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THE REWATCHABLES · January 5, 2021

Bridesmaids

A 2011 comedy / romance directed by Paul Feig, covered in the complete Rewatchables archive.

ComedyRomance2010sDirected by Paul Feig
Overall episode#181Source sheet order
Movie year20112010s
Tomatometer89%Critics’ score
Metacritic75View score
Roger Ebert—No review recorded
DirectorPaul FeigComedy / Romance

FROM THE CONVERSATION

What they said about the movie

A celebratory discussion of Bridesmaids as a landmark, highly rewatchable comedy: the hosts praise its scene-to-scene density, friendship core, class dynamics, and exceptional performances, especially Kristen Wiig, Melissa McCarthy, and Rose Byrne. They also note that the film is too long and has a weak cop subplot, but the consensus is strongly favorable.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01It has a string of all-time comic set pieces that are easy to revisit on cable or in clips. Opening minutes
  2. 02The bridal salon / dress-fitting sequence is treated as one of the funniest scenes of the last 20 years. Opening minutes
  3. 03The friendship between Annie and Lillian gives the film heart and rewatch value beyond the raunch jokes. About 8 min
  4. 04The engagement-party dueling speeches sequence rewards rewatching because of the setup, awkwardness, and improvised energy. About 32 min
  5. 05Melissa McCarthy's performance is a major replay factor because she is so surprising and scene-dominating. About 40 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe movie is too long and follows the familiar Apatow rock-bottom-then-rally structure. About 8 min
  2. moderateThe cop subplot and character feel weak, unnecessary, and less memorable than the rest of the film. About 1:12
  3. minorThe end-of-film conflict mechanics around Lillian disappearing and the rushed reunion feel contrived. About 1:12 · medium confidence
  4. minorThe plane diversion to avoid Vegas feels like a convenient rewrite after The Hangover. About 1:20 · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening hookup / gate swing of shame

Annie's humiliating exit from Jon Hamm's bed instantly establishes her as miserable and him as a charming creep.

About 56 min
Favorite

Workshop / workout lunch with Lillian

The early Annie-Lillian hangout establishes their shared language, comfort, and long history.

About 16 min
Favorite

Engagement-party dueling speeches

The sequence mixes awkward introductions, passive-aggressive class tension, and improvised speeches into a major comic climax.

About 24 min
Favorite

Dress-fitting food poisoning meltdown

The white-room outbreak, sink-shitting, and 'look away' bits are treated as an iconic gross-out masterpiece.

About 40 min
positive

Plane trip with air marshal / Hitler impersonation

The plane scene escalates through fake-air-marshal roleplay and social chaos, with McCarthy dominating it.

About 40 min
Favorite

Bridal shower disaster

Annie and Helen's escalating conflict over the shower and the bleached-asshole line becomes another major set piece.

About 48 min
positive

Megan's couch pep talk

Megan comforts Annie while revealing her own bizarre life and background, balancing heart and laughs.

About 32 min
positive

Late-night cupcake/baking moment

The baking scene shows Annie's hidden solace and the film's softer side amid her failures.

About 1:04 · medium confidence

WHERE THEY DISAGREED

The biggest debates

They partly agreed Opening minutes

Is Bridesmaids the funniest female comedy ever?

Mina Kimes

It is the funniest female ensemble comedy, though Mean Girls may be funnier overall.

Bill Simmons

It belongs in the conversation but is special more for its scenes and talent than a label.

Mallory Rubin

It is a landmark comedy whose importance goes beyond category labels.

They left it as a friendly argument About 16 min

Whether Annie should be hospitalized after the bridal shower breakdown

Bill Simmons

Her meltdown looks like something approaching a mental-health emergency.

Mallory Rubin

Annie is culpable, but much of the blame belongs to Helen and Lillian too.

Mina Kimes

The character is a loser archetype but the movie is still fundamentally a comedy.

They agreed About 1:12

Is the cop subplot good?

Bill Simmons

The cop is a weak spot and the character is not fully believable.

Mina Kimes

The cop's motivations and plot function are shaky and less interesting than the rest of the film.

Mallory Rubin

Chris O'Dowd is fine, but the role feels like the movie's least necessary element.

They partly agreed About 16 min

Does Lillian treat Annie fairly?

Bill Simmons

Lillian is a bad friend and class-blind in ways the movie doesn't fully confront.

Mallory Rubin

Lillian shares more blame than the film initially suggests, especially around money and status.

Mina Kimes

The movie's emotional core depends on both women being flawed friends.

