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THE REWATCHABLES · May 17, 2022

E.T. the Extra Terrestrial

A 1982 sci-fi / adventure directed by Steven Spielberg, covered in the complete Rewatchables archive.

Sci-fiAdventure1980sDirected by Steven Spielberg
Overall episode#254Source sheet order
Movie year19821980s
Tomatometer99%Critics’ score
Metacritic92View score
Roger Ebert4/4Original star rating
DirectorSteven SpielbergSci-fi / Adventure

FROM THE CONVERSATION

What they said about the movie

The panel treats E.T. as a defining Spielberg film and a near-perfect childhood/family movie, emphasizing its emotional sincerity, child-height perspective, empathy, and enduring power. The conversation also covers its giant cultural footprint, John Williams’s score, production history, and the way it connects to Spielberg’s personal biography.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The child-eye-level camera and house-as-wonderland perspective make the movie feel immersive and emotionally exact. Opening minutes
  2. 02The film’s emotional core keeps landing as viewers age, especially the parent/child and friendship/father-figure readings. About 8 min
  3. 03John Williams’s score intensifies the movie’s sentiment and helps the ending and flying sequence fully work. About 48 min
  4. 04Iconic set pieces like the bike flight, E.T. in the house, and the 'phone home' sequence remain thrilling to revisit. About 48 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe middle stretch where E.T. is sick is emotionally brutal and less fun to revisit. About 48 min
  2. minorThe special effects and flying-bike visuals look dated in places, though still effective. About 1:12
  3. minorThe movie's quarantine/medical behavior seems implausible and sloppy by real-world standards. About 1:20

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

Opening abandonment in the woods

E.T. gets left behind, establishing curiosity, loneliness, and the film's core setup immediately.

About 40 min
Favorite

Elliot lures E.T. into his room with Reese's Pieces

The candy trail and first room encounter are treated as iconic and hugely effective.

About 40 min
Favorite

E.T. meets the siblings

The chaotic reveal of E.T. to the kids is singled out as funny and memorable.

About 40 min
Favorite

Gertie dresses up E.T. and teaches him to speak

The speech-and-dress-up bit is praised as cute, comic, and one of the movie's defining stretches.

About 40 min
Favorite

Halloween bicycle flight

The moonlit bike ride is treated as one of cinema's great shots and visual payoffs.

About 40 min
Favorite

E.T. 'phone home' sequence

The plea to phone home is discussed as emotionally and visually iconic.

About 40 min
critical

E.T. getting sick and dying

The illness and apparent death are acknowledged as devastating and hard to watch.

About 48 min
Favorite

Group bike chase and goodbye

The final chase and farewell are praised for their emotional and visual momentum.

About 48 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 16 min

Is E.T. really a father figure, or more a mirror/twin for Elliot?

Sean Fennessey

E.T. functions as a missing father figure filling Elliot's void.

Mallory Rubin

E.T. and Elliot are more like twins or two halves of a whole, centered on self-discovery and reflection.

They left it as a friendly argument About 40 min

Which scenes count as the movie's most rewatchable?

Bill Simmons

Prefers the opening, the sibling reveal, the bike flight, and the ending.

Chris Ryan

Adds the room/house sequences, E.T. learning human behavior, and the 'phone home' moments.

Mallory Rubin

Adds the class/frog-dissection/dance sequence and the sick-E.T. section as important even if painful.

They agreed About 56 min

Should E.T. have had a sequel?

Chris Ryan

No; leaving it alone protected the film's legacy.

Bill Simmons

Implied agreement that the standalone choice was smart and unusual.

They left it as a friendly argument About 1:12

What is Peter Coyote's defining work?

Bill Simmons

Suggests various titles and teases his filmography.

Sean Fennessey

Mentions his later roles and voices, including Ken Burns-style narration.

