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THE REWATCHABLES · March 22, 2021

Insidious

A 2010 horror / thriller directed by James Wan, covered in the complete Rewatchables archive.

HorrorThriller2010sDirected by James Wan
Overall episode#194Source sheet order
Movie year20102010s
Tomatometer66%Critics’ score
Metacritic52View score
Roger Ebert—No review recorded
DirectorJames WanHorror / Thriller

FROM THE CONVERSATION

What they said about the movie

The episode argues that Insidious is a cheap, smart, and influential reset for horror: a low-budget haunted-house movie that ended the torture-porn era, helped launch Blumhouse, and proved that strong actors, a killer score, and a simple premise could make horror wildly rewatchable.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The film combines a haunted-house setup with a child-possession premise, making the hook feel fresh and efficient. About 8 min
  2. 02James Wan's direction makes a tiny budget feel bigger through carefully staged scares and atmosphere. About 16 min
  3. 03Joseph Bishara's score is repeatedly described as terrifying and essential to the movie working. About 16 min
  4. 04The movie delivers a series of memorable horror devices: attic scares, baby monitor noise, ghost images in photos, and the gas-mask sequence. About 24 min
  5. 05Rose Byrne and Patrick Wilson give the movie emotional credibility, making the family feel real. About 16 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe back half is weaker than the setup, with the first hour preferred over the final resolution. About 48 min
  2. minorThe special effects can look cheap or obvious, especially by modern standards. About 48 min
  3. moderateRose Byrne's character makes some bad parenting choices by staying in the house and not taking the danger seriously enough. About 56 min
  4. minorThe finale relies on some obvious stunt work and less convincing effects. About 48 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Kid falls off the ladder

The attic fall kicks off the central mystery and introduces the movie's scariest space correctly.

About 24 min
Favorite

Evil baby monitor

The baby monitor starts transmitting threatening sounds, which the hosts call a reliably effective horror device.

About 32 min
Favorite

New house realization

The family learns the haunting follows them, not the house, after seeing figures and movement in broad daylight.

About 32 min
positive

Barbara Hershey's explanation

Elise explains Josh's childhood and the family's hidden history, laying out the broader supernatural backstory.

About 24 min
Favorite

Revelation: it's not the house, it's the son

The movie's central swerve reframes the haunting as something attached to Dalton's body and spirit.

About 32 min
Favorite

Gas mask / face licker attack

The demon with the gas mask and face licker image becomes the movie's signature scare sequence.

About 32 min
Favorite

Ghosts in the photos

The family discovers hidden ghost figures in pictures, a classic horror gimmick the hosts love.

About 40 min
positive

Patrick Wilson saves his son

The climax resolves with the father rescuing Dalton and confronting the Further.

About 40 min

WHERE THEY DISAGREED

The biggest debates

They agreed Opening minutes

Torture porn versus haunted-house horror

Bill Simmons

Thinks torture porn was creatively dead and unpleasant, while haunted-house horror remains durable and rewatchable.

Sean Fennessey

Agrees that audiences got sick of torture porn and that the genre needed a reset.

They agreed About 48 min

Whether the first or second half is stronger

Bill Simmons

Prefers the setup and early scares over the ending.

Chris Ryan

Also favors the film's early atmosphere and buildup.

They agreed About 40 min

Whether Ethan Hawke would have improved the film

Bill Simmons

Leans yes, but mainly as part of general Ethan Hawke appreciation.

Sean Fennessey

Agrees that all movies are better with Ethan Hawke.

They agreed About 48 min

Which franchise is stronger: Insidious or The Conjuring

Bill Simmons

Leans toward The Conjuring as the more significant horror franchise.

Sean Fennessey

Agrees The Conjuring is the stronger contribution.

They partly agreed About 56 min · medium confidence

How bad Rose Byrne's parenting is

Bill Simmons

Argues she makes poor choices by staying in the house and not acting decisively enough.

Sean Fennessey

Does not strongly contest the criticism and focuses more on the genre logic.

11 People discussedActors, directors, writers, and producers
very favorableJames WanBill Simmons: Praised as one of the better directors of the past 40 years at this kind of horror and credited with changing the genre's trajectory. About 16 min
favorableLee WhannellBill Simmons: Credited as the writer who wanted to move away from Saw-style torture-porn horror. About 8 min
very favorableRose ByrneBill Simmons: Repeatedly praised for being believable, emotionally grounded, and unusually good in a low-budget horror movie. About 16 min favorablePatrick WilsonBill Simmons: Praised as a convincing lead and a horror-movie regular whose presence adds credibility and familiarity. About 16 min
very favorableJoseph BisharaBill Simmons: Celebrated for composing the score and also playing the demon, which the hosts describe as a standout feat. About 16 min
favorableOren PeliBill Simmons: Described as bringing a found-footage sensibility and helping shape the movie's run-and-gun feel. About 16 min
favorableJason BlumBill Simmons: Mentioned as the producer who learned from the movie's low-cost, high-return model and later built Blumhouse around it. About 16 min favorableBarbara HersheyBill Simmons: Praised as creepy and effective, with special recognition for her horror-movie legacy in The Entity. About 24 min favorableEthan HawkeBill Simmons: Cited as someone who might have changed the casting but is still generally preferred in horror roles. About 40 min
very favorableLin ShayeBill Simmons: Held up as a major 'that guy' actor and the face of the franchise, especially through her role as Elise. About 48 min
neutralTy SimpkinsBill Simmons: Mentioned as the child actor who plays Dalton, with some joking recasting discussion. About 40 min
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Insidious as a horror reset

Says the movie planted the seeds for Blumhouse, ended the torture-porn era, and launched the 'something wrong with the house' wave.

