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THE REWATCHABLES · December 29, 2020

Mr. Holland's Opus

A 1995 drama / music directed by Stephen Herek, covered in the complete Rewatchables archive.

DramaMusic1990sDirected by Stephen Herek
Overall episode#180Source sheet order
Movie year19951990s
Tomatometer76%Critics’ score
Metacritic59View score
Roger Ebert—No review recorded
DirectorStephen HerekDrama / Music

FROM THE CONVERSATION

What they said about the movie

A mostly appreciative but sharply critical discussion of Mr. Holland's Opus as a sentimental, baby-boomer-era teacher movie that works best in its later stretches. The hosts praise its emotional payoffs, Richard Dreyfuss's performance, and its tribute to teachers, while repeatedly arguing that the title character is selfish, occasionally creepy, and morally flawed.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The movie improves as it goes, with the last half and final stretch considered highly rewatchable. About 8 min
  2. 02Dreyfuss's crying face and emotional restraint are repeatedly praised as a great performance engine for the film. About 16 min
  3. 03The student-teacher payoff scenes, especially the deaf-son material and final opus performance, land emotionally. About 32 min
  4. 04The film's broad timeline-spanning structure gives it a nostalgic, montage-driven appeal. Opening minutes

WHAT DID NOT WORK

Their main criticisms

  1. majorMr. Holland is portrayed as selfish, inattentive to his wife and son, and often emotionally absent. About 8 min
  2. majorThe Rowena romance is creepy and unforced, including a near-kiss and the song being named after her. About 16 min
  3. moderateThe football-player-dancing subplot is implausible and culturally strange. About 24 min
  4. moderateThe finale strains plausibility with a surprise performance and the logistics of the auditorium reveal. About 1:12
  5. minorThe film is too long. About 1:12

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Clarinet breakthrough with the redhead student

Holland teaches a reluctant student that music should be fun and expressive, and she finally succeeds.

About 48 min
Favorite

Football coach confrontation about the band kid

Holland and the coach argue over whether the music teacher is doing his job by helping a student.

About 48 min
Favorite

Deaf-son reveal and Beethoven explanation

The son subplot crystallizes when Holland realizes Cole is deaf and explains Beethoven in class.

About 32 min
mixed

Rowena rehearsal and 'Someone to Watch Over Me' performance

Rowena's voice impresses, but the scene also intensifies the creepy student-teacher undertone.

About 40 min
Favorite

Retirement and John Lennon montage

The principal's retirement and the era montage build emotional momentum through the 70s.

About 32 min
Favorite

Beautiful Boy classroom scene

Holland explains the song to his deaf son, and the scene lands as one of the film's biggest emotional hits.

About 32 min
Favorite

Final auditorium opus performance

The whole school plays Holland's music and the film resolves with the 'we are your opus' tribute.

About 1:12

WHERE THEY DISAGREED

The biggest debates

No final agreement About 16 min

Was Mr. Holland intentionally written as flawed?

Bill Simmons

Possibly, but he suspects the filmmakers may not have realized how bad the character looks.

Sean Fennessey

Thinks the movie may be more self-aware than it seems, but is unsure.

Van Lathan

Thinks the character flaws are part of the movie's structure and payoff.

They partly agreed About 40 min

How serious is the Rowena romance problem?

Van Lathan

Finds it jarring and inappropriate, but also tied to the era and the movie's gender politics.

Sean Fennessey

Says the film tries to make her seem older and more adult, but that the material is still creepy.

Bill Simmons

Treats it as a major aging problem and repeatedly mocks the near-kiss and song naming.

They agreed About 1:12

Is the ending emotionally effective despite implausibility?

Bill Simmons

Yes, emotionally effective but absurdly constructed.

Sean Fennessey

Yes, the ending works because the song and performance pay off the whole movie.

Van Lathan

Yes, the ending's sentimentality is justified by the teachers-and-impact theme.

No final agreement About 8 min

Could Richard Dreyfuss have been a Pacino/De Niro-level star?

Bill Simmons

He had the talent and major early roles, but the career derailments kept him below that tier.

