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THE REWATCHABLES · August 30, 2022

Tango and Cash

A 1989 buddy cop / action / comedy directed by Andrei Konchalovsky; Albert Magnoli, covered in the complete Rewatchables archive.

Buddy CopActionComedy1980sDirected by Andrei Konchalovsky; Albert Magnoli
Overall episode#271Source sheet order
Movie year19891980s
Tomatometer31%Critics’ score
Metacritic41View score
Roger Ebert—No review recorded
DirectorAndrei Konchalovsky; Albert MagnoliBuddy Cop / Action / Comedy

FROM THE CONVERSATION

What they said about the movie

A highly enthusiastic defense of Tango & Cash as a ridiculous, overstuffed, late-80s action movie that works because it commits to chaos, star charisma, and constant ball-busting. The hosts praise the film’s opening bust, prison material, villains, and cross-movie self-references, while also noting how absurd the plot and production history are.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The opening cocaine-bust sequence is huge, silly, and immediately iconic. About 16 min
  2. 02The prison sequence delivers electrocution, escapes, and constant jokes under extreme pressure. About 16 min
  3. 03Kurt Russell and Sylvester Stallone’s odd-couple chemistry gives the movie energy even when the plot makes no sense. About 8 min
  4. 04Jack Palance’s villain performance is wildly committed and memorable. About 32 min
  5. 05The movie’s self-aware but not fully self-aware tone makes it feel of its era. About 8 min

WHAT DID NOT WORK

Their main criticisms

  1. majorThe plot is nonsensical, with improbable twists and contrivances piling up constantly. Opening minutes
  2. minorThe fake newspaper montage is a clunky narrative device. About 40 min
  3. moderateThe movie relies on obvious studio-era nudity and violence-mitigation edits that feel formulaic. About 40 min · medium confidence
  4. minorBill Simmons argues Stallone is not a natural comedian, even if that awkwardness is part of the charm. About 56 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening cocaine-bust highway chase

Stallone’s character single-handedly makes a massive bust, including the famous 'Rambo is a pussy' line.

About 16 min
Favorite

Prison intake and electrocution

The heroes are dragged through prison, shocked, and forced into a brutal system that keeps escalating.

About 16 min
Favorite

Prison escape with zip line and cable jump

An elaborate escape sequence with rain, guards, a zip line, and exaggerated stunt work.

About 16 min
positive

Strip club introduction of Terry Hatcher

A glossy, absurd nightclub scene that includes Hatcher, drums, and a disguise gag.

About 24 min
positive

Upside-down building hang and grenade bit

A classic action-movie dangling-over-danger sequence with grenades and insults.

About 24 min
positive

Final quarry battle

The climactic fight in a real quarry involved dangerous stunts and multiple camera setups.

About 48 min

WHERE THEY DISAGREED

The biggest debates

They agreed About 48 min

Who should have starred in the movie / Swayze vs. Russell casting

Bill Simmons

Swayze originally fit the project, but Russell ending up in the movie was ideal.

Shea Serrano

Swayze could have worked, but Russell makes the finished film better.

They partly agreed About 48 min

Whether Stallone is good at comedy in this film

Craig Horlbeck

Stallone is bad in the film and the comedy does not work.

Bill Simmons

Stallone is not a natural comic actor, but that awkwardness helps the movie.

Shea Serrano

He is funny here and the performance works as part of the movie’s charm.

They agreed About 48 min

Whether Tango & Cash deserved a sequel

Bill Simmons

The movie absolutely should have had a sequel.

Shea Serrano

He strongly agrees and says he would watch a sequel immediately.

They partly agreed About 32 min

Best buddy-cop movie of the 1980s

Bill Simmons

Beverly Hills Cop is best; Tango & Cash is below it.

Shea Serrano

Tango & Cash is the second-best 80s buddy-cop movie and better than most rivals.

14 People discussedActors, directors, writers, and producers
favorableSylvester StalloneBill Simmons: Praised for his funny, unusual take on Tango and as a star trying something different, though his comic instincts are debated. Opening minutes very favorableKurt RussellShea Serrano: Celebrated as extremely cool, charismatic, and the movie’s best performance. About 8 min favorableJack PalanceBill Simmons: Praised for an over-the-top villain performance that makes no sense but is fun to watch. About 24 min
favorableTerry HatcherShea Serrano: Seen as a strong supporting presence who does a lot with a small role. About 32 min
criticalJohn PetersBill Simmons: Described as a chaotic producer whose campier instincts clashed with Stallone’s serious impulses. About 16 min
neutralAndrei KonchalovskyBill Simmons: Mentioned as the original director who was fired during production. About 16 min
neutralAlbert MagnoliBill Simmons: Named as one of the replacement directors who helped finish the film. About 16 min
neutralPeter MacDonaldBill Simmons: Named as another filmmaker who finished the movie after the original director was fired. About 16 min
criticalRoger EbertBill Simmons: Cited as hating the movie and calling it a waste of electricity. About 24 min criticalSiskel and EbertBill Simmons: Referenced as the TV-review duo who strongly disliked the film at the time. About 24 min favorableDenzel WashingtonShea Serrano: Used as an example of a top-tier actor who can also credibly do action movies. About 16 min · medium confidencefavorableMichael B. JordanBill Simmons: Mentioned as someone who could have been shaped into a modern action-star lane like Russell or Stallone. About 16 min · medium confidencefavorablePatrick SwayzeBill Simmons: Cited as the original planned co-star and as a useful comparison for action-star casting. About 48 min favorableBruce WillisBill Simmons: Used as a benchmark for a different kind of action-cop role and as an alternative casting idea. About 48 min
11 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Tango & Cash

Calls the film ridiculous, entertaining, and one of the best action movies ever despite its obvious borrowing.

