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THE REWATCHABLES · March 14, 2021

Inside Man

A 2006 crime / thriller directed by Spike Lee, covered in the complete Rewatchables archive.

CrimeThriller2000sDirected by Spike Lee
Overall episode#193Source sheet order
Movie year20062000s
Tomatometer86%Critics’ score
Metacritic76View score
Roger Ebert—No review recorded
DirectorSpike LeeCrime / Thriller

FROM THE CONVERSATION

What they said about the movie

The hosts praise Inside Man as a smart, tightly built New York heist movie with strong ensemble performances, especially Denzel Washington, Clive Owen, Jodie Foster, and Christopher Plummer. They emphasize its authenticity, rewatchability, and many layered moving parts, while also noting a few Spike Lee-style social-commentary detours and some plot logistics that stretch believability.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The bank robbery setup is carefully staged and tense, making the build-up fun to revisit. About 40 min
  2. 02Denzel and Clive Owen’s phone exchanges and cat-and-mouse dynamic are highly entertaining. About 40 min
  3. 03Jodie Foster’s scenes with Christopher Plummer and Denzel provide sharp, chess-like dialogue and strong character interplay. About 32 min
  4. 04The movie rewards rewatching because clues to Plummer’s secret are embedded early. About 16 min
  5. 05The hostage/interrogation scenes are full of fast, funny New York character work. About 40 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateWillem Dafoe’s role feels underwritten and oddly disconnected from the rest of the movie. About 1:20
  2. minorThe video-game/social-commentary sequence can feel a bit old-guy or slow the movie down. About 40 min
  3. moderateThe ending logic around the hostages and the public reveal stretches believability. About 1:28
  4. minorChristopher Plummer’s Nazi secret is perhaps too easy to expose once confronted. About 1:28 · medium confidence
  5. minorWillem Dafoe’s cop character introduces friction but does not ultimately matter much. About 1:20

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Bank robbery setup and takeover

The disguises, timing, and escalating control of the bank create a strong opening heist sequence.

About 40 min
Favorite

Clive Owen’s first phone call with Denzel

The robbers and detective trade sharp, funny threats that establish their rivalry.

About 40 min
Favorite

Jodie Foster’s first meeting with Christopher Plummer

Foster immediately reads Plummer’s situation and asserts control in a classy power scene.

About 32 min
mixed

Video game / youth-culture sequence

Spike’s inserted commentary on a hyperreal video game is interesting but slightly old-school and slow for some.

About 40 min
Favorite

Hostage reveal and interrogation aftermath

The movie’s structure pays off as the “hostages” are revealed and then questioned with comic momentum.

About 48 min
Favorite

Albanian-language recognition scene

A construction worker correctly identifies the language, becoming a standout New York-character moment.

About 1:20
Favorite

Foster and Plummer final confrontation

The film’s secret and moral code crystallize in the late exchange between the fixer and the banker.

About 48 min

WHERE THEY DISAGREED

The biggest debates

They agreed Opening minutes

Is Inside Man a heist movie or a New York movie?

Chris Ryan

It ultimately feels more like a New York movie than a pure heist movie.

Sean Fennessey

Its ensemble authenticity and city energy are central, which supports the New York-movie reading.

They agreed About 16 min

Best use of Jodie Foster in the 21st century

Bill Simmons

Yes, this is her best 21st-century role.

Sean Fennessey

Agrees and says it is a distinctive adult character for her.

They partly agreed About 40 min

How much of the video-game sequence works

Bill Simmons

Likes the scene and its effort to say something bigger.

Chris Ryan

Feels it can be a bit clumsy or dated but still effective.

Sean Fennessey

Sees it as Spike inserting social commentary even if it slows things down.

They agreed About 1:28

Who won the movie: Spike or Denzel

Bill Simmons

Initially leans toward Spike winning the movie.

Chris Ryan

Also lands on Spike as the winner.

They partly agreed About 1:28

Which post-Heat heist movie is the best

Bill Simmons

The Town is the best, with Inside Man and Fast Five in the conversation.

Chris Ryan

Initially hesitates, then settles on The Town, Fast Five, and Inside Man as the top group.

