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THE REWATCHABLES · October 6, 2025

Jeremiah Johnson

A 1972 western movie directed by Sydney Pollack—and decision no. 76 in the Hanks–Cruise tape.

Western1970sDirected by Sydney Pollack
Jeremiah Johnson1972MOVIE
Podcast episode#415No. 426 overall
Movie year19721970s release
Tomatometer92%No. 26 of 128 tracked
Metacritic75View score
Roger Ebert3/4Original star rating
State of the raceCruise led by 137–38 · 1 tie

FROM THE CONVERSATION

What they said about the movie

The episode treats Jeremiah Johnson as a gorgeous, unusually meditative mountain-man Western that becomes unexpectedly dark in its final act. The hosts admire the scenery, Redford's performance, the voiceover, the music, and the movie's old-fashioned epic feel, while also discussing its Vietnam-era disillusionment subtext and the way it has endured as a rewatchable comfort movie.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The landscape and cinematography are so beautiful that the movie can function like a relaxing visual hangout. Opening minutes
  2. 02The movie's first long stretch feels like peaceful survival cinema before turning into a brutal revenge film late. About 16 min
  3. 03The family-building and cabin-building stretch is especially comforting and rewatchable. About 32 min
  4. 04The ending legend-making sequence is satisfying and memorable, especially the final gesture with Chief Painted Shirt Red. About 32 min
  5. 05Redford's facial hair progression and the film's voiceover/music package give it a distinct, immersive texture. About 40 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe burial-ground detour feels like a weak plot choice; Jeremiah should have refused more decisively. About 1:20
  2. minorThe film could use a little more early-town setup before Jeremiah heads into the mountains. About 1:36 · medium confidence
  3. minorJeremiah's survival streak strains credibility given the number of severe wounds he sustains. About 1:36

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening overture and wide mountain views

The nearly music-only opening establishes the tone and the film's huge landscape appeal.

About 1:28
positive

Hatchet Jack's letter and rifle inheritance

A funny, memorable bit that gives Jeremiah his signature rifle.

About 16 min
Favorite

Family meal and Swan's early domestic life

Jeremiah's temporary family with Swan and Boy is presented as warm and oddly sitcom-like.

About 24 min
Favorite

Cabin-building montage

They love the realistic log-cabin construction sequence.

About 24 min
positive

Wolf attack and bear attack

Used as examples of practical, impressive early-70s action staging.

About 1:36
critical

Burial-ground ride

Repeatedly cited as the film's weakest plot decision and the moment Jeremiah should not have complied.

About 24 min
Favorite

First Crow camp fight

The first major violence burst is treated as a standout action sequence.

About 32 min
Favorite

Late revenge montage

The back half turns into a kinetic, mythic killing spree as Jeremiah's legend grows.

About 32 min
Favorite

Final reconciliation with Painted Shirt Red

The ending is framed as legend, closure, and one last powerful visual beat.

About 32 min

WHERE THEY DISAGREED

The biggest debates

No final agreement About 8 min

Was Jeremiah a Mexican War deserter?

Bill Simmons

The movie strongly suggests he fled the war and may have deserted.

Bill's Dad

He clearly escaped civilization after a bad war experience, though the movie never confirms desertion.

They partly agreed About 1:20

Why does Jeremiah go through the Crow burial ground?

Bill Simmons

He should not have gone and the choice weakens the film a bit.

Bill's Dad

The soldier/duty instinct and concern for others may explain it, but the timing still feels off.

They left it as a friendly argument About 16 min

Which scene is most rewatchable?

Bill Simmons

The ending or the first camp fight are his favorite rewatchable moments.

Bill's Dad

Hatchet Jack's letter, the family meal, and the cabin build are his picks.

No final agreement About 1:36

Who should have played Jeremiah Johnson?

Bill Simmons

Wants more Redford-like wilderness movies and entertains several modern casting ideas.

Bill's Dad

Thinks Redford is basically ideal; others would be weaker, though McQueen or Hanks/Cruise are discussed hypothetically.

