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THE REWATCHABLES · January 27, 2025

Before Sunrise

A 1995 romance / drama movie directed by Richard Linklater—and decision no. 40 in the Hanks–Cruise tape.

RomanceDrama1990sDirected by Richard Linklater
Before Sunrise1995MOVIE
Podcast episode#379No. 390 overall
Movie year19951990s release
Tomatometer100%No. 1 of 128 tracked
Metacritic79View score
Roger Ebert3/4Original star rating
State of the raceHanks led by 422–18 · 0 ties

FROM THE CONVERSATION

What they said about the movie

A highly enthusiastic discussion of Before Sunrise as a near-perfect Gen X romantic hangout movie: a time capsule of pre-internet connection, a beautifully captured one-night relationship, and a Linklater/Hawke/Delpy collaboration that feels both intimate and timeless.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The conversation itself is driven by the film’s emotional rewatch value and its ability to bring viewers back to their younger selves. Opening minutes
  2. 02The long train-to-Vienna conversation and one-shot feel make the opening instantly engaging and naturalistic. About 8 min
  3. 03The listening booth scene is treated as a magical centerpiece and a favorite take from the movie. About 8 min
  4. 04The ending montage of places they visited is highlighted as a brilliant payoff and a great rewatchable final sequence. About 48 min
  5. 05The movie’s dialogue is packed with quotable, philosophically playful lines that reward revisiting. About 40 min

WHAT DID NOT WORK

Their main criticisms

  1. minorThe closing song choice is questioned as not being the most 1995-specific option, though the hosts still like it. About 48 min
  2. minorThe film’s lack of smoking feels slightly odd for the era to one host. About 40 min
  3. minorA few moments of the movie’s romantic premise could be seen as sentimental or less believable in lesser hands. About 8 min

SCENES THEY KEPT COMING BACK TO

Standout moments

positive

Opening foreign-language argument on the train

The film begins with a quarrelsome older couple, immediately establishing voice and lived-in intimacy.

About 40 min
Favorite

Jesse convinces Celine to get off the train

The time-travel pitch is praised as a brilliant, funny, emotionally persuasive move.

About 40 min
Favorite

Long bus ride and soul theory

Jesse’s extended soul philosophy is treated as one of the film’s funniest and smartest stretches.

About 32 min
Favorite

Listening booth at the record shop

The silent song-listening moment is hailed as magical and the likely best rewatchable scene.

About 32 min
positive

Fortune teller/palm reader encounter

The palm-reader scene is appreciated as one of Jesse’s most absurdly charming bits.

About 32 min
positive

Poet in the park

The homeless poet and his poem are admired as a sweet, slightly absurd flourish that elevates the night.

About 32 min
Favorite

Ending train-platform farewell and montage of locations

The closing sequence is praised for turning memory into romantic payoff.

About 48 min

WHERE THEY DISAGREED

The biggest debates

They partly agreed About 16 min

Is the ending romantic or cynical?

Bill Simmons

The movie is ultimately more romantic, with a 51/49 tilt toward Celine and hope.

Chris Ryan

The ending depends on whether you believe they will reconnect or see the relationship collapse.

Sean Fennessey

The film’s cynicism is a protective shell, but the movie itself bends toward romance.

They partly agreed About 32 min

What is the best age to see the movie?

Bill Simmons

Roughly 23, in early adulthood and close to the characters' age.

Chris Ryan

Summer after freshman year of college, after some exposure to travel but before overthinking it.

Sean Fennessey

About 24 or 25, with enough experience to understand the emotional stakes.

They agreed About 48 min

Who should have played Jesse and whether Cruise or Hanks fits better?

Bill Simmons

Leans Tom Cruise for weird, nervy charisma and comic motor-mouth energy.

Chris Ryan

Leans Cruise as well but notes Hanks could also have worked in a different version.

Sean Fennessey

Ultimately argues Cruise is the better fit because the role needs neurosis, not just charm.

They left it as a friendly argument About 40 min

Does the movie need smoking?

