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THE REWATCHABLES · May 25, 2021

The Rock

A 1996 action / thriller directed by Michael Bay, covered in the complete Rewatchables archive.

ActionThriller1990sDirected by Michael Bay
Overall episode#204Source sheet order
Movie year19961990s
Tomatometer76%Critics’ score
Metacritic58View score
Roger Ebert—No review recorded
DirectorMichael BayAction / Thriller

FROM THE CONVERSATION

What they said about the movie

The episode argues that The Rock is a peak 1990s action movie powered by the unlikely combination of Sean Connery’s late-career charisma, Nicolas Cage’s quirky action-hero turn, and Ed Harris’s serious, sympathetic villain. The hosts praise its premise, performances, and Michael Bay’s visual energy while noting some excess and logic gaps.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The core trio of Connery, Cage, and Harris gives the movie unusual star power and texture for an action film. About 8 min
  2. 02The premise is considered exceptional: Alcatraz, VX gas, and a prison-break specialist. Opening minutes
  3. 03Bay’s action staging, especially the mine-cart chase, shower shootout, and flares finale, remains exciting on repeat viewings. About 24 min
  4. 04The movie mixes seriousness with intentional humor in a way the hosts find rewarding. About 16 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe San Francisco car chase is long and can feel like the weakest stretch on repeat viewing. About 24 min
  2. minorThe movie is too long and has a soft first third. About 1:04
  3. moderateClaire Forlani’s character and the romantic material feel shoehorned in. About 56 min
  4. moderateSeveral plot mechanics strain plausibility, including Connery remembering the prison layout and the functioning Alcatraz boiler. About 32 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Navy SEAL vault / gas theft

The VX theft and the trapped gas victim are cited as a thrilling and disgusting sequence.

About 24 min
Favorite

Connery’s first entrance

His prison-cell reveal is treated as one of the coolest entrances in action cinema.

About 32 min
Favorite

Balcony haircut escape

Connery uses a haircut distraction and rope trick to flip a guard off the balcony.

About 32 min
Favorite

Boiler room / cistern reveal

The hidden subterranean route into Alcatraz is admired for its atmosphere and reveal.

About 32 min
Favorite

Shower room shootout

The SEAL-versus-Marine firefight is praised for intensity and moral tension.

About 32 min
Favorite

Mine-cart chase

Compared to a theme-park ride, this sequence is celebrated for its kinetic fun.

About 40 min
Favorite

Mutiny shootout / Rocketman

The internal betrayal and rocket launch chaos are treated as peak action-movie escalation.

About 40 min
Favorite

Green flare finale

The flare-on-the-beach climax is singled out for Bay’s slow-motion spectacle.

About 48 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 24 min

Is the car chase a strength or a drag?

Chris Ryan

It is the least rewatchable part and can feel like unnecessary bloat.

Mina Kimes

It is fun but clearly an appended Bay set piece that does not match the rest of the film.

They partly agreed Opening minutes

Who is the film’s true standout?

Chris Ryan

Connery is the movie’s defining performance.

Mina Kimes

The movie works because of all three leads, with Cage and Harris essential too.

They partly agreed About 40 min

Does Ed Harris belong in the same movie as the others?

Chris Ryan

He feels like he is in a different, much more serious film.

Mina Kimes

His seriousness is exactly what makes the role effective.

They left it as a friendly argument About 32 min

Can the movie’s logic be nitpicked?

Chris Ryan

Bay logic should not be over-litigated because the spectacle is the point.

Mina Kimes

Some plot mechanics are absurd, but the film still works.

15 People discussedActors, directors, writers, and producers
very favorableSean ConneryChris Ryan: Praised as the movie’s standout, with exceptional confidence, sex appeal, and late-career charisma. Opening minutes very favorableNicolas CageMina Kimes: Viewed as making a defining transition into action stardom while still sounding quirky and thought-out. About 8 min favorableEd HarrisChris Ryan: Admired for playing Hummel as serious, sympathetic, and morally legible. About 16 min favorableMichael BayChris Ryan: Praised for visual style, action coverage, and the ability to make the movie intentionally funny. About 24 min neutralDon SimpsonMentioned as one of the producers and as inspiration for the Hummel character. About 32 min neutralJerry BruckheimerReferenced as producer and part of the film’s action-movie pedigree. Opening minutes neutralJohn SpencerUsed as an example of strong supporting casting and as part of the prison-action scenes. About 24 min favorablePhilip Baker HallChris Ryan: Held up as ideal situation-room casting and part of the movie’s deep bench of character actors. About 40 min favorableWilliam ForsytheMina Kimes: Praised as quietly good and sympathetic as the government liaison/police side character. About 48 min
mixedTony ToddChris Ryan: Seen as intense and effective, though one host wonders if a better actor could have played the part. About 40 min
mixedClaire ForlaniMina Kimes: Mentioned as a career what-if whose promise never fully materialized. About 48 min
criticalAnthony ClarkHis hairstylist character is cited as the most dated queer-coded bit. About 56 min
neutralAaron RodgersMina Kimes: Used as a digression point while discussing franchise resurgence and sports analogies. About 1:04 · medium confidence
neutralArnold SchwarzeneggerReferenced for having turned down Mason and for the leverage stars had in this era. About 40 min favorablePhil HartmanChris Ryan: Suggested as a better Alcatraz guide in a recast for the prison-tour material. About 1:12
8 Conversation takesSpeakers shown only where the transcript identifies them
Chris RyanLoved it

The Rock as a Die Hard-on-a-blank culmination

Argues the film is the logical culmination of the 90s trend of making Die Hard bigger and better.