Van Lathan

He was beloved but never the kind of cool, aspirational star Pacino and De Niro were.

Sean Fennessey

Compares him to an athlete with a weird mid-career interruption, not a flawless peak.

15 People discussedActors, directors, writers, and producers
favorableRichard DreyfussBill Simmons: Praised as excellent in the film and as having a strong late-career run, especially for the emotional 'trying not to cry' face. About 8 min neutralGlenn CloseBill Simmons: Mentioned only as a recast suggestion for the wife role. About 48 min · medium confidence
favorableGlenn HeadlyBill Simmons: Bill says she is stronger than he expected in the wife role and especially good in the jealousy reveal scene. About 32 min
mixedWilliam H. MacyBill Simmons: Discussed as a one-note, uptight principal meant to contrast with Holland, though the hosts like the casting choice. About 40 min favorableTerrence HowardBill Simmons: Praised as charismatic and likable, with the hosts wondering whether his career could have gone further. About 24 min
favorableOlympia DukakisBill Simmons: Praised as excellent in the retirement scenes and finale. About 32 min
favorableJay ThomasBill Simmons: Described as an apex-mountain performance as the football coach. About 32 min
neutralAlicia WittBill Simmons: Mentioned as part of the supporting cast and early-career ensemble. About 32 min · medium confidence
neutralSean PennBill Simmons: Mentioned only in the 1995 Best Actor Oscar comparison. About 40 min · medium confidencefavorableNick CageBill Simmons: Used as the comparison point for the 1995 Best Actor Oscar winner in Leaving Las Vegas. About 40 min · medium confidencefavorableMorgan FreemanBill Simmons: Praised as the underrated hold-together performance in Seven. About 40 min · medium confidence
favorableStephen HerrickSean Fennessey: Celebrated as an underrated director with a strong 80s-90s run including Critters, Bill & Ted, Don't Tell Mom the Babysitter's Dead, and The Mighty Ducks. About 56 min
neutralPatrick Sheane DuncanBill Simmons: Named as the screenwriter in discussion of whether Holland's flaws were intentional. About 40 min · medium confidence
neutralMichael KamenBill Simmons: Identified as the composer/arranger associated with the end-song performance. About 40 min · medium confidencefavorableRoger EbertBill Simmons: Referenced as giving the film three and a half stars and writing about teachers' importance. About 40 min
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLiked it

Mr. Holland's Opus

Likes the movie because it follows a teacher's life over three decades and celebrates how teachers affect many students.

Opening minutes
Sean FennesseyLiked it

Mr. Holland's Opus

Likes it as a manipulative mid-90s Disney drama that repeatedly hits emotional buttons.

Opening minutes
Van LathanLiked it

Mr. Holland's Opus

Likes long-span character stories, especially ones about teachers whose lives are mostly unseen.

Opening minutes
Bill SimmonsDid not like it

Mr. Holland

Argues Holland is selfish and often behaves like a bad husband, father, and teacher.

About 8 min
Van LathanDid not like it

Mr. Holland

Agrees Holland is self-centered and notes that he treats his family and students like they should be grateful for him.

About 8 min
Sean FennesseyMixed

Mr. Holland

Sees Holland as narcissistic but sincere, with emotional capacity that never lands in the right place.

About 16 min
Bill SimmonsLiked it

Beautiful Boy scene

Says the scene where Holland and his son connect through the song is devastating and one of the movie's best payoffs.

About 32 min
Van LathanLiked it

Final auditorium performance

Likes the final 'we are your opus' ending despite its corniness and manipulative setup.

About 40 min
Sean FennesseyLoved it

Dreyfuss's crying face

Thinks Dreyfuss's 'trying not to cry' face is an all-time great piece of acting.

About 40 min
Bill SimmonsDid not like it

Bus station ending

Thinks the Rowena bus-station sequence and kiss are an unforced error and the movie's biggest aging problem.

About 1:12
5 ThemesThe larger ideas in the discussion

Teachers as undervalued professionals

The hosts repeatedly frame the movie as an ode to teachers and discuss how teachers shape lives over decades.

