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THE REWATCHABLES · September 25, 2019

The Shawshank Redemption

A 1994 drama / crime directed by Frank Darabont, covered in the complete Rewatchables archive.

DramaCrime1990sDirected by Frank Darabont
Overall episode#99Source sheet order
Movie year19941990s
Tomatometer89%Critics’ score
Metacritic82View score
Roger Ebert4/4Original star rating
DirectorFrank DarabontDrama / Crime

FROM THE CONVERSATION

What they said about the movie

The episode argues that The Shawshank Redemption is an all-time rewatchable movie built on male friendship, hope, and its long arc from theatrical flop to cable and home-video staple. The hosts praise its structure, narration, performances, and ending while also joking through a few plot nits and alternate casting hypotheticals.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01It can be dropped into at almost any point, especially the back half, and still work as a cable rewatch. Opening minutes
  2. 02The movie is broken into suspenseful mini-stories, which keeps the pace moving across decades. Opening minutes
  3. 03The ending payoff is powerful and rewarding, especially the reunion after all the buildup. About 8 min
  4. 04Morgan Freeman’s narration and Red’s perspective make the film easy to live in again and again. About 8 min
  5. 05The movie’s long-life cable run and VHS/DVD life made it a repeated comfort watch for years. About 8 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe prison escape requires a lot of convenient assumptions about weather, the pipe, and what happens in the hours after Andy gets out. About 1:20
  2. minorAndy’s legal defense and passivity in the murder case feel underdeveloped or odd. About 1:12 · medium confidence
  3. moderateTommy’s plotline is the most convoluted part of the movie and could be trimmed. About 56 min
  4. minorSome deleted post-prison scenes for Red were probably rightly cut because the film is already long. About 32 min
  5. minorA prison opera playback would not realistically sound as rich as the scene suggests. About 1:36 · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Andy and Red’s first conversation

The first meeting establishes their bond and the film’s world-building through the rock hammer request.

About 16 min
Favorite

Roof beer sequence

Andy bargains with Hadley, then the men drink beer in sunlight, marking Andy’s acceptance and a rare moment of freedom.

About 32 min
positive

Brooks’s release and letter

Brooks’s inability to adjust after release becomes the model for Red’s later post-prison fear.

About 24 min
Favorite

Opera broadcast in the yard

Andy plays Mozart over the prison loudspeakers, creating a brief communal and transcendent moment.

About 48 min
Favorite

Andy and Red’s last prison conversation

Their final talk about Zihuatanejo and hope sets up the escape and reunion payoff.

About 56 min
Favorite

The prison escape and poster reveal

The reveal that Andy has escaped through the poster and sewer pipe is treated as the movie’s biggest payoff.

Opening minutes
Favorite

Red’s Buxton trip and letter

Red finds the rock by the tree and reads Andy’s letter, which restates the movie’s hope theme.

About 40 min
Favorite

Final beach reunion

The movie ends with Red and Andy reuniting in Mexico, a conclusion the hosts say is necessary.

About 40 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 8 min

Whether the ending should have been ambiguous or explicit

Bill Simmons

Says the reunion was necessary and the movie absolutely needed the final scene.

Speaker not identified

Initially wanted to leave the ending ambiguous or end before the reunion.

They partly agreed About 32 min

Best rewatchable scene

Bill Simmons

Leans toward the roof beer scene or the final minutes.

Chris Ryan

Leans toward the roof beer scene as the movie’s turning point.

Bill's Dad

Leans toward the roof beer scene and also values the last few minutes.

They partly agreed About 48 min

Best narration of all time

Bill Simmons

Says Shawshank may be the best example ever, with Goodfellas as the main rival.

Chris Ryan

Agrees Goodfellas belongs in the finals.

They partly agreed About 56 min

Whether Tommy’s subplot is necessary

Bill Simmons

Feels the film could mostly work without Tommy and that the subplot is the most convoluted part.

Chris Ryan

Says Tommy is needed to kill Andy’s hope and redirect the story.

No final agreement About 1:20

How much to trust the escape logistics

Bill Simmons

Questions the storm timing, pipe route, suit cleanliness, and poster mechanics.

Chris Ryan

Mostly laughs but also raises questions about how the escape works.

