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THE REWATCHABLES · November 2, 2017

The Fugitive

A 1993 action / thriller directed by Andrew Davis, covered in the complete Rewatchables archive.

ActionThriller1990sDirected by Andrew Davis
Overall episode#17Source sheet order
Movie year19931990s
Tomatometer96%Critics’ score
Metacritic87View score
Roger Ebert4/4Original star rating
DirectorAndrew DavisAction / Thriller

FROM THE CONVERSATION

What they said about the movie

The episode treats The Fugitive as a near-perfect, unusually satisfying action thriller with a timeless Harrison Ford/Tommy Lee Jones pairing, strong set pieces, and a tightly constructed chase-procedural hybrid. The hosts also spend time on casting what-ifs, production trivia, and how the movie feels both dated and durable.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The dam jump and related escape sequence are treated as elite action-movie set pieces. Opening minutes
  2. 02Tommy Lee Jones's entrance and Marshal Girard performance are seen as instantly memorable and endlessly rewatchable. Opening minutes
  3. 03The bus escape/train crash is described as one of the best five-minute action sequences imaginable. Opening minutes
  4. 04The movie's clean, no-bloat structure makes it easy to revisit and move through quickly. Opening minutes · medium confidence
  5. 05Harrison Ford's understated physical performance, especially his run/jump decisions and wounded-limp work, still lands well. Opening minutes

WHAT DID NOT WORK

Their main criticisms

  1. moderateSome late-film stretches around hospitals, prosthetics, and the Provasic plot feel overlong or stitched together. Opening minutes
  2. minorThe CGI and stunt visuals in the train/bus material look dated by modern standards. Opening minutes
  3. moderateCertain plot mechanics strain credibility, especially why Nichols helps Kimball and why Kimball's wife was killed at all. Opening minutes
  4. minorThe movie relies on convenient concealment and disguise logic that feels silly in hindsight. Opening minutes

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening credits/train crash

The opening crash and credit sequence is discussed as flashy, memorable, and an immediate statement of the movie's scale.

Opening minutes
Favorite

Bus escape and train collision

Praised as an energetic, perfectly constructed five-minute action sequence.

Opening minutes
Favorite

Tommy Lee Jones's first entrance

Girard arrives and immediately takes control of the movie with sarcasm and authority.

Opening minutes
Favorite

Dam jump

Kimball's leap from the dam is treated as the emotional and physical high point of the film.

Opening minutes
mixed

Prosthetic-limb lab

A long stretch of Kimball moving through prosthetics imagery is seen as effective but a bit overextended.

Opening minutes · medium confidence
positive

St. Patrick's Day parade chase

The impromptu parade chase is admired as a lively Chicago-specific bit of action filmmaking.

Opening minutes
positive

Hospital disguise / shaving scene

Kimball's beard shave, fake ID, and hospital infiltration are admired as classic resourceful-thriller business.

Opening minutes

WHERE THEY DISAGREED

The biggest debates

They partly agreed Opening minutes

Best casting choice for Richard Kimball

Bill Simmons

Kevin Costner would have been the strongest alternate Kimball.

Chris Ryan

Mark Ruffalo or Jon Hamm would fit a modern version better.

Andy Greenwald

A TV-star type would be necessary for a modern remake.

They agreed Opening minutes

Whether Sam Girard needs backstory

Chris Ryan

No backstory is essential; the character works because he is all action and attitude.

Bill Simmons

Agrees that adding domestic scenes usually weakens these roles.

They partly agreed Opening minutes · medium confidence

How much of the film should have been trimmed

Chris Ryan

The middle hospital/prosthetics stretch could be shorter.

Bill Simmons

Agrees there are a few overextended sections but likes the movie overall.

They agreed Opening minutes

Can The Fugitive work as a modern series

Andy Greenwald

Yes, it would become a prestige streaming show with multiple seasons.

Bill Simmons

Also thinks the concept is durable, though more technology-heavy now.