Sean Fennessey

It feels strange that there are no cigarettes in a mid-90s Vienna romance.

Bill Simmons

The absence of smoking may make it feel more modern and less dated.

12 People discussedActors, directors, writers, and producers
very favorableEthan HawkeBill Simmons: Praised as the ideal Jesse: cool-looking but insecure, romantic, and uniquely suited to Linklater’s style. About 24 min very favorableJulie DelpyBill Simmons: Celebrated for her intelligence, warmth, beauty, and ability to articulate the movie’s deepest ideas. About 16 min very favorableRichard LinklaterBill Simmons: Admired as a romantic, wise, and invisible filmmaker who made the material feel real and timeless. About 8 min
favorableKim KrizanSean Fennessey: Credited as Linklater’s writing partner on the script and discussed as part of the film’s development. About 32 min
favorableRoger EbertBill Simmons: Referenced for his three-star review and his description of the movie as a love affair for Generation X. About 32 min mixedCameron CroweBill Simmons: Used as a contrast case for sentimental filmmaking that works in Almost Famous but not in Elizabethtown. About 8 min favorableTom CruiseSean Fennessey: Proposed as a possible Jesse because of his nervy, weird energy and fast-talking charm. About 48 min mixedTom HanksSean Fennessey: Considered but rejected as less neurotic than the part needs, even though he could still be good. About 48 min favorablePhilip Seymour HoffmanBill Simmons: Imagined as a likely fit for the poet or other small roles in the movie’s Vienna world. About 48 min
favorableKath BloomBill Simmons: Her song and later career bump are cited as one of the film’s cultural aftereffects. About 40 min
favorableJames JoyceChris Ryan: Used as a major reference point because the film shares structural echoes with Ulysses. About 40 min
neutralAmy LehrhauptSean Fennessey: Described as the real-life woman who inspired the film after Linklater met her in Philadelphia. About 48 min
10 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

Before Sunrise as a perfect movie of its type

Argues the film achieved everything it wanted to do and has aged perfectly.

Opening minutes
Chris RyanLoved it

Before Sunrise as pre-internet connection fantasy

Frames the movie as a time capsule of a more difficult era for meeting and sustaining connections.

About 8 min
Sean FennesseyLoved it

Before Sunrise as the best version of the philosophical hangout movie

Sees it as the peak of the indie conversational romance subgenre.

About 8 min
Bill SimmonsLiked it

Jesse's romantic cynicism

Argues Jesse is pretending not to believe in love, even though he is deeply romantic.

About 16 min
Sean FennesseyLoved it

The listening booth

Treats it as the movie’s standout scene and one of Hawke’s best filmed moments.

About 32 min
Chris RyanLoved it

Linklater as an accumulator of lived-in theories and anecdotes

Says Linklater’s talent is turning other people’s cool observations into cinema.

About 24 min
Bill SimmonsLoved it

Casting actors who can write with Linklater

Says the movie works because Hawke and Delpy could write and shape the dialogue with Linklater.

About 24 min
Sean FennesseyLiked it

Tom Cruise as Jesse

Argues Cruise would have been a great alternate Jesse because of his nervous, weird charisma.

About 48 min
Chris RyanLoved it

The ending as the film’s great romantic hinge

Likes the ending because it allows the viewer’s romantic or cynical instincts to define the movie.

About 16 min
Bill SimmonsLoved it

Human connection over achievement

Returns to the idea that the movie says connecting with someone matters more than being great at one thing.

About 16 min
5 ThemesThe larger ideas in the discussion

Connection as quasi-religion

The movie argues that the attempt to understand another person is where the magic of life lives.

About 16 min

Pre-internet romance

The film is framed as a time capsule of a period when losing a number or not getting a callback could end a connection forever.

About 8 min

Romantic vs. cynical worldview

Jesse and Celine are discussed as embodying opposing but intertwined stances toward love and self-protection.

About 16 min

Youth as improvisational philosophy

The characters are portrayed as young people free from responsibility, making up theories, bits, and identities as they go.

