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THE REWATCHABLES · September 17, 2020

Easy A

A 2010 romance / comedy directed by Will Gluck, covered in the complete Rewatchables archive.

RomanceComedy2010sDirected by Will Gluck
Overall episode#164Source sheet order
Movie year20102010s
Tomatometer85%Critics’ score
Metacritic72View score
Roger Ebert—No review recorded
DirectorWill GluckRomance / Comedy

FROM THE CONVERSATION

What they said about the movie

A very favorable discussion of Easy A as a sharp, funny teen movie and a major Emma Stone star-making vehicle. The conversation emphasizes its bridge role between early-2000s teen comedies and later Netflix-era teen movies, while also debating some dated or problematic plot elements.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Emma Stone’s performance is treated as the movie’s central pleasure and a star-making breakthrough. Opening minutes
  2. 02The opening webcam/greeting-card montage quickly establishes Olive’s wit and makes the audience root for her. About 24 min
  3. 03The parents’ banter and family chemistry are considered unusually funny and memorable. About 24 min
  4. 04The 'Knock on Wood' performance scene is singled out as a pure movie-star moment. About 16 min
  5. 05The film’s teen-movie meta-awareness and John Hughes references make it rewarding for adults and longtime genre fans. About 8 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe movie’s Christian-girl antagonist feels like a negative stereotype of Christianity. About 48 min
  2. majorThe chlamydia-and-teacher affair subplot is strange and unnecessary. About 56 min
  3. majorThe Huckleberry Finn references and Black-character handling are offensive and poorly conceived. About 56 min
  4. moderateThe party/sex-cover story strains believability, especially given the characters’ ages and the ease of the deception. About 56 min
  5. minorThe middle-school flashbacks and voiceover/younger-actors choice are silly or distracting. About 1:28

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Greeting-card/webcam montage

Olive’s opening weekend montage with the greeting card and webcam establishes her goofy, charming persona and hooks the audience.

About 16 min
positive

Confessional breakdown

Olive’s emotional confession is described as the first moment where Stone fully weaponizes her expressive eyes and pulls real feeling into the movie.

About 16 min
Favorite

'Knock on Wood' performance

The musical number is treated as a full movie-star payoff and one of the film’s biggest thrills.

About 16 min
Favorite

Parents guessing the insult word

The family tries to guess the word Olive used in class, producing a very funny quip exchange.

About 24 min
positive

Family movie-night banter

The parents’ back-and-forth about movie selection is used to show the household’s witty chemistry.

About 24 min
critical

Party fake-sex setup

The room request and fake hookup at the rich-girl party are called implausible and a little off.

About 56 min
critical

Christian club confrontation

Marianne’s moral policing of Olive is discussed as both funny and stereotyping in its use of Christian identity.

About 48 min
critical

Chlamydia/marriage subplot

The teacher-guidance-counselor affair, chlamydia reveal, and resulting marriage breakup are seen as the movie’s strangest plotline.

About 56 min
critical

Huck Finn and Brandon’s exit

The film’s use of Huckleberry Finn and the Black gay character’s escape are described as offensive and badly handled.

About 56 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 48 min

Whether Amanda Bynes’s Marianne is a good performance or a stereotype problem

Shea Serrano

She thinks the role is funny, effective, and the most interesting use of Bynes’ career.

Juliet Litman

She likes Bynes but is uncomfortable with the Christian stereotyping baked into the character.

They partly agreed About 48 min

Whether the movie’s teen-bullying dynamics are plausible

Amanda Dobbins

The script skips over darker bullying realities by making Olive too unfazed and too safe.

Shea Serrano

The movie works because Olive’s confidence prevents it from becoming cruel or depressing.

They left it as a friendly argument About 1:12

Who best fits the Olive role in a recast

Amanda Dobbins

Zendaya or Florence Pugh could work, depending on how the role is tailored.

Shea Serrano

Isabela Moner is his pick because she can handle the mix of charm and comedy.

Juliet Litman

She prefers Emma Stone and sees recasting as largely impossible without her exact qualities.

They agreed About 16 min

Which lead actress is the top benchmark for teen movies

Amanda Dobbins

Emma Stone is the best choice for a modern remake; Rachel McAdams and Gabrielle Union are also strong benchmarks.

Shea Serrano

He accepts Stone as the pick after discussion, with Gabrielle Union as another major option.

Juliet Litman

She also lands on Stone as the best current answer.

They agreed About 1:20

Whether this is Emma Stone’s Apex Mountain

Amanda Dobbins

No, because later films and her Oscar win made her bigger and more celebrated.

Shea Serrano

It is her launch point but not her peak.

