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THE REWATCHABLES · February 23, 2021

Neighbors

A 2014 comedy directed by Nicholas Stoller, covered in the complete Rewatchables archive.

Comedy2010sDirected by Nicholas Stoller
Overall episode#190Source sheet order
Movie year20142010s
Tomatometer72%Critics’ score
Metacritic68View score
Roger Ebert—No review recorded
DirectorNicholas StollerComedy

FROM THE CONVERSATION

What they said about the movie

The episode argues that Neighbors is one of the last big, truly funny studio comedies and a peak example of the Apatow-adjacent R-rated comedy era. The hosts praise its lean structure, strong chemistry, and inspired casting, while also using it to discuss why theatrical comedy declined after 2014.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Lean runtime and tight plotting keep the movie moving without bloat. About 16 min
  2. 02The opening 25 minutes are considered nearly perfect and packed with jokes. About 16 min
  3. 03Seth Rogen and Rose Byrne’s believable couple chemistry drives repeated rewatches. About 16 min
  4. 04The first fraternity party sequence is packed with memorable set pieces and running bits. About 16 min
  5. 05The movie is a gag machine with strong supporting-cast moments and improv energy. About 16 min

WHAT DID NOT WORK

Their main criticisms

  1. majorThe sequel Neighbors 2 is described as horrible and a major drop-off. About 48 min
  2. majorThe Obama impersonation scene includes an N-word gag that even the hosts find shocking. About 48 min
  3. moderateThe hazing/fraternity material may age poorly and could draw future criticism. About 48 min · medium confidence
  4. minorThe sex scene with Seth Rogen’s body is awkwardly exposed and less comfortable on rewatch. About 40 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

First party and keep it down bit

The neighbors get pulled into the frat party, and the repeated 'keep it down' line becomes a showcase for Byrne and Efron.

About 32 min
Favorite

Who's Batman to you?

Efron and Rogen compare Batman interpretations, with the Bale/Keaton contrast becoming a comic peak.

About 32 min
Favorite

Robert De Niro costume party

The fraternity’s De Niro impressions escalate into a very funny set piece with multiple impersonations.

About 32 min
positive

Hungover breastfeeding

A short scene that the hosts like for its absurd lines and awkward physical comedy.

About 32 min
Favorite

Intentional boners / boner town

Dave Franco’s repeated erection gag is treated as a standout running joke.

About 40 min
Favorite

Airbag explosion gag

The airbag bit is singled out as especially funny and memorable.

About 40 min
positive

Final Abercrombie & Fitch scene

The closing confrontation at Abercrombie & Fitch is remembered as very funny and partly improvised.

About 40 min
critical

Obama impersonation scene

The joke where Ike Barinholtz says the N-word is flagged as a bad and shocking decision.

About 48 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed Opening minutes

What killed studio comedy?

Bill Simmons

Suggests woke/cancel culture may have played a role, though jokingly.

Sean Fennessey

Thinks the bigger issue was the end of the Apatow-style era and audience migration away from theaters.

Chris Ryan

Argues comedy shifted to TV and streaming, while theatrical comedy lost its niche.

They partly agreed About 8 min

Seth Rogen’s star tier

Bill Simmons

Places him below Chevy Chase/Bill Murray but above or alongside the Ben Stiller class.

Sean Fennessey

Says Rogen is more like a movie icon than a character-icon, with a strong but not classic-screen persona.

Chris Ryan

Calls Rogen a high-floor performer whose movies are usually good.

No final agreement About 24 min

Zac Efron’s career trajectory

Bill Simmons

Thinks Efron had the tools to become a bigger, more versatile movie star.

Chris Ryan

Suggests modern celebrity careers are different and not built like Cruise or Wahlberg.

Sean Fennessey

Argues Efron may not have wanted or needed the same kind of traditional movie-star career.

They partly agreed About 32 min

Improvisation vs tight comedy writing

Chris Ryan

Worries improv can replace strong structure and make movies too loose.

Bill Simmons

Agrees that too much ad-libbing can create overlong, showcase-style comedies.

Sean Fennessey

Does not reject improv outright but notes the movie’s efficiency is what helps it work.

They agreed About 48 min

Neighbors 2 as a sequel

Bill Simmons

Thinks it is awful.

Sean Fennessey

Has no idea why it was made and says sometimes a sequel is unnecessary.

