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THE REWATCHABLES · September 21, 2021

Dirty Work

A 1998 comedy directed by Bob Saget, covered in the complete Rewatchables archive.

Comedy1990sDirected by Bob Saget
Overall episode#221Source sheet order
Movie year19981990s
Tomatometer20%Critics’ score
Metacritic24View score
Roger Ebert—No review recorded
DirectorBob SagetComedy

FROM THE CONVERSATION

What they said about the movie

The episode argues that Dirty Work is a rough, sketch-like but deeply rewatchable showcase for Norm MacDonald’s persona, made more meaningful by his death. The hosts frame it as a cult movie that captures a specific late-90s comedy style, full of deadpan one-liners, gross-out bits, and chaotic side characters.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01Dense joke rate rewards repeat viewing; they say there are many throwaway lines and bits that land better on rewatch. About 8 min
  2. 02Norm MacDonald’s deadpan delivery and awkward pauses create a unique comic rhythm that viewers want to revisit. Opening minutes
  3. 03The movie functions like a greatest-hits package of Norm’s Weekend Update and late-night persona. About 8 min
  4. 04The supporting chaos from Farley, Rickles, Chevy Chase, and Jim Downey adds layered rewatch value. About 24 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe movie is barely a movie and feels more like a string of sketches than a structured story. Opening minutes
  2. moderateThe PG-13 cut blunts material that probably should have stayed R-rated. About 24 min
  3. minorThe female lead is underwritten and given little to do. About 48 min
  4. minorThe final act feels rushed and the ending is an abrupt wrap-up. About 40 min

SCENES THEY KEPT COMING BACK TO

Standout moments

positive

Opening credits and childhood revenge bit

The opening sets up the revenge-for-hire premise and establishes the movie’s crude, mischievous tone.

About 40 min
Favorite

Frat-house cop prank

Norm’s fake-cop bit and the ensuing high-five/fight sequence are cited as a strong example of the film’s joke stacking.

About 40 min
Favorite

Chevy Chase as Dr. Farthing

The first Chevy scene is singled out for its odd, dry, Fletch-like humor.

About 40 min
Favorite

Don Rickles at the diner/hospital

Rickles’ insult routine is praised as classic and perfectly deployed.

About 40 min
Favorite

Dead hookers in the trunk

The trunk-opening sequence is highlighted as one of the movie’s most outrageous running bits.

About 40 min
Favorite

Dead fish / Scarface-style hold

The dead fish standoff is admired as a broad, almost silent set piece that keeps its ridiculous pose.

About 40 min
Favorite

Jail whisper scene

The whisper-in-the-ear prison bit is treated as a classic Norm setup-payoff scene.

About 40 min
Favorite

Farley releases the skunks

Farley’s skunk rampage is described as the movie’s most unhinged comic burst.

About 32 min
mixed

Ending and wrap-up

The finale is funny but clearly rushed, with an abrupt punchline ending that exposes the movie’s lack of structure.

About 40 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed Opening minutes

Was Dirty Work ahead of its time?

Bill Simmons

Yes; it anticipated a later era of raunchy comedy and would have worked better with an R rating.

Sean Fennessey

Yes, but it also marks the end of the sketch-comedian-movie era rather than the beginning of a new one.

They partly agreed About 16 min

Could Norm have become a movie star?

Bill Simmons

No strong movie lane existed for him; he fit better on Update, late-night TV, or a future streaming show.

Sean Fennessey

He might have worked better in a Curb/Louie-style TV vehicle than in conventional films.

They agreed About 48 min

Chevy Chase versus the rest of the cast

Bill Simmons

Chevy is hilarious and clearly in his own Fletch-like movie.

Sean Fennessey

Chevy is operating on a separate frequency but still complements the film.

They agreed About 24 min

Should the movie have been PG-13?

Bill Simmons

No, the material needed an R rating.

Sean Fennessey

Agrees the PG-13 cut was an unfortunate compromise.

