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THE REWATCHABLES · July 27, 2021

The Bodyguard

A 1992 romance / drama directed by Mick Jackson, covered in the complete Rewatchables archive.

RomanceDrama1990sDirected by Mick Jackson

ON THIS EPISODE

Overall episode#213Source sheet order
Movie year19921990s
Tomatometer38%Critics’ score
Metacritic39View score
Roger Ebert3/4Original star rating
DirectorMick JacksonRomance / Drama

FROM THE CONVERSATION

What they said about the movie

Bill Simmons and Van Lathan argue that The Bodyguard is remembered mainly as a Whitney Houston showcase, while also defending the Costner-Houston chemistry and the movie’s massive soundtrack. They praise the star power, the date scene, the ending, and the cultural moment, while criticizing the sister twist, some plot logic, and a few awkward supporting elements.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Whitney Houston’s star power and vocal performances make the movie unforgettable. Opening minutes
  2. 02The Costner-Houston chemistry plays better on rewatch than it did for some critics. About 16 min
  3. 03The soundtrack is loaded with iconic songs and is described as the best-selling soundtrack of all time. About 24 min
  4. 04The date scene is singled out as one of the best connection scenes in movie romance. About 48 min
  5. 05The ending, especially the airport run and a cappella payoff, is emotionally huge. About 48 min

WHAT DID NOT WORK

Their main criticisms

  1. majorThe sister-as-mastermind twist is considered confusing and poorly motivated. About 48 min
  2. moderateThe movie leaves too long a gap where the leads barely share scenes. About 48 min
  3. moderateSome supporting elements, like Robert Wuhl’s Oscars hosting and Sy the PR guy, are awkward or bad. About 1:04
  4. moderateSeveral plot mechanics around the Oscars and assassination attempt feel implausible. About 1:04
  5. minorThe movie does not really engage race as a subject, despite the interracial romance context. About 24 min

SCENES THEY KEPT COMING BACK TO

Standout moments

positive

Frank meets Rachel at the mansion

Introduces the bodyguard-client dynamic and her superstar environment quickly and efficiently.

About 24 min
positive

Club performance and assault

The club sequence escalates danger and creates the first major push-pull between them.

About 24 min
Favorite

Frank and Rachel’s date

Their dinner and apartment scene builds intimacy, humor, and emotional connection before the relationship breaks off.

About 48 min
Favorite

Whitney’s performance scenes

Her singing numbers are treated as the movie’s core attraction and the reason it replays well.

About 48 min
Favorite

Oscar climax and airport reunion

The assassination attempt, rescue, and airport goodbye/reunion are treated as the movie’s biggest payoff.

About 48 min

WHERE THEY DISAGREED

The biggest debates

They left it as a friendly argument Opening minutes

Whitney Houston versus Barbra Streisand as a voice

Bill Simmons

Says Streisand belongs in the conversation and wants listeners to compare the two.

Van Lathan

Says Whitney is number one for him and that no one sounds better.

No final agreement About 48 min

Best rewatchable scene

Bill Simmons

Chooses the final airport ending and Oscar climax.

Van Lathan

Chooses Frank and Rachel’s date as the best scene.

They partly agreed About 24 min

Whether the interracial romance is meaningfully addressed

Bill Simmons

Says the film sidesteps race almost entirely.

Van Lathan

Says that worked because the stars and era made it feel natural.

They partly agreed About 40 min

What aged best versus worst in the movie

Bill Simmons

Emphasizes the soundtrack, Whitney, widescreen presentation, and ending as the best pieces.

Van Lathan

Highlights the date scene, but says the sister twist and some supporting roles aged badly.