16 People discussedActors, directors, writers, and producers
very favorableRobert RedfordBill Simmons: Praised as the ideal star for this role and for his athletic, outdoorsy screen presence. Opening minutes favorableSydney PollackBill Simmons: Described as a highly reliable director with great range and a strong eye for performance and pacing. About 8 min favorableJohn MiliusBill Simmons: Credited for memorable frontier dialogue and for bringing a distinct mythic toughness to the script. About 16 min · medium confidence
criticalThe Crow peopleBill Simmons: The hosts describe them as antagonists in the revenge section and discuss the film's killings of Crow warriors. About 32 min
favorableSwanBill Simmons: Presented as a key emotional center of the movie and the source of Jeremiah's temporary family life. About 24 min
neutralBoyBill Simmons: Discussed mostly as the silent child in Jeremiah's makeshift family, a running joke in the episode. About 24 min
neutralCalebBill Simmons: Mentioned as the boy's name and used in a joking comparison to a family situation. About 24 min
favorableDelgueBill Simmons: Seen as an eccentric, funny frontier character who brings energy and violence to the film. About 24 min
favorableBear ClawBill Simmons: Talked about as a strong, odd frontier character with memorable speech and hunting lore. About 48 min
favorableHatchet JackBill Simmons: Praised via his letter as a charmingly rough, funny character who bequeaths the rifle. About 16 min
favorablePaints His Shirt RedBill Simmons: Highlighted as the chief who ultimately represents peace, legend, and closure at the end. About 32 min
favorableChief Paints His Shirt RedBill Simmons: Referenced as the final figure who appears to reconcile with Jeremiah in the ending. About 32 min
neutralTonya TuckerBill Simmons: Mentioned as a later-recognizable child actor in the film. About 1:28 · medium confidence
neutralWill GeerBill Simmons: Mentioned as an actor whose career includes this film and later The Waltons. About 1:36 · medium confidence
favorableClint EastwoodBill Simmons: Used as a benchmark for frontier/Western stardom and the 1970s western cycle. About 8 min mixedTom CruiseBill Simmons: Brought up as a modern analogue for star power, then rejected by Bill's dad as a fit for this kind of role. About 1:36 · medium confidence
15 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Jeremiah Johnson

Calls it one of the great mountain-man movies and an ideal Redford film.

Opening minutes
Bill SimmonsLoved it

The opening landscape/overture

Likes the long scenic opening because it sets the mood and feels unusually immersive.

About 1:28
Bill SimmonsLoved it

Swan cabin/family stretch

Thinks the family and cabin-building section is the movie at its most rewatchable.

About 24 min
Bill SimmonsLoved it

Final ending with Paints His Shirt Red

Considers the ending, with reconciliation and legend-making, the most rewatchable part.

About 32 min
Bill SimmonsLoved it

Facial hair as performance

Argues Redford's changing beard is basically its own character performance.

About 40 min
Bill SimmonsLoved it

Voiceover and music

Thinks both elements are essential to the film's atmosphere, despite usually disliking voiceover.

About 48 min
Bill SimmonsLoved it

Sydney Pollack

Sees Pollack as a dependable, highly skilled director with a remarkable run.

About 8 min
Bill SimmonsLiked it

Crows attacking in waves

Enjoys the creative fight choreography and revenge montage in the late section.

About 32 min
Bill SimmonsLiked it

Redford survival/adventure movies

Wishes Redford had made more wilderness survival movies like this and All Is Lost.

About 1:12
Bill's DadLoved it

Jeremiah Johnson

Has loved the movie since seeing it in the theater and has watched it repeatedly ever since.

Opening minutes
Bill's DadLoved it

Landscape, voiceover, and music

Says the scenery, narration, and score are major reasons he keeps returning to the film.

Opening minutes
Bill's DadLoved it

Robert Redford

Ranks Redford among his all-time favorites and sees this as his favorite Redford movie.

About 1:12
Bill's DadLiked it

Vietnam/proxy-war reading

Agrees the film can be read as a postwar disillusionment story.

About 8 min
Bill's DadLiked it

Most 1972 overture/intermission

Finds the old-school overture and intermission format especially evocative.

About 1:28
Bill's DadLiked it

Sydney Pollack

Considers Pollack a first-ballot-level director and important film figure.

About 1:20
5 ThemesThe larger ideas in the discussion

Nature as refuge

The movie links Redford's character to peace-seeking, wilderness self-reliance, and the appeal of isolation.

About 8 min

Vietnam-era disillusionment

The hosts read Jeremiah as a soldier fleeing war and civilization, which made the film feel contemporary in 1972.