Opening minutes
Mina KimesLoved it

The Rock overall

Calls it one of her all-time favorite movies and says the premise and performances are the reason.

Opening minutes
Chris RyanLoved it

Sean Connery

Treats Connery as the film’s major asset and a near-unique type of older leading man.

Opening minutes
Mina KimesLoved it

Nicolas Cage

Likes Cage’s performance because it is weird, but grounded in actual character work.

About 8 min
Chris RyanDid not like it

San Francisco car chase

Says the chase is overlong and the least rewatchable major sequence.

About 24 min
Mina KimesLoved it

Cage’s mine-cart and morgue work

Highlights Cage’s face and comic timing in the bomb-disarm and corpse scenes.

About 48 min
Chris RyanLoved it

Michael Bay staging

Says Bay’s images and action setups are what make the movie work better than later Bay films.

About 24 min
Mina KimesLoved it

The film’s politics

Finds the movie unusually nuanced about patriotism and military grievance for a Bay film.

About 56 min
5 ThemesThe larger ideas in the discussion

Late-career star mythmaking

Connery is discussed as a uniquely confident older leading man whose aura powers the film.

Opening minutes

Quirky action-hero evolution

Cage’s Stanley Goodspeed is framed as a new kind of action lead: nerdy, funny, and still credible in danger.

About 8 min

Sympathetic villainy

Ed Harris’s Hummel is treated as morally serious rather than cartoonishly evil, which adds depth.

About 16 min

Michael Bay excess as a strength

Bay’s big images, slow motion, and overdetermined action are presented as part of the appeal.

About 24 min

Patriotism and bluff politics

The film’s depiction of military grievance, patriotism, and the final bluff are treated as more nuanced than typical Bay jingoism.

About 56 min
21 Facts and referencesProduction notes and other movies mentioned

Production note

The studio allegedly inserted the San Francisco car chase after early screenings showed a flat stretch.

About 24 min

Production note

Connery reportedly asked for and received a cabin on Alcatraz during production.

About 48 min

Production note

Cage wanted Stanley Goodspeed to never swear in the movie.

About 48 min

Production note

A writers-guild arbitration reportedly could not fully determine who wrote the script.

About 48 min

Production note

Some Navy SEAL roles were played by real Navy SEALs.

About 48 min

Production note

The movie was used as a source of misinformation in the lead-up to the Iraq invasion.

About 1:12 · medium confidence

Die Hard

Used as the template The Rock is perfecting and escalating.

Opening minutes

Jaws

Cage reportedly studied Dreyfuss’s bomb-scene work for his performance.

About 16 min

Mission: Impossible

Compared with The Rock as a 1996 action movie, but considered inferior here.

About 16 min

Independence Day

Cited as part of 1996’s unusually strong action-blockbuster slate.

About 16 min

Twister

Another 1996 blockbuster used to contextualize the year.

About 16 min

Total Recall

Used as a benchmark for big action movies with star power.

About 16 min

True Lies

Referenced as one of the action-movie classics The Rock belongs with.

About 16 min

So I Married an Axe Murderer

Mentioned for its Alcatraz tour joke and Phil Hartman’s guide performance.

Opening minutes

The Untouchables

Used to mark Connery’s late-career run after his Oscar win.

Opening minutes

Finding Forrester

Mentioned as one of Connery’s final notable roles.

About 8 min

Crimson Tide

Cited as an example of another great mutiny/command thriller and as a parallel for casting.

About 1:12

Pulp Fiction

Referenced for the ‘needles in the heart’ image and heat-check style.

About 1:12

Platoon

Referenced for the Christ-pose and war-movie visual language.

About 1:12

GoldenEye

Used to discuss generational Bond awareness and Brosnan’s era.

About 8 min

The Fugitive

Named among the era’s top action films.

About 16 min
10 Running jokes and short linesRecurring bits captured from the conversation

Sean Connery impression / accent bit

The hosts keep circling Connery impersonations and accent jokes.

Opening minutes

Lead-left-in-the-pencil joke

They repeatedly quote Connery’s line about having 'a little lead left in your pencil.'

About 32 min

Room-service / hotel-food bit

The conversation drifts into action-movie and real-life room-service anecdotes.

About 32 min

Apex Mountain debates

They repeatedly bring up performance or career apexes for Cage, Connery, Bay, and the film itself.

About 1:12

'What aged the best/worst' nitpicking

The hosts enjoy tracking which elements still work and which are dated or absurd.

About 56 min

Mina Kimes

“The premise is incredible.”
Opening minutes

Chris Ryan

“Welcome to the rock.”
About 32 min

Mina Kimes

“That's just about the most awful thing I've ever seen.”
About 48 min

Chris Ryan

“Winners go home and fuck the prom queen.”
About 56 min

Mina Kimes

“We bluffed, they called it.”
About 56 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where The Rock is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Rock, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Mina KimesThe Rewatchables

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