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THE REWATCHABLES · September 19, 2023

A Bronx Tale

A 2003 crime / drama directed by Robert De Niro, covered in the complete Rewatchables archive.

CrimeDrama2000sDirected by Robert De Niro
Overall episode#325Source sheet order
Movie year20032000s
Tomatometer97%Critics’ score
Metacritic80View score
Roger Ebert4/4Original star rating
DirectorRobert De NiroCrime / Drama

FROM THE CONVERSATION

What they said about the movie

The episode treats A Bronx Tale as a memorable, highly rewatchable father-son coming-of-age movie more than a straight gangster picture. The hosts praise its lived-in neighborhood detail, De Niro's vulnerable performance, Palminteri's ideas about fatherhood and masculinity, and the film's lessons about fear, love, and wasted talent, while also noting some awkward or repetitive elements borrowed from Goodfellas and some dated racial material.
Based only on this episode’s transcriptTimes approximateSpeakers were clearly identifiedExplore the connections

WHY IT WORKS

What made it rewatchable

  1. 01The father-son conflict gives the movie a strong emotional core and makes viewers reassess it at different life stages. Opening minutes
  2. 02The film captures a specific Bronx neighborhood world with strong period detail and recognizable social dynamics. About 8 min
  3. 03De Niro's performance as Lorenzo adds quiet tenderness and gives the movie weight. About 32 min
  4. 04Chaz Palminteri's story and dialogue provide memorable life lessons and quotable scenes. About 1:04
  5. 05The key scenes are highly rewatchable, especially the craps game, the biker-bar confrontation, and the funeral/pesci cameo. About 56 min

WHAT DID NOT WORK

Their main criticisms

  1. moderateThe opening bar introduction feels too much like a Goodfellas repeat. About 56 min
  2. moderateThe racial language and 1960s racism are jarring and sometimes not handled convincingly. About 1:12
  3. minorThe biker fight seems implausible, with out-of-shape Italians beating a biker gang. About 1:20
  4. moderateLillo Brancato Jr.'s offscreen life casts a shadow over the 'wasted talent' theme. About 32 min
  5. minorThe movie occasionally feels like a first-time filmmaker's straightforward shot-reverse-shot approach. About 1:12

SCENES THEY KEPT COMING BACK TO

Standout moments

positive

Opening neighborhood / title sequence

The doo-wop, street setting, and young C in the Bronx establish the movie's nostalgic world.

About 40 min
Favorite

Lorenzo and Sonny as competing father figures

The central dynamic is framed as C being pulled between honest, strict Lorenzo and charismatic Sonny.

Opening minutes
positive

The Yankees / Mickey Mantle lesson

Sonny quickly deflates C's hero worship of the Yankees by reminding him that celebrities do not care about him.

About 16 min
Favorite

The craps game

A long, lively craps sequence introduces the neighborhood's supporting cast and gambling texture.

About 56 min
Favorite

The biker-bar confrontation

The crew stands up to the Satan's Messengers, though the hosts question the realism of the fight.

About 1:20
positive

The door test scene

Sonny tests Jane's behavior at the car door, a recurring bit the hosts use to discuss relationship rules.

About 48 min
Favorite

Sonny saving C from the car bomb

Sonny warns C away from the fatal car ride and later explains the danger of trusting nobody.

About 48 min
mixed

The funeral

The funeral shows that Sonny's fear-based rule produced little real grief.

About 40 min
Favorite

The bus-driver confrontation / boxing scene

The confrontation between C and Lorenzo over the father's life and dignity is singled out as emotionally devastating.

About 1:12

WHERE THEY DISAGREED

The biggest debates

They agreed Opening minutes

Is A Bronx Tale really a mafia movie or mostly a father-son drama?

Bill Simmons

It is primarily a father-son movie with mafia elements.

Chris Ryan

It sits in the Italian crime tradition but is more about family and values than gangster action.

No final agreement About 8 min

Is Sonny a better father figure than Lorenzo?

Van Lathan

Sonny may be the better father because he offers opportunity and freedom.

Bill Simmons

Lorenzo is the responsible real father, but Sonny is more exciting and influential.

They partly agreed About 40 min

Does Sonny's code of fear work?

Bill Simmons

Fear is effective but morally limited.

Chris Ryan

Fear lasts longer but isolates the person using it.

They partly agreed About 56 min

Did the movie borrow too much from Goodfellas?

Van Lathan

Yes, especially the bar-introduction energy.

Sean Fennessey

Maybe, but it could also be a purposeful conversation with the earlier film.

No final agreement About 1:28

Who planted the car bomb?

Bill Simmons

Probably another crew, possibly the same people trying to kill Sonny.

Chris Ryan

The movie leaves it intentionally vague.

They partly agreed About 1:36

Would a black-cast remake work?

Van Lathan

Yes, as a reimagined Bronx tale with a black cast.

Bill Simmons

It could work if it kept the same core story and setting logic.

