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THE REWATCHABLES · February 10, 2025

The Blues Brothers

A 1980 comedy / musical movie directed by John Landis—and decision no. 42 in the Hanks–Cruise tape.

ComedyMusical1980sDirected by John Landis
The Blues Brothers1980MOVIE
Podcast episode#381No. 392 overall
Movie year19801980s release
Tomatometer72%No. 75 of 128 tracked
Metacritic60View score
Roger Ebert3/4Original star rating
State of the raceHanks led by 423–19 · 0 ties

FROM THE CONVERSATION

What they said about the movie

A largely celebratory rewatch that treats The Blues Brothers as a chaotic but historically important comedy-musical document: a peak-Belushi/peak-Aykroyd artifact, a Chicago movie, and a cocaine-fueled production that somehow works. The hosts praise the music, set pieces, and cultural reach while noting the plot is thin and the movie can feel overstuffed.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Peak Belushi and Aykroyd energy, with Belushi described as an original and Aykroyd as the perfect straight man. About 8 min
  2. 02Major musical performances from James Brown, Aretha Franklin, Ray Charles, Cab Calloway, and John Lee Hooker. Opening minutes
  3. 03Set pieces like the mall chase, the restaurant destruction, and the final carnage are treated as all-time comic spectacles. About 32 min
  4. 04Chicago-specific iconography and location shooting give the film a distinctive sense of place. About 16 min
  5. 05The movie’s sheer improvised, over-the-top production story adds to its legend and rewatch value. About 24 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe plot is thin and the movie is more a series of set pieces than a functional story. About 40 min
  2. moderateThe film can feel overstuffed and bloated, reflecting the cocaine-heavy production. Opening minutes
  3. minorA few scenes would benefit from more Belushi unleashed in additional venues. About 32 min
  4. minorSome of the crowd/continuity and time logic feels dubious, especially the overnight chase timeline. About 1:04 · medium confidence

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Jake released from prison and the brothers reunite

The opening prison release and reunion are praised as one of the film’s strongest starts.

About 32 min
Favorite

Dixie Square Mall chase

The mall demolition sequence is treated as one of the film’s peak comic spectacles.

About 32 min
Favorite

Chez Paul restaurant scene

Belushi’s outrageous interrogation of the restaurant patron and the ensuing chaos are singled out as the best scene.

About 32 min
positive

Ray Charles music-store/restaurant sequence

The song-and-recruitment sequence is part of the film’s charm and rhythm.

About 40 min
Favorite

Aretha Franklin’s diner performance

They admire the dramatic power of Aretha’s number and the way the scene pauses the plot for a star turn.

About 40 min
positive

Bob’s Country Bunker performance

The band’s beer-fueled country-bar gig is remembered as one of the movie’s funniest practical set pieces.

About 1:04
Favorite

Final downtown chase and bridge destruction

The huge endgame car pileup and city-scale mayhem are praised as peak Landis spectacle.

About 48 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 16 min

Best SNL movie

Bill Simmons

Leans The Blues Brothers as the best overall SNL movie, though Wayne's World is funnier.

Sean Fennessey

Suggests Wayne's World is more coherent and may be funnier, but acknowledges Blues Brothers as a better movie.

They agreed About 40 min

Whether the Blues Brothers are actually good at blues music

Bill Simmons

Yes in performance terms, but mostly as entertainers rather than pure blues musicians.

Sean Fennessey

Notes they mostly sing R&B/soul and dance rather than play traditional blues.

They agreed About 1:04

Cocaine as a creative force

Bill Simmons

Argues cocaine is underrated as a driver of wild, memorable 70s/80s culture.

Sean Fennessey

Agrees it seems inseparable from how this movie got made.

They partly agreed About 40 min

Favorite age to first see the movie

Bill Simmons

Suggests late teens is ideal and 30 is too late for a first viewing.

Sean Fennessey

Says 16 is a great age, especially if you’re discovering soul music and car chases.

