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THE REWATCHABLES · July 25, 2019

Reservoir Dogs

A 1992 crime / drama directed by Quentin Tarantino, covered in the complete Rewatchables archive.

CrimeDrama1990sDirected by Quentin Tarantino
Overall episode#87Source sheet order
Movie year19921990s
Tomatometer90%Critics’ score
Metacritic81View score
Roger Ebert—No review recorded
DirectorQuentin TarantinoCrime / Drama

FROM THE CONVERSATION

What they said about the movie

The episode argues that Reservoir Dogs was a formative early-1990s movie: a culturally important Sundance-era breakthrough that fused video-store cinephilia, pop-culture banter, and shocking violence into something new. The hosts celebrate Tarantino’s confidence, the movie’s structure, soundtrack, and performances, while also acknowledging its racist language and Lawrence Tierney’s weak performance.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The opening diner scene is treated as iconic, with the Madonna/tipping conversation establishing the movie’s voice immediately. About 32 min
  2. 02The commode backstory sequence is praised for its layered performance and inventive way of revealing Freddy/Mr. Orange. About 40 min
  3. 03The ear-cutting/torture sequence is valued for escalating tension, the Stuck in the Middle with You cue, and Madsen’s terrifying turn. About 32 min
  4. 04The color-nickname scene and the group’s dynamic are admired for sharp dialogue and character definition. About 32 min
  5. 05The ending three-way shootout is praised as an incredible payoff and a memorable climax. About 1:04

WHAT DID NOT WORK

Their main criticisms

  1. majorThe film’s repeated use of racist language, especially the N-word, is called its biggest downside and has aged poorly. About 48 min
  2. moderateLawrence Tierney as Joe Cabot is described as a bad performance and possibly a difficult on-set presence. About 48 min
  3. moderateTim Roth’s American accent is considered inconsistent and distracting, even though the performance is admired overall. About 48 min
  4. minorRoger Ebert’s review is cited as too skeptical of the script’s character curiosity. About 16 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening diner scene

The crooks’ breakfast conversation about tipping and Madonna establishes the movie’s voice and priorities.

About 32 min
Favorite

Name-selection argument

The color-code dispute immediately defines the characters’ personalities and the film’s comic aggression.

About 32 min
Favorite

Ear-cutting torture scene

Mr. Blonde’s sadistic torture of the cop, scored to Stuck in the Middle with You, is discussed as shocking and unforgettable.

About 32 min
Favorite

Commode story reveal

Mr. Orange’s backstory performance is praised as a dazzling structural and acting showcase.

About 40 min
Favorite

Final three-way shootout

The climactic crossfire between White, Joe, and Eddie is treated as an incredible ending.

About 1:04
mixed

Mr. Pink’s escape discussion

The hosts debate whether Pink survives, ultimately leaning on Tarantino’s own claim that he lives.

About 1:04

WHERE THEY DISAGREED

The biggest debates

They left it as a friendly argument About 32 min

Which scene is most rewatchable

Bill Simmons

The opening diner scene is the best rewatchable moment.

Sean Fennessey

The ear-cutting/torture sequence is the best stretch.

Chris Ryan

The commode story is the strongest scene.

They partly agreed About 48 min

How well the film has aged

Bill Simmons

The racial language is the worst-aged part and is hard to defend now.

Sean Fennessey

The movie is about bad people, so the ugliness is part of its design.

Chris Ryan

The movie’s era and intent explain it, even if it is not palatable now.

No final agreement About 48 min

Lawrence Tierney’s performance as Joe Cabot

Bill Simmons

Tierney is bad and seems miscast.

Sean Fennessey

Tierney brings presence and works for the role.

They agreed About 1:04

Did Mr. Pink survive

Bill Simmons

Likely yes, based on Tarantino’s comment and faint audio clues.

Sean Fennessey

Agrees Pink survives and imagines a future version of the character.