19 People discussedActors, directors, writers, and producers
very favorableClive OwenBill Simmons: Praised as excellent here and the focus of a long discussion about why his career never became bigger. Opening minutes very favorableDenzel WashingtonChris Ryan: Described as charming, fast-talking, and unusually unburdened in this crime role. About 8 min very favorableJodie FosterBill Simmons: The hosts call this a standout use of Foster, highlighting her icy, sexy, manipulative energy. About 16 min very favorableChristopher PlummerSean Fennessey: Praised for playing the wealthy man with a dark secret and for controlling every beat of his scenes. About 16 min mixedWillem DafoeChris Ryan: Seen as a great actor who is oddly underused and functionally unnecessary in this film. About 1:20 very favorableSpike LeeBill Simmons: Celebrated as one of the great New York filmmakers whose style elevates the material. Opening minutes neutralRon HowardSean Fennessey: Mentioned as the original planned director before Spike Lee took over. About 16 min criticalRoger EbertBill Simmons: His two-and-a-half-star review is dismissed as a baffling under-rating. About 16 min favorableChiwetel EjioforChris Ryan: Praised as part of the strong Denzel pairing and for the performance’s intensity, despite a shaky accent. About 8 min
very favorableTerrence BlanchardChris Ryan: His score is highlighted as a major asset that gives the movie its noir energy. About 56 min
favorableA.R. RahmanChris Ryan: Referenced as the composer behind the film’s opening and closing song, which the hosts admire. About 56 min
very favorableAl PalagoniaSean Fennessey: Celebrated as an authentic New York presence and one of Spike’s best recurring movie friends. About 1:20
favorableJames RansoneChris Ryan: Held up as an authentic New York face and a fun supporting presence. Opening minutes
favorablePeter GeretyBill Simmons: Named as a quintessential that-guy actor, especially as the mayor. About 1:20
favorableKen LeungChris Ryan: Cited as one of the many memorable supporting players in the film’s ensemble. About 1:20
neutralMarcia Jean KurtzSean Fennessey: Mentioned as a deliberate Dog Day Afternoon callback via her hostage role. About 1:12
neutralNorman JewisonChris Ryan: Referenced in the discussion of Spike Lee convincing him not to direct Malcolm X. About 32 min neutralWill SmithChris Ryan: Referenced as having passed on Spike Lee for Ali because he wanted a more commercially safe path. About 32 min favorableMichael MannChris Ryan: Mentioned as the director who got Ali instead of Spike Lee. About 32 min
15 Conversation takesSpeakers shown only where the transcript identifies them
Chris RyanLoved it

Inside Man as a New York movie

Argues the film’s greatest strength is its authentic New York energy and character mix.

Opening minutes
Sean FennesseyLoved it

Inside Man's ensemble and New York dialects

Says the cast sounds like real New Yorkers and that the dialogue gives every scene attitude and humor.

Opening minutes
Bill SimmonsLiked it

Clive Owen's career

Spends a long stretch arguing Owen should have become a much bigger star and is bewildered by his trajectory.

Opening minutes
Chris RyanLoved it

Denzel Washington in the film

Describes this as a fun, unburdened, trash-talking version of Denzel who is perfect for the movie.

About 8 min
Sean FennesseyLoved it

Jodie Foster's role

Says Foster’s character is sexy, icy, and unlike most of her adult roles, and calls it her best use in the 21st century.

About 16 min
Bill SimmonsLoved it

Christopher Plummer as the secret bank owner

Calls Plummer the ideal wealthy-creep reveal and praises the rewatchable clue trail surrounding him.

About 16 min
Chris RyanLoved it

Spike Lee's genre work

Wishes Spike had made more crime and genre movies like this one.

Opening minutes
Bill SimmonsLiked it

Ron Howard's hypothetical version

Says a Ron Howard version would probably have been fine, but clearly not as alive or authentic as Spike’s.

About 16 min
Sean FennesseyMixed

Spike Lee and Oscar politics

Argues Spike was unfairly overlooked for years but also eventually learned to play the awards game more strategically.

About 24 min
Bill SimmonsLoved it

The bank robbery setup

Chooses the robbery build-up as a favorite scene because the planning and disguises are so satisfying.

About 40 min
Chris RyanLoved it

The first Clive Owen phone call

Highlights the first Denzel-Clive phone exchange as one of the movie’s best scenes.

About 40 min
Sean FennesseyLoved it

The Albanian-identification sequence

Picks the language-identification sequence as a peak New York moment and a great heat-check performance.

About 1:20
Bill SimmonsLoved it

Jodie Foster and Christopher Plummer conversations

Chooses the later Foster-Plummer exchange as his favorite because it crystallizes the movie’s chess-match structure.

