

Magnolia

Sees it as the cokiest, most frantic movie imaginable, bordering on excess but still fascinating.

About 8 min
Bill SimmonsLoved it

Tom Cruise

Says Cruise should have won the Oscar and that the performance is the revelation of the movie.

About 16 min
Chris RyanLoved it

Cruise and Robards deathbed confrontation

Treats the confrontation as one of the rawest scenes he has ever seen.

About 8 min
Bill SimmonsDid not like it

John C. Reilly's cop

Would cut the character, arguing he is written too stupidly and takes too much screen time.

About 32 min
Bill SimmonsDid not like it

Julianne Moore's Linda Partridge

Loves Moore generally but thinks this performance is overacted and logically strained.

About 32 min
Chris RyanLiked it

PTA's frenetic camera and editing style

Admires the visual energy even while acknowledging the movie's intensity and excess.

About 8 min
Bill SimmonsLoved it

regret and death

Says the film lands harder with age because it deals with loved ones dying and unresolved feelings.

About 8 min
Chris RyanLiked it

the frog ending

Argues the frogs are a bold, bizarre, and effective expression of unpredictable chaos.

About 1:04
Bill SimmonsLiked it

Magnolia as a TV series

Thinks the material would have been even better as a 10-episode Netflix show.

About 56 min · medium confidence
5 ThemesThe larger ideas in the discussion

Regret and unfinished business

The film is read as being about regret, atonement, and whether people can move on from the past.

About 8 min

Intergenerational damage and abuse

The hosts connect several characters to abuse, parental harm, and unresolved family trauma.

About 1:04

Ambition and creative excess

They frame Magnolia as a young filmmaker's maximalist swing after a hit, with both admiration and criticism for the excess.

About 8 min

LA / San Fernando Valley specificity

The film is praised as a very specific Los Angeles movie rooted in valley locations and interiors.

About 16 min · medium confidence

Performance as spectacle

The episode repeatedly returns to the idea that the movie is built around all-out acting, especially Cruise and Moore.

About 16 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

PTA said Magnolia was his best movie at the time, though the hosts dispute that view now.

About 32 min

Production note

The film reportedly uses the word 'fuck' 190 times.

About 56 min

Production note

The on-screen phone number 877-TAME-HER reportedly played a Cruise recording when called.

About 56 min

Production note

The frog rain was created with thousands of rubber frogs plus CGI.

About 56 min

Production note

PTA worked on a game show before filmmaking, and that experience fed into the movie.

About 56 min

Production note

PTA reportedly screened Network for his production team before filming.

About 56 min · medium confidence

Production note

PTA and Fiona Apple were dating during the era of the film.

About 48 min

Production note

The hosts say Tom Cruise improvised much of the sobbing in the deathbed scene after PTA asked him to think about his father dying.

About 1:04

Boogie Nights

Used as PTA's prior film and as a comparison for casting and tone.

Opening minutes

Goodfellas

Compared to Magnolia's nonstop coked-out intensity.

About 8 min

Scorsese

Used as the visual model PTA is chasing with the film's camera movement and energy.

About 8 min

Robert Altman

Used to describe the ensemble structure and sprawling cast.

About 8 min

Cider House Rules

Mentioned only as the film that beat Cruise for the Oscar.

About 16 min

The Master

Mentioned as a later PTA film that may reflect Cruise's lingering influence.

About 16 min · medium confidence

Joker

Used to discuss acting as visible exertion and overacting.

About 16 min

Nashville

Referenced as a model for music-driven ensemble storytelling.

About 24 min

Fight Club

Cited as a contemporary 1999 film sharing masculine identity themes.

About 1:04

Blair Witch

Used as another example of a late-90s 'is this happening?' movie.

About 1:04 · medium confidence

Being John Malkovich

Cited as another surreal late-90s release.

About 1:04 · medium confidence

Three Kings

Named as another strange, era-specific 1999 movie.

About 1:04 · medium confidence

Rain Man

PTA cites it in the included interview as evidence Cruise could act dramatically.

About 1:20

Mission Impossible

Used in the PTA snippet and podcast to discuss Cruise's action-star era.

About 1:20

The Talented Mr. Ripley

Mentioned at the end as a future rewatchables topic.

About 1:12
11 Running jokes and short linesRecurring bits captured from the conversation

Cruise vs. Hanks

A recurring comparison in the show's modern framework, with Cruise said to be leading Hanks in that category.

Opening minutes

The overacting award

The hosts joke about creating a Linda Partridge version of the Saul Rubinek overacting category.

About 24 min

Rock-bottom month / frogs

The episode keeps returning to the idea that Magnolia belongs in a 'rock bottom' run of movies and, naturally, includes frogs.

Opening minutes

'The answer is...' opening montage

The script quotes the film's opening riddles and vignettes as a recurring setup bit.

Opening minutes · medium confidence

My mom loves Magnolia

Bill repeatedly invokes his mom's strong defense of the frog ending and the film overall.

About 1:04

'Respect the cock'

Cruise's seduce-and-destroy mantra is quoted repeatedly as the movie's signature line.

About 24 min

Bill Simmons

“weirdest fucking movie ever made”
Opening minutes

Speaker not identified

“Respect the cock and tame the cunt.”
About 48 min

Bill Simmons

“the goddamn regret”
About 48 min

Bill Simmons

“I'm quietly judging you”
About 1:04

Bill Simmons

“Don't go away, you fucking asshole”
About 24 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Magnolia is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Magnolia, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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