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THE REWATCHABLES · February 11, 2019

A Star Is Born

A 2018 romance / drama directed by Bradley Cooper, covered in the complete Rewatchables archive.

RomanceDrama2010sDirected by Bradley Cooper
Overall episode#59Source sheet order
Movie year20182010s
Tomatometer90%Critics’ score
Metacritic88View score
Roger Ebert—No review recorded
DirectorBradley CooperRomance / Drama

FROM THE CONVERSATION

What they said about the movie

The episode argues that A Star Is Born is an unusually rewatchable, emotionally powerful, and technically impressive movie that mostly succeeds because of Bradley Cooper’s transformation as actor-director and Lady Gaga’s breakout performance. The hosts focus on the movie’s romance, tragic structure, standout musical moments, and the surprise that it may be shut out at the Oscars despite strong audience response.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The Shallow performance is treated as the clear centerpiece and one of the best movie moments of the decade. About 32 min
  2. 02The romance and early chemistry between Jackson and Ally make the movie easy to revisit. About 32 min
  3. 03Bradley Cooper’s supportive, encouraging performance in scenes with Gaga is highly rewatchable. About 32 min
  4. 04The opening performance of Black Eyes efficiently establishes Jackson Maine’s character. About 32 min
  5. 05The soundtrack and live-sound presentation make the musical scenes compelling on repeat viewings. About 56 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe second half drags relative to the first hour. About 40 min
  2. majorThe pop-star transformation and final pop song Why Did You Do That are unclear and feel like the movie’s weakest idea. About 40 min
  3. minorDave Chappelle’s role feels unnecessary even if his performance is good. About 40 min
  4. minorThe Grammy collapse scene is hard to watch and somewhat over-the-top. About 32 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening performance and character setup

Jackson Maine’s pill-taking, drinking, and entrance into Black Eyes quickly establish his self-destructive charisma.

About 32 min
Favorite

Cop bar meet-cute

Jackson and Ally flirt through very specific, awkward, believable dialogue about Ally’s nose.

About 32 min
positive

Supermarket/frozen peas scene

They enjoy the everyday intimacy of the couple shopping together before fame overwhelms them.

About 32 min
Favorite

Parking lot songwriting scene

Jackson hears Ally’s voice, encourages her songwriting, and the moment helps launch the romance and the song.

About 32 min
Favorite

First live performance of Shallow

Ally’s debut performance is treated as the film’s emotional and musical apex.

About 32 min
critical

Grammy collapse

Jackson’s public breakdown is unforgettable but uncomfortable and somewhat excessive.

About 40 min
positive

Bathroom/house aftermath after Shallow

The post-performance reactions from Ally, Jackson, and the drivers are played for warmth and humor.

About 40 min
Favorite

Sam Elliott confrontation and driveway goodbye

Jackson and Bobby’s emotional confrontation is one of the movie’s most memorable scenes and meme sources.

About 40 min
Favorite

Final duet and ending

The ending is a moving payoff that links Jackson’s memory, Ally’s performance, and the final emotional theme.

About 48 min

WHERE THEY DISAGREED

The biggest debates

No final agreement Opening minutes

Why Bradley Cooper is losing the Best Actor race

Bill Simmons

He should be winning because the performance is exceptional and transformative.

Sean Fennessey

Possible split voting between acting and directing, plus voters thinking it is not yet his time.

No final agreement About 16 min

Whether Bradley Cooper could be replaced by Leonardo DiCaprio

Bill Simmons

Cooper could do more Leo-type parts than vice versa.

Sean Fennessey

Leo could handle the magnetism and probably could have done this role.

They partly agreed About 40 min

What the movie is saying about pop music

Amanda Dobbins

The film is muddled about how Ally becomes a pop star and what it means artistically.

Bill Simmons

The movie’s choices are imperfect but part of a larger tragic/authenticity framework.

They left it as a friendly argument About 1:12

Whether Shallow could plausibly be assembled so perfectly on the spot

Bill Simmons

It seems like a leap of faith that strains plausibility.

Sean Fennessey

The movie probably implies they continued writing it during the unshown hours.

No final agreement About 32 min · medium confidence

Was Jackson Maine a direct Eddie Vedder imitation?