Bill's Dad

Adds concerns about whether Andy could fit and how he cleaned up afterward.

16 People discussedActors, directors, writers, and producers
very favorableMorgan FreemanBill Simmons: Praised as the soul of the movie, an ideal narrator, and the standout performance. About 8 min favorableTim RobbinsBill Simmons: Praised as essential to the film’s success and for making Andy believable. About 24 min favorableFrank DarabontBill Simmons: Credited for the structure, adaptation, and smart editing choices, though the shoot sounds tense. Opening minutes favorableStephen KingBill Simmons: Referenced as the source author whose novella became the film and whose rights Darabont bought cheaply. About 16 min favorableRoger DeakinsBill Simmons: Praised for the cinematography, especially the prison overheads and visual storytelling. About 48 min favorableClancy BrownBill Simmons: Praised for Hadley, a key supporting role with memorable menace and comic timing. About 32 min favorableBob GuntonBill Simmons: Remembered as the warden who seems to define the role in viewers’ minds. About 1:04 neutralHarrison FordBill Simmons: Mentioned as part of Rob Reiner’s hypothetical alternate casting plan. About 1:04 · medium confidencefavorableTom HanksBill Simmons: Discussed as an alternate Andy who would have worked, though Robbins is preferred. About 1:04 mixedTom CruiseBill Simmons: An alternate casting idea that the hosts strongly doubt would have worked in the finished film. About 1:04 mixedKevin CostnerBill Simmons: Mentioned as another possible Andy whom Bill thinks could have been good but less ideal than Robbins. About 1:04 · medium confidencefavorableJames GandolfiniBill Simmons: Mentioned as the original idea for Boggs, which Bill finds intriguing. About 1:12 · medium confidence
neutralBrandon/Glenn Ford?A brief mistaken/uncertain reference to the star opposite Rita Hayworth in Gilda, corrected in conversation. About 16 min · low confidence
neutralAlan GreenBill Simmons: Named in the dedication shown at the end of the film as Darabont’s agent who died of AIDS during filming. About 1:12
neutralRob ReinerBill Simmons: Cited as the Castle Rock co-founder who wanted to direct with his own casting plan. About 1:04 neutralMartin LandauBill Simmons: Referenced only as the Oscar winner that year, in contrast to Freeman’s loss. About 24 min · medium confidence
12 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

The Shawshank Redemption

Calls it possibly his favorite movie of all time and says he wanted the episode for his birthday.

Opening minutes
Bill SimmonsLoved it

Male friendship

Says the movie is fundamentally about platonic male friendship over decades.

About 8 min
Bill SimmonsLoved it

Hope

Argues the hope-versus-despair debate is the movie’s core idea.

About 8 min
Bill SimmonsLoved it

The prison escape reveal

Treats the poster reveal and escape as one of the greatest theater surprises ever.

About 8 min
Bill SimmonsLoved it

Narration

Says Shawshank may be the best example of narration ever used in a movie.

About 48 min
Bill SimmonsLoved it

Morgan Freeman

Describes Freeman as the film’s soul and the most perfect narrator imaginable.

About 1:28
Chris RyanLoved it

The Shawshank Redemption

Says the movie rocked him in theaters and even made him walk into a second screening to catch the ending again.

Opening minutes
Chris RyanLoved it

The roof beer scene

Says the roof-beer sequence changes the movie and marks Andy’s acceptance by the group.

About 32 min
Chris RyanLiked it

Tim Robbins

Says Robbins is crucial to the movie and believable in the role.

About 24 min
Bill's DadLiked it

Brooks’s release and institutionalization

Says Brooks’s story is one of the movie’s most effective parts and helps set up Red’s release arc.

About 24 min
Bill's DadLoved it

Morgan Freeman

Says Freeman’s narration is one of the movie’s best qualities.

About 48 min
Bill SimmonsLiked it

Frank Darabont

Credits Darabont with one of the great editing decisions: removing the early wall reveal to preserve suspense.

About 8 min
5 ThemesThe larger ideas in the discussion

Male friendship

The movie is treated as a decades-long platonic love story between Andy and Red.

About 8 min

Hope versus hopelessness

Andy embodies hope while Red embodies the weariness of prison life, and the movie keeps testing that tension.

