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THE REWATCHABLES · December 12, 2023

The Pelican Brief

A 1993 thriller / crime directed by Alan J. Pakula, covered in the complete Rewatchables archive.

ThrillerCrime1990sDirected by Alan J. Pakula
Overall episode#336Source sheet order
Movie year19931990s
Tomatometer56%Critics’ score
Metacritic51View score
Roger Ebert3/4Original star rating
DirectorAlan J. PakulaThriller / Crime

FROM THE CONVERSATION

What they said about the movie

The hosts argue that The Pelican Brief is a flawed but very watchable 90s conspiracy thriller powered by major-star chemistry, Pakula’s directorial style, and a premise that still feels current. They repeatedly note its length, murky plotting, and structural awkwardness, but treat it as a comforting, rewatchable movie that is easy to drop into in chunks.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Julia Roberts and Denzel Washington’s star power carries the movie even when the plot gets muddy. About 16 min
  2. 02Alan J. Pakula’s direction gives the movie a strong 70s-karaoke thriller feel. About 8 min
  3. 03The premise is immediately legible and compelling: two justices are murdered and a student uncovers a conspiracy. Opening minutes
  4. 04The film is easy to rewatch in chunks because the individual scenes and set pieces land well. Opening minutes
  5. 05The conspiracy elements still feel relevant to modern politics and Supreme Court intrigue. About 8 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe movie is too long and spends too much time on plot mechanics. About 32 min
  2. moderateThe conspiracy explanation is murky, especially around Kamal and the ending. About 32 min
  3. moderateJulia Roberts is underused and in a quieter mode than some expected. About 1:12
  4. moderateSeveral supporting characters are incompetent, which weakens the plausibility of the story. About 1:36

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening judge murders

The two justices are killed in contrasting locations, setting up the conspiracy.

About 24 min
positive

Darby’s library research

Darby pieces together the conspiracy from law-library research and a printed brief.

About 32 min
Favorite

Sam Shepard classroom scene

Darby spars in class with her professor, which the hosts see as very 90s.

About 56 min
Favorite

Darby and Denzel in New York

Their first meeting and brief alliance is played as a tense, memorable partnership scene.

About 56 min
positive

Parking-garage chase

Darby is protected during the car-park pursuit, with the Doberman interrupting the attack.

About 1:04
Favorite

Final interview/farewell scene

Gray’s ending interview and the goodbye/run-back embrace are treated as satisfying closure.

About 1:12

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 16 min

Should Darby and Gray have become romantically involved?

Chris Ryan

No romance is needed; their partnership ending works better structurally.

Sean Fennessey

A kiss might have helped, but the non-romantic ending is still fitting.

Amanda Dobbins

She wanted at least one kiss because the chemistry is so strong.

They agreed About 24 min

What is the movie’s biggest structural problem?

Sean Fennessey

The script and plot machinery are too clunky and the conspiracy is hard to follow.

Chris Ryan

The movie reveals its conspiracy in a way that never fully matches All the President’s Men.

They partly agreed About 16 min

Did the movie need the romantic subplot?

Bill Simmons

He thinks a little more romance could have helped the film’s energy.

Sean Fennessey

He prefers the partnership ending and says the movie does not really need the romance.

They agreed About 1:36

Who is worse at their job: the newsroom, FBI, CIA, or White House figures?

Sean Fennessey

Almost everyone except Gray is incompetent.

Chris Ryan

The story only works if you accept massive institutional incompetence.

12 People discussedActors, directors, writers, and producers
very favorableJulia RobertsSean Fennessey: Praised as a huge star whose defiant persona and strong presence helped define the movie. Opening minutes very favorableDenzel WashingtonBill Simmons: Praised as a breakout A-plus lister whose performance and star power are central to the movie. About 16 min very favorableAlan J. PakulaSean Fennessey: Admired for elevating the material with a disciplined thriller style. About 8 min favorableJohn GrishamChris Ryan: Credited with a great premise and a run of commercially potent legal thrillers. Opening minutes favorableStanley TucciBill Simmons: Praised as memorable villain casting and an important early role in his run. About 24 min favorableSam ShepardSean Fennessey: Liked as a moody professor figure and singled out as someone who should have been in more movies. About 1:04 mixedJohn LithgowBill Simmons: Seen as effective but also as part of the movie’s incompetence problem in the newsroom story. About 1:36 neutralTony GoldwynChris Ryan: Mentioned as part of the cast and as the president’s chief of staff. About 24 min
neutralRobert CulpBill Simmons: Mentioned as the president, with the hosts reading the casting as believable and politically apt. About 24 min
favorableJohn HeardChris Ryan: Praised for a brief but memorable supporting turn. About 32 min mixedEbertBill Simmons: Used as a critical counterpoint; his review is quoted as skeptical of Grisham adaptations. About 32 min neutralBill SimmonsHe is the episode’s lead voice but is also repeatedly referenced by the others. Opening minutes · medium confidence
10 Conversation takesSpeakers shown only where the transcript identifies them
Sean FennesseyLiked it

The Pelican Brief

Likes it as a pleasant, old-school thriller and one of Pakula’s better late-period efforts.

Opening minutes
Chris RyanLiked it

The Pelican Brief

Thinks the movie is one of the all-time great book-to-movie premises and very rewatchable in pieces.