Bill Simmons

He definitely borrowed Vedder’s look and voice elements.

Sean Fennessey

He is channeling multiple figures rather than a single imitation.

14 People discussedActors, directors, writers, and producers
very favorableBradley CooperBill Simmons: Praised as exceptionally good, transformative, and a strong director who made the movie work. Opening minutes
very favorableLady GagaAmanda Dobbins: Praised as a striking, convincing screen presence with real acting and singing chops. About 24 min
criticalRami MalekBill Simmons: Used as a contrast case; Bill criticizes the Bohemian Rhapsody performance and calls it bad. Opening minutes favorableSam ElliottSean Fennessey: Praised for emotional scenes and a memorable crying meme moment. About 32 min mixedAndrew Dice ClayBill Simmons: Considered decent in the role but also seen as an odd casting choice. About 40 min mixedDave ChappelleAmanda Dobbins: His performance is liked, but the character’s purpose in the film is questioned. About 40 min favorableClint EastwoodBill Simmons: Referenced as an inspiration for Cooper’s directorial ambitions and another possible version of the film. About 16 min mixedBarbra StreisandBill Simmons: Discussed as the star of the 1976 version; her version is judged long and badly written. About 8 min
mixedKris KristoffersonBill Simmons: Mentioned as the male lead of the 1976 version and part of a comparison to Cooper. About 8 min
favorableJason IsbellBill Simmons: Credited as a songwriter behind Maybe It’s Time. About 56 min
favorableLucas NelsonBill Simmons: Credited as one of the songwriters on the soundtrack. About 56 min
favorableTodd PhillipsBill Simmons: Cited as a key Bradley Cooper ally and producer who encouraged Cooper’s confidence. About 16 min neutralAlec BaldwinBill Simmons: Mentioned as one of the celebrities in the SNL context and casting chatter. About 48 min · medium confidence
neutralHalseyAmanda Dobbins: Mentioned as a real-life parallel to Ally and as a marker in the modern pop world. About 32 min · medium confidence
12 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

A Star Is Born as an Oscars contender

Argues the movie is excellent and is mystified that it seems unlikely to win major Oscars.

Opening minutes
Sean FennesseyLoved it

Bradley Cooper’s Oscar fate

Suggests Cooper may be splitting votes between acting and directing recognition.

Opening minutes
Amanda DobbinsLiked it

the remake franchise

Frames the film as part of a long remake history and notes the older versions were not universally beloved.

About 8 min
Bill SimmonsLoved it

Bradley Cooper

Calls Cooper a real transformation and says the movie was built around him.

About 8 min
Sean FennesseyLoved it

Lady Gaga

Argues Gaga has face charisma and is an unusually strong screen presence.

About 24 min
Amanda DobbinsLoved it

Lady Gaga’s appearance and casting

Says Gaga looks beautiful and that the no-makeup approach works for the role.

About 56 min
Bill SimmonsLoved it

Shallow performance

Calls it the best scene and one of the best seven-minute stretches of the century.

About 32 min
Sean FennesseyLoved it

cop bar flirting scene

Says it is one of the great flirting scenes in movie history because the dialogue feels real.

About 32 min
Bill SimmonsLiked it

tragedy in mainstream movies

Argues that the film’s tragic ending is essential and gives the story closure.

About 40 min
Sean FennesseyLoved it

sound mixing and live performance sound

Highlights the sound work as technically excellent and crucial to the theater experience.

About 56 min
Amanda DobbinsMixed

the pop-star pivot

Questions whether the movie truly understands what it is saying about pop music and authenticity.

About 40 min
Bill SimmonsLoved it

Bradley Cooper

Says Cooper’s biggest accomplishment is making the audience believe he is a different person.

About 24 min
5 ThemesThe larger ideas in the discussion

Transformation and reinvention

The movie is framed as Bradley Cooper’s major career reinvention and Lady Gaga’s successful move from pop icon to movie star.

About 8 min

Tragedy and sacrifice

They emphasize that the movie works as a true tragedy, with Jackson’s death giving the story emotional closure and thematic weight.

About 48 min

Celebrity mythology

The episode treats the film as career-making mythmaking for both leads, especially Cooper.

