Rewatch IndexEvery Rewatchables episode
Back to the movie index

THE REWATCHABLES · August 11, 2020

The Last of the Mohicans

A 1992 war / adventure directed by Michael Mann, covered in the complete Rewatchables archive.

WarAdventure1990sDirected by Michael Mann

ON THIS EPISODE

Overall episode#155Source sheet order
Movie year19921990s
Tomatometer88%Critics’ score
Metacritic76View score
Roger Ebert3/4Original star rating
DirectorMichael MannWar / Adventure

FROM THE CONVERSATION

What they said about the movie

The hosts treat the film as a lush, maximalist romantic adventure and a high point of Michael Mann’s style, praising its music, authenticity, performances, and final act while noting that the first hour is dense with information and some relationship beats are thinly developed. The discussion is broadly celebratory and nostalgic, with strong emphasis on its cultural impact and rewatch value.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections
In this conversation
Bill SimmonsChris Ryan

WHY IT WORKS

What made it rewatchable

  1. 01The final 35 minutes, especially the waterfall and cliff sequences, are described as overwhelmingly effective and emotionally satisfying. Opening minutes
  2. 02The score and the music-image combination are singled out as defining the film’s rewatch value. About 24 min
  3. 03Michael Mann’s visual authenticity and period detail make the world feel distinctive and immersive. About 16 min
  4. 04Daniel Day-Lewis’s performance and transformation make Hawkeye compelling every time he appears. About 8 min

WHAT DID NOT WORK

Their main criticisms

  1. minorThe first hour is information-dense and could move faster. About 48 min
  2. minorThe Alice/Uncas romance feels underdeveloped and appears to come from missing setup. About 48 min
  3. minorSome plot geography and political context remain confusing even after multiple viewings. About 48 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

First ambush

Magua betrays the column and the film erupts into its first major attack sequence.

About 32 min
Favorite

English argument in the fort

Hawkeye clashes with Duncan and warns that they will have a serious disagreement.

About 32 min
Favorite

First kiss / Hawkeye and Cora

The romance ignites under the score as Hawkeye pulls Cora away and kisses her.

About 32 min
Favorite

Second ambush

Magua returns, kills Colonel Munro, and the action escalates further.

About 40 min
Favorite

Waterfall farewell

The film’s emotional centerpiece, with Hawkeye urging Cora to stay alive and promising to find her.

About 40 min
positive

Magua presents the sisters to the sachem

A key exposition scene where the political stakes and trade-offs are clarified.

About 40 min
Favorite

Final cliff chase

Uncas and Alice’s deaths, Chingachgook’s revenge, and Magua’s defeat form the climactic finish.

About 40 min
positive

Courier on the wall

A small but memorable tense sequence where Hawkeye covers the courier’s run.

About 40 min

WHERE THEY DISAGREED

The biggest debates

They agreed Opening minutes

How to classify the movie’s genre

Bill Simmons

Treats it as a modern frontier-mountain-man movie and a romantic adventure rather than a Western.

Chris Ryan

Agrees it fits a revisionist frontier category and is not a standard Western.

They agreed About 16 min

Denzel Washington vs. Daniel Day-Lewis for the 1993 Best Actor race

Bill Simmons

Would choose Denzel in a redo.

Chris Ryan

Also chooses Denzel.

They partly agreed About 48 min

Whether the movie needs a narrator or more exposition

Chris Ryan

Thinks a narrator could help with clarity and pacing.

Bill Simmons

Agrees the first hour could move a little faster, but likes the slow-burn setup.

They agreed About 48 min

Whether the romance between Alice and Uncas is sufficiently set up

Bill Simmons

Feels the relationship appears underdeveloped.

Chris Ryan

Also notes that the connection seems to arrive abruptly.

