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THE REWATCHABLES · September 1, 2020

Cocktail

A 1988 romance / drama directed by Roger Donaldson, covered in the complete Rewatchables archive.

RomanceDrama1980sDirected by Roger Donaldson
Overall episode#160Source sheet order
Movie year19881980s
Tomatometer11%Critics’ score
Metacritic12View score
Roger Ebert2/4Original star rating
DirectorRoger DonaldsonRomance / Drama

FROM THE CONVERSATION

What they said about the movie

The episode argues that Cocktail is the greatest bad movie ever because Tom Cruise’s overcommitted performance, the bartending spectacle, and the movie’s strange 80s excess make it endlessly rewatchable despite a messy second half and narrative incoherence.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Tom Cruise’s all-in, hyperintense performance gives the movie propulsion and makes even absurd material watchable. Opening minutes
  2. 02The bartender set pieces, especially the bottle-flipping and showmanship, are treated as peak rewatchable spectacle. About 16 min
  3. 03The Coughlin/Flanagan chemistry is seen as the best part of the film and could have sustained the whole movie. Opening minutes
  4. 04The Cell Block sequence is singled out as an unassailable stretch of absurdly entertaining bar performance. About 24 min
  5. 05The movie captures 80s ambition, wealth-chasing, and service-industry hustling in a way the hosts find fascinating. About 8 min

WHAT DID NOT WORK

Their main criticisms

  1. majorThe back half becomes narratively rushed and less about bartending, with a jumble of self-discovery and abrupt resolution. About 8 min
  2. moderateThe movie’s dark original concept about celebrity and excess was softened to protect Cruise’s image. About 8 min
  3. moderateJordan’s character feels underwritten and her backstory was likely cut away. About 16 min · medium confidence
  4. majorThe climax in the penthouse is seen as ridiculous and badly handled. About 32 min
  5. moderateThe movie is incoherent about Coughlin’s end, including whether he dies by suicide or murder. About 56 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Cruise’s bottle-flipping bartending showcase

Cruise flips bottles and performs bartending as if it were an athletic event, which the hosts see as the movie’s signature image.

About 8 min
Favorite

Addicted to Love bartending montage

The bar performance set to Addicted to Love is described as one of the most 80s moments ever put on film.

About 24 min
Favorite

Coughlin’s first bartending tips and laws

Coughlin teaches Flanagan bizarre aphorisms, establishing their chemistry and the movie’s comic rhythm.

About 16 min
Favorite

Cell Block poetry/bar show

The prison-like bar scene with yuppie poetry, drink orders, and Cruise’s barman-poet speech is the episode’s biggest set-piece praise.

About 24 min
positive

Jamaica reunion with Coughlin

Coughlin arrives in Jamaica, reveals his married life, and re-energizes the movie briefly.

About 32 min
positive

First Bonnie encounter

The brief Bonnie introduction is noted for the sharp line about ‘fuck me’ and for deepening the movie’s dirtbag energy.

About 40 min
positive

Late-night Coughlin/Flanagan drunk scene

The drunken descent and recited laws are praised as a hilarious high point before the movie shifts again.

About 24 min
critical

Final penthouse confrontation

The climax is seen as a rushed, poorly explained attempt to force resolution and drama.

About 32 min

WHERE THEY DISAGREED

The biggest debates

They agreed Opening minutes

Is Cocktail the greatest bad movie ever?

Bill Simmons

Yes, because no other bad movie has given him more joy.

Sean Fennessey

Yes, but only after distinguishing it from movies that are intentionally bad or winking.

Chris Ryan

Yes, though he frames it more around the bartending scenes and Cruise’s intensity.

They partly agreed About 8 min

Was Tom Cruise already revealing his future public persona in 1988?

Bill Simmons

Yes, the film shows the same mania later visible in public appearances.

Sean Fennessey

He was already close to that edge and could be unnerving.

Chris Ryan

It’s less about madness and more about explosive charisma tied to the right script.

They agreed About 8 min

Is the second half of the movie weaker than the first?

Chris Ryan

Yes, the movie loses its bartending focus and becomes rushed.

Bill Simmons

Mostly yes, but he still enjoys the absurd finale.

Sean Fennessey

Yes, the movie changes shape and becomes less coherent.