Juliet Litman

Agrees it is crucial but not her apex.

They agreed About 32 min

How bad the word 'twat' is

Juliet Litman

It is not that bad compared with what else is happening in the movie.

Amanda Dobbins

She agrees it should not be treated as a huge offense.

Shea Serrano

He jokes but largely agrees it is minor.

19 People discussedActors, directors, writers, and producers
very favorableEmma StoneJuliet Litman: Praised as charming, funny, and the reason the movie works; repeatedly called a movie star. Opening minutes
favorableAmanda BynesShea Serrano: Called very funny and effective as the villainous Marianne, though one host later notes the Christian stereotype problem. Opening minutes
favorablePatricia ClarksonAmanda Dobbins: Praised as excellent, funny, and central to the parents’ chemistry; one host also flags her as over-the-top in one scene. About 32 min favorableStanley TucciAmanda Dobbins: Praised as part of the movie’s ideal parent trio and for his sharp comedic rhythm. About 32 min mixedLisa KudrowJuliet Litman: Seen as funny but also unnecessary in the teacher subplot. About 1:04
favorableThomas Hayden ChurchAmanda Dobbins: Viewed as a funny, good supporting presence who helps ground Olive’s home life, though his subplot is criticized as unnecessary. About 32 min
favorableWill GluckAmanda Dobbins: Credited with a smart, John Hughes-inflected teen movie that revived the genre. About 24 min
neutralBert RoyalIdentified as the writer who set the film in Ojai and wrote much of the script quickly. About 16 min
favorableAlicia SilverstoneAmanda Dobbins: Used as a benchmark for great teen-movie female leads, especially via Clueless. About 16 min favorableRachel McAdamsJuliet Litman: Cited as a strong number-two teen-movie lead because of Mean Girls and The Notebook. About 16 min favorableGabrielle UnionShea Serrano: Offered as another major teen-movie lead candidate who improves every movie she is in. About 16 min mixedJennifer LawrenceAmanda Dobbins: Considered a strong actress but not an ideal fit for Olive because her energy would make the role feel too emotionally penetrated. About 1:04 favorableZendayaAmanda Dobbins: Offered as a strong modern recasting option for Olive because she has confidence and ease. About 1:12 favorableFlorence PughAmanda Dobbins: Suggested as another possible Olive, though the hosts worry she may skew too intensely toward other famous roles. About 1:12
favorableIsabela MonerShea Serrano: Offered as a recasting possibility because she can handle the mix of charm and comedy needed for Olive. About 1:12
neutralMalcolm McDowellShea Serrano: Mentioned as the principal, but treated mainly as a recognizable That Guy-type presence. About 1:04
favorableCam GigandetShea Serrano: Identified as a classic That Guy because of his threatening bully roles and many early-2000s appearances. About 1:04
favorableDan ByrdJuliet Litman: Chosen as the episode’s That Guy because his supporting-role career fits the category well. About 1:04
neutralPenn BadgleyJuliet Litman: Mentioned as one of the film’s many formerly prominent teen actors whose fame later shifted. Opening minutes
11 Conversation takesSpeakers shown only where the transcript identifies them
Amanda DobbinsLiked it

Easy A as a teen-movie bridge

Sees it as a summary of earlier teen-movie traditions and a smart update on them.

About 8 min
Shea SerranoLoved it

Emma Stone’s central performance

Argues the movie only works because Stone can carry the role’s risks and charm.

Opening minutes
Juliet LitmanLiked it

Easy A as a teen movie

Places it high in the teen-movie pantheon because it revived the genre and remains very good.

About 8 min
Amanda DobbinsLoved it

Knock on Wood performance

Calls it a pure star-making set piece and a necessary musical number for the genre.

About 16 min
Shea SerranoLoved it

confessional scene

Says Stone’s emotional confession is the first moment she truly shows full-star range.

About 16 min
Juliet LitmanLoved it

twat detention / parents scene

Chooses the parents joking about the word 'twat' as her most rewatchable scene.

About 24 min
Amanda DobbinsLiked it

Patricia Clarkson

Loves her as part of the parent trio but thinks she overdoes one comedic scene.

About 24 min
Shea SerranoLoved it

early webcam/vlogging scenes

Says the social-media framing is especially well judged and still current.

About 40 min
Amanda DobbinsLiked it

signed chapter markers and narrative device

Likes the analog sign-based chapter structure and how it’s set up early.

About 48 min
Juliet LitmanLiked it

Amanda Bynes

Says Bynes is very funny and wishes her well, even while criticizing the character’s ideological framing.