19 People discussedActors, directors, writers, and producers
very favorableMichael MannBill Simmons: Praised as a visionary whose collaboration with Day-Lewis produced a uniquely immersive epic. Opening minutes very favorableDaniel Day-LewisBill Simmons: Admired as intensely committed, transformative, and capable of becoming a huge star. Opening minutes
favorableMadeline StoweChris Ryan: Praised as exceptionally beautiful and a strong romantic presence. About 32 min
very favorableWes StudiBill Simmons: Called out for aging best and for making Magua feel dangerous and memorable. About 40 min
favorableRussell MeansChris Ryan: Praised as a great presence who helps ground the film’s Native American perspective. About 16 min
mixedDuncanBill Simmons: Viewed as a loser/romantic rival who cannot compete with Hawkeye, but is not purely evil. About 16 min
favorableAl PacinoBill Simmons: Mentioned as an Oscar rival whose win in Scent of a Woman should not be denigrated. About 16 min very favorableDenzel WashingtonBill Simmons: Named as the preferred Oscar winner for Malcolm X over Day-Lewis or others. About 16 min
neutralStephen ReaBill Simmons: Referenced as the actual Best Actor nominee/winner substitute in the Crying Game year. About 16 min
neutralBrian CoxBill Simmons: Mentioned as having been offered Colonel Munro. About 48 min neutralAndie MacDowellBill Simmons: Mentioned as a possible Cora and as part of a career comparison with Stowe. About 48 min
neutralJohn RenoBill Simmons: Named as an alternate for General Montcalm. About 48 min
mixedTrevor JonesBill Simmons: Described as being replaced on the score after an early electronic approach. About 48 min
neutralRandy EdelmanBill Simmons: Credited with coming in to complete the music with a more classical approach. About 48 min
neutralJay MatisonBill Simmons: Said to have left the costumes job due to artistic differences. About 48 min
neutralElsa ZamparrelliBill Simmons: Mentioned as the costume designer who finished the film. About 48 min
mixedRoger EbertBill Simmons: Cited for giving the film three stars while calling it more fantasy than it claims. About 16 min criticalBilly ZaneBill Simmons: Used as a comparison for a more overtly evil romantic rival in Titanic. About 16 min favorableVal KilmerBill Simmons: Suggested as a plausible alternative lead in the film. About 8 min
15 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

The Last of the Mohicans

Frames it as a beloved, culturally impactful movie and a personal favorite revisit.

Opening minutes
Chris RyanLoved it

The Last of the Mohicans

Agrees that it is a lush, maximalist romantic adventure and a top-tier rewatchable.

Opening minutes
Bill SimmonsLoved it

the film’s music

Argues the score and final-act music placement are extraordinary and central to the movie’s power.

About 24 min
Chris RyanLoved it

Michael Mann and Daniel Day-Lewis as collaborators

Says they were a perfect match of two complete maniacs who respected each other’s intensity.

Opening minutes
Bill SimmonsLoved it

the waterfall ending

Treats the waterfall rescue and farewell as one of the great movie endings and a trailer-selling moment.

About 24 min
Chris RyanLoved it

Wes Studi as Magua

Finds Magua so vivid that the character lingers across later movies.

About 40 min
Bill SimmonsLoved it

Daniel Day-Lewis as Hawkeye

Says the performance makes him seem like a future superstar and a believable frontier hero.

About 8 min
Chris RyanMixed

The film’s opening hour

Thinks the movie could cut a little material early to speed up the setup.

About 48 min
Bill SimmonsLoved it

The first ambush and action set pieces

Uses the ambush scenes as proof that the movie is in the right lane for Rewatchables treatment.

About 32 min
Bill SimmonsMixed

Duncan

Views Duncan as a competent but doomed romantic rival who is outclassed by Hawkeye.

About 16 min
Chris RyanMixed

the film’s dialogue and exposition

Feels the movie sometimes assumes the audience can track a lot of period and political information without much help.

About 48 min
Bill SimmonsLoved it

Magua

Likes Magua as a morally legible revenge character rather than a pure supervillain.

About 40 min
Chris RyanLoved it

courier running the gauntlet

Finds the courier sequence a great example of the movie’s tension and fragile communication system.

About 32 min
Bill SimmonsLiked it

the English/French colonial conflict

Enjoys the movie’s historical texture and the way it shows competing claims without a simple heroic side.

About 40 min
Chris RyanLoved it

Michael Mann’s style in this film

Sees it as a bridge between classical epic filmmaking and Mann’s later digital, more mannered work.

About 8 min
5 ThemesThe larger ideas in the discussion

Michael Mann’s romantic-adventure style

They frame the film as Mann’s version of a romantic frontier epic rather than a standard Western.

Opening minutes

Authenticity and immersion

The film’s practical shooting, real physical performances, and period behavior are treated as key strengths.

About 8 min

Revenge and moral ambiguity

Magua is seen as driven by revenge, not simple villainy, and the wider conflict has no clean heroes.