About 8 min

Linklater’s collaborative method

The film’s authenticity is tied to actors helping write and rehearse the dialogue into something lived-in.

About 24 min
23 Facts and referencesProduction notes and other movies mentioned

Production note

The film was inspired by Richard Linklater’s meeting with Amy Lehrhaupt in Philadelphia in 1989.

About 48 min

Production note

The movie was shot as a very carefully rehearsed, largely play-like collaboration with a finished script that kept evolving.

About 24 min

Production note

Julie Delpy and Ethan Hawke were reportedly the last two options considered for the lead roles, with other actors also in contention.

About 24 min

Production note

The film premiered at Sundance in 1995 alongside several major indie titles.

About 32 min

Production note

The budget was about $2.5 million and the film made about $22.5 million.

About 32 min

Production note

The film takes place over June 16-17, 1994, the same day as the O.J. chase and other major sports/news events.

About 40 min

Production note

Kath Bloom’s song choice and performance were central enough that the hosts call it a defining musical moment.

About 32 min

Production note

A real-life train-platform goodbye is the movie’s final emotional image, timed carefully with the train.

About 48 min

Singles

Used as an example of the emotional philosophical hangout movie subgenre.

About 8 min

Kicking and Screaming

Cited as another talky early-20s indie about wandering and identity.

About 8 min

Reality Bites

Referenced as part of the Gen X hangout-cinema canon and as an Ethan Hawke title.

About 8 min

The Graduate

Used as a structural comparison for the train-station farewell setup.

About 40 min

The Third Man

Cited as a Vienna-set film with a famous Ferris wheel that this movie echoes.

About 48 min

My Darling Clementine

Mentioned as an echo in the listening booth sequence.

About 48 min · medium confidence

After Hours

Used as the Scorsese example of one-night urban wandering.

About 48 min

Boyhood

Linked to Jesse as the backstory seed for Linklater’s later coming-of-age project.

About 24 min

Ulysses

Compared structurally to the film because both occur on June 16 and involve wandering through a city.

About 40 min

Casablanca

One host claims this movie is more romantic than Casablanca.

About 48 min

Gone with the Wind

Listed alongside other grand romances that one host thinks this film surpasses emotionally.

About 48 min

Titanic

Included in the same comparison about emotional romance versus scale.

About 48 min

Heat

Referenced as a current obsession and as an example of a movie whose scenes can be nitpicked endlessly.

About 56 min

The White Shadow

Referenced in a story about a character crossing over into St. Elsewhere.

About 40 min

St. Elsewhere

Mentioned in the crossover anecdote involving characters from The White Shadow.

About 40 min
10 Running jokes and short linesRecurring bits captured from the conversation

Gen X time-capsule riff

The hosts keep returning to how the movie encapsulates pre-internet Gen X life and the feeling of wandering without digital support.

About 8 min

Sports analogies for romance

Bill repeatedly translates emotional stakes into football, baseball, and betting metaphors.

About 16 min

Category improvisation and 'awards'

The discussion keeps inventing mock awards and alternate categories as part of the Rewatchables format.

About 48 min

Movie-crossover fantasy

The hosts joke about characters from other movies wandering into Vienna and creating an indie-multiverse.

About 56 min

Bill’s physical-media/deal obsession

A running aside about buying 4K discs and Criterion releases.

About 40 min

Bill Simmons

“It achieved every single thing it wanted to do.”
Opening minutes

Sean Fennessey

“The answer must be in the attempt.”
About 16 min

Bill Simmons

“Being with you has made me feel like I'm somebody else.”
About 24 min

Sean Fennessey

“Let's just get off this train.”
About 40 min

Bill Simmons

“I drink your milkshake!”
About 56 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where Before Sunrise is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before Before Sunrise, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

3 voices made the call

Bill Simmons headshotBill Simmons125 tracked appearances · 56 H / 64 C / 5 ties
Chris Ryan headshotChris Ryan77 tracked appearances · 36 H / 38 C / 3 ties
Sean Fennessey headshotSean Fennessey35 tracked appearances · 15 H / 17 C / 3 ties

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