Opening minutes
Shea SerranoLoved it

Tango & Cash

Says he loves every part of it and keeps discovering new favorite moments on each rewatch.

Opening minutes
Bill SimmonsLiked it

Harold Faltermeyer-style synth score

Notes the soundtrack is a recycled synth sound from other 80s action movies, part of the movie’s discount charm.

Opening minutes
Bill SimmonsMixed

Stallone in comedy mode

Feels Stallone is awkward at comedy but that the awkwardness helps the film’s appeal.

About 8 min
Shea SerranoLoved it

Kurt Russell

Argues Russell could have played many great action roles and is as cool as any star on screen.

About 8 min
Bill SimmonsLoved it

Jack Palance

Marvels at Palance’s ferocious commitment to the villain role and how it elevates the movie.

About 24 min
Bill SimmonsLoved it

opening cocaine-bust sequence

Sees the opening as an impossible, perfectly engineered action set piece that defines the movie.

About 16 min
Shea SerranoLoved it

prison escape and electrocution sequence

Treats the prison material as elite, especially the electrocution and escape beats.

About 16 min
Bill SimmonsDid not like it

fake newspaper montage

Thinks the newspaper headline device is clumsy and overused.

About 40 min
Shea SerranoLoved it

80s action movies

Says the genre feels more alive because the stars and tone were so distinctive compared with modern action films.

About 56 min
Bill SimmonsDid not like it

modern action movies

Argues current action films lack the unique star personalities that made 80s films memorable.

About 56 min
5 ThemesThe larger ideas in the discussion

Buddy-cop rivalry

The movie’s core appeal is two mismatched cops who constantly insult each other but still function as a team.

Opening minutes

Late-80s action excess

The film is presented as a collage of ripped-off action-movie ideas, synth music, and huge set pieces.

Opening minutes

Self-aware masculinity

The movie lets macho action stars make jokes without fully turning into parody.

About 8 min

Star reinvention

Stallone appears to be trying to pivot into comedy, while Russell demonstrates he can do cool action-star wit effortlessly.

About 8 min

Institutional cynicism and prison abuse

The LAPD and prison system are treated as absurdly corrupt and brutal, but in an entertaining 80s-action way.

About 16 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

The film was reportedly made by three directors after the original director was fired near the end of production.

About 16 min

Production note

Warner Bros. rushed the movie into theaters as a 'wet print.'

About 24 min

Production note

The budget reportedly ran from about $35 million to $54 million.

About 24 min

Production note

The film grossed about $120.4 million.

About 24 min

Production note

The movie used quick cuts on deaths to avoid an X rating.

About 40 min

Production note

A dangerous heroin batch in the Bronx was reportedly stamped 'Tango and Cash.'

About 48 min

Production note

The prison quarry finale was shot in Irwindale, California, with at least 11 cameras on some setups.

About 48 min

Production note

Producer Craig says the movie’s comedy and Stallone’s acting did not fully work for him.

About 48 min

Rambo

Used for the opening joke where Stallone’s character is compared with and then mocked as Rambo.

About 16 min

Lethal Weapon

Used repeatedly as the closest tonal and structural comparison for the film’s buddy-cop setup.

Opening minutes

48 Hours

Referenced as an earlier model for paired cops who dislike each other and trade insults.

Opening minutes

Beverly Hills Cop

Referenced as both an influence and the best 80s buddy-cop movie.

About 32 min

Roadhouse

Used as a 1989 action-movie comparison and as the movie Swayze went to do instead.

Opening minutes

Kickboxer

Mentioned as another 1989 action title in the crowded action-movie year.

Opening minutes

Big Trouble in Little China

Used to illustrate Kurt Russell’s action-star range.

About 8 min

Tombstone

Referenced as another example of Russell balancing action and prestige charisma.

About 8 min

City Slickers

Mentioned because Jack Palance won an Oscar after appearing in this kind of villainous, goofy role.

About 32 min

Predator

Referenced in a discussion of action-star casting and Van Damme’s earlier attachment to the role.

About 48 min

Die Hard

Used as a benchmark for action-star roles and police-movie structures.

About 16 min

Last Action Hero

Mentioned as a later turning point toward more overt self-parody in action films.

About 8 min

Heat

Referenced in a discussion of a prestige-TV version of Tango & Cash and in a separate conversation about Bill watching Heat late.

About 56 min · medium confidence

City Slickers

Also referenced via Palance’s Oscar win after the film’s over-the-top villain work.

About 32 min

TNT

Used as the channel where the movie played often for kids, shaping nostalgia.

About 32 min · medium confidence
10 Running jokes and short linesRecurring bits captured from the conversation

Every scene is someone's favorite

Shea keeps declaring each new beat the best part of the movie, then immediately finding another favorite.

Opening minutes

'My favorite part' repetition

The hosts repeatedly echo that the movie is packed with favorite moments and overstuffed pleasures.

Opening minutes

Cross-the-beams movie-character joke

Bill and Shea laugh about Stallone referencing Rambo inside a different fictional universe.

About 16 min

Unbelievable cop celebrity status

They joke that Tango and Cash are treated like superstar athletes in the media even though they are cops.

Opening minutes

Stallone season tickets

Shea describes being an automatic opener for any Stallone movie for much of his life.

About 8 min

Bill Simmons

“Rambo is a pussy.”
About 16 min

Bill Simmons

“waste of valuable electricity”
About 24 min

Shea Serrano

“It’s fucking perfect.”
Opening minutes

Bill Simmons

“I forgot the marshmallows”
About 24 min

Bill Simmons

“You fucking wanker!”
About 16 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Tango and Cash is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Tango and Cash, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

2 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Shea Serrano headshotShea SerranoThe Rewatchables

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