About 16 min

Music as emotional engine

The score is treated as essential to the movie’s power, especially in the last act.

About 24 min

Star-making performance

Day-Lewis is presented as a rare actor whose physical commitment and seriousness could have made him a mainstream megastar.

About 8 min
25 Facts and referencesProduction notes and other movies mentioned

Production note

Michael Mann shot the film in North Carolina because he felt the Adirondacks area was too built up.

About 16 min

Production note

Day-Lewis reportedly hunted, fished, and lived in the wilderness before filming to prepare.

About 8 min

Production note

He was said to carry his rifle everywhere and even roll his own cigarettes in character.

About 8 min

Production note

The film had multiple cuts, including a later director’s cut with restored material.

About 32 min

Production note

Trevor Jones was replaced on the score by Randy Edelman.

About 48 min

Production note

About 900 Native Americans were employed in the production.

About 48 min

Production note

Russell Means is described as having run for vice president with Larry Flynt in 1984.

About 48 min

Production note

Brian Cox was offered Colonel Munro but turned it down.

About 48 min

Production note

The budget reportedly went over by about $7 million and Fox sent a representative to monitor it.

About 48 min

Production note

Mann is said to have reshot the waterfall sequence shortly before release.

About 48 min

Jeremiah Johnson

Used as a benchmark for frontier/mountain-man films and as Bill’s dad’s favorite movie.

Opening minutes

Dances with Wolves

Cited as a sweeping frontier epic that changed Oscar expectations for the genre.

Opening minutes

The Revenant

Another modern frontier movie used in the genre discussion.

Opening minutes

Miami Vice

Referenced as part of Michael Mann’s evolution from MTV-style action to later digital work.

Opening minutes

Heat

Used as the other major reference point for Mann’s career and action set pieces.

Opening minutes

Titanic

Used as a comparison for a maximalist romantic adventure and for Billy Zane’s villainy.

About 8 min

The Crying Game

Discussed as an Oscar-era contender that displaced the film’s Best Actor chances.

About 16 min

Unforgiven

Used as the actual Best Picture winner in the 1993 Oscar race.

About 16 min

Scent of a Woman

Mentioned because Pacino won Best Actor for it.

About 16 min

Malcolm X

Cited as a major snub alongside this film in the 1993 Oscar race.

About 16 min

The Fugitive

Used as an example of a later waterfall/action beat that may have been influenced by this film.

About 56 min

Gladiator

Referenced as a later epic that used more special effects in a similar genre space.

About 8 min

The Insider

Mentioned as one of the podcast’s previous Michael Mann episodes.

About 56 min

Public Enemies

Referenced as another later Michael Mann digital-era film.

About 8 min

The Last of the Mohicans (1936)

Cited as the earlier version Mann says lived in his head for years.

About 16 min
11 Running jokes and short linesRecurring bits captured from the conversation

Michael Mann as a maniacal perfectionist

They repeatedly joke that Mann and Day-Lewis were two complete maniacs perfectly matched by their shared intensity.

Opening minutes

Magua in the third person

They keep returning to Magua’s habit of speaking about himself in the third person as if it were a signature move.

About 40 min

Old-timey third-person sports/press analogy

They compare Magua’s self-reference to modern athletes and media narratives.

About 40 min

Courier as the worst job in colonial America

They riff on the dangerous role of the message runner and compare it to delivery work today.

About 40 min

Tomahawk admiration

They marvel at the film’s thrown tomahawks and the final 360-degree kill.

About 32 min

Play the theme music as a solution to domestic conflict

They joke that the Mohicans theme could calm arguments and improve daily life.

About 32 min

Bill Simmons

“Stay alive no matter what occurs!”
Opening minutes

Bill Simmons

“Someday I think you and I”
About 32 min

Bill Simmons

“I will find you!”
About 40 min

Chris Ryan

“The Postmates of 1757.”
About 40 min

Bill Simmons

“Magua understands that the white man”
About 40 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where The Last of the Mohicans is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Last of the Mohicans, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

2 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables

REWATCH FAVS

One of your favorites?

Upvote it for the live listener ranking.

YOUR PROGRESS

Save this one to your tracker

Sign in with Google only when you want to save progress. The rest of the site stays public.

KEEP LISTENING

Hear the full conversation

Play the episode directly from the official feed, open it on Spotify, or save it to your private Listen Later playlist.