Rewatch IndexEvery Rewatchables episode
Back to the movie index

THE REWATCHABLES · August 24, 2021

Rain Man

A 1988 drama directed by Barry Levinson, covered in the complete Rewatchables archive.

Drama1980sDirected by Barry Levinson
Overall episode#217Source sheet order
Movie year19881980s
Tomatometer88%Critics’ score
Metacritic65View score
Roger Ebert—No review recorded
DirectorBarry LevinsonDrama

FROM THE CONVERSATION

What they said about the movie

The episode argues that Rain Man is a highly rewatchable, unusually successful late-80s studio movie built on the chemistry between Dustin Hoffman and Tom Cruise, strong craftsmanship from Barry Levinson, and a still-effective emotional payoff. The hosts also frame it as a product of a different Hollywood era, especially the prestige-drama and Oscar-bait boom around disability-centered roles.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The movie has multiple iconic scenes and a strong road-movie structure that keeps the momentum up. About 40 min
  2. 02Cruise and Hoffman give contrasting performances that create constant tension and payoff. About 16 min
  3. 03The film uses music, editing, and location work in a way the hosts find unusually smooth for an 80s studio movie. About 24 min
  4. 04The final blackjack run and Vegas stretch are described as instantly iconic and a major reason to revisit the film. About 40 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe brother relationship strains credibility because Cruise and Hoffman are so far apart in age. About 48 min
  2. minorThe card-counting reaction from the casino feels exaggerated and unrealistic. About 1:12
  3. moderateSome elements of the disability/awards-bait era have aged poorly or feel out of fashion. About 32 min
  4. minorTom Cruise's cigarette handling in the film is awkward and unconvincing. About 1:20
  5. minorThe movie's ending is somewhat unsatisfying or ambiguous compared with later sentimental Hollywood versions. About 1:04 · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Charlie learns about the will

The reveal that Raymond has inherited the money leads to one of the movie's most quotable exchanges.

About 40 min
Favorite

Charlie meets Raymond and enters his room

The first direct contact with Raymond and the touching of his possessions create strong comic-dramatic friction.

About 40 min
positive

Breakfast toothpick counting

The counting routine shows Raymond's precision and the movie's knack for observational comedy.

About 40 min
Favorite

Doctor explanation scene and the phone-booth fart

The explanatory scene and the fart gag are both singled out as memorable comic beats.

About 48 min
Favorite

Vegas blackjack sequence

Raymond's card-counting run in Las Vegas is the episode's consensus best scene and the movie's signature stretch.

About 48 min
positive

Wallbrook and the head-touching goodbye

The scene where Charlie lets Raymond return to Wallbrook gives the movie its emotional core.

About 48 min
mixed

Amtrak ending

The ending is restrained and ambiguous rather than a full emotional resolution.

About 48 min
positive

Hotel bathtub scene

The scene where Charlie bathes while Raymond is present unlocks important backstory, though the setup is odd.

About 56 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 1:36

Who wins the movie: Hoffman or Cruise

Bill Simmons

Ultimately leans Hoffman because Raymond became the iconic cultural figure and won the Oscar.

Chris Ryan

Argues Cruise may actually do the harder and more important work.

Sean Fennessey

Also favors Cruise at points, emphasizing Charlie's required emotional arc.

They agreed About 1:04

Whether the ending is satisfying

Chris Ryan

Likes the ambiguity and refusal to over-sentimentalize the ending.

Bill Simmons

Feels the ending is emotionally resonant but not fully decisive.

Sean Fennessey

Says the restraint is part of why the film works.

They agreed About 1:04

Card counting and casino realism

Bill Simmons

Thinks the casino reaction and crowd behavior are exaggerated and unrealistic.

Sean Fennessey

Says card counting itself is legal and the scene's enforcement is overstated.

Chris Ryan

Agrees the manager confrontation is implausible but frames it as a movie device.

They partly agreed About 32 min

How much the film has aged well versus badly

Bill Simmons

Thinks some elements, like Cruise's smoking and the disability-bait era, have aged badly.

Sean Fennessey

Says the movie is less sentimental than later imitators and still emotionally affecting.

Chris Ryan

Sees the movie as a strong time capsule whose appeal depends on its era.

