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THE REWATCHABLES · April 29, 2020

Escape From New York

A 1981 action / sci-fi directed by John Carpenter, covered in the complete Rewatchables archive.

ActionSci-fi1980sDirected by John Carpenter
Overall episode#135Source sheet order
Movie year19811980s
Tomatometer70%Critics’ score
Metacritic76View score
Roger Ebert—No review recorded
DirectorJohn CarpenterAction / Sci-fi

FROM THE CONVERSATION

What they said about the movie

The episode argues that Escape from New York is a foundational, highly rewatchable action movie with an exceptionally strong premise, iconic atmosphere, and Kurt Russell at the center of a genre-shaping performance. The hosts praise Carpenter’s world-building, synth score, and the movie’s willingness to drop the viewer into a strange dystopia without explanation, while also noting a few dated elements and a sequel that missed the mark.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The premise is instantly legible and thrilling: Manhattan as a maximum-security prison and Snake Plissken sent in to rescue the president. Opening minutes
  2. 02The movie drops the viewer into a fully formed world without overexplaining, which makes rewatching fun because of all the unanswered questions. About 8 min
  3. 03Carpenter’s synth score and opening credits create an immediate mood that still works decades later. Opening minutes
  4. 04Kurt Russell’s Snake Plissken performance is cool, funny, and distinct, making the character endlessly watchable. About 16 min
  5. 05The film delivers memorable set pieces and reveals, especially the gladiator fight and the sewer-crazies attack. About 40 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe sequel Escape from L.A. is viewed as a miss and proof that the original’s magic was hard to replicate. About 16 min
  2. minorSome details have aged oddly, including the giant cell phone, the plane-to-building premise, and a few effects sounds. About 40 min
  3. minorThe film’s logic is sometimes absurd, including the president’s transport setup and the escape pod mechanics. About 56 min
  4. minorCertain visual details, like Snake’s tattoo, could have been better executed. About 48 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening setup of Manhattan prison

The opening credits and wall-around-Manhattan premise immediately establish the world and tone.

Opening minutes
Favorite

Snake’s pitch from Hawk

Snake is recruited for the rescue mission and the movie’s tone and backstory are established.

About 32 min
Favorite

Snake drives through Broadway

Snake steals a car and threads through a chaotic street battle on Broadway.

About 32 min
Favorite

Duke’s first appearance

The film finally reveals the Duke in a giant chandelier-covered car.

About 32 min
Favorite

Romero’s threat scene

Romero intimidates Lee Van Cleef’s character with the famous finger threat.

About 32 min
Favorite

Gladiator match

Snake is forced into a brutal bat-and-nails fight in a theater arena.

About 32 min
Favorite

Sewer-crazies attack

The feral people rising from the sewers create a sudden horror-action jolt.

About 40 min
Favorite

Escape and final confrontation

The bridge escape and the Duke’s death close the mission with a strong payoff.

About 40 min

WHERE THEY DISAGREED

The biggest debates

No final agreement About 56 min

What is Kurt Russell’s apex mountain?

Bill Simmons

Thinks the case can be made for Escape from New York, but also mentions Backdraft, Tango and Cash, and Tombstone-era momentum.

Chris Ryan

Leans toward Big Trouble in Little China as his favorite Kurt Russell peak.

Shea Serrano

Says Escape from New York is the moment you realize Russell is the guy, even if his broader biggest-star moment may be around Tango and Cash/Backdraft.

They partly agreed About 1:04

Could the movie be remade as a TV series now?

Chris Ryan

Thinks a modern version could work, but only with a very different setup or location.

Shea Serrano

Says it is better as a 1981 movie and loses magic if over-produced.

Bill Simmons

Agrees a remake would be possible but notes the original’s timing matters.

They agreed About 56 min

Which actor should have played Snake Plissken?

Bill Simmons

Notes the studio wanted Bronson or Tommy Lee Jones, with Nolte and Bridges also considered.

Chris Ryan

Says Tommy Lee Jones is the only alternative in the mix, but not as cool as Russell.

Shea Serrano

Ends up agreeing Russell is the perfect choice.