19 People discussedActors, directors, writers, and producers
very favorableKristen WiigBill Simmons: Praised as a revelation, a great physical comedian, and the film's lead/co-writer whose performance combines heart and absurdity. Opening minutes very favorableMelissa McCarthyBill Simmons: Celebrated as the breakout force of the film whose Megan performance is shocking, hilarious, and iconic. About 32 min favorableRose ByrneMallory Rubin: Praised for unexpectedly sharp comic timing and an underrated passive-aggressive villain performance. About 32 min favorableMaya RudolphBill Simmons: Admired for warmth and chemistry, though the hosts also criticize Lillian's friendship choices and class blindness. About 8 min favorableJon HammBill Simmons: Viewed as hilarious in a nasty, short-lived douchebag role that showcases his comic side. About 1:04
favorablePaul FeigBill Simmons: Credited with strong direction and with helping shape the film's improvisational set pieces. Opening minutes
favorableApatowBill Simmons: Discussed as the comedy talent-spotter and producer figure behind the film's creative culture. About 8 min
neutralTerry CrewsBill Simmons: Mentioned for the cheap workout scene and as a memorable early hangout presence. About 16 min
mixedChris O'DowdBill Simmons: His cop character is treated as a weak spot, though the performance is noted as funny in isolated moments. About 1:04
favorableWendy McClendon-CoveyBill Simmons: Praised as a standout side character whose oversexed-wife performance is extremely funny and memorable. About 1:04
favorableJill ClayburghBill Simmons: Cited for a wild, underused mom performance and for having a strong classic career. About 24 min
favorableRebel WilsonBill Simmons: Mentioned as a possible cast contender and for her energetic supporting-role work. About 1:12 neutralMindy KalingBill Simmons: Mentioned only as an audition competitor for the Maya Rudolph role. About 1:12 favorablePaul RuddBill Simmons: Suggested as a better fit for the cop/date role and lamented as a cut blind-date scene. About 1:12 neutralJudy GreerBill Simmons: Mentioned as another actress who auditioned or was considered for roles in the film. About 1:12 · medium confidenceneutralGreta GerwigBill Simmons: Mentioned as another performer linked to early casting discussions. About 1:12 · medium confidence
neutralRitaBill Simmons: Discussed as one of the plane passengers in the vomit sequence, but not otherwise characterized. About 48 min · medium confidence
neutralBeccaBill Simmons: Another named passenger in the plane sequence; used to discuss the diverging hookup possibilities. About 48 min · medium confidence
criticalHelenBill Simmons: The rich foil is admired as a great villain, but the hosts repeatedly note her cruelty and passive-aggressive behavior. About 16 min
16 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Bridesmaids as a rewatchable comedy

Calls it a special kickoff movie with multiple banger scenes and strong repeat value.

Opening minutes
Mina KimesLoved it

bridal salon scene

Says the bridal salon scene is one of the funniest in the last 20 years.

About 8 min
Mallory RubinLoved it

friendship as the movie's heart

Argues the film's real achievement is combining raunch comedy with real friendship dynamics and emotional themes.

About 8 min
Bill SimmonsLoved it

Kristen Wiig

Says Bridesmaids was his awakening to Wiig's talents and praises her as a titanic performer and co-writer.

About 24 min
Mina KimesLiked it

Kristen Wiig's style of comedy

Says Wiig works better in understated film performance than in some SNL character sketches.

About 8 min
Bill SimmonsLoved it

opening Annie-Jon Hamm hookup scene

Admires the scene for instantly establishing Annie as a loser and Hamm as a grossly funny douchebag.

About 56 min
Mallory RubinLiked it

Annie as a female loser archetype

Notes that the film gives a woman the kind of pathetic, self-destructive arc often given to male comedy leads.

About 24 min
Bill SimmonsLoved it

Rose Byrne

Says she was hired as a foil and unexpectedly turned out to be incredibly funny.

About 32 min
Mallory RubinLoved it

food poisoning dress-fitting scene

Calls it the iconic comic set piece of the film and highlights the escalating physical chaos.

About 40 min
Bill SimmonsLoved it

plane sequence

Says the plane scene is a great 10 minutes and one of the reasons the movie works despite its length.

About 40 min
Bill SimmonsLoved it

Melissa McCarthy

Puts her as the movie's clearest winner and a true breakout icon.

About 1:20
Mallory RubinLiked it

Megan's pep talk to Annie

Likes the scene for mixing emotional support, backstory, and comedy about Megan's bizarre life.

About 32 min
Bill SimmonsLoved it

Maya Rudolph

Treats Rudolph as delightful, warm, and essential to the film's friendship dynamic.

About 8 min
Bill SimmonsLoved it

bridal shower meltdown

Enjoys the bridal shower disaster as a hilarious escalation of Annie's humiliation and class conflict.

About 48 min
Mallory RubinLoved it

Wendy McClendon-Covey

Says her line readings and quiet reactions make her one of the funniest parts of the ensemble.