Chris Ryan

Agrees the follow-up is bad and hard to justify.

18 People discussedActors, directors, writers, and producers
very favorableSeth RogenBill Simmons: Praised as a highly reliable comedic star who often plays a version of himself and anchors the film. Opening minutes very favorableRose ByrneBill Simmons: Celebrated as the film’s secret weapon, with excellent chemistry and surprising comic versatility. About 16 min
favorableZac EfronBill Simmons: Praised for being unusually funny, charismatic, and physically convincing as the frat leader. About 16 min
favorableNicholas StollerBill Simmons: Credited with the film’s clean direction and strong pacing, possibly his best-directed movie. About 32 min neutralJudd ApatowBill Simmons: Referenced as part of the broader comedy era; the movie is described as Apatow-adjacent rather than his direct work. Opening minutes
favorableDave FrancoBill Simmons: Praised for playing the frat foil and for his intentionally silly boner jokes and impressions. About 16 min
favorableChristopher Mintz-PlasseBill Simmons: Seen as effective stunt casting who helps break the McLovin image. About 40 min
favorableIke BarinholtzBill Simmons: Repeatedly singled out as very funny, especially in office and couple-related scenes. About 16 min
mixedCarla GalloBill Simmons: Mentioned as a performer whose exaggerated style is usually funny but could be called up as overacting. About 40 min · medium confidencefavorableLisa KudrowBill Simmons: Praised as a funny supporting presence, especially as the dean/chancellor figure. About 40 min
neutralHannibal BuressBill Simmons: Mentioned as the cop; no deep evaluation beyond the brief callback. About 40 min · medium confidence
favorableRandall ParkBill Simmons: Mentioned positively for his brief job-fair scene. About 40 min · medium confidence
favorableTiffany HaddishBill Simmons: Used as an example of a breakout comic star from the later era of studio comedies. Opening minutes · medium confidencefavorableSeth RogenChris Ryan: Described as part of a high-floor, high-hit-rate comedy run and a reliable movie presence. About 8 min
mixedZac EfronChris Ryan: Chris admires his versatility but wonders whether his career choices fit the kind of star he could have been. About 24 min
neutralRobert TowneBill Simmons: Cited via an anecdote about plot versus story. About 16 min · medium confidence
neutralAmy PascalBill Simmons: Mentioned in the context of the plot/story writing anecdote. About 16 min · medium confidence
neutralBrendan O'BrienBill Simmons: Named in the credits discussion as one of the screenplay writers. About 32 min
14 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Neighbors as the last funny studio comedy

Argues that the film marks the end of a great run of theatrical R-rated comedies.

Opening minutes
Sean FennesseyLiked it

The decline of theatrical comedy

Says the film captures the end of the Apatovian moment and the move toward franchise-like comedy structures.

Opening minutes
Chris RyanMixed

Where comedies live now

Thinks comedy shifted toward TV and streaming, while horror still thrives theatrically.

Opening minutes
Bill SimmonsLiked it

Seth Rogen as a star

Sees Rogen as a dependable but not iconic top-tier comedy star, closer to Ben Stiller than Chevy Chase or Bill Murray.

About 8 min
Chris RyanLoved it

Seth Rogen as a performer

Values Rogen as a reliable actor with a high floor and a strong body of comedies.

About 8 min
Sean FennesseyLoved it

First party sequence

Calls the first party and its Batman discussion his favorite part of the movie.

About 32 min
Chris RyanLoved it

First party sequence

Says the movie really takes off once the first party starts and the 'keep it down' bit runs.

About 32 min
Bill SimmonsLoved it

Robert De Niro party

Thinks the De Niro costume-party sequence is one of the film’s funniest stretches.

About 32 min
Bill SimmonsLoved it

Rose Byrne

Says Byrne and Rogen are what make the movie special as a believable couple.

About 8 min
Sean FennesseyLoved it

Rose Byrne

Suggests she may be the most versatile actress of her generation.

About 40 min
Bill SimmonsLoved it

Zac Efron

Argues Efron could have had a larger movie-star career given his comic and physical gifts.

About 24 min
Chris RyanMixed

Zac Efron

Likes Efron but questions whether the star system and his choices aligned with the career Bill imagines for him.

About 24 min
Bill SimmonsStrongly disliked it

Neighbors 2

Calls the sequel terrible and a huge drop-off from the first film.