13 People discussedActors, directors, writers, and producers
very favorableNorm MacDonaldBill Simmons: Praised as a genius joke writer, deadpan performer, and the whole reason the movie matters. Opening minutes favorableSean FennesseyBill Simmons: Bill speaks with him as a co-host and straight man for the discussion. Opening minutes
very favorableJim DowneyBill Simmons: Credited as a brilliant Update writer whose style synced with Norm’s deadpan rhythm. About 24 min
favorableArtie LangeSean Fennessey: Seen as a funny, chaotic supporting presence whose casting fits the movie’s tone. About 8 min
very favorableChris FarleyBill Simmons: Described as hilarious and unnerving, especially in the skunk sequence and as a dialed-up chaos agent. About 32 min favorableChevy ChaseSean Fennessey: Praised for his funny, low-key, Fletch-like scenes and for understanding Norm’s comedy. About 32 min favorableDon RicklesBill Simmons: Cited as hilarious in the film and as part of the lineage of late-night comic guests. About 24 min very favorableJack WardenBill Simmons: Admired as a big, funny presence who amplifies the movie’s energy. About 32 min
neutralTrailer HowardBill Simmons: Mentioned as the underwritten girlfriend role in the movie. About 48 min
neutralRebecca RomijnSean Fennessey: Mentioned as one of several cameo-level performers in the movie. About 48 min neutralJohn GoodmanSean Fennessey: Referenced as part of the film’s unexpected cameo roster. About 48 min favorableAdam SandlerBill Simmons: Used as a comparison point for the 90s comedy formula and as a related SNL-movie star. Opening minutes very favorableNorm MacDonaldSean Fennessey: Seen as a late-night and sketch legend whose humor shaped the whole movie and episode. Opening minutes
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Dirty Work as a legacy piece for Norm MacDonald

Bill argues the movie became Norm’s defining film because it is essentially pure Norm and captured his legacy after his death.

Opening minutes
Sean FennesseyLiked it

Dirty Work as a comic persona showcase

Sean says it is less a full movie than a showcase built around one comic persona and a few supporting bits.

Opening minutes
Bill SimmonsLoved it

Norm’s awkward deadpan delivery

Bill loves the moments when Norm pauses awkwardly before the joke and makes ordinary dialogue feel bizarre.

Opening minutes
Sean FennesseyLoved it

Norm MacDonald’s stand-up and Update style

Sean praises Norm as a genius joke writer whose deadpan and boundary-pushing delivery made Weekend Update essential viewing.

About 8 min
Bill SimmonsLiked it

The movie’s late-90s comedy context

Bill places the film within the era when studios made many comedian vehicles and sketch-based comedies.

Opening minutes
Sean FennesseyLiked it

Comedy’s taboo-comfort zone

Sean says Norm’s gift was saying what people were thinking and making uncomfortable material funny without apology.

About 8 min
Bill SimmonsLoved it

Chris Farley

Bill treats Farley’s contribution as one of the movie’s biggest strengths and most unhinged joys.

About 32 min
Sean FennesseyLoved it

Chevy Chase

Sean is enthusiastic about Chevy’s scenes and the way they echo his own comic persona.

About 32 min
Bill SimmonsDid not like it

PG-13 studio compromise

Bill says the movie should have stayed R-rated because the softer version blunts the material.

About 24 min
Sean FennesseyLoved it

Jack Warden

Sean appreciates Warden as a perfect loud counterweight in a movie full of deadpan energy.

About 24 min
4 ThemesThe larger ideas in the discussion

Norm MacDonald as a singular comic persona

The episode centers on the idea that Norm could only really be himself on screen, and that this movie is his best film vehicle because it lets him do Norm.

Opening minutes

Late-90s comedy industrial moment

They place the film inside the era of sketch-comedian vehicles, SNL-star movies, and the shift away from PG-13 gross-out comedies.

Opening minutes

Outrageous comedy without modern guardrails

The discussion emphasizes how Norm’s humor thrived on discomfort, taboo subjects, and the absence of today’s sensitivity norms.