19 People discussedActors, directors, writers, and producers
favorableRobert De NiroBill Simmons: Praised for choosing the project, directing it, and playing Lorenzo with unusual softness and vulnerability. Opening minutes
very favorableChaz PalminteriBill Simmons: Valued as the original one-man-show author whose story and dialogue drive the film. About 56 min
mixedLillo Brancato Jr.Bill Simmons: Praised for the role of C, but his later real-life troubles are discussed as an ironic echo of the film's 'wasted talent' message. About 24 min
favorableJoe PesciBill Simmons: His brief final-scene appearance is treated as a great applause-moment cameo. About 40 min favorableMartin ScorseseSean Fennessey: Used as the benchmark for what a more kinetic version of the story might have been like. About 1:12
favorableTony SopranoChris Ryan: Discussed as a character Sonny strongly influenced, especially in his mix of likability, violence, and family code. About 32 min
favorableThe SopranosBill Simmons: Referenced as a show strongly shaped by the film's code, fatherhood, and neighborhood worldview. About 32 min
neutralFrank VincentBill Simmons: Mentioned in trivia about a scene that never got filmed. About 48 min · medium confidence
neutralCatherine NarducciBill Simmons: Referenced in casting trivia and as Artie's wife on The Sopranos. About 1:04
favorableTerrell HicksSean Fennessey: Praised for her striking bus scene and later mention as part of the film's casting success. About 1:12
neutralMickey MantleBill Simmons: Used as a baseball reference in Sonny's lesson about not caring about celebrities who do not know you. About 48 min
neutralDeion SandersBill Simmons: Cited as a sports example of a star changing teams and disappointing fans. About 56 min
neutralRoger ClemensBill Simmons: Another sports example used to illustrate the lesson that fans move on. About 56 min
neutralJohnny DamonBill Simmons: Referenced as a more shocking sports defection for a later generation. About 56 min
neutralDenzel WashingtonVan Lathan: Mentioned in a discussion of black movie channels and star rotations. About 1:04
neutralBill BelichickBill Simmons: Used as a comparison for De Niro's terse public persona. About 32 min
neutralJohnny ManzielBill Simmons: Used as a modern shorthand for wasted potential. About 24 min
neutralEdward FurlongBill Simmons: Included as another example of a talent story gone wrong. About 24 min
neutralScarJo WickBill Simmons: A joking reference to John Wick wardrobe, not directly tied to the film under discussion. About 56 min · low confidence
14 Conversation takesSpeakers shown only where the transcript identifies them
Bill SimmonsLoved it

A Bronx Tale as a father-son movie

Bill argues the film works because it is fundamentally about competing father figures rather than just mafia life.

Opening minutes
Van LathanLiked it

Catch Me If You Can as a father-son movie

Van accepts that it can count as a father-son story, though he questions some entries on Bill's list.

Opening minutes
Chris RyanLiked it

symbolic fathers in movies

Chris says many movies have symbolic father figures, but few center on actual father-son relationships.

Opening minutes
Sean FennesseyLoved it

A Bronx Tale

Sean praises the movie's concept and the way it captures a kid wanting to live inside both men's worlds.

Opening minutes
Van LathanLiked it

Lorenzo

Van says his own experience with a stricter father makes Lorenzo's warnings and limitations feel real.

About 8 min
Bill SimmonsLoved it

the Bronx neighborhood and 1960s setting

Bill argues the movie accurately depicts a tight neighborhood world and the social pressure of the era.

About 8 min
Chris RyanLiked it

The Sopranos influence

Chris agrees the film is important to the evolution of Italian-American crime storytelling and TV antiheroes.

About 32 min
Sean FennesseyLoved it

Robert De Niro

Sean says De Niro's quiet bus-driver role shows a softness and vulnerability he did not expect from later-period De Niro.

About 32 min
Bill SimmonsLiked it

Lillo Brancato Jr.

Bill thinks Brancato's performance made him seem like a future star and later feels the real-life irony of the movie's title lesson.

About 32 min
Chris RyanMixed

the funeral

Chris says the funeral's indifference proves Sonny chose a life where people would only fear him.

About 40 min
Van LathanDid not like it

the bar introduction

Van says the early bar scene feels too much like Goodfellas and ranks it among the weaker elements.

About 56 min
Bill SimmonsLoved it

the craps scene

Bill treats the craps sequence as one of the movie's best and most rewatchable scenes.

About 1:04
Sean FennesseyMixed

A Bronx Tale

Sean likes the movie but thinks Scorsese would have made it more thrilling and cinematic.

About 1:12
Craig HorlbeckLiked it

parental advice and adulthood

Craig says the movie resonates because parents' repetitive advice often proves correct as kids get older.

About 1:20
6 ThemesThe larger ideas in the discussion

Fatherhood and surrogate fathers

The core tension is between Lorenzo's hard-edged, responsible fathering and Sonny's charismatic, dangerous mentorship.

Opening minutes

Fear versus love

Sonny's code that fear lasts longer than love becomes a central lesson, though the hosts debate whether it is actually true.

About 40 min

Wasted talent

The movie's most famous lesson becomes an ironic real-life echo through Brancato's later downfall.