About 8 min

Mythmaking and legend

The movie turns Jeremiah into a frontier folk hero whose reputation grows as the violence escalates.

About 32 min

Man versus nature

Survival, weather, scent, animals, and terrain are treated as the real antagonists as much as human enemies.

About 1:04

Odd-couple frontier community

Jeremiah's makeshift family with Swan and Boy is treated as a touching but fragile temporary home.

About 24 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

The film was shot in Utah and Pollack reportedly used his own home as collateral to keep it there.

About 1:36

Production note

The production was extremely cold, with the crew suffering frostbite, strep throat, and pneumonia.

About 1:36

Production note

The movie premiered at Cannes and was reportedly the first Western accepted by the festival.

About 1:36 · medium confidence

Production note

Redford asked to be a pallbearer when Liver-Eating Johnson's body was moved in 1974.

About 16 min · medium confidence

Production note

The title character is loosely based on the historical figure 'Liver-Eating Johnson.'

Opening minutes

Production note

They joke that the film's social-media afterlife is the nodding Redford GIF.

About 16 min

Production note

Bill counts 14 on-screen kills in the late revenge stretch.

About 56 min

Production note

The movie was filmed over roughly six or seven months, according to the discussion.

About 40 min · medium confidence

Shawshank

Bill notes Bill's dad's previous Rewatchables appearance was on Shawshank.

Opening minutes

Cast Away

Used as a comparison for the peaceful, hangout-like survival stretch.

About 8 min

Dances with Wolves

Cited as a movie that borrows heavily from Jeremiah Johnson's structure.

About 8 min

McCabe and Mrs. Miller

Mentioned as part of the 1970s frontier/western cycle.

About 8 min

The Revenant

Compared as a more picturesque but harsher modern survival film.

About 8 min

Little Big Man

Listed among mountain-man/frontier-era comparables.

About 8 min

Outlaw Josey Wales

Used as a comparison for the improvised frontier family structure.

About 32 min

The Sting

Used to benchmark Redford's star status and Pollack's best-known hits.

About 1:12

Three Days of the Condor

Referenced as another elite Pollack-Redford collaboration and as a recent rewatch.

About 16 min

The Natural

Mentioned as one of Bill's dad's favorite Redford films.

About 1:12

All Is Lost

Referenced as a later Redford survival film that matches this movie's appeal.

About 1:12

The Searchers

Used as a recommended double feature with Jeremiah Johnson.

About 1:36

The Waltons

Referenced when discussing Will Geer's later career.

About 1:36 · medium confidence

Monk

Mentioned as Del Bolton's later TV credit.

About 1:04 · medium confidence

Blue Bloods / Boston Blue

A side conversation about a preferred TV show for Bill's dad and Donnie Wahlberg.

About 1:36 · medium confidence
11 Running jokes and short linesRecurring bits captured from the conversation

Nodding Redford GIF

They keep returning to the image of Redford's nodding face as a modern meme.

About 16 min

Boy/Caleb naming joke

The silent child is repeatedly called 'Boy,' and they joke about renaming him Caleb.

About 24 min

Bear Claw / Delgue frontier slang

They repeatedly joke about the odd frontier names and dialogue rhythm.

About 24 min

'Don't go through the graveyard'

A repeated admonition that Jeremiah should simply take the longer route.

About 24 min

Facial hair as its own character

Bill treats Redford's beard progression as an element of performance and continuity.

About 40 min

Would I have died?

Craig imagines repeatedly that he would not survive the wilderness conditions.

About 1:28

Bill's Dad

“being of sound mind and broke legs”
About 16 min

Bill Simmons

“The crows built a statue for Jeremiah”
About 1:04

Bill's Dad

“It doesn't matter what I believe, they believe it.”
About 1:28

Bill Simmons

“You can't have Redford month without Jeremiah Johnson”
Opening minutes

Bill Simmons

“I will call you Caleb”
About 24 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Jeremiah Johnson is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Jeremiah Johnson, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices made the call

Bill Simmons headshotBill Simmons125 tracked appearances · 56 H / 64 C / 5 ties
Chris Ryan headshotChris Ryan77 tracked appearances · 36 H / 38 C / 3 ties
Bill's Dad1 tracked appearances · 0 H / 1 C

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