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THE REWATCHABLES · August 22, 2023

Cruel Intentions

A 1999 romance / drama directed by Roger Kumble, covered in the complete Rewatchables archive.

RomanceDrama1990sDirected by Roger Kumble
Overall episode#70Source sheet order
Movie year19991990s
Tomatometer55%Critics’ score
Metacritic56View score
Roger Ebert3/4Original star rating
DirectorRoger KumbleRomance / Drama

FROM THE CONVERSATION

What they said about the movie

The hosts treat Cruel Intentions as a highly rewatchable, deeply 1999 teen movie: outrageous, stylish, and often absurd, but elevated by its soundtrack, costumes, locations, and especially Sarah Michelle Gellar’s performance. They repeatedly acknowledge that much of it has aged badly, yet still defend the movie’s energy, iconography, and final stretch.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The soundtrack and music cues are treated as a defining strength of the movie. About 8 min
  2. 02Sarah Michelle Gellar, Selma Blair, and Reese Witherspoon are seen as fun to watch and iconic in these roles. About 8 min
  3. 03The movie’s heightened, ridiculous plotting keeps it entertaining even when it is unbelievable. About 8 min
  4. 04The final third and ending are especially memorable and satisfying. About 32 min
  5. 05The fashion, real estate, and New York setting add to the movie’s repeat value. About 32 min

WHAT DID NOT WORK

Their main criticisms

  1. majorThe movie’s sexual politics and homophobia are badly dated. About 48 min
  2. moderateRyan Phillippe is viewed as awkward, uncharismatic, and poorly chemistry-matched with Reese Witherspoon. About 16 min
  3. moderateSeveral plot mechanics are implausible, especially the Penn Station timing and the car-accident fight scene. About 32 min
  4. moderateSome scenes with heavy sexual staging are so overplayed they become absurd. About 24 min
  5. majorJosh Jackson’s gay character is considered rough and outdated. About 48 min

SCENES THEY KEPT COMING BACK TO

Standout moments

Favorite

The bet in the opening setup

The hosts call the bet to sleep with a girl a foundational, classic setup.

About 8 min
positive

Penn Station escalator reunion

Liked for its romance and music, though the logistics are mocked.

About 24 min
mixed

Breakup confrontation

Seen as the one scene where Ryan Phillippe really acts, even if the conversation remains critical of him overall.

About 32 min
Favorite

The final bathroom showdown and diary reveal

The ending confrontation, shame montage, and Bittersweet Symphony payoff are highlighted as the film’s peak.

About 32 min
positive

The pool scene

Mentioned as a strong, flashy scene built around music and absurd gifts.

About 32 min
Favorite

Quiet time bedroom scene

The Selma Blair ‘quiet time’ bit is treated as a running joke and standout comic beat.

About 32 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 16 min

Is Ryan Phillippe actually good in the movie or at all?

Bill Simmons

Mostly no, though he has a few decent moments and may be funny here.

Amanda Dobbins

He is awkward and has no chemistry with Reese.

Juliet Litman

He is awkward and emotionally off.

They agreed About 56 min

Who wins the movie?

Bill Simmons

Sarah Michelle Gellar wins.

Amanda Dobbins

Agrees Sarah Michelle Gellar wins.

They agreed About 48 min

Was Sarah Michelle Gellar’s career underdeveloped after this?

Amanda Dobbins

Yes, she should have been bigger.

Bill Simmons

Likely yes, due to role choices and TV confinement.

They partly agreed About 48 min

What aged the worst: plot issues or the movie’s sexual politics?

Bill Simmons

Points to Sebastian and the film’s moral structure as problematic but still interesting.

Amanda Dobbins

Says the homophobia is the hardest thing to defend.

12 People discussedActors, directors, writers, and producers
very favorableReese WitherspoonBill Simmons: Praised as an eventual A-lister and one of the hosts’ favorite actresses; her performance and career trajectory are admired. About 8 min very favorableSarah Michelle GellarBill Simmons: Lauded for nailing the role and winning the movie, with her performance treated as the most memorable. About 56 min mixedRyan PhillippeBill Simmons: Seen as awkward and uncharismatic here, though Bill also argues he can be funny and has some good performances elsewhere. About 16 min favorableSelma BlairAmanda Dobbins: Praised as a key part of the film’s energy, though occasionally considered over-the-top. About 32 min
neutralRoger CumbleBill Simmons: Mentioned as the filmmaker who begged Reese to join the project. About 16 min
favorableMichelle PfeifferBill Simmons: Referenced as a favorite who colored Bill’s reaction to Dangerous Liaisons. About 8 min
mixedJosh JacksonBill Simmons: Noted as going for the role but his gay character is criticized as rough and outdated. About 24 min
mixedChristine BaranskiBill Simmons: Her character is considered ridiculous and out of touch, though some lines are liked. About 48 min
favorableSean Patrick ThomasBill Simmons: Liked as a solid supporting presence and treated as Bill’s guy in the conversation. About 48 min
favorableSwoosie KurtzJuliet Litman: Picked as the standout ‘that guy/that girl’ performer for the therapist role. About 56 min
criticalBilly CorganBill Simmons: Mocked for reportedly turning down a song placement. About 48 min favorableAmy MannBill Simmons: Mentioned positively as part of the soundtrack. About 32 min
8 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLiked it

Cruel Intentions

Says he still loves the movie despite its weird and inappropriate aging.

