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THE REWATCHABLES · January 7, 2019

The Godfather

A 1972 crime / drama directed by Francis Ford Coppola, covered in the complete Rewatchables archive.

CrimeDrama1970sDirected by Francis Ford Coppola
Overall episode#54Source sheet order
Movie year19721970s
Tomatometer97%Critics’ score
Metacritic100View score
Roger Ebert4/4Original star rating
DirectorFrancis Ford CoppolaCrime / Drama

FROM THE CONVERSATION

What they said about the movie

The hosts argue that The Godfather is a near-perfect work of commercial art, one of the most influential and quotable movies ever made, and a foundational text for modern pop culture and gangster storytelling. They also spend a lot of time on casting, production chaos, scenes, and whether part one or part two is better.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The movie is endlessly quotable and its dialogue has entered everyday language. Opening minutes
  2. 02Its characters and family dynamics feel instantly legible and mythic on repeat viewings. About 8 min
  3. 03The wedding opening efficiently introduces the whole world and makes the family feel real. About 40 min
  4. 04The baptism montage is a masterclass in thematic editing and payoff. About 40 min
  5. 05The film’s combination of prestige and entertainment makes it satisfying to revisit. Opening minutes

WHAT DID NOT WORK

Their main criticisms

  1. moderateKay Adams/Kay Corleone is an irritating or poorly conceived character, especially in how quickly she returns to Michael. About 56 min
  2. majorApollonia being played by a teenager is uncomfortable in hindsight. About 1:04
  3. moderateJohnny Fontaine is a weak performance and undermines the Sinatra-like character. About 1:04
  4. minorSome staging and logistics, especially Sonny's toll-booth killing and the Sicily escape, raise plausibility questions. About 32 min · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening wedding sequence

A long, documentary-like introduction that establishes the family, the rules, and the movie's world.

About 40 min
Favorite

Michael killing Sollozzo and McCluskey

The key turning-point scene where Michael commits to the family business.

About 24 min
Favorite

Baptism montage

Intercut baptism and assassination sequence that they see as the film's montage masterpiece.

About 32 min
Favorite

Garden conversation between Vito and Michael

The emotional core of the film, where father and son discuss duty, legacy, and regret.

About 40 min
positive

Meeting Mo Green in Vegas

A standout scene for Mo Green's swagger and the introduction of Las Vegas business.

About 40 min
mixed

Sonny's toll-booth assassination

Memorable and brutal, but one host questions the staging and logistics.

About 32 min
positive

Don Vito's five-families meeting

A major negotiation scene that leads to the superstitious-man speech.

About 32 min
Favorite

The christening scene

The climactic montage of Michael consolidating power while the family coverts to violence.

About 32 min
mixed

Michael and Kay reunion/end-door-close

The ending is powerful but they note Kay's scene before the closing door is weak.

About 1:36

WHERE THEY DISAGREED

The biggest debates

They agreed Opening minutes

Is The Godfather the greatest movie ever?

Bill Simmons

Yes; it is his favorite and the greatest movie of all time.

Sean Fennessey

It's the most important and accomplished piece of commercial popular culture, if not the single greatest movie.

Chris Ryan

It is one of the all-time essential films, and possibly the first great modern movie.

They partly agreed About 40 min

Most rewatchable scene

Bill Simmons

The Michael/Vito garden scene.

Chris Ryan

The baptism montage.

Bill Simmons

Also strongly considers the christening and Mo Green scenes.

No final agreement About 56 min

How good is Kay Adams as a character?

Bill Simmons

She is frustrating and implausible.

Chris Ryan

She is necessary as the outsider avatar for the audience.

They partly agreed About 1:36

Which film is better: The Godfather or The Godfather Part II?

Bill Simmons

Part I is more pleasurable and rewatchable.

Chris Ryan

Part II may be the better film, though Part I is easier to watch.

Sean Fennessey

Part II is the one that most recently blew him away, but the difference is tiny.

11 People discussedActors, directors, writers, and producers
very favorableFrancis Ford CoppolaBill Simmons: Praised as the key creative force who turned the material into high art and survived a chaotic production. About 16 min very favorableMarlon BrandoBill Simmons: Admired for creating a memorable, eccentric, menacing Vito Corleone performance. About 24 min very favorableAl PacinoBill Simmons: Praised as understated in part one and central to the movie's rise when the shooting scene was moved earlier. About 24 min favorableRobert DuvallBill Simmons: Seen as a steady, timeless presence and one of the movie's great supporting performances. About 8 min favorableJames CaanBill Simmons: Liked for Sonny's volatile energy and memorable outbursts, though some overacting jokes land at his expense. About 48 min favorableRobert TowneBill Simmons: Credited with writing the garden scene and other sharp dialogue. About 40 min very favorableGordon WillisBill Simmons: Admired for the film's dark, yellowed visual style that gives it antique authenticity. About 16 min favorableRobert EvansBill Simmons: Credited with pushing the project forward and helping keep the production alive. About 16 min
favorableTom HagenBill Simmons: Discussed as one of the all-time great movie characters, especially for his Irish-German outsider perspective. About 16 min
criticalJohnny FontaineBill Simmons: Mocked as badly cast and not nearly cool enough for the Sinatra-like role. About 1:04
criticalKay AdamsBill Simmons: Debated as a necessary outsider but also frustrating and hard to accept in the plot. About 56 min
9 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

The Godfather as the greatest movie ever

Calls it his favorite movie and the greatest movie of all time.