15 People discussedActors, directors, writers, and producers
very favorableQuentin TarantinoBill Simmons: Praised as a rock-star director whose debut announced a new cinematic voice and changed the hosts’ lives. Opening minutes favorableHarvey KeitelBill Simmons: Admired for a strong early-90s run and for anchoring the film as Mr. White. About 16 min
favorableTim RothBill Simmons: Praised for the commode story and emotional volatility, though his accent is criticized. About 40 min
favorableSteve BuscemiBill Simmons: Held up as ideal Buscemi: neurotic, sharp, and central to several great scenes. About 32 min very favorableMichael MadsenBill Simmons: Celebrated for playing one of the movie’s most terrifying and coolest characters, especially in the torture scene. About 32 min favorableChris PennBill Simmons: Liked for his intense, over-the-top energy and for making the suspicion scenes work. About 32 min
criticalLawrence TierneyBill Simmons: Described as bad and reportedly difficult to work with, though he brings presence. About 48 min
criticalRoger EbertBill Simmons: Cited for a mixed review that the hosts dispute. About 16 min neutralSpike LeeBill Simmons: Mentioned in the discussion of Tarantino’s use of racial language and black culture influence. About 48 min · medium confidenceneutralMadonnaBill Simmons: Referenced through the film’s opening theory about Like a Virgin and her later response to it. Opening minutes neutralStanley KubrickSean Fennessey: Referenced as an influence via The Killing. About 40 min
neutralSergio CorbucciSean Fennessey: Named as a Reservoir Dogs influence through Django. About 40 min
neutralJohn WooBill Simmons: Referenced as a visual influence, especially for the gun-pointing standoff imagery. About 32 min
neutralRobert ForsterBill Simmons: Mentioned as a casting what-if for Joe Cabot and later as Jackie Brown’s lead. About 56 min
neutralJames WoodsBill Simmons: Mentioned as Tarantino’s preferred casting idea for an unspecified role. About 56 min
12 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Reservoir Dogs as an early-1990s defining film

Calls it formative, life-changing, and one of the movies that best represents the decade.

Opening minutes
Sean FennesseyLoved it

Reservoir Dogs as a cultural moment

Emphasizes how the movie turned video-store knowledge and pop culture talk into cinema.

About 8 min
Chris RyanLoved it

The film’s out-of-order structure and withheld heist

Says the nonlinear structure and not showing the robbery were thrilling, new moves.

About 24 min
Bill SimmonsLoved it

Opening diner scene

Treats the opening as one of the movie’s best scenes and a great introduction to Tarantino’s voice.

About 32 min
Sean FennesseyLoved it

Ear-cutting/torture sequence

Likes the whole stretch from the torture room to the reveal of Mr. Blonde’s psychopathy.

About 32 min
Chris RyanLoved it

Commode story

Calls it one of the best scenes in all of movies because it layers performance and plot revelation.

About 40 min
Bill SimmonsLoved it

Michael Madsen

Argues Madsen has one of the film’s most career-defining and iconic turns.

About 32 min
Sean FennesseyLoved it

Steve Buscemi

Says Buscemi may be at his best here because the role perfectly fits his intense, odd persona.

About 32 min
Bill SimmonsDid not like it

Racist dialogue in the movie

Argues the film’s racist language is its worst-aged element and a major obstacle now.

About 48 min
Sean FennesseyLoved it

Tarantino’s soundtracking

Likes how the music clashes with violence and creates a distinct Tarantino effect.

About 48 min
Bill SimmonsLoved it

Quentin Tarantino

Describes Tarantino as a rare director who became a public-facing celebrity almost immediately.

About 24 min
Chris RyanLoved it

Final shootout

Sees the ending as a great payoff and enjoys the logistics of the final crossfire.

About 1:04
5 ThemesThe larger ideas in the discussion

Video-store cinephilia

The movie is framed as the culmination of video-store discovery culture, where obscure genre films became accessible and influential.

About 8 min

Pop-culture as dialogue

They stress that the movie sounds like real conversations among friends about music, movies, and theories.