14 People discussedActors, directors, writers, and producers
very favorableHarrison FordBill Simmons: Praised as the ideal Richard Kimball and possibly the tail end of his peak action run. Opening minutes very favorableTommy Lee JonesBill Simmons: Celebrated as the movie's scene-stealing force and an all-time great U.S. Marshal. Opening minutes favorableAndrew DavisBill Simmons: Seen as an interesting early-90s action director who made the film work efficiently. Opening minutes neutralAlec BaldwinBill Simmons: Mentioned as an early casting option for Kimball. Opening minutes favorableKevin CostnerBill Simmons: Considered by the hosts a believable alternate Kimball choice. Opening minutes neutralMichael DouglasBill Simmons: Mentioned as another possible Kimball candidate, with the hosts thinking his vibe would be too suspicious. Opening minutes neutralJohn VoightBill Simmons: Mentioned as an offered option for Sam Girard; the hosts joke about his frequent appearance in these conversations. Opening minutes favorableGene HackmanBill Simmons: Discussed as a possible Girard who could have worked, though with a different tone. Opening minutes favorableSela WardBill Simmons: Praised as beautiful and underutilized, with the hosts lamenting her career trajectory. Opening minutes favorableJulianne MooreBill Simmons: Viewed as a then-rising star whose role was reduced after script changes. Opening minutes favorableJoe PantolianoBill Simmons: Used as a benchmark for a great role-player heat-check performance and career phase. Opening minutes
neutralAndreas KatsulasBill Simmons: Discussed as the one-armed man, a memorable and somewhat comic villain presence. Opening minutes
neutralRichard JordanBill Simmons: Mentioned as the original actor cast in a role that had to be recast after illness. Opening minutes
neutralDiane KeatonNot mentioned. Opening minutes · low confidence
12 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

The Fugitive as a rewatchable classic

Says it is one of the first few movies that comes to mind when thinking about Rewatchables and calls it incredibly satisfying.

Opening minutes
Chris RyanLoved it

train crash

Treats the train crash as a signature action moment and praises its tactile, physical quality.

Opening minutes
Andy GreenwaldLiked it

The Fugitive as a TV-series-to-film success

Suggests the film works because it gets to the point and doesn't over-explain the characters' lives.

Opening minutes
Bill SimmonsLoved it

Tommy Lee Jones

Argues Jones essentially owns the movie from the moment he appears.

Opening minutes
Chris RyanLoved it

dam jump

Says the dam sequence is the best part of Ford's performance and the movie's best physical acting beat.

Opening minutes
Bill SimmonsLoved it

Tommy Lee Jones's improvised dialogue

Claims Jones's ad-libbed lines are what make Girard legendary.

Opening minutes
Chris RyanLoved it

Sam Girard

Says Girard works because the movie gives him almost no backstory, making him pure force and attitude.

Opening minutes
Andy GreenwaldLoved it

bus escape/train crash

Calls the aborted bus escape and train crash one of the most fun action sequences of the era.

Opening minutes
Bill SimmonsLiked it

90s credit fonts and presentation

Notes the movie's title/font design and overall visual vibe as a marker of a specific early-90s studio era.

Opening minutes · medium confidence
Chris RyanMixed

prosthetic-limb office sequence

Thinks some middle sections, including the prosthetics-room material, could have been trimmed.

Opening minutes
Bill SimmonsDid not like it

U.S. Marshals sequel

Says the sequel lacks the original's human factor and wasn't worth returning to.

Opening minutes
Andy GreenwaldMixed

technology in later thrillers

Argues that later films like Enemy of the State made this movie's tech limitations feel obsolete.

Opening minutes
5 ThemesThe larger ideas in the discussion

Authority versus innocence

Kimball is framed as a fundamentally good, competent man trapped by a system that initially assumes guilt.

Opening minutes

Procedural chase mechanics

The film mixes a manhunt, an investigative thriller, and a conspiracy mystery, which the hosts see as part of its appeal and seams.

Opening minutes

Star vehicle power

The episode frames the film as a late-peak Harrison Ford vehicle and a career-making Tommy Lee Jones showcase.

Opening minutes

90s filmmaking time capsule

The hosts note fonts, clothes, practical effects, and pre-cellphone plot logic as markers of a specific early-90s Hollywood moment.

Opening minutes

Adaptation and TV-to-film transformation

They stress that the movie works as a compressed, elevated version of a TV premise and speculate it could become a modern prestige series.