About 1:04
Bill SimmonsLiked it

weddings as a comedy engine

Argues weddings are inherently absurd and useful because they force all characters into one place.

About 1:20
5 ThemesThe larger ideas in the discussion

Female friendship

The film is framed as a story about lifelong friendship, jealousy, affection, and drifting apart rather than just marriage or dating.

Opening minutes

Class and money

The hosts argue the movie is really about how money changes friendships and how class divides the women.

About 16 min

Female ensemble comedy as mainstream breakthrough

They discuss the movie as a landmark that normalized women-led raunch comedy and ensemble comedy.

Opening minutes

Loser/protagonist archetype

Annie is described as a female version of a familiar male comedy loser character who repeatedly bottoms out.

About 24 min

Wedding absurdity

Weddings are treated as a chaotic social mechanism and money pit rather than a romantic ideal.

About 1:20 · medium confidence
25 Facts and referencesProduction notes and other movies mentioned

Production note

Kristen Wiig and co-writer Annie Mumolo spent years developing the screenplay after Apatow encouraged Wiig to write it.

About 8 min

Production note

A lot of the film's dialogue was improvised during a two-week cast workshop.

About 1:12

Production note

Maya Rudolph was pregnant with her third child during filming, and costumes concealed it.

About 1:12

Production note

Jon Hamm chose to go uncredited because he feared the role would confuse viewers who saw him as a serious actor.

About 1:12

Production note

The original script had the women traveling all the way to Las Vegas, but The Hangover pushed them to rewrite the bachelorette trip.

About 1:12

Production note

Megan's golden retriever puppies were added as party favors, and the callback pays them off later.

About 48 min

Production note

Melissa McCarthy modeled part of Megan on Guy Fieri.

About 1:12

Production note

Ted's house is the same house used for Kelly Taylor on 90210.

About 1:12

Production note

Jill Clayburgh's mom material was toned down because the character had died and the filmmakers wanted to be respectful.

About 24 min

Production note

The cop's Irish accent was retained because the filmmakers liked Chris O'Dowd's natural voice.

About 1:12

Mean Girls

Used as a comparison point for funniest female comedy and ensemble comedy.

Opening minutes

Clueless

Mentioned as a possible female-comedy candidate by Bill's wife.

Opening minutes

Broad City

Cited as a TV analog for female-driven comedy.

Opening minutes

Sex and the City

Another female-driven TV example mentioned in the same comparison cluster.

Opening minutes

30 Rock

Used to describe the rise of female comedy performers in the 2000s.

Opening minutes

Knocked Up

Cited as an Apatow movie where Wiig had a funny supporting role before Bridesmaids.

About 8 min

40-Year-Old Virgin

Used as another Apatow benchmark for discovering and building stars.

About 8 min

Trainwreck

Mentioned as another Apatow-backed star vehicle.

About 8 min

Booksmart

Mallory compares the film's friendship dynamic to Booksmart.

About 16 min

The Big Picture

Referenced as one of the Ringer shows in the ad-roll intro.

Opening minutes · low confidence

Roger Ebert review

Bill reads a three-and-a-half-star review that frames the movie as crossing chick flick and raunch comedy.

About 24 min

The Hangover

Referenced as the movie that forced the Bridesmaids rewrite away from Vegas.

About 1:12

Friends

Bill cites the first season as a good class-and-friendship example.

About 16 min · medium confidence

Best in Show

Used as a reference for actor Hamilton Swann / Beatrice Busy Bee dad.

About 1:12

The Great British Bake Off

Mentioned while talking about baking and food imagery aging well.

About 1:04 · medium confidence
10 Running jokes and short linesRecurring bits captured from the conversation

Look away

The phrase becomes a recurring joke around the sink-shitting scene and physical embarrassment.

About 40 min

Cracked a blanket in half

McCarthy's 'semen everywhere' description of the plane blanket becomes a quoted bit.

About 40 min

Fucking Helen

The guests repeatedly blame Helen for social cruelty and class snobbery.

About 16 min

Open for biz

Megan's cop-car signals and other absurd lines are treated as a recurring comic tag.

About 1:04 · medium confidence

Cock Baby

A running joke about a hypothetical bakery or brand name inspired by Annie's cake/party theme.

About 1:20 · medium confidence

Mina Kimes

“It's a pantheon.”
About 8 min

Bill Simmons

“It's coming out of me like lava!”
Opening minutes · medium confidence

Mallory Rubin

“I love my new asshole!”
About 48 min

Mina Kimes

“I'm going to climb that like a tree.”
About 56 min

Mallory Rubin

“Why can't you be happy for me?”
About 48 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Bridesmaids is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Bridesmaids, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Mallory Rubin headshotMallory RubinThe Rewatchables
Mina KimesThe Rewatchables

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