Opening minutes

The rise of indie/cult cinema

The film is placed in the early-90s Sundance/home-video moment that changed how audiences found and talked about movies.

About 8 min

High-low art mix

Tarantino is praised for combining exploitation, crime, and pop material with art-cinema influences.

About 8 min

Violence and withholding

The movie’s power is linked to not showing the heist and to cutting away at key violent moments.

About 24 min
25 Facts and referencesProduction notes and other movies mentioned

Production note

Reservoir Dogs was originally planned on a $30,000 budget in black and white.

About 24 min

Production note

Harvey Keitel signed on as co-producer after receiving the script through an acting-teacher connection.

About 24 min

Production note

The film cost about $1.2 million and made about $2.8 million in the U.S.

About 16 min

Production note

The hosts say the film was a much bigger home-video phenomenon than theatrical hit.

About 8 min

Production note

Tarantino wanted to do a prequel called Double V Vega.

About 1:04

Production note

The soundtrack budget was largely spent on securing Stuck in the Middle with You.

About 1:04

Production note

The film’s title came from a customer mishearing Au revoir, les enfants.

About 1:04

Production note

A 2006 video game adaptation existed and was considered a failure.

About 1:04

Production note

The movie’s cast and wardrobe were partly self-supplied because of the low budget.

About 1:04

Production note

Mr. Pink is said to survive the ending.

About 1:04

The Killing

Cited by Tarantino as an influence on Reservoir Dogs.

About 40 min

Big Combo

Listed as another influence on the torture-chair scene.

About 40 min

Django

Named as an influence on the torture scene and later connected to Django Unchained.

About 40 min

Taking of Pelham 1, 2, 3

Referenced as an influence on the color-coded character names.

About 40 min

City on Fire

Discussed as a major source of Reservoir Dogs’ plot elements.

About 40 min

Swingers

Referenced as a film that copied Reservoir Dogs’ opening-credit style.

About 40 min

Goodfellas

Cited when discussing great violence/music combinations and tracking shots.

About 32 min

Pulp Fiction

Used to show how quickly Tarantino’s career accelerated after Reservoir Dogs.

About 16 min

True Romance

Referenced in discussions of Tarantino’s early run and casting overlaps.

About 16 min

Natural Born Killers

Mentioned as another Tarantino-era project and a Sizemore showcase.

About 16 min

Jackie Brown

Used in discussion of Tarantino, Robert Forster, and the use of race in later films.

About 48 min

The Professional

Referenced when comparing Gary Oldman’s energy to Mr. Orange-like criminal characters.

About 48 min · medium confidence

Westworld

Used as a quick correction when a quote is misremembered as from the movie rather than the TV/book source.

About 1:04 · medium confidence

Django Unchained

Used to explain Tarantino’s later relationship to Django and Corbucci influences.

About 40 min

Once Upon a Time in Hollywood

Mentioned as another Tarantino film with similar thematic flourishes and title style.

About 40 min · medium confidence
10 Running jokes and short linesRecurring bits captured from the conversation

Mr. Pink survival speculation

The hosts revisit whether Pink gets out alive and what happened after the heist.

About 1:04

Tarantino as a rock-star director

They joke and marvel about his celebrity aura, public persona, and absurdly quotable interviews.

About 24 min

Video-store nostalgia

Repeated references to browsing video stores, staff recommendations, and movie-nerd discovery culture.

About 8 min

Color-name game

They quiz each other on which actor played each Mr. Color and joke about the nicknames.

About 24 min

Bad-guy dialogue quoting

They keep quoting lines like 'Let’s get a taco' and 'Are you gonna bark all day'.

About 16 min

Bill Simmons

“I'm hungry, let's get a taco.”
About 1:04

Bill Simmons

“Are you gonna bark all day, little doggie?”
About 1:04

Sean Fennessey

“You're acting like a first year thief.”
About 32 min

Chris Ryan

“The commode story.”
About 40 min

Bill Simmons

“This is my fucking movie.”
About 16 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Reservoir Dogs is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Reservoir Dogs, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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