About 48 min
Amanda DobbinsLoved it

Emma Stone

Argues Stone should have been Oscar-nominated and that the movie’s success depends on her charm and intelligence.

Opening minutes
5 ThemesThe larger ideas in the discussion

Star-making performance

The episode repeatedly frames Easy A as the film that turned Emma Stone into a major movie star.

Opening minutes

Teen-movie lineage

The film is positioned as a bridge between John Hughes/Clueless/Mean Girls-era teen movies and later revival-era titles.

About 8 min

Performance and persona

A recurring idea is that comedy depends on the lead’s ability to sell exaggerated, risky material without breaking the emotional contract.

Opening minutes

Technology and narration

The webcam, vlogging, and handwritten signs are praised as effective storytelling devices that still feel current.

About 40 min

Family support as stabilizer

Olive’s parents are discussed as a warm, supportive anchor that helps the movie’s absurdity feel grounded.

About 24 min
22 Facts and referencesProduction notes and other movies mentioned

Production note

The film was set and shot in Ojai, California, and the crew had to adapt to a location school without indoor hallways.

About 16 min

Mentioned with uncertainty

The script had been discussed as a Black List script, though the hosts note that it may not have sat around as long as that label suggests.

About 24 min

Production note

Emma Stone reportedly auditioned via webcam/YouTube.

About 40 min

Production note

A lot of the profanity was reportedly cut to keep the movie PG-13.

About 40 min · medium confidence

Production note

The film premiered at TIFF.

About 24 min

Production note

Will Gluck later made Friends with Benefits, the Peter Rabbit films, and Encore.

About 1:20

Production note

The Ojai overlook and 'pink moment' are highlighted as part of the film’s visual identity.

About 32 min

John Hughes

Used as the main tonal and structural comparison for Easy A’s teen-movie DNA.

About 8 min

Ferris Bueller's Day Off

Referenced for the shower-hair moment, guitar lesson scene, and suburban teen-movie feel.

About 16 min

Mean Girls

Used as a benchmark for sharp teen satire and as part of the genre’s lineage.

About 8 min

Clueless

Used as a comparison for a teen movie that works across generations.

About 16 min

She's All That

Discussed as a teen-movie touchstone and compared in terms of cast and point of view.

About 16 min

10 Things I Hate About You

Raised as another major teen-movie benchmark in the lead-actress conversation.

About 16 min

The 40-Year-Old Virgin

Used to explain why a comic lead’s gravity is essential to keep a premise from becoming creepy.

Opening minutes

Booksmart

Mentioned as a more recent teen movie with supportive parents and a similar smart-teen energy.

About 24 min

Crazy Stupid Love

Cited as part of Emma Stone’s rapid ascent after Easy A.

Opening minutes

The Help

Mentioned as another major 2011 Emma Stone project.

Opening minutes

La La Land

Used as a major Emma Stone milestone and Oscar-era reference.

Opening minutes

The Favourite

Referenced as a later Emma Stone film that kept her in the awards conversation.

Opening minutes

Cruella

Discussed as an upcoming/announced Emma Stone project that may test her star power.

Opening minutes

One Tree Hill

Used as a comparison point for webcam narration and teen-TV plotting.

About 40 min

The OC

Referenced in connection with Cam Gigandet’s earlier role and teen-TV memory.

About 1:04
10 Running jokes and short linesRecurring bits captured from the conversation

Emma Stone praise loop

The hosts keep returning to how extraordinary and star-making Stone is in the role.

Opening minutes

Teen-movie pantheon ranking

They repeatedly debate where Easy A and Olive fit among teen-movie and teen-lead all-time lists.

About 8 min

FCA / Christian-club references

Shea and Amanda keep referencing school Christian groups to contextualize Marianne.

About 48 min

That Guy nominations

They swap recognizable supporting-actor IDs until landing on Cam Gigandet and Dan Byrd.

About 1:04

Patricia Clarkson/Stanley Tucci parent cheerleading

The parents become an ongoing joke-benchmark for the hosts’ own adult taste.

About 24 min

Shea Serrano

“It's still funny. Emma Stone is still very charming.”
Opening minutes

Amanda Dobbins

“holy cow, is Emma Stone good”
Opening minutes

Juliet Litman

“Spell it with your T's!”
About 32 min

Amanda Dobbins

“the accelerated velocity of terminalogical inexactitudes”
About 1:28

Shea Serrano

“this is a bad idea. Don't do it.”
Opening minutes

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Easy A is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Easy A, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Juliet LitmanThe Rewatchables
Amanda Dobbins headshotAmanda DobbinsThe Rewatchables
Shea Serrano headshotShea SerranoThe Rewatchables

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