About 48 min
Sean FennesseyMixed

Improvisation in comedy

Worries that improv-era comedy can bloat runtimes and weaken tightly written joke structure.

About 32 min
5 ThemesThe larger ideas in the discussion

End of the studio comedy era

The hosts use the film to argue that 2010-2014 was the last great run for theatrical R-rated comedy.

Opening minutes

The man-child growing up

The movie is framed as a story about young adults moving into family life and out of college-era chaos.

Opening minutes

Plot vs. story

Bill praises the movie for using the frat war plot to tell a story about adulthood and identity.

About 16 min

Improv-era comedy vs script comedy

The hosts debate whether improv helped or hurt comedy writing and runtime.

About 16 min

Casting as comedy engine

The movie’s success is repeatedly tied to inspired casting choices, especially Rose Byrne and Zac Efron.

About 16 min
25 Facts and referencesProduction notes and other movies mentioned

Production note

The movie was directed by Nicholas Stoller and written by Andrew Cohen and Brendan O'Brien.

About 32 min

Production note

It cost about $18 million and grossed about $270.5 million worldwide.

About 32 min

Production note

It opened to $49 million and was the third-highest U.S. opening for a non-sequel R-rated comedy.

About 32 min

Production note

Rogen and Efron reportedly took pay cuts to get the movie made.

About 32 min

Production note

The original concept was more directly about Rogen’s character and students in a frat, but it was changed to focus on a couple.

About 48 min

Production note

The baby in the opening sex scene kept turning around, which led to ad-libbed adjustments.

About 48 min

Production note

The final scene was improvised.

About 48 min

Production note

The houses used in the film are in the West Adams district of Los Angeles.

About 48 min

Production note

The film was originally titled Townies.

About 48 min

Production note

Nick Offerman and Megan Mullally were cut out of the film as Christopher Mintz-Plasse’s parents.

About 48 min · medium confidence

Game Night

Used as an example of one of the better recent studio comedies.

Opening minutes

Good Boys

Cited as a successful later comedy from the same production ecosystem.

Opening minutes

Girls Trip

Used as a modern comedy success that was powered by a breakout performance.

Opening minutes

Long Shot

Mentioned as another Seth Rogen comedy the hosts liked despite flaws.

Opening minutes

The Interview

Referenced as a career-disrupting project for Rogen.

About 8 min

Knocked Up

Used as one of the major Seth Rogen comedy milestones.

About 8 min

Superbad

Cited as part of the era-defining comedy streak and Rogen’s broader clout.

About 8 min

Pineapple Express

Cited as one of Rogen’s major hits and part of his apex run.

About 8 min

This Is the End

Used both as a Rogen-era comedy and as one of the hosts’ favorite recent comedies.

About 8 min

What We Do in the Shadows

Used as an example of comedy thriving better in TV form than in theaters.

Opening minutes · medium confidence

The Hangover

Referenced as a comedy-era benchmark and for soundtrack use.

About 16 min

Old School

Used as another example of an older comedy that feels unlike something made today.

Opening minutes

Birdman

Referenced indirectly through a long-running comedy/drama comparison?

Opening minutes · low confidence

21 Bridges

Used by Sean and Bill as an example of a movie they both unexpectedly like.

About 24 min

The Beatles?

Not directly referenced; omitted.

Opening minutes · low confidence
11 Running jokes and short linesRecurring bits captured from the conversation

Keep it down

The hosts repeatedly quote the escalating line during the first party sequence.

About 32 min

Batman debate

Efron and Rogen’s different Batman preferences become a recurring joke.

About 32 min

Boner town

Dave Franco’s intentional boner gag becomes a repeated callback.

About 40 min

Ass Juice

The fraternity name is treated as a future cancellation target and a running joke about absurdity.

About 48 min

McLovin as a role problem

Mintz-Plasse’s identity as McLovin is discussed as both helpful and limiting.

About 40 min

Apex Mountain and award categories

They run through several Apex Mountain and category bits, especially for actors and the film’s props.

About 56 min

Bill Simmons

“I don't think we should.”
Opening minutes · medium confidence

Sean Fennessey

“What's Batman to you?”
About 32 min

Bill Simmons

“keep it down”
About 32 min

Bill Simmons

“You're upsetting Jinxie Cat.”
About 32 min

Bill Simmons

“Your baby has HIV.”
About 48 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Neighbors is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Neighbors, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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