12 People discussedActors, directors, writers, and producers
very favorableSteven SpielbergBill Simmons: Praised as the greatest director of the hosts' lifetimes and the central creative force behind the movie. Opening minutes very favorableJohn WilliamsSean Fennessey: Celebrated for a score that powers the emotion of the film and shapes the edit. About 48 min
favorableMelissa MathisonBill Simmons: Mentioned as the writer who developed the script from earlier concepts with Spielberg. About 24 min
neutralHarrison FordBill Simmons: Referenced as Mathison's husband and as a planned principal casting idea that was not used. About 24 min very favorableDrew BarrymoreSean Fennessey: Praised as extraordinarily cute and one of the great child performances. About 24 min
very favorableHenry ThomasBill Simmons: Admired as the emotional anchor whose performance makes E.T. feel real. About 24 min
favorableDee WallaceBill Simmons: Discussed as a great mom figure and effective emotional presence in the film. About 32 min
favorablePeter CoyoteSean Fennessey: Discussed as 'Keys,' initially seeming like a villain before becoming humanized. About 8 min favorableGeorge LucasBill Simmons: Referenced as Spielberg's long-time creative partner and as part of the Star Wars connection web. About 24 min neutralA.O. ScottBill Simmons: Quoted to support the suburban, Carver-like depiction of family life. About 8 min
neutralGeorge F. WillBill Simmons: Mentioned as a critic who disliked the movie and later wrote about watching it with grandchildren. About 48 min
neutralRonald ReaganBill Simmons: Mentioned only in relation to Spielberg screening the movie at the White House. About 1:12
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

E.T. as a must-show kids' movie

Calls E.T. one of the essential films to show children, alongside a few other family favorites.

Opening minutes
Mallory RubinLoved it

E.T. as a foundational movie of her life

Says the movie is deeply connected to everything she cares about and maybe the most important film in her life.

Opening minutes
Sean FennesseyLoved it

E.T. as a summation of the good side of the 1980s

Frames the film as sweet, sincere, emotional, and one of the great family and friendship movies ever.

Opening minutes
Chris RyanLiked it

Kids and adults in E.T.

Argues the movie works because kids are right and adults are wrong, and the adult characters are humanized rather than villainized.

About 8 min
Mallory RubinLoved it

Steven Spielberg

Calls Spielberg the greatest spectacle-maker of his generation who made a personal film without worrying about the audience.

About 32 min
Bill SimmonsLoved it

Steven Spielberg's child-height direction

Praises the eyeline strategy and specific child-centered blocking as decisive filmmaking choices.

Opening minutes
Sean FennesseyMixed

The adults in the film

Sees the government/science adults as understandable rather than purely evil, even when they conflict with the kids' perspective.

About 8 min
Bill SimmonsDid not like it

E.T. dying sequence

Finds the sickness/death section rough and not especially rewatchable, even though it is effective.

About 48 min
Mallory RubinLoved it

John Williams score

Says the score does enormous emotional work and is essential to the ending and the film's power.

About 48 min
Chris RyanLiked it

Making E.T. a sequel

Applauds Spielberg for leaving the movie standalone and preserving its legacy instead of making a sequel.

About 56 min
5 ThemesThe larger ideas in the discussion

Childhood perspective

The film is built around what children see, fear, and believe, which makes the ordinary suburban setting feel magical.

Opening minutes

Empathy and understanding

The story argues for patience, seeing others clearly, and taking time to understand the 'other.'

About 8 min

Family separation and healing

The divorced household and E.T.'s presence help the siblings reconnect and fill emotional voids.

About 8 min

Spielberg autobiography

The hosts tie the film to Spielberg's loneliness after his parents' divorce and his own imagined alien companion.

About 24 min

Cultural afterlife and imitation

The film's imagery and mood are treated as foundational for later pop culture and family adventure storytelling.

Opening minutes
25 Facts and referencesProduction notes and other movies mentioned

Production note

E.T. was made on a $10.5 million budget and grossed about $793 million.

About 32 min

Production note

It held the all-time box office record for 11 years until Jurassic Park.

