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THE REWATCHABLES · June 28, 2018

The Devil Wears Prada

A 2006 comedy / drama directed by David Frankel, covered in the complete Rewatchables archive.

ComedyDrama2000sDirected by David Frankel
Overall episode#37Source sheet order
Movie year20062000s
Tomatometer75%Critics’ score
Metacritic62View score
Roger Ebert2/4Original star rating
DirectorDavid FrankelComedy / Drama

FROM THE CONVERSATION

What they said about the movie

The hosts treat The Devil Wears Prada as a highly rewatchable, sharply written, performance-driven movie that still works as a glossy, funny office/fashion power fantasy. They praise Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci, while also arguing about the movie’s soundtrack, love interest, and some dated elements.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Meryl Streep’s Miranda performance is treated as endlessly enjoyable and scene-stealing. Opening minutes
  2. 02The makeover and fashion sequences are satisfying and fun to revisit. About 24 min
  3. 03Stanley Tucci’s speeches and office dynamics give the movie quote-worthy energy. About 24 min
  4. 04The movie works as a quick hop-in viewing because the performances and plotting are so strong. About 8 min
  5. 05The movie combines commercial appeal with unusually strong acting and writing. About 8 min

WHAT DID NOT WORK

Their main criticisms

  1. majorAdrian Grenier is badly written and gives a weak performance as Andy’s boyfriend. About 56 min
  2. moderateThe Nigel character feels implausible and over-the-top as a glamorous reporter. About 56 min
  3. moderateThe soundtrack is seen as generic or weak outside of a few moments like 'Vogue.' About 32 min
  4. minorSome side characters and the friend group do not feel especially credible. About 48 min · medium confidence
  5. minorSeveral costumes and accessories, especially some hats and early looks, are dated or bad. About 48 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Andy’s makeover

Used as a classic satisfying transformation scene and one of the movie's core pleasures.

About 24 min
Favorite

The blue sweater/cerulean speech

Miranda dismantles Andy's apparent individuality with a famous explanation of fashion’s supply chain.

About 32 min
Favorite

Stanley Tucci's Runway speech

Tucci delivers a passionate speech about why the magazine matters and why Andy should care.

About 24 min
positive

Harry Potter manuscript sequence

Juliet picks this as her favorite because it shows Andy being industrious and working the fashion/world-juggling angle.

About 40 min
positive

Miranda without makeup

Seen as an especially vulnerable and award-caliber moment for Streep.

About 24 min
positive

Paris double-cross

Cited as a major payoff in the film's second half.

About 24 min · medium confidence

WHERE THEY DISAGREED

The biggest debates

They agreed About 8 min

Is Miranda Priestly an antiheroine or simply a competent, mean boss?

Bill Simmons

She is not really an antiheroine because she is good at her job and the movie wants us to admire that competence.

Amanda Dobbins

She is admirable and even root-worthy because she is right and powerful, not morally confused.

Juliet Litman

She is more sympathetic than evil, but the movie's meanness pushes her away at points.

They partly agreed About 8 min

Is The Devil Wears Prada among the 21st century's best movies?

Bill Simmons

Yes, because it is rewatchable, well-acted, commercially successful, and culturally durable.

Amanda Dobbins

Yes, it checks all the boxes for a great modern movie.

Juliet Litman

She likes it but is more cautious about elevating it quite that high.

They partly agreed About 24 min

What is the best scene in the movie?

Bill Simmons

The blue sweater speech and the Tucci speech are top contenders.

Amanda Dobbins

The blue sweater speech is the standout, almost like a sports speech.

Juliet Litman

The Harry Potter sequence is her favorite because it shows Andy working and looking great.

No final agreement About 1:12

Is Meryl Streep's Miranda her greatest role?

Bill Simmons

Yes, or at least the best mainstream performance, though Sophie's Choice remains the historical benchmark.

Amanda Dobbins

Yes, it may be her greatest performance because it is so precise and rewatchable.

Juliet Litman

No, Sophie's Choice is the more obvious all-time answer.

No final agreement About 1:12

Was Stanley Tucci's character gay?

Bill Simmons

Unclear and not answerable from the movie alone.

Amanda Dobbins

Unclear, though she mentions a fan reading of him as possibly gay.

Juliet Litman

No clear answer; the character remains ambiguous.

10 People discussedActors, directors, writers, and producers
8 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

The Devil Wears Prada

Says the movie is the definition of a rewatchable and one of the 21st century's best commercial movies.

About 8 min
Amanda DobbinsLoved it

Meryl Streep as Miranda Priestly

Argues Miranda is not just a villain but a competent, admirable boss who is right most of the time.

About 8 min
Juliet LitmanLiked it

Emily Blunt's Emily

Says she roots more for Emily Blunt's character than for Miranda, even while liking the movie.

About 8 min
Bill SimmonsLoved it

The cerulean blue sweater speech

Treats the 'cerulean' monologue as one of the great put-you-in-your-place speeches in movie history.