No final agreement About 56 min

Did Coughlin die by suicide or murder?

Bill Simmons

The suicide note is hard to reconcile with what we see.

Sean Fennessey

The scene may be chopped up and unclear.

Chris Ryan

He thought on rewatch that someone may have killed Coughlin.

16 People discussedActors, directors, writers, and producers
very favorableTom CruiseBill Simmons: Praised for an over-the-top, committed performance that carries the film and makes it a great bad movie. Opening minutes favorableBrian BrownBill Simmons: Viewed as an excellent Coughlin and a major part of the movie’s chemistry, though likely frustrated by the film’s changes. About 8 min mixedKelly LynchChris Ryan: Discussed as part of the film’s dark, changed backstory and as an 80s presence who gives the movie its romantic edge. About 8 min favorableElizabeth ShueBill Simmons: Praised as an 80s goddess and a strong casting choice for Jordan Mooney. About 48 min mixedRoger DonaldsonBill Simmons: Seen as a capable filmmaker who made both Cocktail and No Way Out, though Cocktail’s second half is blamed on the movie’s failings. About 40 min
neutralHaywood GouldChris Ryan: Referenced as the author of the original semi-autobiographical novel and source material for the film. About 16 min
neutralRoger EbertBill Simmons: Cited for giving the movie two stars and criticizing its emptiness. About 32 min neutralGina GershonBill Simmons: Mentioned in connection with the Cell Block scene and drink-order bit. About 24 min neutralCharlie SheenBill Simmons: Named as a casting possibility for Brian Flanagan. About 1:04 neutralHeather GrahamBill Simmons: Mentioned as having been offered Jordan Mooney but declining because of License to Drive. About 1:04 neutralMolly RingwaldBill Simmons: Mentioned as another actress who turned down Jordan Mooney. About 1:04
mixedLawrence LuckinbillBill Simmons: Noted as playing Jordan’s father and going big in the role. About 1:04
favorableRon DeanBill Simmons: Named as Uncle Pat, a memorable supporting character with tough-love advice. About 1:04
neutralAndrew ShueBill Simmons: Mentioned as a cameo in the wedding scene. About 56 min
neutralMimi RogersBill Simmons: Referenced in connection with Cruise and Scientology during the film’s production period. About 56 min · medium confidence
favorableBob McFerrinChris Ryan: Praised for a soundtrack contribution that helped define the film’s mood. About 48 min
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Cocktail as the greatest bad movie

Argues the film is the greatest bad movie ever and his favorite Tom Cruise movie.

Opening minutes
Chris RyanMixed

the film’s second half

Thinks the movie becomes much less interesting after the bartending/materialistic setup and turns into rushed self-discovery.

About 8 min
Sean FennesseyLoved it

Tom Cruise

Argues Cruise’s manic edge is what makes him compelling and that this era shows him as still human and vulnerable.

Opening minutes
Bill SimmonsLoved it

the Cell Block performance sequence

Treats the Cell Block scene as peak rewatchable nonsense and the movie’s best stretch.

About 24 min
Sean FennesseyLiked it

wealth-chasing in the 1980s

Reads the film as part of the 80s fast-money mindset and compares it to Wall Street and Color of Money.

About 8 min
Chris RyanLoved it

Cruise and Brian Brown cooking together as bartenders

Says the best scenes are when Cruise and Brown are simply bartending together.

Opening minutes
Bill SimmonsLiked it

Kelly Lynch

Accepts the critique that her character was damaged in editing but still sees her as part of the film’s appeal.

About 16 min · medium confidence
Bill SimmonsLiked it

soundtrack and needle drops

Believes the soundtrack, especially the 80s/50s mix, helps define the movie’s identity.

About 48 min
Sean FennesseyLoved it

No Way Out

Uses Donaldson’s No Way Out as evidence that the director has real chops beyond Cocktail.

About 40 min
Chris RyanLoved it

Coughlin

Loves Brian Brown’s character as a chaotic sidekick and quote machine.

About 48 min
5 ThemesThe larger ideas in the discussion

80s wealth and ambition

The film reflects an era of fast-money thinking, entrepreneurial hustle, and status obsession.