Opening minutes
Sean FennesseyLoved it

The Godfather as commercial popular culture's peak

Argues it is the most important, influential, and artistically accomplished commercial entertainment of the last half-century.

Opening minutes
Chris RyanLoved it

The Godfather as modern movie language

Says it feels like the first great modern movie and compares it to Chinatown's new-American energy.

Opening minutes
Bill SimmonsLoved it

Garden scene with Vito and Michael

Chooses the garden conversation as his favorite scene, calling it one of his all-time favorites.

About 40 min
Chris RyanLoved it

Baptism montage

Selects the baptism as the most rewatchable scene because of its montage design and thematic force.

About 32 min
Bill SimmonsLoved it

Marlon Brando's performance

Thinks Brando is doing obvious but brilliant 'quality overacting' that creates the character.

About 24 min
Chris RyanLiked it

Sonny beating Carlo

Supports the vicious Sonny-Carlo beatdown as an enjoyable, high-energy sequence.

About 48 min
Bill SimmonsDid not like it

Diane Keaton/Kay Adams

Argues that Kay Adams is maddening and that the character's choices are implausible.

About 56 min
Bill SimmonsStrongly disliked it

Al Martino as Johnny Fontaine

Calls him the worst part of the film and says the character is badly cast and unconvincing.

About 1:04
5 ThemesThe larger ideas in the discussion

Family versus business

The episode returns constantly to the tension between family loyalty, personal duty, and criminal strategy.

About 8 min

Mythmaking and cultural language

The film is treated as a source of sayings, archetypes, and story patterns that became part of American life.

Opening minutes

Art and commerce

They frame the film as a lucky convergence of studio money, a bestseller, and Coppola's auteur instincts.

About 8 min

Immigrant and ethnic identity

The conversation links the movie's appeal to Italian and Irish-American family cultures and Catholic guilt.

About 16 min

Modernity of the film language

They repeatedly call it the first 'modern' movie in feel, despite being set in the 1940s.

Opening minutes
22 Facts and referencesProduction notes and other movies mentioned

Production note

Paramount bought the rights to the novel for $800,000.

About 16 min

Production note

Al Pacino was initially resisted because executives thought he was too short.

About 24 min

Production note

The production was chaotic, with many people nearly firing or replacing Coppola and others.

About 16 min

Production note

The film's score did not win because the composer had reused material from an earlier film.

About 32 min · medium confidence

Production note

Apollonia was played by an actress who was 16 during filming.

About 1:04

Production note

The ending door-close was highlighted as a perfect visual representation of exclusion from the family.

About 1:36

Production note

A real horse head was reportedly used for the infamous bed scene.

About 1:52 · medium confidence

Production note

James Caan and Robert Duvall allegedly broke tension with on-set mooning contests.

About 2:00 · medium confidence

Chinatown

Used as a comparison for another early modern American film.

Opening minutes

Jaws

Bill uses it as another forever movie that lives in the culture.

Opening minutes

The Sopranos

Cited as a descendant of The Godfather that quotes it constantly.

About 16 min

Goodfellas

Used as a Godfather descendant and mafia-culture cousin.

About 16 min

South Park

Trey Parker anecdote about a Fredo homage.

Opening minutes

Cabaret

Discussed as the film that beat The Godfather in key Oscar categories.

About 32 min

Deliverance

Another Best Picture nominee in the 1972 Oscar discussion.

About 32 min

The Emigrants

Mentioned as one of the other Best Picture nominees.

About 32 min

Sounder

Mentioned as one of the other Best Picture nominees.

About 32 min

Fletch

Used in a house-location anecdote and as a future Rewatchables wish.

About 40 min

Lawrence of Arabia

Referenced in an acting/Best Actor comparison.

About 32 min

The Godfather Part II

Used throughout as the sequel benchmark and comparison point.

About 24 min

Rocky III

Talia Shire's performance is praised in a later aside.

About 1:12

Miami Vice

Referenced in a tangent about another Rewatchables episode.

About 1:44
10 Running jokes and short linesRecurring bits captured from the conversation

'What did Michael do after the war?'

Bill keeps returning to the question of what Michael did every day before reentering the family business.

About 1:36

Frank Sinatra coolness argument

Bill repeatedly insists Johnny Fontaine is a bad approximation of Sinatra and bristles at pushback.

About 1:04

Italian family line-quoting

The hosts riff on how Godfather dialogue becomes part of family conversation, especially in Italian-American households.

About 16 min

Half-assed internet research

Bill frequently tosses in trivia from online research, often in a jokingly authoritative way.

About 40 min

Mooning on set

They joke about cast members mooning each other to relieve tension while making the film.

About 2:00

Bill Simmons

“It's not personal. It's strictly business.”
Opening minutes

Bill Simmons

“I'm gonna blame some of the people in this room”
Opening minutes

Bill Simmons

“Leave the gun, take the cannoli.”
About 1:36

Bill Simmons

“I'm Mo Green! I made my bones”
About 40 min

Bill Simmons

“You can act like a man!”
About 2:00

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where The Godfather is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Godfather, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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