About 32 min

Production note

The film won four Oscars: Original Score, Visual Effects, Sound, and Sound Editing.

About 32 min

Production note

Spielberg shot the movie sequentially so the child actors would bond with E.T.

About 24 min

Production note

Carlo Rambaldi created the E.T. puppet, with multiple puppets and performers used for different scenes.

About 48 min

Production note

Reese's Pieces benefited hugely from the product placement, while M&M's passed on it.

About 40 min

Production note

Spielberg had an imaginary alien companion after his parents' divorce.

About 24 min

Production note

The film's working title was 'A Boy's Life'.

About 1:12

Production note

They say the movie's ending line sequence is 'Come, stay, ouch, I'll be right here.'

About 16 min

Production note

John Williams's score reportedly forced Spielberg to cut around the music's structure.

About 48 min

Stranger Things

Used as a later work that 'stole' from E.T.'s childhood/alien imagery and vibe.

Opening minutes

Star Wars

Cited as a key influence that E.T. also references and as part of the Lucas/Spielberg creative loop.

Opening minutes

Wizard of Oz

Used as a structural comparison: ordinary/suburban world versus fantasy world, and a family movie touchstone.

Opening minutes

Home Alone

Named as one of the major kid-viewing companion movies in the hosts' lives.

Opening minutes

Toy Story

Named as one of the most important kid movies and a successor to E.T.'s cultural role.

Opening minutes

The Goonies

Mentioned as a peer group of kids' adventure movies when comparing hangout casts.

About 1:20

Stand by Me

Cited as another benchmark for child ensembles and hangout movies.

About 8 min

Jaws

Referenced for Spielberg's visual restraint and for the famous Williams theme collaboration.

Opening minutes

Close Encounters of the Third Kind

Used in discussion of Spielberg's personal inspirations and his run leading into E.T.

About 24 min

Jurassic Park

Referenced as another blockbuster milestone in Spielberg's career and as the film that later took the box office record.

About 32 min

The Fablemans

Mentioned as Spielberg's later autobiographical project about adolescence.

About 32 min

Mandalorian

Used jokingly as a modern analogue to a child discovering a friendly alien companion.

About 1:20

Gremlins

Mentioned in a discussion of John Sayles and Joe Dante's horror/comedy work that was related to Spielberg's orbit.

About 1:12

Gandhi

Referenced as the Best Picture winner over E.T. in the 1982 Oscars discussion.

About 32 min

The Legend of Billie Jean

Brought up as a Peter Coyote title and as a favorite cult movie tangent.

About 1:12
11 Running jokes and short linesRecurring bits captured from the conversation

Mount Rushmore of movies to show your kids

The hosts riff on classic films to introduce children to, repeatedly circling E.T., Home Alone, and Toy Story.

Opening minutes

'Kids are right, adults are wrong'

A recurring framing that the child perspective is correct and the adults are limited, though not evil.

About 8 min

Spielberg/Lucas buddy references

They joke about Spielberg and Lucas as creative partners and compare them to the hosts' own relationships.

About 24 min

The alien as father figure / twin

The panel loops back to whether E.T. is dad, a friend, or a mirror of Elliot.

About 16 min

Peter Coyote / Keys jokes

They riff on Keys, the ring of keys, and Coyote's later roles and name.

About 1:12

Health-and-safety nitpicks

They joke about quarantine, germs, and medical protocol during the lab and house scenes.

About 1:20

Bill Simmons

“Stranger Things stole this movie's lunch.”
Opening minutes

Sean Fennessey

“This movie is very sweet and very sincere”
Opening minutes

Bill Simmons

“I'll be right here.”
About 16 min

Chris Ryan

“We need Gatorade, needs some fluids”
About 8 min

Mallory Rubin

“The movie is so special to watch with your kids.”
About 48 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where E.T. the Extra Terrestrial is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before E.T. the Extra Terrestrial, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

4 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables
Mallory Rubin headshotMallory RubinThe Rewatchables

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