20 People discussedActors, directors, writers, and producers
very favorableWhitney HoustonBill Simmons: Praised as a perfect pop star, extraordinary singer, and the movie’s defining presence. Opening minutes favorableKevin CostnerVan Lathan: Credited with strong chemistry, a good eulogy, and the right instincts for the role. Opening minutes favorableLawrence KasdanBill Simmons: Respected as a great screenwriter whose long-developed script finally became the film. About 16 min
favorableDolly PartonBill Simmons: Discussed as the original songwriter whose version of 'I Will Always Love You' Whitney transformed. About 40 min
favorableDavid FosterBill Simmons: Credited with helping shape the soundtrack and pushing the song choice and a cappella ending. About 40 min
neutralDebbie ReynoldsBill Simmons: Mentioned as a surprising cameo during the Oscars climax. About 48 min
criticalRobert WuhlBill Simmons: Mocked as an implausible Oscars host. About 1:04 favorableMike StarrBill Simmons: Recognized as a great 'that guy' actor and a memorable presence as the club tough. About 1:04 favorableBill CobbsVan Lathan: Suggested as a possible 'That Guy,' though Bill argues he is too established for that label. About 1:04
neutralPrincess DianaBill Simmons: Mentioned in a planned sequel idea where Frank Farmer would protect her. About 1:20 · medium confidence
neutralRyan O'NealBill Simmons: Referenced as an earlier casting possibility tied to the script’s 1970s development. About 1:12
neutralDiana RossBill Simmons: Named as the 1970s casting idea for the female lead. About 1:12
favorableBarbra StreisandBill Simmons: Used as a comparison for Whitney Houston’s singing and movie-star ambition. Opening minutes favorableLeBron JamesVan Lathan: Used as a modern example of sustaining talent and focus over time. About 8 min
neutralTiger WoodsVan Lathan: Used as another example of a generational talent who lost control of his trajectory. About 8 min
neutralJohn TurturroVan Lathan: Referenced in a Do the Right Thing conversation about transcending race. About 24 min neutralSpike LeeVan Lathan: Cited through a Do the Right Thing reference about race and stardom. About 24 min neutralDenzel WashingtonVan Lathan: Mentioned as the originally intended lead for a different interracial romance movie. About 24 min neutralJulia RobertsVan Lathan: Referenced through The Pelican Brief as another example of a cut romantic scene. About 24 min neutralWarren BeattyBill Simmons: Mentioned in connection with the La La Land/Moonlight Oscar mix-up comparison. About 1:28
15 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

The Bodyguard

Frames the film as a classic and an excuse to talk about Whitney Houston’s peak and decline.

Opening minutes
Van LathanLoved it

Whitney Houston

Argues that Houston’s talent, image, and voice made her a singular pop star and folk hero.

Opening minutes
Bill SimmonsLoved it

Whitney Houston

Says she was one of the most gifted performers of his lifetime and could have had a much larger movie career.

About 16 min
Van LathanLiked it

Kevin Costner

Sees Costner as disciplined, romantic, and the right counterweight to Houston’s star power.

About 16 min
Bill SimmonsLoved it

Frank and Rachel’s date

Calls the date sequence one of the best movie connection scenes ever.

About 48 min
Van LathanLoved it

Frank and Rachel’s date

Sees the scene as crucial to the emotional bond and theme of vulnerability.

About 48 min
Bill SimmonsLoved it

The ending airport sequence

Treats the final plane-stopping reunion as a great payoff that is hard not to get swept up in.

About 48 min
Van LathanLiked it

Interracial romance in the movie

Says the movie’s refusal to over-explain the interracial relationship feels unusual but effective.

About 24 min
Bill SimmonsLoved it

The soundtrack

Says the film would mainly function as a vehicle for the soundtrack’s huge songs.

About 24 min
Van LathanDid not like it

Robert Wuhl

Mocks him as a strange choice to host the Oscars within the film.

About 48 min
Bill SimmonsStrongly disliked it

The sister twist

Says the motive and confession are the weakest part of the movie.

About 48 min
Van LathanStrongly disliked it

The sister twist

Agrees the confession logic is bad and the twist does not hold up.

About 48 min
Bill SimmonsDid not like it

The one-night stand decision

Questions why Frank would abruptly leave after sleeping with Whitney Houston’s character once.

About 1:04
Van LathanMixed

Rachel’s sister

Admits she is attractive in the rewatch but still thinks the role and arc are badly written.

About 1:04
Bill SimmonsLiked it

The camera-rifle assassin

Calls the camera-rifle idea an apex-mountain movie gadget, even while noting the security implausibility.