About 8 min
Amanda DobbinsLiked it

Cruel Intentions

Also says she enjoys it while recognizing how problematic it is.

About 8 min
Bill SimmonsLoved it

Reese Witherspoon

Treats Reese as a major star and long-term favorite.

About 8 min
Bill SimmonsMixed

Ryan Phillippe

Argues strongly about whether he has ever been good, though later concedes some performances work.

About 16 min
Amanda DobbinsLoved it

Sarah Michelle Gellar

Says Gellar should have had a bigger career and is great in the film.

About 56 min
Juliet LitmanLoved it

Cruel Intentions soundtrack

Treats the soundtrack as central to why the movie works and remembers it fondly.

About 8 min
Bill SimmonsLoved it

the ending montage with Bittersweet Symphony

Calls the last five minutes transcendent and the movie’s best stretch.

About 32 min
Amanda DobbinsLiked it

teen sex on screen

Argues that the movie’s appeal comes from seeing sex treated more directly than in most teen movies.

About 1:04
5 ThemesThe larger ideas in the discussion

Teen-movie excess at the peak of 1999

The episode frames the film as a key example of late-90s teen cinema pushed to its limit.

About 8 min

Class, sex, and manipulation

The bet, seduction, and social power games are central to the discussion of the movie’s plot and appeal.

About 8 min

The rise of 1999 stars

The episode treats the film as an origin point or major boost for Reese Witherspoon, Sarah Michelle Gellar, and Selma Blair.

About 8 min

Aged-badly elements versus enduring pop-culture charm

The conversation balances modern discomfort with the movie’s still-effective style and energy.

About 8 min

Soundtrack as identity

Music is presented as inseparable from the movie’s meaning and memory.

About 8 min
21 Facts and referencesProduction notes and other movies mentioned

Production note

Roger Cumble reportedly begged Reese Witherspoon to do the film and promised only 15 shooting days.

About 16 min

Production note

Bill calls Reese’s real first name Laura and says Laura Witherspoon would not work as well.

About 16 min

Production note

The movie’s R rating was contractually required by producer Neil Moritz.

About 48 min

Production note

Bittersweet Symphony reportedly cost close to a million dollars and about 10 percent of the budget.

About 48 min

Production note

The soundtrack was nearly different because Billy Corgan reportedly turned down To Sheila.

About 48 min

Production note

The movie included an explicit revenge-porn-style opening sequence featuring Tara Reid.

About 40 min

Production note

The film’s Catholic symbolism and coke-cross imagery are treated as a striking part of the movie’s style.

About 32 min

Dangerous Liaisons

Used as the direct predecessor and adult counterpart to Cruel Intentions.

About 8 min

The Sopranos

Bill uses it to argue for Sebastian as an early anti-hero.

About 24 min

Fast Times at Ridgemont High

Cited as an earlier naughty teen movie tradition.

About 8 min

Scream

Used as a teen-movie benchmark and comparison for casting/genre effect.

About 8 min

She’s All That

Mentioned as another bet-based teen movie.

About 8 min

The Perfect Date

Referenced as a more recent variant of the same teen-bet formula.

About 8 min

10 Things I Hate About You

Used as another 1999 teen romance adjacent to the film’s setup.

About 8 min

Pulp Fiction

Bill jokes about the line being able to fit anywhere in the movie, using the kind of quote-commentary style associated with iconic dialogue.

About 24 min · low confidence

The Brady Bunch

Referenced to explain the ‘Marsha Brady’ line.

About 1:04

Buffy

Used as the show that made Sarah Michelle Gellar famous before this film.

About 8 min

Dawson’s Creek

Cited as part of the late-90s teen TV environment and as a place where Counting Crows was used heavily.

About 40 min

Jerry Maguire

Used as an example of watching an R-rated movie with parents.

About 16 min

He Got Game

Another parental R-rated viewing anecdote.

About 16 min

Officer and a Gentleman

Another example of awkward family movie-viewing.

About 16 min
10 Running jokes and short linesRecurring bits captured from the conversation

Reese-Ryan rule

Bill’s theory that when one partner in a celebrity couple ascends, the relationship cannot last.

About 16 min

Quiet time

Selma Blair’s line becomes a recurring joke, especially in Bill’s house.

About 32 min

Apex Mountain

The hosts repeatedly use their Apex Mountain bit to rank careers and moments, including Gellar, Phillippe, and Counting Crows.

About 56 min

New York real estate scouting

Juliet enthusiastically analyzes the likely neighborhoods and property layouts in the movie.

About 32 min

1999 teen-movie era

The hosts repeatedly situate the film in a larger 1999 teen-cinema wave.

About 8 min

Bill Simmons

“I'm the only person you can't have”
About 8 min

Bill Simmons

“I'm the Marsha fucking Brady”
About 32 min

Bill Simmons

“email is for geeks and pedophiles”
About 32 min

Bill Simmons

“This is what I like to call quiet time”
About 32 min

Bill Simmons

“You mean nothing to me”
About 32 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Cruel Intentions is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Cruel Intentions, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Juliet LitmanThe Rewatchables
Amanda Dobbins headshotAmanda DobbinsThe Rewatchables

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