About 48 min
Chris RyanLoved it

Denzel Washington's 2000s run

Argues this period is one of Denzel’s best genre stretches, even if the movies are sometimes overlooked now.

About 1:28
Bill SimmonsLiked it

Post-Heat heist movies

Frames Inside Man as one of the key heist movies of the era, alongside a few others, though not always at the top of the list.

About 1:28
5 ThemesThe larger ideas in the discussion

New York authenticity

The hosts view the film as a vivid New York time capsule full of real-feeling voices, attitudes, and street-level details.

Opening minutes

Heist-movie mechanics

The movie is admired for combining crime-movie structure with clever misdirection, disguises, and reveals.

About 8 min

Post-9/11 New York anxiety

They see subtle references to fear, surveillance, and city politics in the aftermath of 9/11.

About 16 min

Spike Lee’s social commentary inside genre filmmaking

The hosts note that Spike keeps inserting social critique into what is also a commercial studio thriller.

About 48 min

Awards snub / industry politics

They argue the film and Spike Lee were overlooked by the Academy, reflecting the politics of recognition at the time.

About 24 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

The film was originally set up with Ron Howard before Spike Lee took over.

About 16 min

Production note

Russell Gewirtz spent years writing the script before it finally sold.

About 16 min

Production note

The movie made about $184.4 million worldwide against a $45 million budget.

About 16 min

Production note

The video game in the film was created from scratch for Spike Lee after he disliked Grand Theft Auto.

About 48 min

Production note

Spike Lee borrowed Marcia Jean Kurtz from Dog Day Afternoon for a hostage-role callback.

About 1:12

Production note

The Cartier diamond ring was borrowed from Cartier and valued at $1.5 million.

About 1:12

Production note

An announced Inside Man 2 was later canceled for lack of funding.

About 1:28

Production note

A straight-to-video sequel titled Inside Man: Most Wanted exists, but it does not include the original stars or characters.

About 1:28

Sidney Lumet

Used as a comparison point for New York filmmaking and crime movies.

Opening minutes

Clockers

Cited as one of the Spike Lee New York crime films the hosts love.

Opening minutes

25th Hour

Cited as another favorite New York crime movie and later as an example of Spike being overlooked.

Opening minutes

Children of Men

Used to illustrate how high Owen’s 2006 profile was.

Opening minutes

Ransom

Used as a comparison for a Ron Howard version of Inside Man and for overacting talk.

About 16 min

The Mauritanian

Mentioned as a later Jodie Foster performance with some common traits but less sex appeal.

About 16 min

Michael Clayton

Used to describe the fixer character type Jodie Foster plays.

About 16 min

Panic Room

Offered as another possible strong 21st-century Jodie Foster performance.

About 16 min

Dog Day Afternoon

Referenced as a source of casting and bank-hostage energy, including a returning actress and pizza callback.

About 1:12

The Sixth Sense

Used to describe the movie’s clue-based rewatchability.

About 16 min

Wag the Dog

Referenced in a joke about Albania being the fake villain country in movies.

About 1:12

Heat

Used as the benchmark for modern heist movies and for a planned streaming channel called Heist.

About 1:28

Pulp Fiction

Referenced through Winston Wolf, who the hosts call the apex fixer.

About 1:28

The Town

Named as one of the top post-Heat heist movies.

About 1:28

Fast Five

Mentioned as a legitimate heist movie and a top post-Heat contender.

About 1:28
10 Running jokes and short linesRecurring bits captured from the conversation

Clive Owen career perplexity

The hosts repeatedly puzzle over why Owen never became the bigger star they expected after 2006.

Opening minutes

A heist streaming service called Heist

They joke about a heist-movie streaming service with channels like Jails, Balls, and Heist.

About 1:04

Albania as a movie-country punchline

They keep returning to Albania as a cinematic shorthand for shady business, making repeated jokes about it.

About 1:12

New York that-guy spotting

The hosts repeatedly celebrate familiar New York supporting-actor faces and real-world-sounding local types.

Opening minutes

Joking about the podcast’s own streaming future

The discussion turns meta with jokes about which movies belong in which made-up streaming category.

About 1:04

Speaker not identified

“Anyone else here smarter than me?”
About 40 min

Speaker not identified

“Six girls named Amber and Tiffany”
About 40 min

Chris Ryan

“You are a character”
About 48 min

Sean Fennessey

“I never said I speak Albanian”
About 1:20

Bill Simmons

“This guy, asshole.”
About 56 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Inside Man is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Inside Man, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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