About 8 min

Passage of time

The film uses editing and structure to make the audience feel the years passing without showiness.

About 40 min

Institutionalization

Brooks’s story and Red’s later release show how prison can become psychologically defining.

About 24 min

Timelessness and universality

The movie is discussed as a story that works beyond its prison setting, including as a sports-fan allegory.

About 1:28
25 Facts and referencesProduction notes and other movies mentioned

Production note

Darabont bought the rights to the King story in 1987 and later wrote the script in about eight weeks for Castle Rock.

About 16 min

Production note

Stephen King reportedly gave Darabont the rights for free after loving the movie.

About 16 min

Production note

The movie grossed only about $16 million theatrically at first but later rose to around $58 million after re-release.

About 16 min

Production note

TNT and cable reruns made the movie a major long-tail hit over decades.

About 8 min

Production note

The film was shot in Mansfield, Ohio, at the Ohio State Reformatory.

About 1:44

Production note

The oak tree used for the final meeting was damaged by lightning and later blown over, and remains became memorabilia.

About 1:20

Production note

Tim Robbins did not crawl through real sewage; the film used a mixture of water, chocolate syrup, and sawdust.

About 1:12

Production note

Freeman’s voiceover was recorded before filming and played on set.

About 1:20

Production note

The final cut runs 142 minutes and is dedicated to Alan Green.

About 1:12

Production note

The prison-escape end sequence was originally envisioned with a more ambiguous ending and several alternate cuts.

About 8 min

TNT

Cited repeatedly as the cable network that turned the movie into a constant rewatchable staple.

Opening minutes

Pulp Fiction

Used as part of the 1994 Oscar race discussion.

About 24 min

Forrest Gump

Referenced in the Oscar race and as Tom Hanks’s scheduling conflict.

About 24 min

Goodfellas

Used as a benchmark for great movie narration.

About 48 min

Apocalypse Now

Mentioned as another possible top-tier narration example.

About 48 min · medium confidence

The Body / Stand By Me

Referenced as another strong Stephen King adaptation and part of the same source-material conversation.

About 16 min

Gilda

Discussed while correcting who starred opposite Rita Hayworth.

About 16 min · medium confidence

Unforgiven

Used to contextualize Morgan Freeman’s career peak and prior reputation.

About 24 min

Seven

Mentioned as part of Freeman’s late-90s one-two punch.

About 24 min

The Shawshank Redemption book/novella

Referenced through Stephen King’s original title and Darabont’s adaptation process.

About 16 min

The Sopranos

Referenced when discussing David Proval as the actor who played Richie Aprile.

About 1:44

Demolition Man

Mentioned while listing Bob Gunton’s other roles.

About 1:44 · medium confidence

Pet Sematary

Mentioned as another Stephen King adaptation that may include Clancy Brown.

About 32 min · low confidence

Miller’s Crossing

Mentioned because its score was used temporarily in the trailer.

About 48 min

Jaws

Used as an analogy for how a release strategy can be designed for long-term life.

About 8 min · medium confidence
10 Running jokes and short linesRecurring bits captured from the conversation

Cable channel one-liner

The hosts repeatedly joke about calling each other to tell them Shawshank is on TV again.

Opening minutes

Low Rubinick

They invent a joking category for performances that are slightly overdone but still effective.

About 40 min · medium confidence

Affleck helicopter shot

They call the prison aerial shot an early version of the famous Affleck overhead style.

About 48 min

Red Sox / sports allegory

Bill keeps tying the film’s hope theme to Boston sports and bad fanbases.

About 8 min

Shawshank 2 jokes

They riff on an imagined sequel about Andy and Red in Mexico running money-laundering or a hotel.

About 1:28

Bill Simmons

“Get busy living, or get busy dying.”
Opening minutes

Bill Simmons

“Hope. Damn it, Dufresne.”
Opening minutes

Bill Simmons

“You'd have to be human first.”
About 16 min

Bill Simmons

“Some birds aren't meant to be caged.”
About 56 min

Bill Simmons

“I find I'm so excited I can barely sit still”
About 40 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

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WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Shawshank Redemption, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Bill's DadThe Rewatchables

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