About 8 min

Performance as identity

Cruise’s bartending, poetry, basketball, and general intensity suggest skill acquisition as self-definition.

About 40 min

Service-industry dreams and dead ends

Bartending is framed as a place where ambitions linger or stall, not just a job.

About 16 min

Male mentorship and hustler ideology

Coughlin’s laws and uncle Pat’s advice represent competing, cynical philosophies about survival and money.

About 48 min

The movie as accidental comedy

A lot of the film’s appeal comes from what feels unintentional: self-seriousness, weird dialogue, and excess.

About 8 min
24 Facts and referencesProduction notes and other movies mentioned

Production note

Cocktail was based on Heywood Gould’s semi-autobiographical novel and his bartending experience.

About 16 min

Production note

The film reportedly went through many script versions and was changed to better protect Cruise’s image.

About 8 min

Production note

Cruise was nominated for an Oscar for Rain Man in the same year Cocktail won the Razzie for Worst Picture.

About 24 min

Production note

Bottle-tossing was added at Cruise’s request.

About 56 min

Production note

Kokomo was nominated for a Grammy and a Golden Globe.

About 1:04

Production note

The bartender style in the movie is called flare bartending.

About 56 min

Production note

A darker trailer cut reportedly included Coughlin admitting he made a move on Jordan.

About 1:04 · medium confidence

Production note

A bottle of Louis Treh brandy used in the film was a $500 bet in 1988.

About 56 min

Production note

The hosts suggest the Cell Block set was one of the most elaborate bar sets they had seen.

About 24 min

Roadhouse

Used as a comparison point for enjoyable bad movies and the presence of Kelly Lynch.

Opening minutes

Showgirls

Cited as a knowingly bad movie that is not in the same category as Cocktail.

Opening minutes

Anaconda

Mentioned as another good-bad movie with some wink to the audience.

Opening minutes

Snakes on a Plane

Held up as the ultimate intentionally bad movie.

Opening minutes

Wall Street

Used to frame the 80s wealth obsession running through Cocktail.

About 8 min

Color of Money

Suggested as a better companion film because of mentor/protégé dynamics and hustling for money.

About 16 min

Party Down

Cited as one of the few projects that approaches service-industry life effectively.

About 16 min

Cheers

Used as the bar-business benchmark when discussing bartending as a career and television bartending culture.

About 48 min

A Few Good Men

Referenced as an example of Cruise’s controlled but still intense performances.

About 8 min

Jerry Maguire

Referenced as another major Cruise role and a likely top performance for the hosts.

About 8 min

Magnolia

Used in discussions of Cruise’s over-the-top acting style.

About 32 min

No Way Out

Cited as a strong Roger Donaldson film that contrasts with Cocktail.

About 40 min

Species

Discussed briefly as another example of a great, weird movie worth covering.

About 1:04

Lifestyles of the Rich and Famous

Referenced as a symbol of the 80s aspiration toward sudden wealth.

About 16 min

Oprah

Used to compare Cruise’s public persona and manic performance style.

About 8 min
10 Running jokes and short linesRecurring bits captured from the conversation

Coughlin’s Laws

A recurring bit built around Brian Brown’s absurd, dogmatic sayings, which the hosts quote and mock as if they were life philosophy.

About 48 min

Uncle Pat wisdom

The hosts repeatedly return to Pat’s stern, bar-owner advice and use it as a running contrast to Coughlin’s nonsense.

About 40 min

Tom Cruise doing new physical skills

They repeatedly note that Cruise acts like someone doing bartending, basketball, running, or even music for the first time.

About 24 min

Bad-movie taxonomy

The hosts keep comparing Cocktail to other good-bad movies and arguing about what counts as intentional versus accidental camp.

Opening minutes

Bartending as athletic performance

They treat bartending like a sport, emphasizing speed, flair, and competition.

About 16 min

Bill Simmons

“the greatest bad movie of all time”
Opening minutes

Chris Ryan

“this is about guys flipping shakers”
Opening minutes

Bill Simmons

“I am the world's last barman poet”
About 24 min

Bill Simmons

“The luck is gone, the brain is shot”
About 40 min

Bill Simmons

“I've never seen a club with such intense dance vibes”
About 56 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Cocktail is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Cocktail, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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