About 24 min

Immigrant work ethic versus youth aspiration

Lorenzo's bus-driving life represents sacrifice and stability, while C is drawn to the world and higher ambition.

About 8 min

Neighborhood codes and masculinity

The episode treats the Bronx as a code-driven social world shaped by respect, shame, and violence.

About 16 min

The fading mythology of organized crime

The hosts argue the movie sits at a moment when old-school neighborhood mafia morality is giving way to a more corrupt, drug-driven era.

About 16 min
25 Facts and referencesProduction notes and other movies mentioned

Production note

A Bronx Tale began as a one-man show before becoming a film.

About 56 min

Production note

The title role was tied to Palminteri's real name, Calogero Lorenzo Palminteri.

About 48 min

Production note

De Niro learned to drive a bus and obtained a commercial driver's license for the role.

About 48 min

Production note

Brancato was found from a large New York casting search rather than as an established young actor.

About 32 min

Production note

Eddie Mush was eventually played by the real Eddie Mush after casting trouble.

About 48 min

Production note

Some scenes were shot in Astoria, which the hosts connect to their own families and neighborhood memories.

About 16 min

Production note

The film is set in 1968, which the hosts treat as a major social flashpoint.

About 16 min

Production note

The movie became a musical later, which several hosts dislike as an idea.

About 1:20

Production note

Chaz Palminteri reportedly combined traits from two men he knew to create Sonny.

About 1:12 · medium confidence

Production note

The movie includes a brief Joe Pesci appearance in the final scene.

About 40 min

Goodfellas

Used repeatedly as the comparison point for the film's opening, mob texture, and cast overlap.

Opening minutes

The Godfather

Invoked in the father-son film conversation and the mafia tradition discussion.

Opening minutes

The Sopranos

Used to argue the movie heavily influenced later mafia TV, especially Tony Soprano's code and masculinity.

About 32 min

Mickey Mantle

Used in Sonny's lesson that celebrities do not care about individual fans.

About 16 min

Doo-wop

The soundtrack and neighborhood atmosphere are tied to doo-wop and street-corner music.

Opening minutes

Stickball

Used as a nostalgic neighborhood image and a marker of the movie's period detail.

About 1:12

The Wire

Used in a digression about the 'snot boogie' logic of gambling scenes and social codes.

About 56 min · medium confidence

A Clockwork Orange

Craig mentions watching it as a way to rebel and express himself.

About 1:20 · medium confidence

Shane

Craig says he'd sit down and watch it with his father now if he could.

About 1:20

Bonanza

Mentioned as one of Lorenzo's old TV favorites.

About 40 min

Black Starz / Starz black movie channel

Used in a digression about movie channels and what counts as a 'black movie.'

About 1:04

Django Unchained

Referenced as another example of racist villains being burned alive.

About 1:12 · medium confidence

John Wick 4

Mentioned in a side conversation about rewatchability and wardrobe.

About 56 min · low confidence

The Irishman

Used in a joke about Brancato's short career arc and Pesci's character type.

About 40 min · medium confidence

Boys Life

Sean and Chris both choose it as the best double feature with A Bronx Tale.

About 1:12
12 Running jokes and short linesRecurring bits captured from the conversation

Black-hat / Ahsoka banter

The opening includes unrelated jokes about other Ringer feeds, Ahsoka, and CR being feared online.

Opening minutes

Fear versus love maxims

The hosts keep returning to Sonny's line that fear lasts longer than love and applying it to sports, parents, and work.

About 40 min

The door test

A recurring relationship test where Sonny checks whether a woman opens the car door for him.

About 48 min

The Mario test

A crude loyalty test involving a sexual act, discussed as one of Sonny's terrible rules.

About 48 min

The $20 rule

Sonny's belief that a small bribe can remove a problem forever becomes a shorthand for bribery and petty corruption.

About 48 min

Mush / Eddie Mush jokes

Eddie Mush becomes a running shorthand for a doomed gambler or bad beat.

About 1:04

Black movie channel / Stars digression

Van and Chris riff on black movie channels and which movies count as 'black movies.'

About 1:04

Bill Simmons

“The saddest thing in life is wasted talent.”
About 1:04

Bill Simmons

“Fear lasts longer than love.”
About 40 min

Chris Ryan

“Nobody cares.”
About 40 min

Van Lathan

“It don't take much strength to pull a trigger”
About 1:04

Bill Simmons

“The door test is the fucking best.”
About 48 min

MAKE IT A MOVIE NIGHT

Where to watch

UNITED STATES

Checking where A Bronx Tale is available…

WHAT TO WATCH NEXT

Movies to watch before and after.

Three movies to watch before A Bronx Tale, and three to watch next.

Finding six movies…Three to watch first and three to watch next.
Includes a Rewatchables episodePosters from TMDB.

ON THE MIC

4 voices on this episode

Bill Simmons headshotBill SimmonsThe Rewatchables
Chris Ryan headshotChris RyanThe Rewatchables
Sean Fennessey headshotSean FennesseyThe Rewatchables
Van Lathan headshotVan LathanThe Rewatchables

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