About 16 min

Authenticity vs. pop artifice

A long debate centers on whether the movie values authentic musicianship over polished pop performance.

About 48 min

Supportive love as craft

Cooper’s ability to support Gaga on stage and in scenes is treated as a key part of the movie’s emotional success.

About 32 min
25 Facts and referencesProduction notes and other movies mentioned

Production note

The film had multiple prior versions and the hosts discuss the 1954, 1976, and 2013 iterations.

About 8 min

Production note

Cooper reportedly spent a year lowering his voice by an octave for the role.

About 56 min

Production note

Cooper and Gaga sang live, and Gaga reportedly pushed for live singing because she dislikes bad lip-syncing.

About 56 min

Production note

The movie’s drag-bar and cop-bar locations are identified in the transcript as The Virgil and The Shortstop.

About 1:04

Production note

The supermarket scene was filmed at Super A Foods in Glassell Park.

About 1:04

Production note

Jackson Maine’s house is described as a real property in Monte Nido, Calabasas that sold for $2 million after filming.

About 1:04

Production note

Cooper used body spray tan and menthol around his eyes to look bloodshot and high.

About 56 min

Production note

The soundtrack includes songs associated with Jason Isbell and Lucas Nelson.

About 56 min

Production note

There are foreshadowing details in the film, including a billboard with nooses near Jackson at a red light.

About 1:04

Production note

Cooper is reportedly working on an Avengers: Endgame voice role and a Leonard Bernstein biopic.

About 1:12 · medium confidence

Get Out

Used as an earlier example of the podcast covering a newer movie that became a big success.

Opening minutes

Roma

Cited as a major Oscar competitor that may block A Star Is Born from winning.

Opening minutes

Green Book

Mentioned as another Oscar threat unexpectedly gaining strength.

Opening minutes

Bohemian Rhapsody

Used as a negative comparator for editing and acting Oscar talk.

Opening minutes

Scent of a Woman

Named as a possibly bad movie that still produced a Best Actor win.

Opening minutes

Heaven Can Wait

Referenced in a discussion of the idea that this might not yet be Cooper’s time.

Opening minutes

Reds

Referenced alongside Heaven Can Wait as a similar Oscars/career narrative.

Opening minutes

What's Up, Doc?

Amanda cites it as one of her favorite Barbra Streisand films.

About 8 min

The Hangover

Discussed as a key Bradley Cooper star-making role.

About 8 min

Limitless

Identified by Bill as the moment he first thought Cooper was a star.

About 8 min

American Sniper

Mentioned as a massive hit and a key step in Cooper’s collaboration with Clint Eastwood.

About 16 min

Aloha

Cited as part of Cooper’s odd mid-2010s run.

About 16 min

Burnt

Referenced as a beloved Ringer bit and one of Cooper’s strange runs.

About 16 min

SNL

Used as a marker of Ally’s public transformation and a symbol of modern celebrity culture.

About 48 min

Alias

Mentioned as Cooper’s early TV break and source of returning co-stars.

About 1:04
10 Running jokes and short linesRecurring bits captured from the conversation

Bradley Cooper beard and voice analysis

They repeatedly joke about Cooper’s beard, red face, and transformed voice as part of the performance myth.

About 16 min

Sam Elliott tear meme

They keep referencing the crying Sam Elliott image as a lasting meme.

About 40 min

'I just want to take another look at you'

The pickup line is treated as a meme-worthy line that the internet latched onto.

About 1:04

Jackson Maine impression

Bill slips into a recurring Jackson Maine voice while quoting lines.

Opening minutes · medium confidence

Ringer nostalgia around Burnt

They joke about having communicated via Burnt quotes and gifs during an earlier era of the site.

About 16 min

Bill Simmons

“If you don't dig deep in your fucking soul”
Opening minutes

Bill Simmons

“I look up to him so much.”
About 16 min · medium confidence

Sean Fennessey

“Your nose is beautiful.”
About 32 min

Bill Simmons

“If you don't have legs.”
About 40 min

Bill Simmons

“It's you I idolize.”
About 40 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where A Star Is Born is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before A Star Is Born, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables
Amanda Dobbins headshotAmanda DobbinsThe Rewatchables

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