19 People discussedActors, directors, writers, and producers
very favorableJohn CarpenterBill Simmons: Praised as a visionary genre director with a remarkable run and an iconic score here. Opening minutes very favorableKurt RussellBill Simmons: Viewed as the perfect Snake Plissken, with great comic timing and iconic cool. About 16 min
favorableLee Van CleefChris Ryan: Admired as a classic western face whose earring adds to the character’s menace. About 24 min
mixedDonald PleasenceBill Simmons: They like the performance but joke that a British-accented U.S. president is absurd. About 48 min
very favorableFrank DoubledayShea Serrano: Declared the best all-around character performance in the movie and a likely triple-crown winner. About 48 min
favorableAdrian BarbeauBill Simmons: Praised as a strong supporting presence and part of the film’s energy. About 48 min
favorableIsaac HayesBill Simmons: Seen as an effective and imposing Duke with strong screen presence. About 48 min
favorableHarry Dean StantonBill Simmons: Noted as a solid supporting actor choice after Warren Oates dropped out. About 56 min neutralWarren OatesBill Simmons: Mentioned as the originally intended Brain before illness forced a recast. About 56 min neutralRoger EbertBill Simmons: His 2.5-star review is quoted and lightly mocked for underselling the film. About 16 min
neutralJ.J. AbramsBill Simmons: Referenced for a focus-group anecdote about clarifying Maggie’s death. About 56 min
favorableJames CameronBill Simmons: Mentioned as a set ‘genius’ and cinematography contributor before becoming famous. About 56 min
neutralNick CastleBill Simmons: Credited as a co-writer and linked to Michael Myers in Halloween. About 56 min
neutralStephen FordBill Simmons: Identified as the son of Gerald Ford who briefly acted in the film. About 56 min
neutralTommy Lee JonesBill Simmons: Discussed as an alternate possibility for Snake Plissken. About 56 min neutralCharles BronsonBill Simmons: Discussed as a studio-preferred Snake option, but considered too old by Carpenter. About 56 min neutralNick NolteBill Simmons: Mentioned as another rejected Snake possibility. About 56 min neutralJeff BridgesBill Simmons: Mentioned as another rejected Snake possibility. About 56 min
favorableJoel GalloBill Simmons: Referenced as a friend whose synth-playing enthusiasm helped Bill love Carpenter music. About 40 min
11 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Escape from New York as a premise

Calls it one of the greatest movie premises ever and a top-tier action pitch.

Opening minutes
Shea SerranoLoved it

Escape from New York’s world-building

Says the film gives just enough information and makes unanswered questions part of the fun.

About 8 min
Chris RyanLoved it

John Carpenter’s score

Says the soundtrack is one of his favorite movie scores and still sounds futuristic.

About 40 min
Bill SimmonsLoved it

Kurt Russell

Argues Russell’s comic timing and cool make Snake a uniquely rewatchable antihero.

About 16 min
Chris RyanLiked it

Lee Van Cleef

Loves the actor’s face and says the earring intensifies the bad-guy vibe.

About 24 min
Bill SimmonsLoved it

The gladiator fight

Treats the fight as one of the movie’s greatest set pieces and a huge rewatchable moment.

About 32 min
Shea SerranoLoved it

The gladiator fight reveal

Says the sudden reveal of gladiator combat is one of the movie’s best surprises.

About 32 min
Chris RyanLiked it

Tango and Cash

Says he is ready to do a Rewatchables episode on it and enjoys its absurdity.

About 24 min
Bill SimmonsLoved it

Romero

Thinks Frank Doubleday’s performance is the standout acting work in the film.

About 48 min
Shea SerranoLoved it

Escape from New York as a modern action template

Says the movie opened the door for weird action movies to work if committed to properly.

Opening minutes
Bill SimmonsLiked it

New York as a dystopian setting

Connects the film to a broader era of New York-collapse movies and urban anxiety.

About 8 min
5 ThemesThe larger ideas in the discussion

Dystopian world-building

The film’s Manhattan prison setting is treated as a model for efficient, vivid genre world-building that answers very little directly.