About 32 min
Bill SimmonsLoved it

Stanley Tucci's office speech

Sees Tucci's pep talk as a defining scene that captures the movie's respect for the magazine world.

About 24 min
Amanda DobbinsLoved it

Meryl Streep's performance style

Argues Streep's whispered delivery and controlled presence make the role extraordinary.

About 1:12
Bill SimmonsLiked it

Anne Hathaway

Says Hathaway is great because she can play awkward, unpolished, and funny without losing star quality.

About 40 min
Juliet LitmanDid not like it

The Devil Wears Prada soundtrack

Thinks the soundtrack is mostly weak and generic outside of a few intentional moments.

About 32 min
5 ThemesThe larger ideas in the discussion

Female power and office authority

The movie is framed as a landmark depiction of a powerful woman boss whose competence and cruelty are both compelling.

About 8 min

Aspirational New York/media fantasy

For Amanda and Bill, the movie captures the excitement of breaking into fashion and media in New York.

Opening minutes

Work ethic and millennial office culture

They read the Andy/Miranda dynamic as a preview of later generational debates about entitlement and professional seriousness.

About 24 min

Transformation and style as identity

The makeover and wardrobe arc are treated as part of the film's central meaning about finding the style that fits you.

About 24 min

Meryl Streep’s career inflection point

They argue this role shifted Streep into a more mainstream, commercially accessible phase without losing artistic credibility.

About 8 min
22 Facts and referencesProduction notes and other movies mentioned

Production note

The hosts say Meryl Streep was the only person seriously considered for Miranda Priestly.

About 1:04

Production note

They say Streep negotiated a higher salary for the film.

About 1:04

Production note

Bill says Emily Blunt was essentially discovered in a parking lot.

About 8 min

Production note

Bill says the movie was a financial hit, grossing over $300 million.

Opening minutes

Production note

They note Streep modeled Miranda's quiet speaking style on Clint Eastwood.

About 1:12

Production note

Amanda says Anne Hathaway went down a clothing size during filming.

About 1:12 · medium confidence

Production note

Bill says John Krasinski has watched the movie 75 times.

About 1:12 · medium confidence

Sex and the City

Used to explain Juliet's reaction to aspirational New York stories and to compare career-type media enthusiasm.

Opening minutes

Working Girl

Cited as an earlier office-woman movie and a comparison point for professional female roles.

About 8 min

Kramer vs. Kramer

Used to compare Meryl Streep's ability to make a hateable character feel human.

About 8 min

The Queen

Mentioned as the Oscar-winning film Streep lost to for this role.

About 16 min

The Social Network

Referenced as another enduring 21st-century movie with staying power.

About 16 min

Almost Famous

Named as another durable film in the same long-lasting rewatchable class.

About 16 min

Ocean's 8

Used both as a comparison for Hathaway's later career and as an example of women-targeted movies with weak soundtracks.

About 40 min

A Lot Like Love

Mentioned as a movie with a notably strong soundtrack and a comparison point for romantic dramedy music.

About 40 min

Center Stage

Referenced for its use of Jamiroquai and as an especially effective women's movie soundtrack moment.

About 40 min

The Talented Mr. Ripley

Brought up as a strong film with an excellent cast and another case of an actor playing two very different parts in the same year.

About 1:04

Brides of Madison County

Used as an example of a quality Streep film they would not rewatch often.

About 8 min · medium confidence

Mary Poppins

Used to discuss Emily Blunt's later career and whether younger audiences still know the original property.

About 48 min

The Dark Knight

Referenced when talking about Anne Hathaway's post-Prada career boost.

About 1:12

The Hills

Mentioned to illustrate a later, less successful imitation of fashion-media power dynamics.

About 32 min

Jaws

Announced as the next Rewatchables episode.

About 24 min
10 Running jokes and short linesRecurring bits captured from the conversation

Amanda as Miranda/Wintour energy

Bill and Juliet joke that Amanda likes the tough-love, boss-mean-to-assistant mindset and is basically channeling Miranda or Anna Wintour.

About 24 min

Anti-musical stance

Bill repeatedly says he does not count or recognize musicals, even while discussing Streep and box office.

About 8 min

Media-world insider fantasy

The hosts keep circling the idea that the movie makes fashion/media work look glamorous and aspirational.

Opening minutes

Half-ass internet research

Bill repeatedly introduces trivia and casting notes as researched but informal facts.

About 1:04

John Krasinski/Emily Blunt joke

Bill jokes about Krasinski watching the film repeatedly and the Blunt pairing as a kind of destiny.

About 1:12 · medium confidence

Speaker not identified

“Everybody wants to be us.”
Opening minutes

Speaker not identified

“It's actually cerulean.”
About 32 min

Speaker not identified

“No, I shan't.”
About 40 min

Bill Simmons

“The definition of a rewatchable.”
About 8 min

Amanda Dobbins

“I have been training my whole life.”
Opening minutes

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where The Devil Wears Prada is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Devil Wears Prada, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Juliet LitmanThe Rewatchables
Amanda Dobbins headshotAmanda DobbinsThe Rewatchables

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