14 People discussedActors, directors, writers, and producers
favorableDustin HoffmanBill Simmons: Praised as one of the defining stars of the era and the emotional center of the film, though the hosts also discuss his difficult reputation and career dips. Opening minutes very favorableTom CruiseBill Simmons: Lauded for a hard, underappreciated performance that the hosts think may actually carry the movie. About 24 min favorableBarry LevinsonBill Simmons: Credited for the film's craft, pace, and restraint, and for guiding the central scene work. About 24 min favorableHans ZimmerBill Simmons: Praised for a great score and a strong early Hollywood run. About 24 min criticalPauline KaelSean Fennessey: Mentioned as having delivered a harsh, famous review of the movie and objecting to Hoffman playing the role. About 48 min favorableRoger EbertBill Simmons: Referenced as a more positive critical voice who admired the film's emotional restraint. About 1:20 favorableGene HackmanBill Simmons: Held up as part of Hoffman's old roommate story and a major peer Hoffman beat for the Oscar. About 56 min favorableRobert DuvallBill Simmons: Mentioned as part of Hoffman and Hackman's early New York roommate circle and as a highly fun storyteller. About 56 min neutralMichael OvitzBill Simmons: Credited with sending Hoffman the script and helping package the project. About 16 min · medium confidence
favorableValeria GolinoSean Fennessey: Praised for a strong performance and lamented as someone who disappeared from American movies. About 40 min
neutralJ.T. WalshBill Simmons: Mentioned as the originally intended psychiatrist before Barry Levinson stepped in. About 1:28 neutralRichard DreyfussBill Simmons: Cited as someone Hoffman briefly urged Levinson to replace him with during production. About 56 min neutralBill MurrayBill Simmons: Mentioned in early casting talk as a possible Charlie Babbitt before Cruise became attached. About 1:20 · medium confidenceneutralSidney PollackBill Simmons: Referenced as an early filmmaker attached to the project despite his fraught history with Hoffman. About 1:28 · medium confidence
12 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Dustin Hoffman as an all-time star

Argues Hoffman was one of the four most important actors of the mid-80s and a major stamp-of-approval star.

Opening minutes
Sean FennesseyLiked it

Hoffman as a difficult but compelling actor

Says Hoffman is meticulous, abrasive, and picky, but also gives movies credibility and intellectual intensity.

About 8 min
Chris RyanLoved it

Rain Man as a product of a particular Hollywood era

Frames the film as something that could only have existed in that late-80s star system and industry context.

About 8 min
Bill SimmonsLoved it

Vegas blackjack sequence

Treats the casino sequence as the film's most rewatchable stretch and a defining movie moment.

About 40 min
Sean FennesseyLiked it

Charlie and Raymond's final separation at the train station

Reads the ending as emotionally restrained and better for avoiding sentimental closure.

About 1:04
Chris RyanLoved it

Tom Cruise in Rain Man

Says Cruise's role is harder than it looks and may actually be the movie's true engine.

About 24 min
Bill SimmonsLoved it

Barry Levinson's direction

Credits Levinson for making the movie feel smooth, modern, and precisely paced.

About 24 min
Sean FennesseyLoved it

the score and soundtrack

Likes Hans Zimmer's score and the movie's music cues as part of its lasting texture.

About 24 min
Bill SimmonsMixed

Pauline Kael's review

Acknowledges the review was devastating, but treats it mainly as evidence of how controversial the movie's politics of performance were.

About 48 min
Sean FennesseyMixed

The film's Oscar-bait disability template

Notes that the era's prestige films often centered on transformation or disability and that the strategy later became overused.

About 32 min
Chris RyanLiked it

Ray crashing the sex scene

Calls the weird interruption scene surprising but effective given its difficulty level.

About 40 min
Bill SimmonsDid not like it

Tom Cruise smoking on screen

Mocks Cruise's awkward cigarette acting as one of the film's funniest aged-worst details.

About 1:20
5 ThemesThe larger ideas in the discussion

Star power as cultural authority

The hosts emphasize how Hoffman, Cruise, and the other major 80s stars gave movies a sense of weight and importance.

About 8 min

A changing Hollywood awards landscape

The episode traces how prestige films about disability or transformation were once a major Oscar strategy.

About 32 min

Performance versus plot mechanics

They repeatedly weigh whether Cruise's or Hoffman's part is harder and which one truly drives the movie.

About 48 min

Craft and texture in 1980s studio filmmaking

The hosts admire Levinson's pace, Hans Zimmer's score, and the movie's polished yet not overly sentimental feel.