15 People discussedActors, directors, writers, and producers
very favorableJohn BelushiBill Simmons: Described as an original, a phenomenal performer, and one of the defining figures of the era. Opening minutes favorableDan AykroydBill Simmons: Praised as the perfect straight man and the brain behind much of the Blues Brothers concept. About 8 min mixedJohn LandisBill Simmons: Seen as a master of comic set pieces whose work is now viewed differently because of later tragedy. About 24 min
very favorableAretha FranklinBill Simmons: Lauded for a great performance and one of the film’s biggest musical events. About 40 min
very favorableRay CharlesBill Simmons: Listed among the movie’s legendary musical guests and treated as a major draw. About 8 min
very favorableJames BrownBill Simmons: His number is treated as one of the film’s iconic musical moments. About 8 min favorableCarrie FisherBill Simmons: Praised for adding energy, action, and memorable chaos to the movie. About 32 min neutralChevy ChaseBill Simmons: Mentioned only as part of early SNL history and the first major star departure. Opening minutes favorablePhil HartmanBill Simmons: Used as part of a lineage of performers similar to Aykroyd’s multi-hyphenate brain. About 8 min favorableJohn CandyBill Simmons: Mentioned as one of the many fun cameos that make the film feel like a document of the era. About 8 min
neutralStephen SpielbergBill Simmons: Mentioned as one of the cameo appearances in the movie. About 16 min
favorablePaul ReubensBill Simmons: His brief waiter role is praised for capturing his comic persona. About 56 min
neutralCharles NapierBill Simmons: Cited as a classic that-guy whose screen presence is familiar and effective. About 56 min
neutralKathleen FreemanBill Simmons: Mentioned as another strong supporting performer and possible awards contender in the pod’s bits. About 56 min
neutralLorne MichaelsBill Simmons: Discussed as someone who later became more hands-on with SNL-related film rights. About 1:12 · medium confidence
12 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

The Blues Brothers

Calls it an OG and one of his favorite movies, especially effective as an SNL-era document.

Opening minutes
Bill SimmonsLoved it

John Belushi

Argues Belushi was a complete original and a singular comic performer with huge charisma.

About 8 min
Bill SimmonsLiked it

Dan Aykroyd

Sees Aykroyd as the serious, knowledgeable straight man whose interests shaped the film.

About 8 min
Bill SimmonsLiked it

cocaine-era production culture

Treats the film’s cocaine-fueled chaos as part of why it exists and why it’s fascinating.

About 24 min
Bill SimmonsLiked it

The Blues Brothers

Says it’s a musical in camouflage and his favorite musical by far.

About 16 min
Bill SimmonsLoved it

Dixie Square Mall chase

Treats the mall chase as a genius-level comic set piece.

About 32 min
Bill SimmonsLoved it

Chez Paul restaurant destruction

Says this is his favorite scene because it lets Belushi fully unleash.

About 32 min
Bill SimmonsLiked it

John Landis’s directing style

Admires the comic set-piece craft even if some of the spectacle feels excessive today.

About 24 min
Bill SimmonsLiked it

musical authenticity

Likes that the movie is sincere about blues and soul rather than a joke about them.

About 16 min
Bill SimmonsLiked it

Wayne's World

Admits Wayne’s World may be funnier, but still keeps The Blues Brothers as the better overall movie.

About 16 min
Bill SimmonsLiked it

Elwood Blues / Dan Aykroyd

Thinks Aykroyd’s performance and persona are crucial to the movie’s appeal, especially in the straight-man role.

About 8 min
Bill SimmonsDid not like it

The Blues Brothers 2000

Uses the sequel mainly as a cautionary tale and a reminder of how different the original era was.

About 1:04
5 ThemesThe larger ideas in the discussion

Belushi legend and stardom

The episode argues Belushi’s fame was singular, especially in the late 70s, and his movie legacy is inseparable from this film.

Opening minutes

SNL as a variety-show ecosystem

The hosts frame the film as an extension of early SNL’s variety-show identity and cool-club energy.

About 16 min

Cocaine-era creativity and chaos

The production is repeatedly used as an example of how 70s/80s cocaine culture enabled wild, impossible filmmaking.

About 24 min

Chicago as movie locale

The movie is treated as a key document in Chicago’s on-screen identity and the city’s early-80s film renaissance.