Opening minutes
25 Facts and referencesProduction notes and other movies mentioned

Production note

The movie is described as the only remake of a regular TV series to be nominated for Best Picture.

Opening minutes · medium confidence

Production note

The film was shot quickly in 1993 after a long development period.

Opening minutes

Production note

Tommy Lee Jones won Best Supporting Actor for the film.

Opening minutes

Production note

Jones improvised or tweaked a lot of his dialogue.

Opening minutes

Production note

Harrison Ford injured his leg during filming but refused surgery until production ended.

Opening minutes

Production note

The bus/train wreck location remains a tourist attraction in Dillsboro, North Carolina.

Opening minutes

Production note

The dam scene reportedly cost more than the train crash.

Opening minutes · medium confidence

Production note

Richard Jordan was the original actor for one role but had to be replaced due to illness.

Opening minutes

Production note

Provasic is used as a fake drug name that drives the conspiracy plot.

Opening minutes

Production note

The hosts say the movie's plot would not work the same way in a world with ubiquitous cellphones and surveillance.

Opening minutes

Under Siege

Used as an example of Andrew Davis's action-directing and Tommy Lee Jones's earlier work together.

Opening minutes

The Watch

Mentioned in passing when Andy Greenwald jokes about fandom and podcast crossover.

Opening minutes

Miami Vice

Used as a comparison for stylish action and as a casting/filmography reference for one actor.

Opening minutes

The Silence of the Lambs

Referenced for the early-90s credit-font style and redirection structure.

Opening minutes

Taken

Used as a modern comparator for the movie's direct, goal-driven action storytelling.

Opening minutes

The Martian

Used as a recent analog for a smart, satisfying, audience-pleasing studio movie.

Opening minutes · medium confidence

Enemy of the State

Cited as the movie that changed the technological stakes for later chase thrillers.

Opening minutes

Jack Ryan / Patriot Games

Mentioned in the Alec Baldwin casting discussion and Harrison Ford's role history.

Opening minutes

The Firm

Used as another conspiracy-thriller comparison where a sprawling plot needs a big engine.

Opening minutes

Scream

Referenced in a performance comparison for Matthew Lillard while discussing timeless acting bits.

Opening minutes · medium confidence

The Matrix

Mentioned in relation to Joe Pantoliano's career and recurring character energy.

Opening minutes

JFK

Cited as one of Tommy Lee Jones's major pre-Fugitive roles.

Opening minutes

Batman Forever

Listed among Jones's later star-making run after The Fugitive.

Opening minutes

The Avengers

Used jokingly to note Mark Ruffalo's current movie-star status rather than indie-film identity.

Opening minutes

Lost pilot

A side comparison for a dense, entertaining, movie-like TV pilot.

Opening minutes · medium confidence
11 Running jokes and short linesRecurring bits captured from the conversation

Tommy Lee Jones's quotable improvisations

The hosts repeatedly attribute the movie's best dialogue to Jones and keep quoting his lines.

Opening minutes

Prosthetic-limb jokes

A recurring joke centers on Kimball wandering through prosthetics rooms and hand-hook imagery.

Opening minutes

U.S. Marshals sequel ridicule

The hosts repeatedly dunk on the sequel and joke about its lack of the original's appeal.

Opening minutes

Joey Pants career debate

They spend a long time arguing about Joe Pantoliano's career apex and best roles.

Opening minutes

Danny Trejo hypothetical recast

A new recurring gag asks how the movie would improve with Danny Trejo in various roles.

Opening minutes

Chicago reporter impersonations

The hosts laugh about the press conference reporters sounding like old-school columnists and local media fixtures.

Opening minutes · medium confidence

Bill Simmons

“I don't care. I didn't kill my wife!”
Opening minutes

Chris Ryan

“Well, shit, Sheriff.”
Opening minutes

Bill Simmons

“I don't bargain.”
Opening minutes

Bill Simmons

“Our fugitive's name is Dr. Richard Kimball.”
Opening minutes

Chris Ryan

“He did a Peter Pan!”
Opening minutes · medium confidence

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where The Fugitive is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Fugitive, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Andy GreenwaldThe Rewatchables

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