About 24 min

Family, responsibility, and care

The road trip becomes a metaphor for responsibility and caretaking, especially in Sean's comparison to watching a newborn.

About 1:36
23 Facts and referencesProduction notes and other movies mentioned

Production note

Rain Man won Best Picture and several Oscars in a highly competitive 1988 field.

Opening minutes

Production note

Hoffman had been nominated for seven Oscars, all for Best Actor, at the time discussed.

Opening minutes

Production note

The film was a box-office hit with a $25 million budget and roughly $355 million gross.

About 24 min

Production note

The hosts say principal photography occurred during the 1988 Writers Guild strike.

About 1:28 · medium confidence

Production note

Rain Man was based on a real savant, Kim Peek.

About 1:36

Production note

Hoffman and Cruise allegedly referred to the movie as 'Two Schmucks in a Car' during filming.

About 1:28 · medium confidence

Production note

Levinson reportedly cast himself as the psychiatrist because J.T. Walsh had a conflict.

About 1:28

Production note

Nick Mazzola played the blackjack dealer and also worked in Vegas Vacation and Casino.

About 1:28

Midnight Cowboy

Used as one of Hoffman's signature roles and an example of his 1960s prestige stature.

Opening minutes

Kramer vs. Kramer

Referenced as another major Hoffman Oscar win and one of his defining films.

Opening minutes

All the President's Men

Mentioned in the context of Hoffman's career and his research habits.

About 8 min

Tootsie

Cited as another Hoffman classic and as a reference point for his rehearsal habits and conflicts.

About 16 min

Ishtar

Used as the example of Hoffman's mid-80s career low point before Rain Man revived him.

About 8 min

The Graduate

Presented as Hoffman's signature breakout and part of his iconic run.

Opening minutes

Death of a Salesman

Mentioned as a TV movie Hoffman did during his break from feature films.

About 8 min · medium confidence

Cocktail

Used to describe Cruise's rise to full star power in 1988.

About 16 min

Top Gun

Referenced as an earlier Cruise hit that helped establish his star power.

About 16 min

Forrest Gump

Used as a later example of a sentimental prestige-drama template that Rain Man predates.

About 32 min

My Left Foot

Mentioned as another disability-centered Oscar movie from the era.

About 32 min

Awakenings

Cited as another Oscar-bait transformation drama that the hosts think has not aged well.

About 32 min

Jerry Maguire

Used as a comparison for Cruise's later star-making work and emotional arc movies.

About 24 min

The Replacements

Mentioned when Bill discusses Gene Hackman's performance as an example of late-career fun.

About 56 min

Qantas

Referenced in a joke about the airline's safety record while discussing what has aged best.

About 1:12 · medium confidence
11 Running jokes and short linesRecurring bits captured from the conversation

Waffle House fantasy punishment

The cold open includes an unrelated fantasy-football punishment about eating waffles to reduce time in a Waffle House.

Opening minutes

One for bad, two for good

The final train-station scene becomes a repeated line and a reusable joke in the episode.

About 48 min

Tom Cruise's cigarette technique

The hosts keep returning to how badly Cruise holds cigarettes in the movie and elsewhere.

About 1:20

Rain Man suite

The suite name becomes a recurring shorthand for luxurious Vegas accommodations.

About 40 min

Yawn as parenting signal

Sean's yawn during the conversation is jokingly linked to newborn fatigue.

About 1:36

Chris and Bill's road-trip nitpicks

They repeatedly question the logistics of the cross-country drive, baths, and hotel choices.

About 1:36

Bill Simmons

“Did you fart, Ray?”
About 48 min

Bill Simmons

“I got rose bushes, didn't I?”
About 40 min

Sean Fennessey

“Rain Man is Dustin Hoffman humping one note”
About 56 min

Bill Simmons

“This movie is a notes meetings triumph.”
About 56 min

Bill Simmons

“He can't win the Oscar.”
About 1:36 · medium confidence

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Rain Man is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Rain Man, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

REWATCH FAVS

One of your favorites?

Upvote it for the live listener ranking.

YOUR PROGRESS

Save this one to your tracker

Sign in with Google only when you want to save progress. The rest of the site stays public.

KEEP LISTENING

Hear the full conversation

Play the episode directly from the official feed, open it on Spotify, or save it to your private Listen Later playlist.