About 16 min

Musical legitimacy through sincerity

They stress that Aykroyd’s sincerity and the use of real musicians make the musical numbers feel authentic rather than gimmicky.

About 8 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

Aykroyd wrote a 324-page script that had to be heavily cut down.

About 24 min

Production note

The production reportedly had cocaine worked into the budget for night shoots.

About 32 min

Production note

The film reportedly destroyed 103 cars.

About 56 min

Production note

The downtown finale cost about $3.5 million.

About 24 min

Production note

The movie made $115.2 million and was one of 1980’s biggest musical hits.

About 32 min

Production note

Mann Theaters reportedly refused to book the movie in white neighborhoods and wanted it in Compton.

About 56 min · medium confidence

Production note

The final chase included dropping a Ford Pinto from a helicopter.

About 56 min

Production note

Belushi supposedly lost about 500 Ray-Bans during filming.

About 1:20 · medium confidence

Saturday Night Live

The movie is framed as the first SNL film and part of SNL’s early variety-show identity.

Opening minutes

Animal House

Used as a key comparison point in Belushi’s rise and Landis’s career.

Opening minutes

Wayne's World

Compared as a later SNL movie that is funnier but maybe less of a movie overall.

About 16 min

Smokey and the Bandit

Cited as part of the 70s movies that feature repeated cool-person cameos and car chaos.

Opening minutes

Cannonball Run

Another comparison for all-star, car-chase ensemble comedy of the era.

Opening minutes

Mad, Mad, Mad, Mad World

Referenced as an older version of the pop-up cameo ensemble model.

Opening minutes

Ferris Bueller's Day Off

Cited as a later Chicago movie that owes something to Blues Brothers.

About 16 min

The Commitments

Suggested as a double feature because it is another soul-band movie built around sincerity and performance.

About 1:20

Ghostbusters

Mentioned as the film Belushi was supposed to make with Aykroyd before his death.

About 1:04

Trading Places

Used to describe John Landis’s run and to compare VHS-era texture.

About 24 min

The Blues Brothers 2000

Discussed as a later sequel that many fans regarded as a fiasco despite premiere hype.

About 1:04

Apocalypse Now

Referenced through the Colleen Camp poster in Elwood’s apartment and the Linda Carter/Playboy connection story.

About 40 min

The Empire Strikes Back

Noted as opening the same day as The Blues Brothers and as a big day for Carrie Fisher.

About 48 min

Risky Business

Cited as another Chicago/Ray-Bans-era movie and as a source of John Lee Hooker associations.

About 40 min · medium confidence

The Blues Brothers (concert album Briefcase Full of Blues)

Referenced as the live album tied to the group’s popularity and sales.

About 16 min
10 Running jokes and short linesRecurring bits captured from the conversation

Cocaine explains everything

A recurring gag that the movie’s impossible scale, chaos, and weirdness can be traced to cocaine.

About 24 min

Apex Mountain / categorical awards

The pod uses many playful awards to decide which careers or objects hit their peak here.

About 1:04

Chicago movie renaissance

The hosts repeatedly connect this film to a burst of Chicago-set movies in 1979-81.

About 16 min

VHS cinema

Bill argues some movies, including this one, feel especially right on VHS.

About 16 min

Orange whip repetition

The famous line becomes a playful text-thread quote among Bill and his friends.

About 48 min

Bill Simmons

“It's an OG.”
Opening minutes

Bill Simmons

“Musical in camouflage”
About 16 min

Bill Simmons

“You can feel the cocaine oozing off”
About 32 min

Bill Simmons

“We're on a mission from God.”
About 40 min

Bill Simmons

“Orange whip, orange whip, three orange whips!”
About 48 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where The Blues Brothers is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before The Blues Brothers, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices made the call

Bill Simmons headshotBill Simmons125 tracked appearances · 56 H / 64 C / 5 ties
Chris Ryan headshotChris Ryan77 tracked appearances · 36 H / 38 C / 3 ties
Sean Fennessey headshotSean Fennessey35 tracked appearances · 15 H / 17 C / 3 ties

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