Opening minutes
Sean FennesseyLoved it

Julia Roberts

Views her as an iconic, defiant star whose public persona helped her comeback.

Opening minutes
Bill SimmonsLoved it

Denzel Washington

Treats this as a key moment in Denzel’s ascent to top-tier stardom.

About 16 min
Sean FennesseyLoved it

Alan J. Pakula’s directing

Argues Pakula’s direction is doing a lot of work to elevate the material.

About 8 min
Chris RyanLoved it

The riverwalk assassination

Thinks the outdoor killing sequence and crowd panic are one of the movie’s best set pieces.

About 40 min
Sean FennesseyLiked it

The classroom sequence with Sam Shepard

Likes the classroom exchange as the movie’s most 90s-feeling scene.

About 56 min
Chris RyanLoved it

Stanley Tucci

Very high on Tucci’s villain turn and the costume/disguise work around it.

About 24 min
Bill SimmonsLiked it

Newspaper movies

Enjoys that the movie is centered on newspapers and newsroom work.

About 1:20
Chris RyanLiked it

The Pelican Brief

Ultimately defends the film as enjoyable despite its flaws and murky plotting.

About 1:36
5 ThemesThe larger ideas in the discussion

Conspiracy and institutional corruption

The episode frames the film as a story about hidden power, Supreme Court politics, and the fragility of institutions.

About 8 min

Star-driven filmmaking

The hosts see the movie as a showcase for Julia Roberts and Denzel Washington at peak visibility.

About 16 min

Journalism as heroic investigation

They compare it to other newspaper movies and discuss the newsroom mechanics as part of the appeal.

About 24 min

90s procedural aesthetics

They enjoy the film’s clothing, technology, and old-school research-and-chase setup as a period artifact.

About 40 min

Romance versus professional partnership

They debate whether Darby and Gray should have become a couple or stayed as colleagues.

About 16 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

Bill says Alan J. Pakula died in a tragic highway accident when a pipe went through his windshield.

About 1:36

Production note

The hosts say the movie grossed about $193 million on a $45 million budget.

About 32 min

Production note

Sean says Julia Roberts spent time at Tulane Law School to prepare for the role.

About 1:36

Production note

They say Denzel also spent time at The Washington Post to prepare.

About 1:36

Production note

Chris says the movie’s title refers to a specific brief and that the film uses the phrase on screen.

About 1:36

Production note

They claim the studio-interracial-romance suppression story is false and that Denzel himself resisted the romance.

About 16 min

Production note

Bill says Pakula adapted the screenplay himself from the novel.

About 8 min

Production note

They note the movie begins with slow-motion pelicans and credits before the plot starts.

About 1:36

The Firm

Used as the comparison point for Grisham adaptations and star-driven legal thrillers.

Opening minutes

All the President’s Men

The film is repeatedly compared to Pakula’s earlier journalism thriller.

About 8 min

The Parallax View

Cited as one of Pakula’s paranoia-thriller masterpieces that this movie cannot surpass.

About 8 min

JFK

Referenced through Bill and Chris’s recurring conspiracy talk and the JFK rewatchables jokes.

About 16 min

Philadelphia

Used to illustrate Denzel’s breakout period and as another same-month 1993 release.

About 16 min

The Bodyguard

Referenced as another star-driven romance/thriller ending that influenced expectations.

About 16 min

Ricochet

Mentioned because Lithgow and Denzel had faced off there before.

About 40 min

Dave

Cited because the White House exterior was reused there.

About 1:28

Crimson Tide

Used as another Denzel comparison for star power and athleticism/jogging jokes.

About 1:36

Oppenheimer

Used in a contemporary comparison about complex plotting and rewatchability.

About 1:36

The Client

Used for a Grisham-name joke and as another adaptation in the same universe.

About 24 min

Big Night

Referenced in Stanley Tucci’s career arc.

About 24 min

Kiss of Death

Used as a joke about the final possible Rewatchables episode.

About 24 min

Home Alone

Used as a recurring comparison for John Heard’s most famous role.

About 1:28

Forrest Gump

Mentioned in the tour lineup and later in a comparison about broad audience appeal.

Opening minutes
10 Running jokes and short linesRecurring bits captured from the conversation

JFK conspiracy riff

The hosts repeatedly pivot into JFK conspiracy talk as a comic running thread.

About 8 min

Bill’s impending final Rewatchables joke

Bill repeatedly jokes that a certain movie could be the last Rewatchables episode.

About 24 min

Tucci disguises and toupee talk

They keep joking about Kamal/Tucci’s wigs, jogging outfit, and movie-theater disguise.

About 40 min

Byron Mayo / Wayne Jenkins improvisation

They turn the Recasting Couch into a riff about exaggerated crime-scene dialogue and character types.

About 1:36

Tour/city ticket banter

The opening includes live tour logistics and jokes about who will buy tickets first.

Opening minutes

Chris Ryan

“I can sell that in a room”
Opening minutes

Bill Simmons

“Everyone I've told about the brief is dead.”
About 32 min

Sean Fennessey

“I'm waiting to hear where we're going”
About 8 min

Chris Ryan

“It is kind of to go back to the core foundation”
Opening minutes

Bill Simmons

“What could possibly go wrong?”
Opening minutes

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where The Pelican Brief is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Pelican Brief, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

4 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables
Amanda Dobbins headshotAmanda DobbinsThe Rewatchables

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