Opening minutes

Action-movie evolution

The hosts argue the film helped define the modern action hero template: wisecracking, antiheroic, and thrown into an impossible mission.

Opening minutes

John Carpenter’s genre blend

They emphasize Carpenter’s ability to mix western, gangster, prison, war, and dystopian elements seamlessly.

About 8 min

New York collapse anxiety

The movie is framed as part of a 1970s-80s cycle of films about New York as a place in decline and social breakdown.

About 8 min

Character cool as narrative engine

Snake’s deadpan attitude and mysterious past are treated as key to the movie’s compulsive energy.

About 8 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

The movie had a $6 million budget and made $25 million.

About 16 min

Production note

The original negative was lost and found years later, leading to later reissues and the restored deleted opening scene.

About 16 min

Production note

The movie was shot partly in East St. Louis because the location scouts found it suitably dystopian.

About 56 min

Production note

J.J. Abrams reportedly suggested showing Maggie clearly dead in a focus group.

About 56 min

Production note

James Cameron worked on the film before Terminator and was considered a set genius.

About 56 min

Production note

Kurt Russell stayed in character during production and removed the eye patch only when necessary because it affected depth perception.

About 1:20

Production note

Stephen Ford, Gerald Ford’s son, was the actor who tried to break into the airplane cockpit.

About 56 min

Production note

The film’s opening bank robbery scene was deleted but survives online.

About 8 min

Predator

Cited as one of the greatest action premises and one of the weird successful action movies that followed this template.

Opening minutes

Die Hard

Mentioned as another top action premise in the same conversation.

Opening minutes

First Blood

Raised as an example of a great action premise before this film.

Opening minutes

Face/Off

Mentioned jokingly as a premise in the top-tier action-pitch discussion.

Opening minutes

Halloween

Used to explain Carpenter’s prior success and his importance as a genre filmmaker.

Opening minutes

The Fog

Included in Carpenter’s streak of great genre films.

About 8 min

The Thing

Used as part of Carpenter’s legendary run and later to discuss remakes and paranoia.

About 8 min

Assault on Precinct 13

Another Carpenter film cited as part of his string of rewatchable genre movies.

About 8 min

Mad Max / Road Warrior

Referenced as a comparison point for the movie’s dystopian energy.

About 8 min

Raiders of the Lost Ark

Cited by Roger Ebert and discussed as the competing blockbuster standard of the summer.

About 16 min

The Warriors

Used as part of the 1970s/80s New York-collapse movie lineage.

About 8 min

Death Wish

Mentioned as an influence and a sibling to the same urban-anxiety cycle.

About 8 min

Taxi Driver

Referenced as another film depicting New York as unraveling.

About 8 min

Cruising

Mentioned as part of the New York movie cluster the hosts want to revisit.

About 8 min

John Wick

Used as a modern example of world-building that drops viewers into a coded universe.

About 8 min
10 Running jokes and short linesRecurring bits captured from the conversation

“You’re A number one”

The hosts repeatedly quote and enjoy the Duke line and the A-number-one phrasing.

About 32 min

Hoop earrings as bad-guy shorthand

Chris jokes that earrings were a classic 80s signifier of villainy.

About 24 min

Chock full of nuts lady

The hosts repeatedly joke about the woman in the coffee shop and the unappealing romance angle.

About 40 min

Romero as cracked-out Steve Buscemi/David Bowie

They keep riffing on Romero’s look, voice, and behavior as a weirdly perfect character design.

About 40 min

Producer Craig’s middle-ground reaction

Craig is brought in to give a quick younger-viewer take and says the movie lands as a solid 2/4 for his girlfriend.

About 1:20

Bill Simmons

“New York is a prison and good luck.”
Opening minutes

Bill Simmons

“Touch Me, he dies.”
About 32 min

Bill Simmons

“You are A number one!”
About 32 min

Shea Serrano

“New York is a prison and good luck.”
Opening minutes

Kurt Russell

“He just became a one man, I don't give a shit”
About 1:20

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Escape From New York is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Escape From New York, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Shea Serrano headshotShea SerranoThe Rewatchables

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