Opening minutes

Baby-boomer self-mythology

Sean argues the film is a late baby-boomer movie centered on a generation trying to define culture and history through its own perspective.

Opening minutes

Creative failure versus meaningful impact

They debate whether Holland is a failed musician or someone whose real 'opus' is the people he influenced.

About 16 min

The film's self-awareness about flawed heroism

The group wonders whether the script intentionally makes Holland flawed or accidentally exposes him as worse than intended.

About 24 min

Representation of deafness and music as sensory experience

They note the movie helped them think about deafness and the emotional limits of a life built around sound.

About 48 min
22 Facts and referencesProduction notes and other movies mentioned

Production note

The film is said to have made $106 million on a $31 million budget.

About 40 min

Production note

The song arrangement for 'Mr. Holland's Opus' reportedly won a 1997 Grammy.

About 40 min

Production note

The hosts say every actor portraying a deaf person in the film was deaf in real life.

About 56 min

Production note

Jean-Louis Zichemli did her own singing and dancing in the film.

About 56 min

Production note

Bill says he once talked to Jean-Louis Zichemli and Jimmy Pitaro at the ESPYs about the movie.

About 56 min · medium confidence

Production note

Bill says he Googled Portland's age of consent in 1980 while thinking about the Rowena plot.

About 48 min

Production note

Bill says the film's composer/arranger won the 1997 Grammy for the title song arrangement.

About 40 min

The Graduate

Used by Sean as part of the baby-boomer movie lineage.

Opening minutes

Easy Rider

Another title in Sean's baby-boomer lineage argument.

Opening minutes

MASH

Referenced in the same lineage of boomer films.

Opening minutes

American Graffiti

Cited as another early boomer movie and as an early Richard Dreyfuss film.

Opening minutes

Jaws

Used both as a Dreyfuss touchstone and as a landmark film.

About 8 min

Close Encounters

Named with Jaws as part of Dreyfuss's major early run.

About 8 min

Kramer vs. Kramer

Listed among major baby-boomer-era films.

Opening minutes

The Big Chill

Used to illustrate the film's generational and ensemble mood.

Opening minutes

Forrest Gump

Referenced as a similar decades-spanning movie and by Bill as a previous Rewatchables episode.

About 8 min

The Butler

Sean uses it as a comparison for a time-spanning service narrative, though mockingly.

Opening minutes

Dangerous Minds

Referenced as a more common teacher-movie template.

About 8 min

Stand and Deliver

Another teacher movie the hosts use as a comparison.

About 8 min

Leaving Las Vegas

Used to discuss the 1995 Best Actor race and Nick Cage's Oscar win.

About 40 min

Seven

Referenced for Morgan Freeman's performance and the Oscar year discussion.

About 40 min

Boogie Nights

Used repeatedly in a side joke about William H. Macy and the 'Little Bill' character.

About 40 min
10 Running jokes and short linesRecurring bits captured from the conversation

All-black cast button

Van repeatedly jokes about a fantasy remote-control button that would swap a movie to an all-black cast, using Mr. Holland's Opus as an example.

About 48 min

Bill's Portland age-of-consent Google search

Bill jokes repeatedly that he researched Portland's 1980 age of consent to assess the Rowena plot.

About 48 min

Dreyfuss 'trying not to cry' face

The hosts keep praising Richard Dreyfuss's lip-biting, head-dropping, almost-crying expression.

About 40 min

Portland/keyboard age-of-consent false alarm

Bill jokes that his search triggered some imagined analyst or FBI scrutiny.

About 48 min

Boogie Nights/porn-set digressions

The discussion veers into repeated Boogie Nights jokes, especially around William H. Macy and porn-set dialogue.

About 40 min

Bill Simmons

“we are your opus”
About 1:12

Van Lathan

“you fucking that bitch, ain't you?”
About 48 min

Bill Simmons

“you wouldn't understand”
About 56 min

Van Lathan

“Mr. Holland was an asshole”
About 8 min

Bill Simmons

“you're a lousy teacher”
About 48 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Mr. Holland's Opus is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Mr. Holland's Opus, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables
Van Lathan headshotVan LathanThe Rewatchables

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