About 8 min

Cult-movie / repeat-viewing culture

The hosts connect the film to pay-per-view loops, cable rewatching, and discovering jokes on successive watches.

About 8 min
25 Facts and referencesProduction notes and other movies mentioned

Production note

The hosts say the movie was edited down from an R-rated cut to PG-13.

Opening minutes

Production note

They claim the movie was only about 78–81 minutes long.

About 8 min

Production note

Norm’s death at age 61 is the reason for covering the film.

Opening minutes

Production note

Bill says he showed the movie to his 13-year-old son, who loved it despite the inappropriate content.

Opening minutes

Production note

They say the movie was based on a Roald Dahl short story.

About 32 min

Production note

They claim NBC did not advertise the film when it was in theaters.

About 48 min

Production note

They mention a cut joke involving donuts photographed around Norm and Artie’s genitals.

About 48 min · medium confidence

Production note

The movie’s budget was said to be $13 million and its box office around $10 million.

About 32 min · medium confidence

Production note

The title joke / ending line 'So he's dead. That's it. Bye.' is treated as a candidate for funniest final line.

About 40 min

Production note

Bill says he edited Norm’s Grantland columns and that Norm often delivered two pieces at once.

About 56 min

Weekend Update

Used as the template for many of Norm’s jokes and delivery choices in the film.

About 8 min

There's Something About Mary

Cited as the movie that changed the comedy landscape and made Dirty Work feel mis-timed.

Opening minutes

Ace Ventura

Used as an example of the 90s star-driven comedy model.

Opening minutes

Tommy Boy

Mentioned as a similar sketch/star vehicle in the Farley era.

Opening minutes

Night at the Roxbury

Referenced as another example of an SNL sketch expanded into a movie.

Opening minutes

Happy Gilmore

Used as a comparison for opening-credit humor and the era’s broad comedy style.

About 40 min

Fletch

Chevy Chase’s performance is compared to his Fletch persona and the film’s ending is likened to a stupider Fletch ending.

About 32 min

Cannonball Run

Referenced as a movie remembered for bloopers in the credits.

About 48 min

The Verdict

Cited by Sean as one of Jack Warden’s best movies.

About 32 min

Heaven Can Wait

Cited by Sean as another standout Jack Warden film.

About 32 min

Conan O'Brien show

Discussed as a key late-night platform where Norm became a chaos agent.

About 16 min

The ESPYs

Used to illustrate Norm’s willingness to do wildly inappropriate live comedy.

About 8 min

SNL Weekend Update

The hosts treat it as Norm’s defining performance space.

About 8 min

The Big Picture

Bill mentions Sean’s other podcast when discussing Norm and comedy.

About 16 min · medium confidence

Dirty Work trailer

The opening includes trailer audio and promotional copy for the film itself.

Opening minutes · low confidence
10 Running jokes and short linesRecurring bits captured from the conversation

Norm as chaos agent

The hosts repeatedly describe Norm as a person who could destabilize any setting while making it funnier.

About 16 min

Late-night Norm stories

They keep returning to Conan, Letterman, Stern, and the ESPYs as proof of Norm’s singular guest persona.

About 8 min

'Better than Ezra' / music-era callback

The hosts keep referencing the band-joke and late-90s soundtrack cues as an era marker.

About 48 min

Recasting couch jokes

Bill and Sean riff on replacing the girlfriend role with a 90s actress like Tiffany Amber Thiessen.

About 48 min

Jack Warden admiration loop

Their praise for Warden leads into a broader side conversation about his career and favorite roles.

About 32 min

Bill Simmons

“It's just Norm for 81 minutes.”
Opening minutes

Sean Fennessey

“Hardly even a movie.”
Opening minutes

Bill Simmons

“Remember, no matter how bad life gets”
About 48 min

Bill Simmons

“So he's dead. That's it. Bye.”
About 40 min

Sean Fennessey

“He was a chaos agent.”
About 16 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Dirty Work is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Dirty Work, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

2 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables

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