About 1:04
5 ThemesThe larger ideas in the discussion

Whitney Houston as once-in-a-generation star

The episode frames the movie as the last peak of Houston’s eight-year run and a showcase for her voice, beauty, and charisma.

Opening minutes

Bodyguard intimacy and vulnerability

The romance works because protection creates a private, intense bond between two guarded people.

About 48 min

Mega-stardom and audience belief

The hosts argue that the film succeeds because audiences believed these two people belonged together as stars.

About 24 min

Soundtrack as the movie’s engine

The soundtrack is treated almost like the main event of the film, with repeated praise for its hits and sales.

About 24 min

Race and 1990s Hollywood caution

They discuss the era’s reluctance to directly address interracial romance and how this film sidesteps that issue.

About 24 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

The Bodyguard soundtrack is described as the best-selling soundtrack album of all time, with 45 million copies worldwide.

About 24 min

Production note

I Will Always Love You was originally a Dolly Parton song.

About 40 min

Production note

The film had two original-song Oscar nominations: I Have Nothing and Run to You.

About 24 min

Production note

Costner and Houston reportedly gave each other acting and singing lessons during production.

About 1:20

Production note

Whitney Houston suffered a miscarriage during production and filming paused.

About 1:20

Production note

Costner suggested ending I Will Always Love You a cappella.

About 40 min

Production note

The script began life in 1975 and circulated for decades before becoming the film.

About 16 min

Production note

Van says the Oscar-assassination sequence would be hard to pull off because of modern security around the theater.

About 1:04

The Way We Were

Used by Bill to argue Streisand belongs in the vocal conversation.

Opening minutes

How Will I Know

Used as a Whitney song comparison in the Streisand debate.

Opening minutes

Letterman appearance

Houston’s early performance on Late Show is used to illustrate her overwhelming charisma.

About 8 min

The Star-Spangled Banner

Used as an example of Houston’s aura and vocal power.

About 8 min

Bull Durham

Referenced in Costner’s career run and persona.

About 16 min

Field of Dreams

Cited as the likable, exuberant Costner that some viewers missed here.

About 16 min

Jungle Fever

Used as a contrast for how interracial relationships were handled in early-90s Hollywood.

About 24 min

The Pelican Brief

Referenced as another major studio movie that cut a romantic scene.

About 24 min

Do the Right Thing

Used to explain the era’s idea of stars transcending race.

About 24 min

Someone to Watch Over Me

Cited as a similar bodyguard/protection romance film.

About 40 min

The Sentinel

Another bodyguard/protection thriller Bill recommends.

About 40 min

Dave

Used as a reference for a favorite Secret Service character.

About 40 min

Arliss

Referenced in a joke about Robert Wuhl hosting the Oscars and Bill’s familiarity with the show.

About 1:04

La La Land / Moonlight Oscar mix-up

Used as a comparison for the movie’s Oscars chaos.

About 1:28

Yojimbo

Mentioned as the Kurosawa bodyguard source for the samurai motif.

About 1:12
10 Running jokes and short linesRecurring bits captured from the conversation

Whitney as untouchable star

The hosts repeatedly marvel at Houston’s voice, beauty, and magnetic presence whenever they talk about her scenes or career.

Opening minutes

Secret Service guy talk

They keep comparing Costner, Ving Rhames, and other protective figures as a genre of disciplined, quietly sexy men.

About 40 min

‘That guy’ actor awards

They assign and debate character-actor honors, especially for Mike Starr and Bill Cobbs.

About 1:04

Oscar chaos and security nitpicks

They repeatedly joke about how impossible the rifle-cam assassin would be to smuggle into the Oscars.

About 1:04

Interracial-romance nonissue

They keep returning to how remarkable it was that the movie mostly ignores race rather than foregrounding it.

About 24 min

Van Lathan

“I personally don't think anybody sounds better than her.”
Opening minutes

Bill Simmons

“my one true love”
About 8 min

Van Lathan

“I would have taken a bullet for you.”
About 1:04

Bill Simmons

“one of the best date connection movie scenes”
About 48 min

Van Lathan

“you're a fuck boy.”
About 1:04

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where The Bodyguard is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Bodyguard, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

2 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Van Lathan headshotVan LathanThe Rewatchables

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