Opening minutes
Sean FennesseyDid not like it

torture porn era

Argues those movies were no fun to watch or revisit and that audiences got sick of them.

Opening minutes
Bill SimmonsDid not like it

torture porn

Says he hated the genre's excesses and preferred horror's return to basics.

Opening minutes
Sean FennesseyLoved it

Insidious premise

Calls the film's premise 'unassailable' and notes how cleanly it fuses possession and haunted-house ideas.

About 8 min
Bill SimmonsLoved it

Joseph Bishara's score

Says the score is one of the best horror scores and central to why the movie works.

About 16 min
Sean FennesseyLoved it

James Wan's direction

Credits Wan with clever construction, good scare timing, and low-budget mastery.

About 16 min
Bill SimmonsLoved it

Rose Byrne

Marshals a joke around how cheap a movie would need to be for Byrne to be bad in it, emphasizing her reliability.

About 16 min
Bill SimmonsLoved it

gas mask / face licker sequence

Names the gas-mask confrontation and face licker as one of the movie's peak scares.

About 32 min
Bill SimmonsMixed

Patrick Wilson's dad character

Likes the performance but also says the character is 'wrong' and sometimes implausibly detached from the danger.

About 56 min
Sean FennesseyMixed

The Conjuring vs. Insidious

Suggests The Conjuring is the stronger franchise and a more significant horror contribution, even though Insidious is effective.

About 48 min
5 ThemesThe larger ideas in the discussion

Horror genre cycles

The hosts frame Insidious as part of a shift away from torture porn toward cleaner, more atmosphere-driven horror.

Opening minutes

Low-budget efficiency

A tiny budget and short shoot are presented as proof that horror can be enormously profitable and creatively nimble.

About 16 min

Family vulnerability

The movie's fear comes from the family unit itself being under threat, especially the child and father.

About 8 min

Haunted-house mechanics

The episode treats attics, basements, baby monitors, and photos as key horror tools that reliably work.

About 24 min

Character empathy in horror

They argue that caring about the parents and child makes the scares much more effective.

About 8 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

The movie reportedly cost about $1.5 million and made nearly $100 million.

About 16 min

Production note

It was shot in three weeks.

About 16 min

Production note

Joseph Bishara also appears in the film as the demon.

About 16 min

Production note

The score uses 39 violins.

About 16 min

Production note

Oren Peli is described as having a found-footage sensibility and a filmography full of low-budget horror projects.

About 16 min

Production note

The title 'Insidious' is spoken in the film, which the hosts love.

About 40 min

Production note

Ethan Hawke turned down the lead role before later starring in Sinister.

About 40 min

Production note

Barbara Hershey is said to have been in The Natural and Beaches, and the hosts find her inherently creepy.

About 24 min

Saw

Used as the torture-porn franchise that James Wan and Lee Whannell wanted to move away from.

Opening minutes

Hostel

Mentioned as another torture-porn series that made money and then faded.

About 8 min

Paranormal Activity

Cited as part of the found-footage / low-budget horror movement.

About 16 min

The Conjuring

Used as the later benchmark for 'something wrong with the house' horror and as a franchise comparison.

Opening minutes

The Exorcist

Named as part of the fusion that makes the film's premise work.

About 8 min

The Amityville Horror

Referenced as an early template for haunted-house horror and for the 3:15 time gimmick.

Opening minutes

The Shining

Used as a reference point for scary score and horror payoff.

About 16 min

The Entity

Referenced because Barbara Hershey starred in it and it is also a disturbing ghost-horror film.

About 24 min

Three Amigos

Bill recounts Roger Ebert trashing it on Carson as a memory of old-school criticism.

About 16 min

Face/Off

Used as an example of the perfect moment when a title is spoken in dialogue.

About 40 min

Sinister

Mentioned as another Ethan Hawke horror movie and as part of the genre wave.

About 40 min

The Others

Named as one of the earlier 'something wrong with the house' titles.

About 8 min

The Grudge

Named as part of the haunted-house lineage that returned in the 2000s.

About 8 min

Skeleton Key

Included in the 2000s haunted-house revival list.

About 8 min

Cabin in the Woods

Used as a marker for more comedic, character-driven horror.

About 16 min
10 Running jokes and short linesRecurring bits captured from the conversation

'Don't go in the attic'

Bill repeatedly jokes that the attic is a terrible place and a classic horror setting, with the others riffing on why kids would never enter it.

About 24 min

Bill's horror-genre history lecture

Bill repeatedly maps horror cycles across decades, from grindhouse to torture porn to haunted-house revivals.

Opening minutes

Ebert on Carson story

Bill tells a long story about Roger Ebert trashing Three Amigos on Johnny Carson, prompting a discussion of old-school criticism.

About 16 min

Patrick Wilson as horror royalty

The hosts joke that Wilson is a 'Scream King' and rank his horror-film résumé as unusually strong.

About 48 min

Face licker

The demon creature is jokingly reduced to the 'face licker,' becoming a shorthand scare-because-it's-ridiculous bit.

About 32 min

Bill Simmons

“It's not the house that's haunted. It's your son.”
About 32 min

Bill Simmons

“Don't go in the attic. Just don't.”
Opening minutes

Sean Fennessey

“It's a combination of The Exorcist”
About 8 min

Bill Simmons

“How many times can you watch a guy's Achilles getting cut?”
About 8 min

Bill Simmons

“The gas mask scene and the face licker”
About 32 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Insidious is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Insidious, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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